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Posts published in “Jazz/Blues/Folk”

MUSIC MONDAY: “Where I’m From” – A Free-Wheeling Celebration of African American Music Appreciation Month 2021 (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday again, you all.

Well, it is always African American Music Appreciation Month (aka Black Music Month) around these parts! We celebrate Black music every week here at Good Black News.

It’s been more than a year since I started making weekly playlists honoring African American music in its many forms.

If you’ve been tuning in with any regularity, you know I am no stranger to a free-wheeling and hours-long playlist.

When it comes to a collection that tracks Gospel, Blues, Jazz, R&B, Rock, Hip-Hop, and everything in between, this one was bound to be a long one:

Have a great week.

Marlon West (photo courtesy Marlon West)

[Editor’s Note: ICYMI, below are links to some of Marlon’s most popular playlists from 2020. Enjoy!]

Animated U.S. Civics Series “We The People” Produced by Obamas to Debut on Netflix July 4 (WATCH TRAILER)

Michelle and Barack Obama announced yesterday that they have executive produced and Netflix will stream We the People, a 10-episode television series aimed at educating children on United States civics lessons, starting on July 4 of this year.

Across all three-minute music videos, the Obamas have enlisted artists such as Grammy and Academy Award winner H.E.R., Andra Day, Janelle Monáe, rapper Cordae, rock singer Adam Lambert,  Frozen and Frozen 2 composers Robert and Kristen Anderson-Lopez, Hamilton‘s Daveed Diggs, Brittany Howard, In the Heights and Hamilton creator Lin-Manuel Miranda, Brandi Carlile, KYLE, Bebe Rexha, , and Biden inaugural poet Amanda Gorman to perform original songs and compositions that will soundtrack each narrative.

Episodes were directed by Peter Ramsey, Trisha Gum, Victoria Vincent, Benjy Brooke, Mabel Ye, Tim Rauch, Jorge R. Gutierrez, Daron Nefcy, Everett Downing, and Kendra Ryan. Each episode will offer lessons on basics of U.S. citizenship and rights, evoking the beloved Schoolhouse Rock series that originally aired on ABC in the 1970s.

Other producers on the project include Black-ish creator Kenya Barris and Doc McStuffins creator Chris Nee.

Ahead of We the People‘s July 4 premiere date on Netflix, the show will premiere at a free screening in the DOCS Talks section of the American Film Institute‘s DOCS film festival on Thursday, June 24.

Read more: https://ew.com/tv/barack-obama-michelle-new-netflix-animated-series/

MUSIC MONDAY: “Birth of the Cool” – a Tribute to Miles Davis (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Memorial Day, you all. I also need to acknowledge the 100th anniversary of the Black Massacre in Tulsa, Oklahoma.

Last week included the 95th anniversary of the birth of Miles Davis. His hometown of East St. Louis, Missouri was the site of another race massacre in 1917.

So much has been written about Miles Davis. Including is his own autobiography. There have been documentaries long and short about him, so I won’t go on.

At over 10 hours this collection is still the tip of the proverbial iceberg when it comes his creative output. Miles was a giant in American music, and one of this nation’s most iconic and influential figures in music and culture.

In a career that spanned five decades, he kept at the forefront of many major stylistic developments in jazz. From being of the vanguards of bebop and blazing the trail of electric jazz.

The list of his collaborators is far too long, but here are just a few: Dizzy Gillespie, John Coltrane, Charlie Parker, Cannonball Adderley, Max Roach, Gil Evans, Red Garland, Paul Chambers, Philly Joe Jones, Sonny Rollins, Bill Evans, Ron Carter, Herbie Hancock, Tony Williams, Wayne Shorter, John McLaughlin, and Joe Zawinul.

Miles Davis gave many of these now-legendary artists, who all appear on this playlist, their first break. Davis was tough as nails from all reports, though he seemed more than willing to imbue great vulnerability and tenderness in his playing.

Do enjoy.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Money Is King” – A Classic Calypso Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday from your friend and selector, Marlon. This collection features Calypso classics from the late 1930s to the 1960s, where this musical style reached many through the internationally popular recordings of Harry Belafonte.

I have included many of his predecessors: Attila the Hun, Roaring Lion, The Mighty Sparrow and Lord Invader to name but a few. Lord Invader’s “Rum and Coca-Cola” was covered with great success by the Andrews Sisters.

Another “Lord,” Lord Kitchener, was one of the longest-lasting calypso stars in history. He continued to release hit records until his death in 2000.

The roots of Calypso music started in 17th century Trinidad. The Africans brought to toil on sugar plantations, were stripped of all connections to their homeland and family, and not allowed to talk to each other.

They used calypso to mock the slave masters and to communicate with each other. It is characterized by highly rhythmic and harmonic vocals and is usually sung in a French creole and led by a griot.

While Calypso is most often danceable, there often much social commentary, and innuendo laced in the lyrics.

Hope you enjoy this collection of music that would go on to influence Ska, Rocksteady, and Reggae.

Have a great week! And as always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Manic Monday” – Soulful Cover Songs and Originals (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, you all. This week’s offering is a soulful collection of cover tunes and original versions of songs that went on to become hits for other folks.

The Pointer Sisters‘ version of Bruce Springsteen’s “Fire” and Whitney Houston’s take on Dolly Parton‘s “I Will Always Love You” are examples of covers that are as famous as the originals.

There’s Otis Redding’s live version of “Respect” where he explains how “This girl, she just took this song” to an amused audience. I’ve included Prince’s demos for “Manic Monday” and “Glamorous Life”, each went on to become hits for the Bangles and Sheila E., respectively.

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There are so many Beatles covers by Bill Withers, Stevie Wonder, The Supremes, Black Pumas, and others.

Big Mama Thornton is early through the door of this playlist with her version of a song made world-famous by a young man from Tupelo, Mississippi.

Hope you all enjoy this collection of soul, R&B, reggae, and jazz versions of the songs you know, offered here by other voices.

Have a great week, and stay sane, safe, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “A Song For You” – The Best of St. Louis Musical Artists (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I have done a few playlists, so far devoted to specific cities. Chicago, New Orleans, and DC are among them.

My own hometown, St. Louis, doesn’t get the same props as many other musical towns. Though from Josephine Baker to Chuck Berry to Donny Hathaway to Nelly, descendants of The Gateway City have made their mark.

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This collection brings together artists across several genres that are from, based, or got their start in St. Louis. Though Ike Turner was from Mississippi and Tina Turner was from Tennessee, it was during a gig at St. Louis’ Club Manhattan where Tina, then Anna Mae Bullock, first grabbed Ike’s microphone on stage and their tumultuous path to fame began.

From the advent of ragtime at the turn of the 20th century to hip-hop at the turn of the 21st, though, St. Louis has always profoundly impacted the direction of American music.

As always, stay sane, safe, and kind. “See” ya next week.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Now’s The Time” – a Collection of Live Jazz (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday, you all. As promised a couple of weeks ago, this collection is devoted to live jazz performances.

April is also Jazz Appreciation Month, so this playlist is arriving not a moment too soon. For many of us, live jazz is the best way to enjoy jazz. The unbridled spontaneity of top-notch musicians at the very top of the game, improvising and spurring each other on to greater creative heights is the essence of the art form.

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I’ve gathered performances from nearly 100 years of jazz music. Big band, Be-Bop, Avant Garde, Soul Jazz, and so many other styles are present. There are recordings from Massey Hall, the Village Vanguard, the Newport Jazz Festival, Birdland, and many other iconic venues.

Nina Simone, Miles Davis, Eric Dolphy, Duke Ellington, Art Blakey, Geri Allen, and dozens of other greats are included in this over 13-hour collection of stunning performances. While the sound quality in some venues isn’t as good as that of a state-of-the-art recording studio, and post-production is not on the table, the improvisatory nature of jazz makes live performance the quintessential way to experience the music. Do enjoy!

And as always, stay sane, safe, and kind. “See” ya next week.

PS: This is another one to set that crossfade, on Spotify, at 12 seconds if you are listening on a computer.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “I’ll Take You There” – A Collection of Live Concert Recordings (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday from your friend and selector, Marlon. Hope this playlist and missive finds you safe and well.

For most of this lockdown, I have not been able to listen to crowds enjoying great music. While I’m still months away from attending a live show myself, the vaccine rollout has me seeing light at the end of the proverbial tunnel.

To that end, I have made this collection to celebrate great live music performances. Live records aren’t nearly as plentiful as they once were. Though to many old-school music lovers, live albums were ubiquitous especially in the 1970s and ’80s, where live-recorded albums seemed to come out every week.

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That being said, there are recent offerings by The Black Pumas, Beyoncé, and Gary Clark Jr. Along with B.B. King at Cook County Jail, Jimi Hendrix at Woodstock, and Sam Cooke at The Harlem Square Club, there are “Unplugged” performances by Jill Scott, The Roots, Jay-Z, Erykah Badu, Maxwell, and Lauryn Hill.

At upwards of 12 hours, I am still sure to have missed some gems. Feel free to make suggestions in the comments so I may add them. This is another eclectic journey through hip-hop, R&B, reggae, and rock ‘n roll. I didn’t even touch on jazz.

Next week’s offering will be devoted to live jazz recordings.

Until then, stay safe, sane, and kind.*

Marlon West (photo courtesy Marlon West)

*A note to those listening to Spotify on a desktop or laptop. This is a good one to put your crossfade settings at the 12-second maximum. It will carry the crowd reactions across the tracks, making it feel like one long show. Kinda.

MUSIC MONDAY: “Twilight Time” – A Doo-Wop Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Doo-Wop is a style of rhythm-and-blues and rock-and-roll vocal music most popular in the 1950s and ’60s. The term “doo-wop” is derived from the sounds made by the group as they provided the harmonic background for the lead singer.

Doo-Wop music is before “the time” me and most followers of Good Black News and these weekly playlists. Though there isn’t a genre called “musically transportive to that time period,” Doo-Wop tracks have been used on many film and television scores for that very reason.

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It started in African-American neighborhoods all around the United States including New York, Los Angeles, Philadelphia, Chicago, Baltimore, Newark, Detroit, and Washington, DC.

Though its roots can be found as early as the records of the Mills Brothers and the Ink Spots in the 1930s and ’40s, Motown’s premier groups like The Shirelles and Temptations of the 1960s and ’70s were based in this classic doo-wop style.

Berry Gordy’s songwriting powerhouse, Smokey Robinson, had early hits with The Miracles that were straight Doo-Wop songs. Its influence has been felt on punk, alternative rock, and modern R&B artists.

I’ve gathered classics by The Platters, The Flamingos, Little Anthony and The Imperials, The Orions, The Moonglows, and many others for this playlist. Do enjoy.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

“How I Got Over”: Celebrating Aretha Franklin with Comprehensive Playlist of Her Cover Songs on Her Birthday (LISTEN)

by Lori Lakin Hutcherson (@lakinhutcherson)

It’s always nice to have an excuse to celebrate the Queen of Soul and her music. Although this week in particular it’s been a somewhat fraught proposition, as the National Geographic Channel began airing its Genius: Aretha series starring Cynthia Erivo on Sunday, to which some of Franklin’s immediate family publicly objected.

But if, like me, you’re inclined to want to celebrate Aretha on what would have been her 79th birthday and can’t wait for the MGM feature Respect starring Jennifer Hudson (which, so far, the family does approve of) to come out, you can always rewatch the glorious Amazing Grace concert film released in 2019, or go right to the source and listen to all Aretha all day.

For my 2020 celebration, I compiled a collection of her original works in a Spotify playlist called  “Rock Steady”: Songs Aretha Franklin Wrotein honor of her ability to compose incredible music and lyrics that have stood the test of time, a talent which is often overshadowed by Aretha’s unparalleled singing mastery.

This year, I chose to celebrate Aretha Franklin’s lifelong love of all musical styles and her unmatched ability to turn any song from any genre from any time by anybody into her own unique moment. Below is the compilation playlist “How I Got Over”: Aretha Franklin’s Cover Songs

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In it, you’ll find the songs you already know were recorded by others that Aretha made her own signature songs (“Respect,” “Spanish Harlem,” “Until You Come Back to Me”), along with songs where her version became as famous as the original, if not more (“You’re All I Need To Get By,” “I Say A Little Prayer,” “Wholy Holy,” “Bridge Over Troubled Water,” “Don’t Play That Song,” “Son of A Preacher Man”).

Also included are songs you may not know she covered (many were deep cuts on LPs or only recently released) but as soon as you hear Aretha’s version you won’t be able to forget it (“At Last,” “A Change Is Gonna Come,” “A Song For You,” “What a Fool Believes,” “I Want to Be With You,” “My Kind of Town (Detroit Is)”).

Aretha also dips into her Detroit roots with her covers of Motown classics like “My Guy,” “Tracks of My Tears” and “You Keep Me Hangin’ On,” as well as her love of her British Invasion contemporaries with covers of The Beatles“Eleanor Rigby,” “Let It Be” and “The Long and Winding Road” and The Rolling Stones‘ “Satisfaction” and “Jumpin’ Jack Flash.”

Franklin effortlessly shows off her jazz chops on “Moody’s Mood,” “Skylark,” “How Glad I Am” and “Crazy He Calls Me” and her devastating blues acumen and feeling with “Today I Sing The Blues,” “The Thrill is Gone,” “Night Time Is The Right Time” and “Why I Sing The Blues.”

“Over The Rainbow,” “Somewhere” and “I Dreamed A Dream” let us all know a career on Broadway or movie musicals, should she have wanted it, would have been Aretha’s for the taking, and her takes on traditional gospel classics like “How I Got Over,” “What a Friend We Have In Jesus,” “Oh Happy Day” (with Mavis Staples), and, of course, “Amazing Grace” make it simple for anyone needing proof of God to listen and say, “Oh, okay. THAT.”

For those who love holiday fare, Aretha’s got that covered too, with undeniable versions of “Winter Wonderland,” “Silent Night” and “The Christmas Song.”

As late as 2014, at age 72, Aretha Franklin was still showing the world what she could do to a song she deigned to sing.

Franklin released an entire album of covers entitled Aretha Franklin Sings The Great Diva Classics, where she famously took on “Rolling In The Deep” by Adele, Alicia Keys“No One” and created must-listen mash-up versions of Chaka Khan’s “I’m Every Woman/Respect” where Aretha blends those two classics together, and Gloria Gaynor‘s “I Will Survive,” which she mixes with Destiny’s Child‘s “Survivor.” 

All the songs mentioned and more are on the 85-track playlist above. There are even more enticing covers in the Aretha Franklin catalogue worth exploring, but at five and a half hours, I definitely feel this playlist is a great place to start. 

Enjoy, and all hail the Queen!