First Lady Michelle Obama (photo via wikipedia.org)
According to cnn.com, first lady Michelle Obama will be guest editing the July/August edition of “More” magazine. Not only will this be the magazine’s first guest editor, but Obama will be the first First Lady to guest edit an entire magazine issue, according to a statement released by the publication. “The First Lady is the ultimate MORE woman,” said More Editor-in-Chief Lesley Jane Seymour.
The magazine also revealed the issue will highlight women Obama said influenced her during her six years in the White House. The First Lady has previously been featured on the cover of People, Time and Vogue just to name a few. But, the road to the White House wasn’t all glamorous.
It’s been a busy and public week for Obama. She made headlines Tuesday when she gave an emotional commencement speech to a group of students in Chicago, her hometown, speaking about the harsh realities of gun violence in the city and discussing her own experience growing up on the South Side.
“I know the struggles many of you face: how you walk the long way home to avoid the gangs; how you fight to concentrate on your schoolwork when there’s too much noise at home; how you keep it together when your family’s having a hard time making ends meet,” Obama said.
More magazine is a publication designed as a “stylish guide for women of influence.” Obama’s guest-edited edition will be available June 23.
I received a press release this morning with the following:
“Marvel and Stephen King are proud to announce the next chapter in the bold epic Dark Tower series. Coming this September, THE DARK TOWER: THE DRAWING OF THE THREE –THE LADY OF SHADOWS #1 continues the epic story through the eyes of one of the series fan-favorite characters [Odetta Holmes]. Perfect for new and old fans alike, the rich and vibrant world of the Dark Tower series comes alive like never before! New York Times Bestselling writers Peter David & Robin Furth alongside rising star artist Jonathan Marks bring the action from Mid-World to our world in this exciting new installment! The Gunslinger Roland and his companion Eddie Dean, the troubled young man with the ability to open doors to other worlds are now united. Together, they will find the Dark Tower. But first they must locate the 3rd member of their ka-tet, residing in our world. Enter Odetta Holmes, a wealthy Civil Rights activist living in the South. But Odetta has a dark secret, and a darker side. To uncover that secret, we’ll have to go back to the beginning…A bold new chapter begins as Odetta Holmes makes her entrance into this landmark series. Don’t miss Stephen King’s THE DARK TOWER: THE DRAWING OF THE THREE –THE LADY OF SHADOWS #1, when it comes to comic shops and digital devices this September!”
This is obviously a comic book/graphic novel adaptation of the literary series – the second book in the novel series is titled “The Dark Tower II: The Drawing of the Three” – so don’t get too excited. But I mention it because there is a film adaptation of the massive “Dark Tower” series that’s been in some form of development for at least 4 years (I recall writing about it on the old S&A site, prior to 2011). Most recently, earlier this year, Sony Pictures has announced that it had teamed with MRC (the a diversified global media company) to co-finance the film adaptation of the first book in the series, with plans for more, which Sony will distribute, along with a TV series based on the novels.
Also, as fans of the book series will already know, the Odetta Holmes mentioned in the above breakdown of the upcoming new installment, happens to be one of the alternate personalities of Susannah Dean – the paraplegic with multiple personalities, who, by the way, also happens to be a black woman. Odetta was the original name that she was born with – a civil rights activist though more of a pacifist, in contrast to Detta Walker, the other personality. During her time as Odetta, Susannah was the daughter of Daniel and Alice Holmes, a wealthy black couple, living in New York City. At the age of five, the serial killer Jack Mort dropped a brick from a high balcony on Odetta’s head, placing her in a coma. Out of this traumatizing incident, Odetta’s damaged mind created a completely separate, second personality named Detta Walker.
The disparity between Odetta’s two personalities approaches the level of polar opposites. Odetta is a morally righteous intellectual with a significant level of education and class who participates in civil-rights protests. Detta is a violent, base individual ruled by sexual desire and fueled by hatred towards the white people Odetta passively resists. The two personalities are completely unaware of each other’s existence – at least initially. Eventually, Odetta and Detta are forced to recognize each other’s existence, and they then combine to create the singular personality of Susannah Dean.
Initially, years ago, Universal Pictures initially planned to turn Stephen King’s mammoth novel series “The Dark Tower” into a feature film trilogy, as well as a network TV series, with Ron Howard, Brian Grazer and Akiva Goldsman, to direct (Howard), produce (Grazer) and write (Goldsman) respectively.
However, Universal later dropped the project over budget concerns, and word on the street was that Warner Bros picked up where Universal left off, with the 3-headed monster (Howard, Graze, Goldsman) still very much spearheading the thing.
Skip to 2012, when it was revealed that Goldsman would soon be delivering an amended draft of the script to Warners, which addressed the budget issues, and if the studio OK’d what he delivered, the project would be good to go.
And adding to excitement that the project seemed to be getting closer to becoming a reality was word that Russell Crowe would be replacing Javier Bardem, who had long been attached to play the lead role of gunslinger Roland Deschain – which wasn’t a big surprise, since Crowe, Howard and Grazer have worked together at least twice in the past.
But the one character we are most interested in, in all this, who also happens to be one of the key characters in the sprawling epic work, is obviously Susannah Dean/Odetta Holmes/Detta Walker, who will apparently be at the center of the next chapter in the book series.
The “Dark Tower” series, which King himself considers his magnum opus, is a cross-genre work, including elements of science fiction, fantasy, horror and western, with 8 novels in the series, published between 1982 and 2012.
Here’s a plot summary: In the story, Roland Deschain is the last living member of a knightly order known as gunslingers and the last of the line of “Arthur Eld”, his world’s analogue of King Arthur. Politically organized along the lines of a feudal society, it shares technological and social characteristics with the American Old West but is also magical. Many of the magical aspects have vanished from Mid-World, but traces remain as do relics from a technologically advanced society. Roland’s quest is to find the Dark Tower, a fabled building said to be the nexus of all universes. Roland’s world is said to have “moved on”, and it appears to be coming apart at the seams. Mighty nations have been torn apart by war, entire cities and regions vanish without a trace and time does not flow in an orderly fashion. Even the sun sometimes rises in the north and sets in the east. As the series opens, Roland’s motives, goals and age are unclear, though later installments shed light on these mysteries. Along his journey to the Dark Tower, Roland meets a great number of both friends and enemies. For most of the way he is accompanied by a group of people who together with him form the Ka-tet of the Nineteen and Ninety-nine, consisting of Jake Chambers, Eddie and Susannah Dean, and Oy.
And so the question I’ve always had is, who should play Susannah Dean?
Starz has ordered a third season of drama “Power,” on the heels of the show’s record-setting season-two premiere on Saturday. The June 6 premiere set a new Starz benchmark as the most-watched episode of an original series in the pay cabler’s history. In live ratings the episode brought in 1.43 million viewers, a tally that rose to 3.62 million in the live-plus-same-day ratings.
Starz has ordered 10 episodes for season three.
The CBS Television Studios drama stars Omari Hardwick as a drug lord who lives a double life as a chic nightclub owner. Courtney Kemp Agboh is executive producer and showrunner along with Curtis “50 Cent” Jackson, Mark Canton, Randall Emmett and Gary Lennon.
“I am thrilled to learn that season three of ‘Power’ has been officially ordered by Starz. It is an honor to work with Chris Albrecht, Carmi Zlotnik, Ken Segna and the whole Starz team. Their support has been steadfast from the beginning, and I look forward to a bright future together,” Agboh said.
“’Power’ is a project I have been passionate about since day one,” added executive producer and co-star Curtis “50 Cent” Jackson. “I am glad the audience loves the show as much as we do, and we are just getting started.” article by Cynthia Littleton via Variety.com
The hip-hop artist Kendrick Lamar, at right in gray shirt, in a poetry slam Monday at High Tech High School in North Bergen, N.J. (Credit: Karsten Moran for The New York Times )
When Brian Mooney’s students struggled in March to digest the literary themes and dense language in Toni Morrison’s novel “The Bluest Eye,” Mr. Mooney sought inspiration from an unorthodox teacher of his own: the two-time Grammy winner and world-famous rapper Kendrick Lamar.
Mr. Mooney, who teaches freshman English at High Tech High School in North Bergen, N.J., played Mr. Lamar’s album (edited, of course) “To Pimp a Butterfly” to draw correlations to Ms. Morrison’s novel.
Using a literary lens called “hip-hop ed” that he learned during his graduate courses at Teachers College at Columbia University, Mr. Mooney asked his students to reflect on the dichotomy of black culture in America — the celebration of itself and its struggle with historic oppression. His students’ sudden understanding shined through essays, colorful canvases and performance art.
Mr. Mooney, 29, blogged about his curriculum and shared his students’ work online. The blog racked up over 10,000 Facebook shares, and hardly a month passed before Mr. Lamar discovered it.
On Monday, Mr. Lamar not only became a guest lecturer in Mooney’s small classroom at High Tech, but he also became a pupil. Mr. Lamar’s manager sent a note to Mr. Mooney in April saying the performer was interested in visiting. He did not charge a fee, but the school and its foundation paid for the stage setup.
“I was feeling incredibly grateful and humbled that my work received that much exposure and reached that wide of an audience that Kendrick himself read it,” Mr. Mooney said.
TV Powerhouse Shonda Rhimes Grey’s Anatomy/Scandal/How To Get Away With Murder executive producer Shonda Rhimes will publish her first book with Simon & Schuster in November, according to an announcement today by VP/editor-in-chief Marysue Rucci. That sets up a date after the original rights deal was signed in November 2013.
In December of that year, Rhimes accepted a challenge to say “Yes” to the unexpected invitations that come her way for one year. In Year Of Yesshe chronicles the powerful impact saying “Yes” had on every aspect of her life.
“It’s mind-boggling that the mega-talented Shonda Rhimes, one of the most admired and accomplished women in Hollywood, would feel the need to challenge her status quo,” Rucci said in the announcement. “But by saying yes for a year, she truly transformed her life for the better in every way. Year Of Yes is surprising, hilarious, poignant, and accessible. It’s easy to imagine this book inspiring a movement and we couldn’t be more excited to publish it at Simon & Schuster.” article by Jeremy Gerard via deadline.com
The woman who teamed with Marvin Gaye on a string of 1960s Motown hits before dying of a brain tumor at age 24 is getting her own biopic. Tammi Terrell will be played by The Vampire Diaries star Kat Graham, who also is working her debut album with producer Babyface. Maryam Myika Day wrote the untitled project, which marks Graham’s feature debut and is being produced by Robert Teitel, Rose Ganguzza and Hilary Shor. Shooting is set for next year.
The film follows the brief but memorable career of Terrell, who started out as a backup singer in the James Brown Revue before scoring a few minor pop hits as a solo act. But she struck gold after being paired with hit-making singer Gaye in early 1967, a teaming that produced such Motown classics as “Ain’t No Mountain High Enough,” “Your Precious Love” and “Ain’t Nothing Like The Real Thing.” In October 1967, Terrell collapsed onstage while performing with Gaye, and doctors diagnosed her with a brain tumor. She continued to record with Gaye and scored a few more solo hits before dying in 1970.
“I immediately connected to Tammi and her story in many ways and have felt the incredible need to tell it,” Graham said. “Tammi Terrell defined passion and soul itself. … Getting lost in the music enabled her to override life’s punishments — for when she sang, she could use the hurt to create greatness and give the world hope that maybe they could overcome their pain as well.” article by Erik Pedersen via deadline.com
Keke Palmer (photo via thatgrapejuice.net) Keke Palmer has landed a role in Grease: Live, Fox’s upcoming live production of the popular musical, set to air on January 31, 2016. She’ll play Pink Lady “Marty Maraschino”, alongside Julianne Hough and Vanessa Hudgens. Broadway writers Robert Cary (Anything but Love, Ira & Abby) and Jonathan Tolins (Buyer & Cellar, The Last Sunday In June) will pen the adaptation.
Palmer will next be seen in Fox’s comedy horror series Scream Queens, set to debut this fall. Her breakout role came in feature Akeelah And The Bee. She went on to star as the title character in the hit cable series True Jackson, VP, and most recently made Broadway history as the first African-American and youngest actress to star in Rodgers and Hammerstein’s 1957 musical, Cinderella. Other film credits include Ice Age: Continental Drift, Joyful Noise, Brotherly Love and Imperial Dreams. Her TV work includes A Trip to Bountiful, cable miniseries Full Circle, CrazySexyCool: The TLC Story, and a six-episode arc on the second season of Masters Of Sex. Marc Platt will executive-produce Grease: Live. Thomas Kail is the director overseeing the stage direction and Alex Rudzinski will serve as the live television director. It is a Paramount Television production. article by Denise Petski via deadline.com
Reynaldo Rey, an actor and comedian whose dozens of credits include big-screen comedies Friday and White Men Can’t Jump and a recurring role on TV’s 227, died Thursday in Los Angeles of complications from a stroke last year. He was 75. His manager Vanzil Burke confirmed the news.
Although a staple on the African-American comedy scene for years, the Oklahoma native got a late start to his screen acting career, earning his first credit at 41 for the Sanford & Son spinoff Sanford, starring Redd Foxx. He appeared in the 1982’s Young Doctors In Love and the Eddie Murphy-Richard Pryor gangster flick Harlem Nights before landing a recurring role as Ray on the popular NBC sitcom 227. He appeared in nearly 20 episodes during its four-year run and also wrote a pair of episodes.
Born Harold Reynolds, the actor went on to appear in several film comedies during the 1990s including White Men Can’t Jump with Wesley Snipes and Woody Harrelson, The Breaks, House Party 3. He perhaps is best known for playing Red’s father in 1995’s Friday.
Rey also did episodes of such TV comedies as The Wayans Bros, The Parent ‘Hood and later The Bernie Mac Show and Everybody Hates Chris. He continued to appear in small films throughout the 2000s. His final project was “Hollywood P.O.”, a play he wrote, directed and financed. article by Erik Pedersen via deadline.com
Almost a year after the New Jersey turnpike crash that left the actor in the hospital and killed his friend and fellow comedian James McNair, the legal battle between Wal-Mart and Tracy Morgan is over. With no details made public, attorneys for the parties have come to a proposed confidential settlement, a filing federal court in the Garden State today revealed. “Wal-Mart did right by me and my family, and for my associates and their families,” said Morgan in a statement Wednesday. “I am grateful that the case was resolved amicably.”
A motion put before the court on Wednesday to seal certain documents referred to “confidential settlement negotiations and the confidential final settlement amounts” between Morgan’s camp and Wal-Mart.
“Our thoughts continue to go out to everyone that was involved in the accident,” said Wal-Mart U.S. CEO Greg Foran in a statement of his own today on the June 8, 2014 crash. The tragic incident saw the limo carrying the 30 Rock alum, McNair and two others struck by a Wal-Mart truck on the highway. McNair was killed almost instantly while Morgan suffered a head injury as well as a broken leg and various broken ribs. On July 11 last year, Morgan sued the retail giant claiming that they were aware that tractor-trailer driver Kevin Roper had been up for over 24 hours straight when he smashed into their limo after falling asleep at the wheel of his vehicle. Wal-Mart reached a settlement with McNair’s children earlier this year. “While we know there is nothing that can change what happened, Wal-Mart has been committed to doing what’s right to help ensure the well-being of all of those who were impacted by the accident,” added Foran today.
Roper still faces criminal charges from the matter, to which he has pleaded not guilty. article by Dominic Patten via deadline.com
Michael B. Jordan as “Johnny Storm/Human Torch” in “Fantastic Four” (Photo via ew.com)
You’re not supposed to go on the Internet when you’re cast as a superhero. But after taking on Johnny Storm in Fantastic Four—a character originally written with blond hair and blue eyes—I wanted to check the pulse out there. I didn’t want to be ignorant about what people were saying. Turns out this is what they were saying: “A black guy? I don’t like it. They must be doing it because Obama’s president” and “It’s not true to the comic.” Or even, “They’ve destroyed it!”
It used to bother me, but it doesn’t anymore. I can see everybody’s perspective, and I know I can’t ask the audience to forget 50 years of comic books. But the world is a little more diverse in 2015 than when the Fantastic Four comic first came out in 1961. Plus, if Stan Lee writes an email to my director saying, “You’re good. I’m okay with this,” who am I to go against that?
Some people may look at my casting as political correctness or an attempt to meet a racial quota, or as part of the year of “Black Film.” Or they could look at it as a creative choice by the director, Josh Trank, who is in an interracial relationship himself—a reflection of what a modern family looks like today.
This is a family movie about four friends—two of whom are myself and Kate Mara as my adopted sister—who are brought together by a series of unfortunate events to create unity and a team. That’s the message of the movie, if people can just allow themselves to see it.
Sometimes you have to be the person who stands up and says, “I’ll be the one to shoulder all this hate. I’ll take the brunt for the next couple of generations.” I put that responsibility on myself. People are always going to see each other in terms of race, but maybe in the future we won’t talk about it as much. Maybe, if I set an example, Hollywood will start considering more people of color in other prominent roles, and maybe we can reach the people who are stuck in the mindset that “it has to be true to the comic book.” Or maybe we have to reach past them.
To the trolls on the Internet, I want to say: Get your head out of the computer. Go outside and walk around. Look at the people walking next to you. Look at your friends’ friends and who they’re interacting with. And just understand this is the world we live in. It’s okay to like it.
[youtube https://www.youtube.com/watch?v=POBI7OhGB18&w=560&h=315] article by Michael B. Jordan via ew.com
Greg Foran in a statement of his own today on the June 8, 2014 crash. The tragic incident saw the limo carrying the 