[youtube https://www.youtube.com/watch?v=cjgsNc6qlHE&w=560&h=315]
For those who grew up in the 1980s, Public Enemy was one of a handful of nationally-known hip-hop acts that created socially-conscious rap almost exclusively. From “Don’t Believe The Hype” to “Fight The Power” (from Spike Lee‘s still-all-too-relevant movie about racism and police brutality Do The Right Thing) to “By The Time I Get To Arizona”, Chuck D, Flavor Flav, Terminator X and the crew were on the forefront of calling out media manipulation, systemic racism and bigotry, and the widespread mistreatment of black people in America.
Now, over 30 years after they’ve formed and three years since their last album, Public Enemy has released Man Plans God Laughs, offering much-needed and necessary protest music once again. The video for the single “No Sympathy From The Devil” was just released today, and it packs a chilling punch. It ties historical acts of racism with the racism of today – and so much of it looks the same (at the 1:56 mark, Sandra Bland‘s mug shot appears and has the effect of a gut punch).
The entire album, which was released a few weeks ago on July 15, can be heard on Spotify:
https://open.spotify.com/album/1pmsTgxfLMkCw7C5LuSHFD
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
In addition to King, Benjamin joins returning stars Lili Taylor, Felicity Huffman, Timothy Hutton, Elvis Nolasco and Richard Cabral — all of whom will be playing new characters in a new setting. Season 2 is filming in Austin. Ridley executive produces American Crime with Michael J. McDonald for ABC Studios.
The casting is a reunion for Ridley and Benjamin. Ridley wrote and directed the Jimi Hendrix biopic Jimi: All Is By My Side, in which the actor and Outkast rapper Benjamin starred.
“Personally, I couldn’t be more excited than to work again with André,” said Ridley in a statement. “He is an amazing individual, a true artist, and All is by My Side is one of the reasons I was given the reins on American Crime. Folks at ABC were absolutely moved by André’s performance in the film, and by the overall language of cinema we used in telling the story. It’s fair to say American Crime might not exist were it not for our previous collaboration.”
article by Denise Petski via Deadline.com