article by Sarah Grant via rollingstone.com
Unlocking the Truth, a metal band composed of three African-American seventh graders, is the subject of the acclaimed documentary Breaking a Monster. The music doc follows the unlikely trio – Alec Atkins, Malcolm Brickhouse and Jarad Dawkins – that scored a $1.8 million record deal with Sony Music Entertainment.
Breaking a Monster was directed by Luke Meyer, who follows the middle school metalheads around from the moment their first video went viral on YouTube. But like many young performers who stumble upon sudden success, the road to fame is fraught with uneasy demands, stress from parents and friends and tough life decisions.
“Originally I was asked to make a short film about the band when they were still gaining traction as street performers,” Meyer told film website IndieWire. “The short focused on what it’s like to be young and have unrestricted dreams about who you want to be in the world. In the case of Unlocking the Truth, because they’re so talented, those dreams didn’t feel as far-reaching as they might for some other kids.”
Breaking a Monster will be released this summer nationwide starting with a June 24 release in New York City and a July 1 release in Los Angeles.
[youtube https://www.youtube.com/watch?v=ICnJdMApbdE&w=560&h=315]
Read more: http://www.rollingstone.com/music/news/metal-trio-unlocking-the-truth-unveil-emotional-doc-trailer-20160603#ixzz4AkGcNfG5
article by Michael Cooper and David Gelles via nytimes.com
Robert F. Smith, the private equity titan who was named the richest African-American man by Forbes last year after making a fortune in software, also has a quirky musical side.
He owns one of Elton John’s old pianos. He hired John Legend and Seal — and a youth orchestra — to perform at his wedding last summer on the Amalfi Coast. His youngest sons, Hendrix and Legend, are named after Jimi Hendrix and Mr. Legend. And he bought and refurbished a retreat in the Rocky Mountains that was beloved by jazz musicians, including Duke Ellington.
On Thursday, Mr. Smith’s intersecting worlds of money, philanthropy and music came together when he was named the chairman of Carnegie Hall, the nation’s most prestigious concert stage. He became the first African-American to hold the post at a time when diversity at leading cultural organizations lags — a recent survey of New York’s cultural institutions found that nearly 78 percent of their board members were white.
“Carnegie Hall is perfectly placed to champion not only artistic excellence, but also access and exposure to the best music in the world,” Mr. Smith said in a statement.
The election of Mr. Smith, 53, who played an old upright piano while growing up in Denver and was told that with enough practice he might make it to Carnegie one day, brings to an end a low moment at the hall. The billionaire Ronald O. Perelman served as its chairman for less than a year before stepping down last fall after he alienated the board by clashing with the hall’s executive and artistic director, Clive Gillinson.
After shunning the spotlight for years, Mr. Smith, who is based in Austin, Tex., where the private equity firm he founded, Vista Equity Partners, has its headquarters, has recently taken a more public role — starting a foundation, the Fund II Foundation; giving commencement addresses; and donating money. His alma mater, Cornell University, renamed its School of Chemical and Biomolecular Engineering for him earlier this year after he announced a $50 million gift.
Unlike Carnegie’s most recent chairmen, Mr. Perelman and Sanford I. Weill, the former Citigroup chairman, Mr. Smith does not come from the world of New York finance, and he has not been a major fixture on the city’s social scene — he is more known for flying in to attend events in the city and then flying out. But his work outside the city with investors and tech firms could provide entree to new potential donors in the coming years.
