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"Staying Power": Photographs of Black British Experience on Exhibit in England Through May

Untitled, circa 1960s, from the portfolio Black Beauty Pageants
Untitled, circa 1960s, from the portfolio Black Beauty Pageants (Photograph: Raphael Albert/Victoria and Albert Museum)

“Staying Power: Photographs of Black British Experience 1950s-1990s” is the culmination of a seven-year collaboration between the Victoria & Albert Museum and Brixton’s Black Cultural Archive to increase the number of black British photographers and images of black Britain in the V&A collection. It aims to raise awareness of the contribution of black Britons to British culture and society, as well as to the art of photography.
Over the last seven years the V&A has been working with Black Cultural Archives to acquire photographs either by black photographers or which document the lives of black people in Britain. Funded by the Heritage Lottery Fund (HLF), the Museum has been able to collect 118 works by 17 artists. To complement the photographs, Black Cultural Archives have collected oral histories from a range of subjects including the photographers themselves, their relatives, and the people depicted in the images.
Staying Power: Photographs of Black British Experience 1950s-1990s is at the Black Cultural Archive (bcaheritage.org.uk) until June 30th and at the Victoria & Albert Museum from February 16th to May 24th (vam.ac.uk).  Some of the images on display follow below:
HD-1469 (Pineapple), 1969
HD-1469 (Pineapple), 1969 (Photograph: The Estate of J. D. ‘Okhai Ojeikere/Victoria and Albert Museum)

Miss Black & Beautiful, circa 1970s
Miss Black & Beautiful, circa 1970s (Photograph: Raphael Albert/Victoria and Albert Museum)

She Rockers (London Rap/Dance Crew), Shepherd’s Bush Green, London, 1988
She Rockers (London Rap/Dance Crew), Shepherd’s Bush Green, London, 1988 (Photograph: Normski/Victoria and Albert Museum)

4 Aces Club, Count Shelley Sound System, Hackney, London, 1974
4 Aces Club, Count Shelley Sound System, Hackney, London, 1974 (Photograph: Dennis Morris/Victoria and Albert Museum)

article via guardian.com; additions by Lori Lakin Hutcherson (follow@lakinhutcherson)
 

Grammy Awards 2015 Winners List (So Far): Beyoncé and Pharrell Win Early!

Beyonce Pyramids 4-22
Before the show even started, a handful of winners have been announced for this year’s 57th Annual Grammy Awards.
Beyonce, who has had a record-breaking 52 nominations, took home an early award in the Best Surround Sound Album category for her self-titled 2013 release. Beyonce has now won 18 Grammy’s but has yet to take home the Album of the Year title, an award she’s up for later tonight.
Meanwhile, Pharrell won another Grammy for himself in the form of Best Music Video with his wildly popular “Happy” visuals.
Ahead of the ceremony and performances, check out an early list of the winners and nominees below:
Album of the Year
Beck, Morning Phase
Beyonce, Beyonce
Ed Sheeran, x
Sam Smith, In the Lonely Hour
Pharrell Williams, G I R L
Best New Artist
Bastille
Iggy Azalea
Brandy Clark
Haim
Sam Smith
Record of the Year
“Fancy,” Iggy Azalea ft. Charli XCX
“Chandelier,” Sia
“Stay With Me (Darkchild Version),” Sam Smith
“Shake It Off,” Taylor Swift
“All About That Bass,” Meghan Trainor
Song of the Year
“Chandelier,” Sia
“All About That Bass,” Meghan Trainor
“Shake It Off,” Taylor Swift
“Stay With Me (Darkchild Version),” Sam Smith
“Take Me to Church,” Hozier
Best Rap Album
The New Classic, Iggy Azalea
Because the Internet, Childish Gambino
Nobody’s Smiling, Common
The Marshall Mathers LP2, Eminem
Oxymoron, ScHoolboy Q
Blacc Hollywood, Wiz Khalifa
Best Pop Duo/Group Performance
“Fancy,” Iggy Azalea ft. Charli XCX
“A Sky Full of Stars,” Coldplay
“Say Something,” A Great Big World ft. Christina Aguilera
“Bang Bang,” Ariana Grande, Jessie J & Nicki Minaj
“Dark Horse,” Katy Perry ft. Juicy J
Best Rap Performance
“3005,” Childish Gambino
“0 to 100/The Catch Up,” Drake
“Rap God,” Eminem
“i,” Kendrick Lamar
“All I Need Is You,” Lecrae
Best Alternative Music Album
This Is All Yours, alt-J
Reflektor, Arcade Fire
Melophobia, Cage the Elephant
St. Vincent, St. Vincent
Lazaretto, Jack White

'Selma,' 'Blackish,' Taraji P. Henson Win Big at NAACP Image Awards

Taraji P. Henson
NAACP Image Awards Winner Taraji P. Henson (PHOTO CREDIT: EARL GIBSON III/WIREIMAGE)

Last night’s NAACP Image Awards was nothing but pure glam. Celebrities slayed on the red carpet while host Anthony Anderson kept the crowd laughing all night. But it was the winners who had us buzzing.

After being snubbed in the Academy Award race, Selma was the clear-cut winner in the film categories, snagging the award for Outstanding Motion Picture, Outstanding Actor in a Motion Picture (David Oyelowo), Outstanding Supporting Actor in a Motion Picture (Common) and Outstanding Actress in a Motion Picture (Carmen Ejogo).
“We did this movie because we wanted to tell their story—our story,” said Selma producer Oprah Winfrey in her acceptance speech.
Meanwhile, “Blackish” swept the television categories, taking home all the top honors for comedy series, beating out shows like “Orange is the New Black” and “House of Lies.” The show won Best Comedy Series as well as the awards for Outstanding Actor in a Comedy Series (Anthony Anderson), Outstanding Actress in a Comedy Series (Tracee Ellis Ross), Oustanding Supporting Actor in a Comedy (Laurence Fishburne) and Outstanding Supporting Actress in a Comedy Series (Yara Shahidi).
Shonda Rhimes‘ “How to Get Away with Murder” won for Outstanding Drama Series, and its star, Viola Davis, won for Outstanding Actress in a Drama Series.
In the music categories, Pharrell Williams won for Outstanding Male Artist while Beyoncé won for Outstanding Female Artist. Taraji P. Henson took home the Image Award for Oustanding Actress in a Motion Picture for her role in No Good Deed, and Belle won for Outstanding Independent Motion Picture.
For a full list, visit www.naacpimageawards.net.
article by Taylor Lewis via essence.com

NYC: A Screening Series Not to Be Missed Kicks Off Today! "Black Independents in New York, 1968–1986"

Tell It Like It Is

Kicking off today, Friday, February 6, 2015, is a must-attend series, presented by The Film Society of Lincoln Center (NYC), titled “Tell It Like It Is: Black Independents in New York, 1968–1986” – from the opener, Kathleen Collins‘ stately 1982 feature “Losing Ground” (read my review of the film here); to Ayoka Chenzira‘s humorous, though inciting short “black hair” travelogue, “Hair Piece A Film for Nappy-Headed People;” Camille Billops‘ devastating documentary on a young black woman’s struggles to come to terms with her physically abusive father (dead at the time of the making of the film) as well as a mother, abused herself, unable to protect her children in 1982’s “Suzanne Suzanne,” and more.
A series programmed by Michelle Materre and Film Society of Lincoln Center Programmer at Large Jake Perlin, co-presented by Creatively Speaking, other titles included in the program, which some of you would be familiar with, include Bill Gunn‘s seminal “Ganja & Hess” (a film that Spike Lee *reinterpreted* in his latest work, “Da Sweet Blood of Jesus”); William Greaves’ instructive “Symbiopsychotaxiplasm;” another Bill Gunn film, “Personal Problems” (which came after “Ganja”), the work of cinéma-vérité, capturing a middle class black family in crisis; St Clair Bourne’s intimate documentary capturing Amiri Baraka‘s trial and conviction for “resisting arrest” despite allegations of police harassment, in “In Motion: Amiri Baraka;” and much, much, much more.
Of course, given the period and city covered, the early work of Spike Lee is well represented, with “Joe’s Bed-Stuy Barbershop: We Cut Heads” and “She’s Gotta Have It,” both scheduled to screen.
Tickets for this must-attend series of rare screenings can be purchased online here.
It’s quite exhaustive, so I strongly encourage you to take full advantage, because you may never get another opportunity quite like this again, or anytime soon, after this run ends. Check out the full lineup here.
In the meantime, here’s a just-released trailer for the series:

article by Tambay A.Benson via blogs.indiewire.com

Diana Ross Headlines Mini-Residency at Venetian in Las Vegas This April

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Superstar singer Diana Ross has inked April dates for the first nine performances of her new mini-residency contract at the Venetian Hotel in Las Vegas. Soon to follow in this new entertainment lineup set for the former “Phantom — The Las Vegas Spectacular” theater will be Janet Jackson, Lionel Richie and Ricky Martin.
Diana, named “Most Successful Female Vocalist of All Time,” takes the stage for her new show “The Essential Diana Ross: Some Memories Never Fade” as of April 1.  Tickets are on sale for three weekends of shows April 1, 3-4, 7-8, 10-11, 15 and 17-18.  To purchase, click here.
She will include songs from her remarkable, nearly five-decade career that made music-history milestones and a significant contribution to pop culture music of the 20th century. She’s promising Motown classics “Ain’t No Mountain High Enough” to pop favorites “I’m Coming Out” and hits including “Endless Love.”

African-American Racer Wendell Scott Officially Inducted into NASCAR Hall of Fame Tonight

Wendell Scott
NASCAR Hall of Fame Inductee Wendell Scott

Announced last May, the news finally became official: as of tonight, African-American race car driver Wendell Scott is the first black man inducted into the NASCAR Hall of Fame.
Scott drove during the Jim Crow era, and he was the first African-American to win a race at NASCAR’s elite major league level. He died in 1990.  His career began in 1952, and his racing team was his family. They would travel to races together from their home in Virginia, and his sons served as his pit crew.
Wendell Scott's son Frank Scott (left) and grandson Warrick Scott at StoryCorps in Danville, Va. Wendell Scott, who died in 1990, was one of the first African-American NASCAR drivers to win a race at the elite level.
Wendell Scott’s son Frank Scott (left) and grandson Warrick Scott at StoryCorps in Danville, Va. Wendell Scott, who died in 1990, was one of the first African-American NASCAR drivers to win a race at the elite level.

“It was like Picasso, like a great artist doing his work,” says Scott’s son, Frank, 67, at StoryCorps. “And he was in that car, he was doing his work. And as children we didn’t have that leisure time, you know, we couldn’t go to the playground. He said to us, ‘I need you at the garage.’ I can remember him getting injured, and he’d just take axle grease and put it in the cut and keep working.”
But Scott wasn’t allowed to race at certain speedways. When he planned to go to Atlanta, he even received death threats.
“Daddy said, ‘Look, if I leave in a pine box, that’s what I gotta do. But I’m gonna race,’ ” Frank says. “I can remember him racing in Jacksonville, and he beat them all, but they wouldn’t drop the checkered flag. And then when they did, they had my father in third place. One of the main reasons that they gave was there was a white beauty queen, and they always kissed the driver.”
“Did he ever consider not racing anymore?” asks Scott’s grandson, Warrick, 37.
“Never,” Frank says. “That was one of my daddy’s sayings: ‘When it’s too tough for everybody else, it’s just right for me.’ ”
Before the Atlanta 500 in 1964, Scott was sick and needed an operation, but he refused not to race.
“And so, I said, ‘Daddy, we don’t have to race,’ ” Frank says. “He whispered to me and said, ‘Lift my legs up and put me in the car.’ So, I took my arms and put them behind his legs and kind of acted like I was hugging him and helped him into the car. He drove 500 miles that day.”

Wendell Scott (right) and his son Frank in Darlington, S.C., in 1970. Wendell Scott becomes the first African-American driver inducted into the NASCAR Hall of Fame on Friday.
Wendell Scott (right) and his son Frank in Darlington, S.C., in 1970. Wendell Scott becomes the first African-American driver inducted into the NASCAR Hall of Fame on Friday. (Courtesy of the Scott family)
“How did his racing career officially end?” Warrick asks.

Scott’s career ended only because he couldn’t afford to race anymore. No one would financially support his career.
“Where other drivers that we were competing against had major sponsorships, providing them engineers, as many cars as they needed,” Frank says, “he did everything that he did out of his own pocket.
“He always felt like someday he’s going to get his big break,” Frank adds. “But for 20 years nobody mentioned Wendell Scott. At one point it was like he never existed. But he didn’t let it drive him crazy. I think that’s what made him so great. He chose to be a race car driver, and he was going to race until he couldn’t race no more.”
Produced for Morning Edition by Jud Esty-Kendall and John White.  To hear audio of this story, click through to npr.org.

Producer/Songwriter Nile Rodgers to be Honored with Vanguard Award During This Year’s Grammys Celebration

56th GRAMMY Awards - Press Room
Nile Rodgers, the songwriter and producer behind Chic’s “Le Freak,” David Bowie’s “Let’s Dance,” and Sister Sledge’s “We Are Family,” will be honored by the Recording Academy’s Producers and Engineers Wing at a special tribute on February 3.  As part of the official roster of Grammy week events, the evening will include appearances by nine-time Grammy nominee Ledisi, six-time Grammy winner Al Jarreau, and Def Jam co-founder Rick Rubin.
Rodgers co-founded the legendary band Chic with Bernard Edwards in the late ‘70s, and capitalized on disco’s popularity with a string of hits including “Good Times” and “I Want Your Love.”  Rodgers also produced for top artists such as Madonna and Diana Ross, and won the Grammy for Record of the Year for Daft Punk’s “Get Lucky” along with Pharrell Williams in 2014.
Rodgers will also be awarded the Vanguard Award at this year’s MojaMoja Pre-Grammy Brunch, an annual event hosted by KCRW’s Garth Trinidad.  In March, Chic will release a new album entitled It’s About Time.  
article by Rhonda Nicole via theurbandaily.com

Loretta Lynch’s #DeltaSigmaTheta Sorority Sisters Came to Support Her Attorney General Confirmation Hearing

Loretta Lynch Howard Sorority Sisters
Congresswoman Alma S. Adams posted this photo on Jan. 28, 2014. “Supporting Greensboro native, Loretta Lynch, in her confirmation hearing for U.S. Attorney General. #NC12” Alma S. Adams (@RepAdams) via Twitter

Women of the storied African-American sorority Delta Sigma Theta flooded a Senate hearing room on Wednesday to support their fellow sorority sister and Attorney General nominee Loretta Lynch.
Lynch, who is set to face a tough hearing for the post, started a chapter of the sorority at Harvard with current Attorney General Eric Holder’s wife, Sharon Malone. Though the connection was seen as controversial to members of the right-wing media, her sorority sisters proudly donned the organization’s signature colors—crimson and cream—in the hearing room.
https://twitter.com/RepBeatty/status/560457534004531200/photo/1
The sorority was founded in 1913 at Washington, D.C.’s Howard University on tenets of empowerment, justice, and community service. Several current and former members of Congress are members, including Reps. Joyce Beatty and Marcia Fudge of Ohio, Rep. Yvette Clark of New York, and former Congresswomen Barbara Jordan and Shirley Chisholm.

NAACP Image Awards to Honor Spike Lee With President's Award

Spike Lee will be honored at the NAACP Image Awards this year, where the iconic filmmaker will receive the President’s Award.

NAACP president and CEO Cornell William Brooks calls the Do the Right Thing director a “trailblazer” and a “champion for minorities.”
Brooks continues, “His expansive body of work examining race relations, colorism in the Black community, the role of media in contemporary life, urban crime and poverty, and other political issues reflect the fullness of the humanity of people of color — particularly African-Americans.”
The President’s Award is chosen by the NAACP president and recognizes special achievement and distinguished public service. Past honorees have included President Bill ClintonMuhammad Ali and, most recently, Kerry Washington.
Lee has had an active career, churning out a film per year on average. His latest movie, Da Sweet Blood of Jesus, is a romantic horror comedy that follows a scholar who becomes cursed after a run-in with an ancient African artifact. It was partially funded through Kickstarter.
The 46th NAACP Image Awards will be broadcast live on February 6 at 9 p.m. Check your local listings for details.
article by Evelyn Diaz via bet.com

Usher, Willie Nelson and Janelle Monae Set for Stevie Wonder "All-Star Grammy Salute" on February 10

Janelle-Monae-Stevie-Wonder-Usher
Stevie Wonder will get the all-star treatment next month during a tribute concert in his honor.  The Associated Press reports that UsherWillie Nelson and Janelle Monae will be among the performers paying tribute to Wonder at “Stevie Wonder: Songs in the Key of Life — An All-Star Grammy Salute.”
The event, which will also feature performances from Coldplay‘s Chris Martin and Ed Sheeran, will take place at the Nokia Theatre L.A. LIVE in Los Angeles on Feb. 10.
The concert is scheduled to be held two days after the 57th annual Grammy Awards. Wonder’s history with the Grammys is a stellar one that includes receiving 25 Grammy Awards during his career.
Tickets for “Stevie Wonder: Songs in the Key of Life — An All-Star Grammy Salute” are currently on sale. The show is set to air as a two-hour special Feb. 16 on CBS.
article via eurweb.com