
‘The Great White Way’ is seeing a serious dose of color these days.
In 2014, Black actors broke ground on Broadway when Norm Lewis became the first Black male to play the Phantom in Phantom of the Opera, and Keke Palmer played Rodger and Hammerstein’s first Black Cinderella on the stage. This year, Brandy scored another career milestone as the third notable Black actress to play femme fatale Roxie Hart in Chicago. And just last week, photos of Taye Diggs as Hedwig & The Angry Inch’s first Black male superstar hit the web to tons of excitement.
These inspiring moves are not only monumental for the actors, but also for the world of Broadway. While television and film are often called out for their extreme lack of diversity, Broadway has a long history of incorporating actors of color, as well as from the LGBT and disabled communities. And yet, despite impressive attempts at inclusivity, most people remain unaware of the strides made in the theater world.
To put it mildly, Hollywood could learn a lot from the Great White Way’s moves to culturally harmonize the stage.

Black actors first began standing under those bright white lights in 1920 when Charles Giplin became the first Black actor on Broadway to play the lead role in The Emperor Jones. Seven years later, Ethel Waters became the first Black actress in a lead role in Africana. Meanwhile, Show Boat was the first production to feature an integrated cast and even an interracial marriage.
The Roaring Twenties gave us our “Black firsts” on Broadway, but racism and segregation marred an otherwise elegant art scene, due much in part to the terrible effects of minstrelsty. Minstrels shows may not have been “Broadway” productions, but the racist shows garnered popularity nonetheless. Sometimes performed through the vaudeville platform (think baby Broadway), the productions continued through the 1960s, when fight for civil rights decreased their popularity.
Still, amid all of the setbacks, Black actors persevered by singing, dancing and acting their way into our hearts. More importantly, they did so not for the amusement of the White man, but out of their talent and genuine passion for the field.
In 1950, Juanita Hill was the first Black woman to win a Tony Award for a Supporting Role as Bloody Mary in South Pacific. Another Rodgers and Hammerstein production, the story was far from the famed duo’s most famous shows, but was notable for its tackling of the harmful affects of racism head-on.
The next 30 years would see a number of other noteworthy moments, including Diahann Carroll’s Tony Award for Best Actress in a Musical for No Strings. Vinnette Justine Carroll‘s achievement as the first Black female director of Don’t Bother Me, I Can’t Cope, the production of Ntozake Shange’s emotional For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, powerhouse actress Audra McDonald winning and of course Jennifer Holliday’s portrayal of Effie White in Dreamgirls:
But the last two years have been extremely notable for their high-profile and consistent opportunities for Black stage actors. Not only did Broadway darling Audra McDonald make history by winning her sixth Tony in 2014 (also becoming the only actress to win in all four acting categories), but Phyllicia Rashad won a Tony for the revival of A Raisin In The Sun and Denzel Washington shone in his much-praised role in August Wilson’s Pulitzer Prize-winning play Fences.
McEntyre’s orange Afrocentric-print dress featured a low cut V-neck, open cross back and trumpeting mermaid bottom. Posing gracefully in the dazzling number by McEntryre, Naughton and photographers alike were clearly impressed with the New Jersey teen’s work. Naughton specifically requested a dress reminiscent of her African roots, Pop Sugar reports. The Notorious actress also wanted to debut her hometown’s talent to the small screens, and what better opportunity than the largest Black excellence celebration of the year? The New Jersey teen told Necole Bitchie that Naughton shot her an email explaining her vision for the dress.
“Naturi and her beautiful soul welcomed me despite my experience with Fashion Designing,” McEntyre said. “She wanted to shed light on young people from her community [East Orange, New Jersey] and that she did. I enlisted a local seamstress by the name of Markell Mockabee, who brought my design to life.”
The 18-year-old first drew attention when she posted her stunning custom-made prom dress to Instagram, complete with a ravishing Afro and V-shaped headpiece. Penning a letter regarding the inspiration for her dress and messages of self-acceptance, the blossoming young designer’s gown went viral. Her story was even more gripping after she revealed that she had been bullied throughout high school for her appearance.
Since the debut of her prom dress, she said that her mailbox was never the same, but it hasn’t affected her faith nor her drive. The college-bound beauty plans to use her success to motivate other young girls to be themselves.
“People ask me all the time how does it feel, and I tell them it’s just amazing to be celebrated for just being myself. I consider myself to be an artist, fashion designer, and self-identity activist.

FX Networks has found its leads for Donald Glover’s comedy pilot Atlanta. Brian Tyree Henry, Lakeith Lee Stanfield and Zazie Beetz will co-star with Glover, who created and wrote the pilot. Community alum Glover grew up in Atlanta and has an active music career as a hip-hop artist, stage name Childish Gambino.
way up through the Atlanta rap scene whose opposing views on art versus commerce, success and race will make their quest anything but easy. Henry, repped by Hartig-Hilepo Agency and JWS Entertainment, will play Alfred Miles, Atlanta’s hot of the moment rapper who plans to capitalize on the sudden fame as quickly as possible. Henry recurs on HBO’s Vice Principals. His other credits feature Puerto Ricans and TV’s The Knick, Boardwalk Empire, My America, The Good Wife and Law & Order.
Screenwriters Kenya Barris and Tracy Oliver are re-teaming with Malcolm D. Lee for the “Untitled Girls’ Trip Project” at Universal. This project marks the second time the trio have worked together after Barbershop 3, which is currently in production. 












As he became an accomplished wide receiver at Sacramento State and a budding filmmaker, Coogler’s father later came down with ALS. All of the touchstones of his life are rolled into this movie and it required him to win the trust of Sylvester Stallone, who was very protective over his first and most memorable character creation. When the movie became a reality, there was no one else he wanted to play the role of Apollo Creed’s son (it started out as grandson, but that evolved).



