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MUSIC MONDAY: “Snatch It Back and Hold It” – Celebrating Chicago Blues (LISTEN)

MUSIC MONDAY: “Snatch It Back and Hold It” – Celebrating Chicago Blues (LISTEN)

By goodblacknews on August 10, 2020

[Photo: Otis Spann & James Cotton rehearsing in Muddy Waters’ basement, Chicago, IL, 1965. Courtesy Chicago History Museum]

Chicago blues began to emerge following the Great Migration of African Americans from the southern U.S. to the industrial cities of the north, particularly Chicago.

This new population included musicians, and the blues evolved as a result of these influences from musicians playing as street musicians, at rent parties, and other events in African-American communities.

One of the most significant early incubators for Chicago blues was the open-air market on Maxwell Street in the 1930s and ’40s.

This collection includes some of the great including, McKinley “Muddy Waters” Morganfield, Chester “Howlin’ Wolf” Burnett, Little Walter Jacob, Junior Wells, Koko Taylor, and many others.

Enjoy, and of course, stay safe, sane, and kind.

[spotifyplaybutton play=”spotify:playlist:6cuqIAcGLdph6kjRL5zADc”/]

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)
U.S. Rep and Civil Rights Leader John Lewis Offers Essay Full of Encouragement and Wisdom on Day of His Funeral

U.S. Rep and Civil Rights Leader John Lewis Offers Essay Full of Encouragement and Wisdom on Day of His Funeral

By goodblacknews on July 30, 2020

Not even death can stop John Lewis from giving his heart and soul to the fight for equality and justice for all.

Civil Rights titan and Congressmember Lewis wrote an essay for the New York Times entitled “Together, You Can Redeem the Soul of Our Nation,” meant to be published today, the day of his funeral.

As Lewis’s body is being laid to rest at Ebenezer Baptist Church in Atlanta, GA, the spirited words in his essay urge us all to “answer the highest calling of your heart and stand up for what you truly believe.”

Lewis also writes about what and who ignited his journey into protest against injustice:

Emmett Till was my George Floyd. He was my Rayshard Brooks, Sandra Bland and Breonna Taylor. He was 14 when he was killed, and I was only 15 years old at the time. I will never ever forget the moment when it became so clear that he could easily have been me. In those days, fear constrained us like an imaginary prison, and troubling thoughts of potential brutality committed for no understandable reason were the bars.

Lewis also shares the moment he first encountered the teachings and mission of Dr. Martin Luther King, Jr. and how it affected him:

Like so many young people today, I was searching for a way out, or some might say a way in, and then I heard the voice of Dr. Martin Luther King Jr. on an old radio. He was talking about the philosophy and discipline of nonviolence. He said we are all complicit when we tolerate injustice. He said it is not enough to say it will get better by and by. He said each of us has a moral obligation to stand up, speak up and speak out. When you see something that is not right, you must say something. You must do something. Democracy is not a state. It is an act, and each generation must do its part to help build what we called the Beloved Community, a nation and world society at peace with itself.

To read Lewis’ essay in its entirety (or hear an audio reading of it), go to: https://www.nytimes.com/2020/07/30/opinion/john-lewis-civil-rights-america.html

MUSIC MONDAY: Celebrating The History and Evolution of Ska Music (LISTEN)

MUSIC MONDAY: Celebrating The History and Evolution of Ska Music (LISTEN)

By goodblacknews on July 27, 2020

Ska originated in Jamaica in the late 1950s and was the precursor to reggae. It combines elements of Caribbean mento and calypso with American jazz and rhythm and blues.

Ska developed further in the 1960s when Prince Buster, Clement “Coxsone” Dodd, and Duke Reid formed “sound systems” to play American rhythm and blues and eventually recorded their own songs.

Most folks divide the history of ska into three periods: the original Jamaican scene of the 1960s; the 2 Tone ska revival of the ’70 & ‘80s, which fused ska rhythms with the faster tempos and harder edge of punk rock, and third wave, which involved bands from a wide range of countries around the world, in the 1990s.

RELATED: You Can Get It If You Really Want It: Reggae Songs of Struggle and Peace (LISTEN)

While primarily dance music, like reggae, ska music has often had social change on its mind. This collection spans all three “waves” and includes The Skatalites, Hortense Ellis, The Specials, Hepcat, and many other masters of the artform.

Do enjoy, and as always stay safe, sane, and kind.

[spotifyplaybutton play=”spotify:playlist:2MlNzSpz3TylGXNvpNGp9X”/]

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)
California State University Trustees Vote to Make Ethnic Studies or Social Justice Class Mandatory for Students Statewide

California State University Trustees Vote to Make Ethnic Studies or Social Justice Class Mandatory for Students Statewide

By goodblacknews on July 22, 2020

According to the Los Angeles Times, all 430,000 undergraduates attending California State Universities will be required to take an ethnic studies or social justice course, a curriculum change approved by CSU trustees today.

To quote latimes.com:

The board of trustees voted in favor of the requirement, which will take effect starting in 2023 in the nation’s largest four-year public university system. Five members voted against it, including State Supt. of Public Instruction Tony Thurmond and social justice activists Lateefah Simon and Hugo Morales. One trustee abstained.

Two questions dominated their debate: How should ethnic studies be defined? And who gets to decide: faculty, trustees or state lawmakers?

The new requirement, advanced by the office of the chancellor, creates a three-unit, lower-division course requirement in “ethnic studies and social justice.” The requirement could be met by a traditional ethnic studies course or by courses focused on social justice or social movements.

The measure was opposed by some faculty and students who argued it was too broad and developed without appropriate consultation with ethnic studies faculty.

They contended that adding the social justice option diluted the core mission of ethnic studies, which focuses on the history and experiences of four oppressed groups in the U.S.: African Americans, Asian Americans, Latinos and indigenous people.

California Assemblymember Shirley Weber (D-San Diego), has drafted an alternative plan that is currently making its way to the governor’s office, which would more strictly define how the requirement could be fulfilled.

Unedited “Eyes on the Prize” Interviews with John Lewis and C.T. Vivian Available to Stream at American Archive of Public Broadcasting (WATCH)

Unedited “Eyes on the Prize” Interviews with John Lewis and C.T. Vivian Available to Stream at American Archive of Public Broadcasting (WATCH)

By goodblacknews on July 18, 2020

The American Archive of Public Broadcasting (AAPB) has made John Lewis’ unedited interview for Eyes on the Prize (1987) and for Eyes on the Prize: They Loved You Madly (1979), available to stream on its website, along with Rev. C.T. Vivian’s unedited interview for Eyes on the Prize. 

Lewis’ discussions center on the voting rights movement in Selma, Alabama, his friendship with Dr. Martin Luther King, Jr., the relationship between Southern Christian Leadership Conference (SCLC) and the Student Nonviolent Coordinating Committee (SNCC), his view on the philosophy of nonviolence and his involvement in the March on Washington.

Vivian and his interviewer discuss in detail over the course of an hour the Nashville sit-in campaign, the Freedom Rides, the Selma campaign and more.

Eyes on the Prize is the groundbreaking 1987 PBS documentary series that tells the definitive story of the civil rights movement.

These interviews are part of a collection of 127 raw interviews from Eyes on the Prize available to stream via AAPB due to a collaboration between Boston public media producer WGBH and the Library of Congress to preserve and make accessible culturally significant public media from across the country.

The AAPB also contains a two-part raw interview conducted with Vivian in 2011 from American Experience’s Freedom Riders. Part 1, Part 2.

“Amazing Grace”: Playlist in Honor of Civil Rights Heroes John Lewis and Rev. C.T. Vivian (LISTEN)

“Amazing Grace”: Playlist in Honor of Civil Rights Heroes John Lewis and Rev. C.T. Vivian (LISTEN)

By goodblacknews on July 18, 2020

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

With the passing of two Civil Rights Movement titans, the Reverend C.T. Vivian and Rep. John Lewis, I was inclined to honor them with a playlist.

After some poking around, I read that Rep. Lewis was a big fan of Aretha Franklin and saw her sing more times than he could count.

As a teenager, Franklin traveled the country on tour with Dr. Martin Luther King, Jr., Jesse Jackson and Harry Belafonte. As she became a musical icon, lending her voice in support of equal rights, Franklin was present with Lewis and Vivian, in person or in song, for some of the Civil Rights Movement’s most pivotal moments.

John Lewis and C.T. Vivian (photo: Getty Images)

“If it hadn’t been for Aretha — and others, but particularly Aretha — the Civil Rights Movement would have been a bird without wings,” Lewis said. “She lifted us and she inspired us.”

Here is a playlist featuring her and other artists who lent their voices to the struggle.

As always, stay safe, sane, and kind.

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Marlon West (photo courtesy Marlon West)

R.I.P. John Lewis, 80, U.S Representative and Civil Rights Movement Icon

By goodblacknews on July 18, 2020
John Lewis (photo by Rick Diamond / Getty Images)

Rep. John Lewis, an iconic pioneer of the Civil Rights Movement and Freedom Rider who literally shed his blood in the fight for Black voting rights and went on to become a 17-term Democratic member of Congress, died yesterday from pancreatic cancer. He was 80 years old.

One of the last surviving leaders of the 1960s Civil Rights era and members of the Rev. Martin Luther King Jr.’s inner circle, (the Rev. C.T. Vivian passed yesterday as well), Lewis was diagnosed with advanced pancreatic cancer in December.

Regardless of his health issues, Lewis took to the streets again in early June to join protests for racial justice near the White House that were in response to the police killings of George Floyd, Breonna Taylor and Rayshard Brooks, among others.

Lewis was born in Troy, Alabama and attended segregated schools before earning his college degree at Fisk University in Nashville.

While a student there, Lewis organized his first sit-in demonstration at a lunch counter and was soon arrested for what he started to call “good trouble, necessary trouble.”

R.I.P. Rev. C.T. Vivian, 95, Civil Rights Movement Activist and MLK Adviser

By goodblacknews on July 17, 2020
Rev. C.T. Vivian receives 2013 Presidential Medal of Freedom from Barack Obama (photo: commons.wikipedia.org)

According to nytimes. com, the Rev. C.T. Vivian, a civil rights organizer and adviser for the Rev. Dr. Martin Luther King Jr. and the Southern Christian Leadership Conference in the struggle for racial justice a half-century ago, died at the age of 95 today at his home in Atlanta. Kira Vivian and Denise Morse, two of Vivian’s daughters, confirmed his passing.

C.T. Vivian was a Baptist minister and member of MLK’s inner circle of advisers, alongside the Rev. Fred L. Shuttlesworth, the Rev. Wyatt Tee Walker, the Rev. Ralph Abernathy and other civil rights luminaries such as Julian Bond and Rev. Jesse Jackson.

To quote nytimes.com:

Vivian was the national director of some 85 local affiliate chapters of the S.C.L.C. from 1963 to 1966, directing protest activities and training in nonviolence as well as coordinating voter registration and community development projects.

In Selma and Birmingham, Ala.; St. Augustine, Fla.; Jackson, Miss.; and other segregated cities, Mr. Vivian led sit-ins at lunch counters, boycotts of businesses, and marches that continued for weeks or months, raising tensions that often led to mass arrests and harsh repression.

Televised scenes of marchers attacked by police officers and firefighters with cattle prods, snarling dogs, fire hoses and nightsticks shocked the national conscience, legitimized the civil rights movement and led to passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965.

“Nonviolence is the only honorable way of dealing with social change, because if we are wrong, nobody gets hurt but us,” Mr. Vivian said in an address to civil rights workers, as recounted in “At Canaan’s Edge: America in the King Years, 1965-68” (2006), by Taylor Branch. “And if we are right, more people will participate in determining their own destinies than ever before.”

Cordy Tindell Vivian was born in Boonville, Mo., on July 30, 1924, the only child of Robert and Euzetta Tindell Vivian. His family moved to Macomb, Ill., when he was 6, and he later graduated from Macomb High School in 1942. He studied history at Western Illinois University in Macomb, but he dropped out and became a recreation worker in Peoria, Ill., where he joined his first protest, in 1947, helping to desegregate a cafeteria.

In 1945, Mr. Vivian married Jane Teague, who worked at a hardware store, and they had one daughter, Jo Anna Walker, who survives him. The couple separated amicably in the late 1940s and divorced later so that Mr. Vivian could marry Octavia Geans, in 1952. She was the author of “Coretta” (1970), the first biography of Dr. King’s wife, Coretta Scott King. She died in 2011.

In addition to his daughters Kira, Denise and Jo Anna, Mr. Vivian is survived by another daughter, Anita Charisse Thornton; two sons, Mark Evans Vivian and Albert Louis Vivian; nine grandchildren; 10 great-grandchildren; 28 great-great-grandchildren; and two great-great-great-grandchildren. Another son, Cordy Jr., died in 2010.

To read more: https://www.nytimes.com/2020/07/17/us/ct-vivian-dead.html

Oprah Winfrey and Lionsgate Join Forces With Journalist Nikole Hannah-Jones and The New York Times to Adapt the 1619 Project Into Films, Television Programming & Other Content

By goodblacknews on July 8, 2020
Photo Credit: Oprah (Harpo Inc./Ruven Afanador) / Nikole (James Estrin/The New York Times )

Pulitzer Prize®-winning journalist Nikole Hannah-Jones and The New York Times have chosen Lionsgate Studios to be the home for a wide-ranging partnership to develop Ms. Hannah-Jones’ landmark issue of The New York Times Magazine, The 1619 Project, and hit New York Times podcast, 1619, into an expansive portfolio of feature films, television series and other content for a global audience.

As part of the ground-breaking venture, Lionsgate has partnered with Oprah Winfrey as a producer who will provide stewardship and guidance to the development and production of The 1619 Project.

Lionsgate, The Times and Ms. Winfrey will join forces with Ms. Hannah-Jones, who will serve as the creative leader and producer in developing feature films, television series, documentaries, unscripted programming and other forms of entertainment enlisting world-class Black creative voices to help adapt her celebrated series chronicling the ways that the original sin of slavery in America still permeates all aspects of our society today.

Jones’ colleague at The Times Magazine, Caitlin Roper, an editor of The 1619 Project and head of scripted entertainment at The Times, will also produce.

One of the most impactful and thought-provoking works of journalism of the past decade, The Times Magazine’s 1619 Project was a landmark undertaking that connected the centrality of slavery in history with an unflinching account of the brutal racism that endures in so many aspects of American life today.

It was launched in August 2019 on the 400th anniversary of the arrival of the first enslaved Africans in the English colonies that would become the United States, and it examines the legacy of slavery in America and how it shaped all aspects of society, from music and law to education and the arts, including the principles of our democracy itself.

Ms. Hannah-Jones created and was the architect of the initiative at The Times Magazine with contributions from Black authors, essayists, poets, playwrights, and scholars comprising a special issue of the magazine and a special section in the print edition of The New York Times produced in collaboration with the Smithsonian’s National Museum of African-American History & Culture, as well as a five-part podcast that topped the Apple Podcast charts.

One of The Times’ most widely read pieces of journalism last year, The 1619 Project has been discussed in the Senate, is being adapted into a series of books with One World, a division of Penguin Random House, and is already changing the way that American history is being taught in schools.

“We took very seriously our duty to find TV and film partners that would respect and honor the work and mission of The 1619 Project, that understood our vision and deep moral obligation to doing justice to these stories. Through every step of the process, Lionsgate and its leadership have shown themselves to be that partner and it is a dream to be able to produce this work with Ms. Oprah Winfrey, a trailblazer and beacon to so many Black journalists,” said Ms. Hannah-Jones. “I am excited for this opportunity to extend the breadth and reach of The 1619 Project and to introduce these stories of Black resistance and resilience to even more American households.”

“From the first moment I read The 1619 Project and immersed myself in Nikole Hannah-Jones’s transformative work, I was moved, deepened and strengthened by her empowering historical analysis,” said Oprah Winfrey. “I am honored to be a part of Nikole’s vision to bring this project to a global audience.”

Please see a link to The 1619 Project essays here and podcasts here.

#AAMAM: “Black and Proud” – Celebrating Black LGBT Musical Pioneers (LISTEN)

#AAMAM: “Black and Proud” – Celebrating Black LGBT Musical Pioneers (LISTEN)

By goodblacknews on June 28, 2020

by Jeff Meier (FB: Jeff.Meier.90)

As June is both African-American Music Appreciation Month and Pride Month, and today is the anniversary of the beginning of the landmark Stonewall Riots marking the unofficial launch of the gay rights movement, Good Black News today brings you a musical playlist celebrating some of the Black LGBT musical pioneers of the contemporary music era.

Just last year, rapper Lil Nas X made history in multiple ways when his genre-bending country/rap tune, the infectious ‘Old Town Road’ (which, in remixed form, included country star Billy Ray Cyrus), launched on TikTok and headed straight to #1, where it stayed for 19 weeks.

In the process, the 1:53 minute song (which was the shortest song to hit #1 since the mid-1960s), literally became the longest running #1 in chart history, outlasting the 16 week #1 runs of  Mariah  Carey & Boyz II Men’s ‘One Sweet Day’ and Luis Fonsi/Daddy Yankee/Justin Bieber’s ‘Despacito’.

One year ago during Pride Month, in the middle of the song’s #1 run on the charts, Lil Nas X revealed himself to be gay and joined what has become a burgeoning scene of LGBTQ artists among the Gen Z crowd, many of them African-American. Frank Ocean, Kehlani, Brittany Howard, Azealia Banks, Janelle Monae, and Big Freedia are just some of the other artists that have broken through the pack in recent years, publicly claiming their respective LGBTQ identities even as their careers were still on the rise. 

And musically-talented TV personalities such as one-time reality star Todrick Hall, the now notorious, but nevertheless pioneering ‘Empire’ star Jussie Smollett, ‘Glee’ co-star Alex Newell and ‘The Flash’ co-star Keiynan Lonsdale have also helped pave the way, bringing Black, openly LGBT faces into millions of homes.  

Hopping around Spotify in the search for Black LGBT artists now leads to not just these artists, but dozens of other openly LGBT independent artists making it happen in rap, dance, soul, and pop.

It wasn’t always this way, however. So in today’s playlist, we are celebrating 15 significant, pioneering LGBT artists who got their starts between the late 1950s (when the contemporary pop/rock music era began) and the end of the 20th century. The truth is that we’ve always been watching and listening to LGBT artists – the general public just may not have known it at the time.

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Some of these artists we’re celebrating in our list were loud and proud right from the start. With others, we didn’t publicly know they were part of the LGBT community until after they passed away.  

The goal with this list is not to stir up controversy, but rather celebration and re-interpretation – so we’re steering away from the numerous popular artists about whom there are simply rumors.  Perhaps time and the history books will reveal more about the stories of many other artists from an era of music in which most prominent artists remained in the closet.  

For now, it’s interesting to look back at these 15 Black artists and see the array of musical and personal journeys, and examine them anew. We present the artists in roughly chronological order of their career prominence, and feature five songs from each – trying to include early work, a big hit or two and something recent if they are still making music.  

We hope this playlist will both introduce you to some talented but unheralded artists, and help you re-evaluate some artists you may already know and love – and can now see in a new light.