[youtube http://www.youtube.com/watch?v=rQDN9j_kKV0&w=560&h=315]
From the group that brought you last summer’s hit “Hot Cheetos & Takis” comes another song on a subject hip-hop has heretofore seldom considered: school uniform swag. The song, “Khaki Pants,” which dropped earlier this month, is an ode to school uniform bottom wear, and it comes complete with its own accompanying dance. According to the video, the song, presented by Y.N.Rich Kids, is performed by the NSJ crew (although, as Grantland points out, it’s unclear what the relationship between the two groups is).
“Walking through the school in my khaki pants, when they see how I be fresh, they do the khaki dance,” raps one member the group. “Yeah, we got ‘Hot Cheetos & Taki’ fans, but after this, you gon’ wanna do the khaki dance,” raps another member.
The video, which has more than 134,240 views on YouTube as of this writing follows last summer’s release of Y.N. Rich Kids’ video “Hot Cheetos & Takis,” which has over 6 million views on YouTube. The young group is a product of the North Community YMCA’s Beats and Rhymes program in Minneapolis. The program is “designed to provide challenging, positive youth and career development opportunities for low income, culturally-diverse youth,” according to its website.
original article by Rebecca Klein via huffingtonpost.com; additions and updates by Lori Lakin Hutcherson
Posts published in “Music”
The beautiful New York City brownstone once an incubator for “Bitches Brew,” breathed an “Essence of Miles.”
What took place was a commemoration of Miles Davis through the installation of a “cultural medallion” on the brownstone at 312 West 77 Street, Manhattan. Barbaralee Diamonstein-Spielvogel, Chairperson of the Historic Landmarks Preservation Center opened the dedication where all hands were on deck.
Old friends and family spoke at the event. Author-Biographer Quincy Troupe followed reading excerpts from his works describing Miles. Next up was composer/ arranger son of Jimmy Heath, Mtume, who expressed his experiences with the “genius.” Others who spoke were Lee Konitz, Gary Bartz, Wallace Roney, Phil Schaap, George Coleman and Miles’ nephew from Los Angeles drummer Vince Wilburn, Jr. Also present were Bill Saxton owner of Harlem’s Bill’s Place, Noah Evans son of arranger Gil Evans, Juini Booth bassist for Thelonious Monk and SunRa plus Sandra Trim-DaCosta (former Director of Marketing, Columbia Records/SONY Music) who worked closely with Miles for several years, after being assigned by the late legendary music industry executive Dr. George Butler (former Sr. Vice President, A&R, Columbia Records) to develop the overall marketing campaign for Miles and his recordings for the label … Dr. Butler played a significant role in the jazz icon’s return to the music scene and we are forever grateful to him for his tenacity and vision for Miles.
Of course, music filled the air and that was provided by Wallace Roney on trumpet, Gary Bartz on alto sax with Monty Alexander on keys. They performed a swinging version of Miles’ infamous “If I Were a Bell” a tune often used on the seventies hit The Cosby Show whenever a doorbell was written into the script. The trio was backed by the Advanced Jazz Combo at Harlem School of the Arts a brilliant young quartet with Matthew Whitaker on keys, Frank Rankin on Guitar, Dominic Gervais on drums and Oren Maximov on bass under the directorship of D.D. Jackson. An elegant set was provided by these young men prior to the event. All those present knew, contrary to popular belief, on this day… “Miles Smiles.”
article via eurweb.com
The clip, entitled “Cherishing Life’s Special Moments,” seeks to raise awareness about the importance of speaking with your doctor about prostate cancer.
Prostate cancer is the second most common cause of cancer death for men in the United States, affecting one in six men, according to PCF. In the U.S. alone, 2.5 million American men and their families are currently living with prostate cancer.
“As a father, I cherish the special moments in life and understand how they can fly by in an instant,” said Quincy Jones. “Prostate cancer has affected dear friends and family of mine, so I am honored to be part of this campaign with Stand Up To Cancer and the Prostate Cancer Foundation to reinforce how incredibly important it is for men to talk to their doctors about prostate cancer.”
“I was excited to shoot this PSA with my father,” said Rashida Jones. “We have to protect the men we cherish, so please talk to your fathers, your grandfathers, husbands, brothers and sons and make sure they speak to their doctors about this disease and how to reduce their risk.”
“Men are 40 percent less likely than women to have visited a healthcare provider in the past year…But talking to one’s doctor about prostate cancer is critically important,” said Stand Up To Cancer President & CEO Sung Poblete, PhD, RN. “We are thrilled to have the father and daughter pair of Quincy and Rashida Jones spread that message through this PSA, and hope it empowers men to speak with their doctors about prostate cancer and when screening is right for them so they can make informed decisions.”
To learn more, visit StandUp2Cancer.org or PCF.org.
article via thegrio.com
Not long after the curtain rises on the second act of “The Trip to Bountiful,” the Broadway revival of the Horton Foote play at the Stephen Sondheim Theater, something unusual happens. Cicely Tyson, as Mrs. Carrie Watts, sits on a bus station bench in a small Texas town. She is on the run from her abusive daughter-in-law and henpecked son in Houston, desperate to see the family farm in Bountiful once more before she dies.
Audience members join in as Ms. Tyson sings “Blessed Assurance.” Overcome with emotion, she begins singing an old Protestant hymn, “Blessed Assurance.”
From the first note, there’s a palpable stirring among many of the black patrons in the audience, which the play, with its mostly black cast, draws in large numbers. When Ms. Tyson jumps to her feet, spreads her arms and picks up the volume, they start singing along. On some nights it’s a muted accompaniment. On other nights, and especially at Sunday matinees, it’s a full-throated chorus that rocks the theater.
LOS ANGELES (AP) — Clarence Burke Jr., lead singer of the group the Five Stairsteps that sang the 1970 hit “O-o-h Child,” (see video below) has died. He was 64.
His manager, Joe Marno, says Burke died Sunday in Marietta, Georgia, where he lived. The cause of his death was not disclosed. Formed in Chicago in 1965, the Five Stairsteps included Burke and four siblings.
The group had several hits in the 1960s and ’70s, including “You Waited Too Long,” ”World of Fantasy,” and “Don’t Change Your Love.”
The Los Angeles Times says the group disbanded in the late 1970s but the brothers briefly reformed as the Invisible Man’s Band and had a 1980 success with the dance single “All Night Thing.” His family says in recent years, Burke performed solo concerts and continued to record.
[youtube http://www.youtube.com/watch?v=yrotsEzgEpg&w=420&h=315]
Copyright 2013 The Associated Press via thegrio.com
Rapper and mogul 50 Cent may have built his brand by carefully honing a tough guy image, but his recent actions demonstrate a complexity in his character, which is as charitable as he is creative.
“People always try and paint negative images about me[.] I’m the most genuine down to earth person and I didn’t forget where I came from,” the superstar performer and businessman recently wrote on his Facebook page.
50 Cent, born Curtis Jackson in Queens, NY, used the social media outlet to discuss his contribution to the funeral of D’aja Robinson, a fellow Queens native who was killed by a stray bullet on a city bus. He posted images of her funeral, held on Friday, on his Facebook page, and confirmed that he paid for the horse and carriage that carried the casket of slain 14-year-old.
“She was pretty, innocent and [didn’t] deserve to die like that,” 50 Cent wrote, according to New York’sDaily News. “R.I.P D’Asia Robinson.”
The softer side of 50 Cent
This softer side of 50 Cent might seem surprising, but it is an evolution that has been brewing for years. While the rapper has built a fortune through graphic songs, he has used a portion of his riches to fund important causes.
Jackson’s G-Unity foundation has been active for much of his career through giving grants to combat social issues. Most recently, when launching his Street King energy drink in 2011 (which has been rebranded as SK Energy), Jackson pledged to feed one billion people through a partnership to fight hunger with the United Nations.
The day before Robinson’s funeral, 50 Cent spent some time promoting SK Energy, and commented on the importance of giving within the context of business ventures.
The event, titled “Healing in the Heartland: Relief Benefit Concert,” was organized by country singer and native Oklahoman Blake Shelton. Joining Rucker and Usher, who worked with Shelton on The Voice, are country stars Miranda Lambert, Luke Bryan, Rascal Flatts and Reba McEntire, among others listed in the lineup.
“I’m hoping it will raise a lot of money,” Shelton told Billboard after announcing his project during last Tuesday’s edition of The Voice. According to Reuters, the May 20 tornado was the deadliest windstorm to hit the United States in two years and left 24 dead and 377 injured. After decimating the city of Moore and surrounding areas, the tornado caused an estimated $2 to $5 billion worth of property damage and loss while over 1,200 homes were left destroyed.
The proceeds from the benefit concert will go to the United Way of Central Oklahoma May Tornadoes Relief Fund and will be used for recovery and rebuilding needs. The concert will be held tomorrow, May 29, and is set to air on NBC at 9 p.m. EST. According to the network, tickets went on sale Saturday morning and were sold out within five minutes.
article by Lilly Workneh via thegrio.com
[youtube http://www.youtube.com/watch?v=qajY8OjfGJs&w=560&h=315]
Mos Def has never been afraid of a good scrap. The rapper is involved in a new fight, and it’s against New York City and their controversial stop-and-frisk policy. Teaming up with the Center for Constitutional Rights, Mos Def released an anti-stop-and-frisk PSA video.
In case you don’t know: stop-and-frisk is deemed controversial because it allows police to search any individual without reason, other than “probable cause.” Critics say that it unfairly stops Black and Latina people, and the stats back this claim up: according to a study released in February, 97 percent of people stopped in New York City were either Black or Latino.
In Mos Def’s video, we see all the disturbing stats, plus some footage of an anonymous police officer talking about some of the NYPD’s dirty polices. In the background, you hear a new Mos Def track called “Don’t Tread on Me.”
Read more: http://globalgrind.com/news/mos-def-dont-thread-on-me-stop-and-frisk-psa-video#ixzz2UBLYH7ay
[youtube http://www.youtube.com/watch?v=ZKc50N-K178&w=560&h=315]
The third time’s the charm for Candice Glover on “American Idol.” The 23-year-old vocalist from St. Helena Island, S.C., won the Fox TV singing competition after auditioning a trio of times and making it to the finals this year. Glover looked stunned when “Idol” host Ryan Seacrest announced she bested soulful 22-year-old country singer Kree Harrison from Woodville, Texas.
Glover said backstage after winning she learned to “Have fun, live in the moment and be confident.” “Because in previous years I wasn’t, so that’s definitely the key if you want to audition for the show or have a career,” she said. After her crowning, an emotional Glover sobbed her way through her new single “I Am Beautiful.”
Grammy- and Oscar-winning former “Idol” finalist Jennifer Hudson returned for Thursday’s finale for a show-stopping duet with Glover on Natalie Cole’s “Inseparable” (see above).
Glover’s win marks the first time a female and a nonwhite singer has won the competition since Jordin Sparks dominated the sixth season in 2007. The previous five winners — Phillip Phillips, Scotty McCreery, Lee DeWyze, Kris Allen and David Cook — were all Caucasian guitar players, known to “Idol” fans as WGWGs, or white guys with guitars.
The lack of a female champion for the past five years was mocked in a finale bit featuring the female finalists, in cahoots with Sparks, jokingly sabotaging this season’s five male contestants. “The good news is ‘Idol’ leftovers have been doing really well on ‘The Voice,'” Sparks teased.
Besides the coronation of Glover, Thursday’s finale also served as a farewell for Randy Jackson, the show’s last remaining original judge who announced last week that he’s leaving “Idol” to focus on his record label and other business opportunities. Jackson served as a judge on all 12 seasons of “Idol.” He first appeared on the panel alongside Simon Cowell and Paula Abdul when the competition debuted in 2002, becoming famous for his easygoing “yo, dawg” rapport with contestants.
[youtube http://www.youtube.com/watch?v=Q-gu1KETjVY&w=560&h=315]
Born to Joe and Katherine Jackson on May 16, 1966, Janet Damita Jo Jackson is the youngest of nine children of the musically legendary Jackson family. Although she started her career in entertainment primarily as a television actress (Good Times, Diff’rent Strokes, Fame), it was Jackson’s music, produced by Minneapolis duo Jimmy Jam and Terry Lewis, that catapulted her to international fame and stardom. Though Control was her third solo album, it was the first one to go multi-platinum and kick-started a career that has spanned decades and generated over 100 million record sales worldwide. To celebrate Janet and her musical legacy, above is one of her early, iconic dance videos – “Pleasure Principle.” Enjoy!
article by Lori Lakin Hutcherson