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"Empire" Caps 1st Season With More Than 17 Million Viewers

empire
Fox drama “Empire” capped its stunning first-year ratings performance Wednesday night with viewership gains for a tenth straight week and a demo delivery not seen by any broadcast series in nearly six years.
Nielsen estimates that the two-hour finale of “Empire” averaged a 6.4 rating/20 share in adults 18-49 and 16.5 million viewers overall — up about 10% in both categories from last week’s hourlong episode (5.8/17 and 14.92 million); these numbers are expected to rise in the nationals. It opened at 8 p.m. where it left off last week (5.8 demo rating) and did a 6.8/21 and 17.5 million in its regular 9 p.m. hour.
This means that “Empire” managed to grow its audience with each of the 11 hours following its Jan. 7 premiere, which averaged 9.90 million. Wednesday’s audience for the 9 o’clock hour was up a whopping 77% (or 7.6 million viewers) from the show’s debut.
The soap starring Terrence Howard and Taraji P. Henson also grew each week in its core women 18-34 demo, with Wednesday’s 7.6 rating/27 share more than double the show’s premiere-night average (3.7 rating/12).
The 6.8 rating for its second hour makes it far and away the top score for any regularly scheduled broadcast program this season, nearly 25% higher than the 5.5 rating achieved by the season premiere of CBS’ “The Big Bang Theory.” The only entertainment series to fare better since the start of the television season in September has been AMC’s “The Walking Dead,” which did a whopping 8.7 for its fifth-season premiere last October and has averaged at least a 7 rating with 10 of its 14 episodes so far this season.
“Empire” was a social-media dynamo as well Wednesday, garnering 2.4 million tweets during the broadcast, according to Nielsen Social Guide. And on Facebook, roughly 2 million people generated 15.8 million likes/comments/shares related to the finale.
article by Rick Kissell via Variety.com

Russell Simmons Bringing Hip-Hop Musical "The Scenario" to Broadway in 2016

Russell Simmons hip hop musical
Russell Simmons (LARRY BUSACCA/GETTY IMAGES)

Russell Simmons is developing a hip-hop musical that will draw songs from hip-hop’s “golden age” from between the mid-1980s and the mid-1990s, in the same way that “Rock of Ages” pulled tunes from the hard-rock classics of the ’80s.
Simmons has teamed with “Rock of Ages” producer Big Block/Scott Prisand for the show, which aims to conjure the same fun, concert-like vibe that helped sustain the nearly six-year run of “Rock of Ages” on Broadway. The original story of “The Scenario” will be written by Dan Charnas, who wrote the book “The Big Payback: The History of the Business of Hip-Hop.”
The attachment of Simmons, who’ll produce through Def Pictures, lends “The Scenario” some notable cred. As the founder of Def Jam Recordings in 1984, he’s credited with playing a major role in hip-hop’s rise to the mainstream. He also founded the Def Comedy franchise in 1989, and he produced and conceived 2002 Broadway outing “Russell Simmons Def Poetry Jam.”
Simmons and Big Block hope to get “The Scenario” into New York in late 2016, although they aren’t necessarily targeting Broadway. “Rock of Ages,” for instance, played an Off Broadway run before it shifted to Broadway; the producers could also consider putting the production in a nontraditional space outside the typical Broadway box.
“The Scenario” is being developed by a team of producers that includes Simmons, Def Pictures/Jake Stein, Big Block/Prisand, Scott Benson, Tom Pellegrini and Jamie Bendell, Brian Sher and Stella Bulichnikov.
article by Gordon Cox via Variety.com

Steve McQueen’s HBO Drama "Codes Of Conduct" Picked Up As Limited Series

12 Years A Slave Town Hall Portraits, September 25, 2014
HBO is moving forward with Steve McQueen‘s drama pilot Codes Of Conduct, giving the project a six-episode limited series order. The 12 Years A Slave helmer will direct all six episodes of Codes Of Conduct, on which he had teamed with World War Z co-writer Matthew Michael Carnahan; hip-hop mogul/producer Russell Simmons, who has a deal at HBO; Oscar-winning producers Iain Canning and Emile Sherman (The King’s Speech); and HBO veteran Alan Poul (The Newsroom, Six Feet Under). All six will executive produce.
devonterrellCo-written by McQueen and Carnahan, Codes Of Conduct is carrying McQueen’s signature style of provocative filmmaking and is described as an exploration of a young African-American man’s experience entering New York high society, with a past that might not be what it seems. It centers on Beverly Snow (newcomer Devon Terrell), a young man from Queens as talented as he is ambiguous. His self-confidence will enable him to break into the social circles of Manhattan’s elite, testing the boundaries of access and social mobility. Paul Dano, Helena Bonham Carter and Rebecca Hall co-star.
CodHBO blue logoes Of Conduct follows the model employed by HBO’s buzzy drama True Detective, which also started as a limited series. The cable network also has upcoming miniseries True Justice. HBO’s 2015 drama series slate includes new entries Westworld, from JJ Abrams, Jonah Nolan and Jerry Weintraub; Untitled Rock ‘n’ Roll project, from Martin Scorsese, Mick Jagger and Terence Winter; and Ballers, from Dwayne Johnson, Mark Wahlberg and Steve Levinson.
article by Nellie Andreeva via deadline.com

OPINION: Shonda Rhimes Offers a New Word for "Diversity" — Let's Start Using It

Shonda Rhimes (Source: Jordan Strauss/AP)

Once a term to describe the laudable aim of ensuring equal representation, “diversity” has devolved into a trite talking point.

It’s an issue that Shonda Rhimes, the mastermind behind television hits such as Scandal, Grey’s Anatomy and How To Get Away With Murder, touched on while accepting an award at the Human Rights Campaign’s gala event in Los Angeles last weekend. In her speech, Rhimes said she’s tired of the way “diversity” is understood by most people.

“I get asked a lot by reporters and tweeters why I am so invested in ‘diversity’ on television,”  Rhimes said, according to Medium‘s text of her speech. “‘Why is it so important to have diversity on TV?’ they say. I really hate the word ‘diversity.’ It suggests something other. … As if there is something unusual about telling stories involving women and people of color and LGBTQ characters on TV.”

Rhimes offered an alternative to the term “diversity,” saying she’d rather describe what she’s doing as “normalizing.”

“I am making TV look like the world looks. Women, people of color, LGBTQ people equal way more than 50% of the population. Which means it ain’t out of the ordinary. I am making the world of television look normal,” she said.

Rhimes makes a great point.

“Diversity” in itself has limits. In the past few decades, the word has become wildly popular, appearing everywhere from corporate websites to college recruitment brochures. In many cases, however, the concept is reduced to simply ensuring that a collection of people who look different from each other occupy the same space. That’s why many diversity fliers for companies and schools paint a picture of wide representation, but the actual demographics of those same institutions remain monochromatic.

Record Breaker: "Empire" Soundtrack Scores Rare No. 1 For TV Series on Billboard Albums Chart

Empire_The-Soundtrack_FINAL

According to Deadline.com, not only is Empire the most successful debuting drama in the past 25 years of television history, now its soundtrack is the No. 1 album in the country, debuting in the top spot on the Billboard 200 this week. This is a rare feat — especially for a network drama series.  The last time any TV soundtrack reached No. 1 on the charts was in 2010, when three Glee collections hit the top spot (also a Fox show).  The main distinction, however is that Glee‘s soundtracks were covers of already-popular tunes; Empire’s soundtrack are mostly new songs produced by Timbaland and performed by the original artists/cast members.

Billboard’s official stats come out Wednesday morning, but leaked numbers suggest Original Soundtrack From Season 1 Of Empire will keep Madonna from having a No. 1 debut for the first time since 1998 with her new release “Rebel Heart.”  Empire‘s ratings grew in each of its first nine weeks on the air and last week hit a high of 14.9 million. This number is sure to be even higher tomorrow night after its two-hour season finale.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

MUSIC: Kendrick Lamar on His New Album and the Weight of Clarity

Kendrick Lamar is working to purify hip-hop, a genre he hopes to ground in his true experiences growing up poor in Compton, Calif.,  the son of a former gangbanger. (Credit: John Francis Peters for The New York Times)

LOS ANGELES — Following the success of his major label debut, “good kid, m.A.A.d. city,” in 2012,  Kendrick Lamar did not indulge in earthly luxuries. Instead, he got baptized.

That album was the story of his redemption, not just from street gangs through rapping but from a life of sin by embracing Jesus Christ. His long-awaited follow-up, “To Pimp a Butterfly” (TDE/Aftermath/Interscope), which was made available online Sunday night, ahead of a planned March 23 release, is about carrying the weight of that clarity: What happens when you speak out, spiritually and politically, and people actually start to listen? And what of the world you left behind?

Mr. Lamar, who grew up in Compton, Calif., had previously been saved as a teenager in the parking lot of a Food 4 Less, he said, when the grandmother of a friend approached him after a tragedy, asking if he had accepted God. “One of my homeboys got smoked,” Mr. Lamar recalled. “She had seen that we weren’t right in the head. That was her being an angel for us.”

On his new album, “To Pimp a Butterfly,” Mr. Lamar is an evangelist for black power. (Credit: John Francis Peters for The New York Times)

Nearly a decade later, having found that fame and riches did not offer additional salvation, or happiness, he “wanted to take it to the next level — being underwater,” he said. “I felt like it was something I had to do.”

Whereas “good kid, m.A.A.d. city” zoomed in on a day in the old life of Mr. Lamar, a gifted but wayward high schooler in a neighborhood filled with death and temptation, “To Pimp a Butterfly” brings listeners up to his present day, from world tours to the B.E.T. Awards, and the separation he feels from his past. Rather than relief, his escape from Compton has brought only more opportunities for sin and self-doubt, an internal chaos reflected not only in Mr. Lamar’s intricate stories but also in vigorous jazz- and funk-inflected production that builds on the smoother West Coast sounds of his debut.

Struggling Philadelphia High School Strawberry Mansion Hires Music Teacher, Starts Using Recording Studio Donated Last Year by Drake

Drake with students from Strawberry Mansion High School (Photo: ABC News)
Drake with students from Strawberry Mansion High School (Photo: ABC News)

The students at Strawberry Mansion High School, once considered one of the most dangerous schools in the country, have started using the school’s brand new recording studio donated by rapper Drake after a music teacher was finally hired.
Located in a poor Philadelphia neighborhood with a high crime rate, Strawberry Mansion is a school plagued by violence. It once spent six years on the state of Pennsylvania’s “Persistently Dangerous Schools” list.
In a special ABC News “Hidden America” report on the school that first aired in May 2013, Diane Sawyer and ABC News producers followed the daily lives of the school’s students and faculty, including its then-new principal, during the 2012-2013 school year. ABC News then went back in September 2013 to follow Strawberry Mansion at the start of the new 2013-2014 school year for a second special that aired in December 2013.
Click to see ABC News video of this story here.
Grammy award-winning hip-hop artist Drake was so moved by the ABC News specials, especially after learning that budget cuts had left the school without a music teacher, that he donated $75,000 to Strawberry Mansion for a new recording studio.

But even though members of Drake’s crew finished the studio last summer, Principal Linda Cliatt-Wayman told ABC News that budget issues and the school’s violent history made it hard to find a music instructor.

So the studio, which included new keyboards and other equipment, as well as sound booths, sat unused for months.
Finally, Ben Diamond arrived in February to take on the role as a part-time music teacher who would teach studio production, but even then, Wayman said student interest was low at first.
It wasn’t until she used the school’s PA system to broadcast the first student-produced song to come out of the new recording studio that Wayman said students became interested. Now 91 students have signed up for the studio production class, she said.
“Music has a way of bringing people together,” Wayman told ABC News via email. “That is what I want the music to do for my kids, bring them all together to find the special gifts that lay dormant inside of them. I want them to get distracted on their positive attributes to help them create within and around them. They all love music. That is the one thing they all have in common.
“For me, the opening of the studio is more than about music,” Wayman added. “It is about making and keeping a promise to students who are constantly disappointed, pleasing them, making them happy and getting them to see that they must finish what they start [and] work hard to bring dreams into reality.”
In addition to Drake, other ABC News viewers donated money to Strawberry Mansion after the 2013 specials aired. Their generosity helped provide school uniforms, jackets for the school’s first football team, warm-up suits for the basketball team, school trips, PSAT and ACT prep classes, as well as scholarships for seniors heading off to college. Viewer donations also helped provide basic necessities that were missing at Strawberry Mansion, including books, notebooks and calculators.
article by Claire Weinraub and Lauren Effron via abcnews.go.com

Actor Justin Hires Cast in Chris Tucker Role for CBS' "Rush Hour" Series Pilot

CBS' Rush Hour: Justin Hires Cast
Justin Hires (FRAZER HARRISON/GETTY IMAGES)

Actor Justin Hires has been cast in the Chris Tucker role in CBS’ drama pilot adaptation of the “Rush Hour” film franchise.
Hires had a small part in 2012’s “21 Jump Street” and more recently has made appearances on Comedy Central’s “Key and Peele.” In the Warner Bros. TV pilot he’ll play a cocky, maverick LAPD detective who is assigned to work on a case with a stoic detective from Hong Kong. Jon Foo has already been cast in the role played by Jackie Chan opposite comedian Tucker in three “Rush Hour” features.
RELATED: Networks Casting More Actors of Color This Pilot Season
Comedy scribes Bill Lawrence and Blake McCormick wrote the script for the TV redo and are executive producing with the director and producer of New Line Cinema’s “Rush Hour” pics — Brett Ratner and Arthur Sarkissian — and Jeff Ingold of Lawrence’s Doozier Prods. Jon Turteltaub is directing the pilot and also executive producing.
Hires got his start out of college as an on-air personality for the MTVU cable channel. He’s also produced sketch comedy videos for various YouTube outlets.
article by Cynthia Littleton via Variety.com

Rihanna Becomes 1st Black Woman to Be Face of Dior

(Getty Images)

The 27-year-old superstar will star in Dior’s fourth installment of their “Secret Garden” campaign — a series featuring models posing in the palace of Versailles, clad in Dior creations — the fashion house confirmed on Friday. She will be shot by famed photographer Steven Klein, with the film and print versions of the campaign scheduled to run this spring.
But as if being an official Dior girl wasn’t amazing enough, Rihanna’s highly-anticipated campaign also marks the first time a black woman has been chosen to front the French fashion brand. Other celebrity Dior spokeswomen include Jennifer Lawrence, Charlize Theron, Natalie Portman and Marion Cotillard.
The Dior partnership particularly makes a lot of sense given that Rihanna is often a staple at the high-fashion brand’s shows, always flawlessly dressed of course.
Though perhaps Dior should be considered the lucky ones to land Rihanna. Aside from already having fronted a Balmain campaign and often being chosen to be the first to sport a new collection, it’s no secret that the “Four Five Seconds” singer is considered a huge deal in fashion. She was named last year’s Fashion Icon at the Council of Fashion Designers of America awards — where she donned an unforgettable completely sheer Adam Selman dress — and in November, designer Tom Ford gushed about the Barbadian superstar in his very own blog post.
“I was at the CFDA awards as I was receiving a ‘Lifetime Achievement Award’ …. and I have to say that Rihanna was for me, that night, one of the most beautiful women that I have ever beheld,” Ford gushed. “As [my husband] Richard said plainly after the evening, ‘If you are as beautiful as Rihanna, you almost owe it to the world to appear in public almost nude’ and I have to say that I wholeheartedly concur.”
article by Antoinette Bueno via aol.com

Eddie Murphy Joins Cast of Richard Pryor Biopic Directed by Lee Daniels

Eddie Murphy Beverly Hills Cop
(PHOTO: GABRIEL OLSEN/FILMMAGIC)

Eddie Murphy is in talks to join the cast of Lee Daniels’ untitled Richard Pryor biopic, sources confirm.  He will play the late comedian’s father, LeRoy “Buck Carter” Pryor, a boxer and WWII veteran, in the Weinstein Co. drama.
Mike Epps is attached to star as the legendary comedian.
Daniels teased the Murphy casting Thursday night on Instagram with a photo of himself and the actor.


Murphy, who recently appeared in the “SNL” 40th Anniversary special, grew up idolizing and impersonating Pryor as a comedian in the ’70s.
“Richard’s the one that made me want to do comedy,” he previously said. “When I was little I used to sneak into my basement and put his albums on.”
Daniels is riding the success of his hit TV drama “Empire,” which Fox just renewed for a second season. He also directed “The Butler” for the Weinstein Co.
Murphy can be seen next in the culinary drama “Cook.”
article via Variety.com