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Carnival Corporation to Donate $2 Million to Smithsonian's National Museum of African American History & Culture

Carnival Corporation to Donate $2 Million to Smithsonian's National Museum of African American History & Culture

By goodblacknews on October 4, 2016
Carnival CEO Arnold W. Donald (center) rings New York Stock Exchange Bell (photo via zimbio.com)
Carnival CEO Arnold W. Donald (center) rings New York Stock Exchange Bell (photo via zimbio.com)

article by Lori Lakin Hutcherson 

Carnival Corporation, parent company to the Carnival Cruise Lines run by Chief Executive Officer Arnold W. Donald, is donating $2 million to the Smithsonian Institution’s National Museum of African American History & Culture through its philanthropic arm, Carnival Foundation. 

Eleven years in the making and built at a cost of $540 million, the museum opened Sept. 24 on the National Mall with a dedication ceremony featuring remarks by President Barack Obama and a three-day music and spoken-word festival called “Freedom Sounds: A Community Celebration.” In recognition of the gift, NMAAHC has designated Carnival Corporation a Founding Donor of the museum.

“The National Museum of African American History & Culture is a celebration of the many contributions African Americans have made to the history, culture and community of the United States,” said Linda Coll, executive director of Carnival Foundation. “The organizations that Carnival Corporation supports through Carnival Foundation reflect the great value the company places on diversity and inclusion in the communities that we touch, and we are honored to be a part of this new museum.”

The 390,000-square-foot National Museum of African American History & Culture is located on a 5-acre site adjacent to the Washington Monument. Its 12 inaugural exhibitions feature more than 3,000 objects and cover topics ranging from military and sports history to performing arts and the western and northern migration.   

About the National Museum African America of History & Culture
The NMAAHC is the only national museum devoted exclusively to the documentation of African American life, history and culture. It was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. To date, the museum has collected nearly 40,000 artifacts. Nearly 100,000 individuals have become charter members of the museum. When the NMAAHC opened on Sept. 24, 2016, it became the 19th and newest museum of the Smithsonian Institution.

About Carnival Foundation
Carnival Foundation oversees the many philanthropic endeavors of Carnival Corporation and its 10 affiliated cruise line brands as well as its employee-driven service group, the “Friends Uniting Neighbors” (F.U.N.) Team. Although Carnival Foundation’s contributions are spread to communities where the brands operate, the company primarily focuses on organizations based in South Florida, where Carnival Corporation is headquartered. Through monetary and in-kind donations, innovative philanthropic programs, employee fundraisers and hands-on volunteer initiatives, Carnival Foundation and the brands of Carnival Corporation support a variety of organizations.

Jack and Jill of America's Youth Turn Loose Change into $35,000 Donation to Support Barack Obama Presidential Library 

By goodblacknews on September 22, 2016
getting-ready
Jack and Jill of America Youth Prior To Presenting $35,000 Donation to the Obama Foundation (Photo courtesy of Jack and Jill of America)

article by Lori Lakin Hutcherson (@lakinhutcherson)

 Jack and Jill of America, Inc.’s youngest members collected pennies, nickels and dimes as part of their Loose Change Program that resulted in a $35,000 donation to the Obama Foundation, in support of Chicago’s Barack Obama Presidential Library. Mothers and families of Jack and Jill of America in Chicago came together to present the foundation with the donation in a private celebration.

“The Mid Western Region was incredibly honored to present this donation that not only honors the first African-American US President, Barack Obama, but makes an impact in a community that needs positive reinforcements and contributions,” says Mid-Western Regional Director Nadine Gibson. “As advocates for childhood literacy, Jack and Jill understands the important role public libraries play in communities.”

The Loose Change program was initiated as a giving opportunity for our youth ages two through 12, to make a significant impact in underserved communities.  The Mid-Western Region received the donation collected in 2015 and selected the Barack Foundation as the recipient of choice. 

“We are excited about this giving opportunity.  Now, each time we visit the Library we will know that Jack and Jill helped to make a positive contribution to its development and commitment to the community,” says Mid-Western Regional Teen President, Kellen Love.

For more information on how you can make a donation, or to find out more about Jack and Jill of America and its chapters, visit jackandjillinc.org.

Donations to National Museum of African American History and Culture to be Matched by Giving Day Sponsor Hyundai on 9/13 #GiveNMAAHC

Donations to National Museum of African American History and Culture to be Matched by Giving Day Sponsor Hyundai on 9/13 #GiveNMAAHC

By goodblacknews on September 13, 2016

https://youtu.be/uCNs9ZlquTM

by Lori Lakin Hutcherson, GBN Editor-in-Chief
by Lori Lakin Hutcherson, GBN Editor-in-Chief

In anticipation of its opening on September 24, the National Museum of African American History and Culture has launched a one-day giving campaign today, September 13th, to celebrate this momentous milestone for our nation and the African American community and to help ensure our future for all who follow.
We at GBN donated and signed up to aid this Giving Day effort, and will be posting and tweeting intermittently to help raise awareness and donations for NMAAHC.  If you’d also like to go beyond donating, you too can sign up to become a Giving Day Champion in celebration of a museum that tells a more complete story of America.
Simply click the link above to join and reach out to your network of friends and share the story of this amazing Museum. NMAAHC provides all the tools you need to spread the word about the Museum and this giving opportunity.
Thank you and let’s continue to share this amazing story of the African American experience with our nation and the world for generations to come.
To donate now, click here: https://givenmaahc.org/?utm_source=nmaahc.linkfast.com_donate_button&utm_medium=referral&utm_campaign=giveNMAAHC_2016_SF

FEATURE: How the Decades-Long Fight for a National African-American Museum Was Won

FEATURE: How the Decades-Long Fight for a National African-American Museum Was Won

By goodblacknews on September 12, 2016
The museum, foreground, was designed by David Adjaye and sits on the National Mall near the Washington Monument, right. (MATT ROTH FOR THE NEW YORK TIMES)
The museum, foreground, was designed by David Adjaye and sits on the National Mall near the Washington Monument, right. (MATT ROTH FOR THE NEW YORK TIMES)

article by Graham Bowley via nytimes.com

Eleven years ago, Lonnie G. Bunch III was a museum director with no museum.  No land. No building. Not even a collection.

He had been appointed to lead the nascent National Museum of African American History and Culture. The concept had survived a bruising, racially charged congressional battle that stretched back decades and finally ended in 2003 when President George W. Bush authorized a national museum dedicated to the African-American experience.

Now all Mr. Bunch and a team of colleagues had to do was find an unprecedented number of private donors willing to finance a public museum. They had to secure hundreds of millions of additional dollars from a Congress, Republican controlled, that had long fought the project.

And they had to counter efforts to locate the museum not at the center of Washington’s cultural landscape on the National Mall, but several blocks offstage.  “I knew it was going to be hard, but not how hard it was going to be,” Mr. Bunch, 63, said in an interview last month.

From left, Lonnie G. Bunch, the Rev. Dr. Howard-John Wesley, Patricia Johnson and James McNeil at Alfred Street Baptist Church in Alexandria, Va. (ALFRED STREET BAPTIST CHURCH)

In less than three weeks, though, with President Obama presiding, the new museum, a project that once thirsted for money, land and political support, is scheduled to open on the Mall.

Visitors to the $540 million building, designed to resemble a three-tiered crown, will encounter the sweeping history of black America from the Middle Passage of slavery to the achievements and complexities of modern black life.

But also compelling is the story of how the museum itself came to be through a combination of negotiation, diplomacy, persistence and cunning political instincts.  The strategy included an approach that framed the museum as an institution for all Americans, one that depicted the black experience, as Mr. Bunch often puts it, as “the quintessential American story” of measured progress and remarkable achievement after an ugly period of painful oppression.

The tactics included the appointment of Republicans like Laura Bush and Colin L. Powell to the museum’s board to broaden bipartisan support beyond Democratic constituencies, and there were critical efforts to shape the thinking of essential political leaders.

After Congress authorized the new museum, the Smithsonian's Board of Regents considered four possible locations before choosing a site on the National Mall near the Washington Monument. (Source: Smithsonian Institution. By Anjali Singhvi, The New York Times)
After Congress authorized the new museum, the Smithsonian’s Board of Regents considered four possible locations before choosing a site on the National Mall near the Washington Monument. (Source: Smithsonian Institution. By Anjali Singhvi, The New York Times)

Long before its building was complete, for example, the museum staged exhibitions off-site, some on the fraught topics it would confront, such as Thomas Jefferson’s deep involvement with slavery. A Virginia delegation of congressional members was brought through for an early tour of the Jefferson exhibition, which featured a statue of him in front of a semicircular wall marked with 612 names of people he had owned.  “I remember being very impacted,” said Eric Cantor, then the House Republican leader, who was part of the delegation.

Mr. Bunch said that he hoped the Jefferson exhibition pre-empted criticism by establishing the museum’s bold but balanced approach to difficult material. “Some people were like, ‘How dare you equate Jefferson with slavery,’” he recalled. “But it means that people are going to say, ‘Of course, that is what they have to do.’”

And the museum began an exceptional effort to raise money from black donors, not only celebrities, like Michael Jordan ($5 million) and Oprah Winfrey ($12 million), but also churches, sororities and fraternities, which, Mr. Bunch said, had never been asked for big donations before.

Writers Rally to Save Langston Hughes Home in Harlem via Crowdfunding

By goodblacknews on August 20, 2016

Langston Hughes (photo via theroot.com)

article by Angela Bronner Helms via theroot.com
The home occupied by one of the great leaders of the Harlem Renaissance, Langston Hughes, still stands on 127th Street in Harlem today.  Hughes used the top floor of the home as his workroom from 1947 to his death in 1967; it was listed on the National Register of Historic Places in 1982.
The current owner, who remains anonymous, listed the unoccupied dwelling for $1 million (which still has his typerwriter on a shelf) a few years ago, but it did not sell.  CNN Money reports that in a rapidly gentrifying New York, the home is now worth over $3 million.
Now that it’s on the market, writer Renee Watson has started an Indiegogo campaign to raise $150,000 to rent the home and turn it into a cultural center.
Over 250 people, many of them black writers, have given money in support and so far, the initiative to save Hughes’ house has raised almost $34,000.  “Hughes is deeply influential and important not only to me, but many writers of color,” says author Jacqueline Woodson, winner of the National Book Award for Brown Girl Dreaming, which opens with a Hughes poem.
Watson says she has spoken to the owner, who says she would definitely sell it, but “like me, she doesn’t want it to become condos or a coffee shop.”

To donate to the fund, please go to the I, Too, Arts Collective Indigogo page.
To read full article, go to: Black Writers Rally To Save Langston Hughes Home

Dining Hall at Yale’s Calhoun Residential College Renamed to Honor former Yale Student Roosevelt L. Thompson

Dining Hall at Yale’s Calhoun Residential College Renamed to Honor former Yale Student Roosevelt L. Thompson

By goodblacknews on August 10, 2016

Roosevelt Thompson (photo via arktimes.com)
Roosevelt Thompson (photo via arktimes.com)

article via jbhe.com
Calhoun Residential College at Yale University has been in the news a great deal lately.  The college was established in 1932 in honor of John C. Calhoun, who graduated from Yale University in 1804. He went on to become vice president of the United States, serving under both John Quincy Adams and Andrew Jackson.  A native of South Carolina, Calhoun was a major defender of the institution of slavery.
In February 2016, Yale University announced that it was removing a portrait of Calhoun that was displayed over the fireplace in the dining hall in the residential college.  In June, a worker used a broom handle to break a stained-glass window in the dining hall of the college that depicted slaves carrying cotton on their heads.
Now the university has announced that the dining hall at Calhoun Residential College will be renamed to honor Roosevelt L. Thompson. A resident of Calhoun College, Thompson was killed in an automobile accident during his senior year at Yale, after he had been selected as a Rhodes Scholar to study at Oxford University.
A documentary film on Roosevelt Thompson was produced by PBS.  A trailer for that documentary can be viewed below:

Phife Dawg of A Tribe Called Quest to Have Section of Linden Blvd. in Queens Named in His Honor

By goodblacknews on August 1, 2016

Phife Dawg (photo via billboard.com)
Phife Dawg (photo via billboard.com)

article by Bruce Goodwin II via theurbandaily.com
Phife Dawg of A Tribe Called Quest passed away this past March due to complications from diabetes. And now, after a series of powerful memorials, Phife’s getting a street named after him in his old Queens neighborhood.
OkayPlayer got confirmation from Phife’s manager that New York Mayor Bill de Blasio will sign a bill to co-name a portion of Linden Boulevard at 192nd Street in St. Albans “Malik ‘Phife Dawg’ Taylor Way.”
The signing is set to take place on Wednesday, August 3 at 10 a.m. inside City Hall.
The intersection of 192nd Street and Linden Blvd. is a huge nod to the group’s beginnings as Phife mentioned the location in tracks like “Steve Biko” and “Check the Rhime.” Alongside Q-Tip, Ali Shaheed Muhammad, and Jarobi, the group was formed in that neighborhood in 1985.
To read more, go to: http://theurbandaily.com/2016/08/01/phife-street-own-street-named-after-him/

Jerald Gary, 30, Buys Historic Regal Theater in Chicago to Restore and Use with Art Non-Profits

By goodblacknews on July 18, 2016

IMG_7736
Jerald Gary (Photo credit: Melanie L. Brown for Steed Media Service)

article by Melanie L. Brown via rollingout.com
Rolling out interviewed Jerald Gary, the new owner of the New Regal Theater in Chicago. The 30-year-old talked about his memories of the Regal and how he came to acquire this historic building on the South Side.
Who is Jerald Gary?
I am a private equity investor. I bought the Regal Theater in 2014 to provide access to the performing arts for the community. I created the Chicago Regal Foundation to use the theater as a cultural asset that the community can leverage through various arts nonprofits. My day to day is figuring out how to render capital of the community more active and productive.
What is some history that you’ve heard about the Regal?
When I was growing up, the Regal was really in its prime. It reopened in 1987. It revived in 85′. I think it took them two years to do renovation, reopened it in 1987, and got it a landmark right there in ’92. Matter of fact, Mayor Harold Washington facilitated some money because doing the political thing for office in return was bringing dollars into the community. I got a picture of Ed Gardner and Harold Washington right there in the lobby. Harold was giving Ed a million-dollar check for the restoration. I saw a flyer the other day, it was Tupac and Biggie’s first time in Chicago on the Regal Theater stage. They were introducing a new [act], 17-year-old Kanye West, at the bottom of the flyer. Crucial Conflict was at the show, Da Brat was at the show, Common was at the show and a couple of other artists, at one show. That was the type of stuff that was going on. I [saw] Common and told him I was about to buy the Regal Theater and he stated how he thought Beyoncé and Jay were going to buy it. There was no Regal Theater from the mid ’70s until Avalon Theater was restored and they did the New Regal in 1987.
Who were some of the people that got their start with plays here?
Tyler Perry got his start at the Regal Theater. I was too young to go to his stuff but I remember his bus being in the parking lot. He was sleeping in his bus. It was a lot of church plays here.
Have you thought about changing the name from the New Regal Theater?
Yes, so we are going to change the name to Avalon Regal Theater because the building we’re in is the Avalon, which was from 1927 up until the mid ’70s. It was the Operation Regal Theater in Bronzeville so at the time so we had a lot of Irish German immigrants who lived here who came here for shows. Somebody came to me and said ” Wait right here.” The person came back and gave me a flyer from 1929 of a silent movie/music dance with the orchestra pit. They would do that type of stuff here until like the ’60s. It was mostly a movie house before they had multiplexes, this was the spot to come and see movies. A lot of white people come to me and say they use to come to Avalon and use to watch cartoons on Saturday. That’s the heritage as well, we want to preserve. The whole legacy of the Avalon Regal Theater (ART) is what we’re trying to get trending, the rich heritage of the South Side. The concept we have is we really feel this could be a Beale Street like in Memphis, [Tennessee]. They got like 20 or 30 music joints like on one strip, [along with] restaurants and bars. You can’t just have a venue and people can’t go get dinner before the show, a cocktail after the show. What you gonna get? Are you going to get robbed after the show? That’s what’s going to happen here now. Why can’t we have this [be] Beale Street? I feel like the South Side is like the Africa of the city. I think we have the opportunity to do crazy stuff like they did in Dubai. It’s cheap to do. We bought the Regal for $100,000. When I say “we” I mean the companies I chair. We bought it from the FDIC. It took us about nine months to negotiate because it’s a landmark. We had to get a blessing from a commissioner. We got about $7 million dollars worth of work to do. Three million dollars of that is on the facade. We probably are going to do a Kickstarter campaign.
When do you plan on opening?
We hope to be running by 2017.
How can people get more information about the Regal?
They can go to www.regaltheater.org and it has a lot of information about the project and the Regal itself.
To read full article, go to: http://rollingout.com/2016/06/03/new-regal-theater-868707/

HBCU Stillman College Designated As Historic District in Alabama

By goodblacknews on July 16, 2016

Founded in 1876, Stillman College is a liberal arts institution with a covenantal relationship with the Presbyterian Church, USA. Stillman is committed to fostering academic excellence and to providing high quality educational opportunities for all students. With emphasis on three Centers of Excellence: Science, Technology, Engineering, Arts, and Mathematics (STEAM), Education, and Religion; Stillman has a proud and evolving tradition of preparing students for leadership and service in society.
To read full article, go to: http://hbcubuzz.com/2016/07/stillman-college-designated-historic-district/

Denzel Washington Event Raises $17,000,000 for Smithsonian National Museum of African American History and Culture

By goodblacknews on May 6, 2016
504434762-in-this-handout-photo-provided-by-nbcuniversal-denzel
Denzel and Pauletta Washington with their children during a presentation at the Golden Globe Awards Jan. 10, 2016, in Beverly Hills, Calif. (PAUL DRINKWATER/NBCUNIVERSAL VIA GETTY IMAGES)

article by Yesha Callahan via theroot.com
When you have as much star power and influence as Denzel Washington and Pauletta Washington, and it’s put to good use, amazing things happen. While Barack Obama was giving his final White House Correspondents’ dinner speech Saturday night, the Washingtons were throwing a lavish party with some of Hollywood’s biggest names, all in support of the Smithsonian National Museum of African American History and Culture, which opens later this year.
The fundraiser was an effort to secure the final monies needed for the museum, and needless to say, when the Washingtons put out a call, their friends have no problem donating.  The museum’s total cost amounts to $540 million, and so far, the government has contributed $270 million with the remainder coming in from events like the Washingtons’.
According to Variety, Saturday night’s soiree raised $17 million and included a pledge of $10 million from Shonda Rhimes.
“There is such a historical significance to this project,’’ said Denzel Washington. “It means so much for our community, our country and to future generations.’’
Magic Johnson closed the event with words that I’m sure resonated with everyone in attendance.  “We have to get everyone involved in this, making this a success,’’ said Johnson.