article by Tamara Best via nytimes.com
Masters of their fields, the photographer Gordon Parks and the writer Ralph Ellison bonded over a shared vision of using their creative talents to address racial injustice. That commitment led to the powerful, enduring 1952 photo essay “A Man Becomes Invisible.”
But that Life magazine project was not their only collaboration. A new exhibition, “Invisible Man: Gordon Parks and Ralph Ellison in Harlem,” for the first time shows images from a lesser-known 1948 project of theirs, “Harlem Is Nowhere.” On view through Aug. 28 at the Art Institute of Chicago, the exhibition offers the two men’s counternarrative (the reality, that is) of the living conditions of black Americans during that time. Among the show’s more than 50 objects — the known surviving material belonging to both “A Man Becomes Invisible” and “Harlem Is Nowhere” — are newly discovered images, photographs that have never been exhibited and items that had not been definitely identified as belonging to either project.
The black-and-white photographs are vignettes of life in Harlem: street scenes of adults and children; political advocacy in real time; and imagined scenes from “Invisible Man,” Ellison’s watershed 1952 novel. The photographs are placed next to the passages that correspond with them, giving a sense of the tight collaborative process. Among the other highlights are drafts of captions for “Harlem Is Nowhere,” and images include a man in an alleyway; Harlem in literal ruin with a clinic building acting as a bright light; and a patient waiting to be seen, sitting in solitude, head in his hands.
Ellison and Parks “lived parallel lives, and they intersect in a creative splendor,” Adam Bradley, an associate professor at the University of Colorado, Boulder, who has written about Ellison’s work, said in a telephone interview. “They both understood the capacity of dark and light, light and shadow, black and white.”
These artists were compelled to focus on Harlem, their adopted home, which despite being the center of a cultural revival during the Harlem Renaissance, suffered a great economic toll tied to the Depression. They also witnessed the mounting postwar frustrations among their neighbors, black men who had been enlisted to fight but whose freedoms remained limited upon their return home.
The novel tells the powerful, unflinching story of a Haitian-American woman kidnapped for ransom in front of her husband and child. The novel explores the privilege that made her a target and the strength she must draw on to survive and reclaim her life. Prince-Bythewood is best known for directing Love and Basketball, Beyond the Lights, and The Secret Life of Bees, and with husband, Reggie Rock Bythewood, she is executive producing the 10-hour event series 
Elizabeth Alexander is the Frederick Iseman Professor of Poetry at Yale University. Professor Alexander has been a member of the faculty at Yale since 2000. She previously taught at the University of Chicago. Professor Alexander is the author of six collections of poetry. She is being honored in the autobiography category for her book 
Ta-Nehisi Coates is a finalist in the criticism category for his book 
Ross Gay teaches in the creative writing program at Indiana University and for the low-residency master of fine arts degree program in poetry at Drew University in New Jersey. He is a finalist in the poetry category for his collection 
Terrance Hayes was nominated in the poetry category for his collection 
the Arts at Columbia University and a professor at the Eugene Lang College of The New School for Liberal Arts in New York. She is nominated in the autobiography category for