The George Lucas Family Foundation has gifted $10 million to the USC School of Cinematic Arts to provide financial support to African-American and Hispanic students. The money is a part of the foundation’s 2006 pledge to the film school and represents the largest single donation for student support in the school’s history.
Minority students on both the graduate and undergraduate levels will receive priority consideration for financial support, which will also be split evenly between male and female students, who will be known as George Lucas Scholars or Mellody Hobson Scholars.
“Hispanic and African-American storytellers are underrepresented in the entertainment industry,” Lucas said. “It is Mellody’s and my privilege to provide this assistance to qualified students who want to contribute their unique experience and talent to telling their stories.”
The first recipients will be awarded financial support for the fall of 2016.
The announcement came from dean of the USC film school, Elizabeth M. Daley, who said in a statement: “We are so grateful to George and Mellody for their continued support of the School of Cinematic Arts, and in particular for this amazing gift, and their recognition of the need to encourage the Hispanic and African-American storytellers of tomorrow.”
The Lucas Family Foundation’s gift is a part of a greater fundraising campaign at the University of Southern California, which is a multiyear plan to raise $6 billion dollars to continue the university’s various educational efforts.
article by Mia Galuppo via hollywoodreporter.com
Posts published in “Entertainment”
It’s been 30 years and Salt-N-Pepa is still pushing it. Cheryl James (Salt) and Sandra Denton (Pepa), who splashed onto the music scene in 1985, will be honored by the American Society of Composers, Authors and Publishers on Wednesday night.”It feels amazing to be coming up on 30 years in the game and have our work still acknowledged and respected as pioneers in music,” James told the Daily News.
Fresh off of a sold-out show in Winnipeg, Canada, the rap stars said they are still blown away by fans who line up to greet them at the airport .
“I don’t know how they know what flight we’re on, but the fans are always there at baggage claim,” Denton said. “They keep old CDs and other things forever to have us autograph.”
They were once called Super Nature and an answer song to Doug E. Fresh’s “The Show” called “The Showstopper” transformed them from unknowns to nationally-known rap artists.
“The first time we heard that song on the radio we were driving down the boulevard in Queens,” James reflected. “Pep hopped out of the car in the middle of the street and I was screaming at her to get back in the car.”
From that point on the ball kept rolling with top-selling albums including “Hot Cool & Vicious,” “Black’s Magic,” and “Very Necessary.”
Additionally, before the Spice Girls, TLC or Destiny’s Child came along, they owned the girl power theme with songs including “Expression,” “Independent,” “None of Your Business” and “Ain’t Nuthin’ But a She Thing.”
They also inspired a generation of young women to take risks – and nothing says teetering on the edge like coming home with an extreme buzz cut.
“The asymmetrical hairstyle was a hit,” Denton says about her iconic look. “We still have fans coming up to us saying they shaved off their hair. We brought fashion, fun and femininity to hip hop.”
Along with crazy haircuts, came wild threads. A mix of masculine and feminine style elements via slouchy jackets and leotards dictated the trends.
“Nowadays everyone has a stylist – we were raw; wearing 8 ball jackets with kente hats and spandex,” Denton says. “It’s a quintessential look that everyone loved.”
The duo plans to translate their style into an athletic wear line. “This is Pep’s brilliant baby that was inspired by our song ‘Push It,’” James said. “We are into being healthy and staying motivated.”
James says she’s even gone to a few fitness classes that were themed after the song. “It’s become more than a song; it’s a lifestyle. There are so many obstacles in life that you have to keep pushing through.”
Asked to describe the journey in one word, Denton says “experience,” James, “blessed.”
article by Candace Amos via nydailynews.com
R&B and soul legend William “Smokey” Robinson will be honored by The Rock and Roll Hall of Fame and Case Western Reserve University during the 20thAnnual Music Masters™ series, presented by Klipsch Audio. Robinson was inducted into the Rock and Roll Hall of Fame as a part of the sophomore class of inductees in 1987. The weeklong celebration, Nov. 2-7, 2015, will culminate with the Annual Music Masters concert on Sat., Nov. 7 at 7:30 p.m. EST at Playhouse Square’s State Theatre.
The tribute concert, presented by Klipsch Audio, on Nov. 7 will feature previously announced Inductees Dennis Edwards, Martha Reeves, and Mary Wilson, as well as the Robert Glasper Experiment. New guests scheduled to perform include Avant, Avery*Sunshine, Bilal, JoJo, Eric Roberson, and Michelle Williams. Adam Blackstone (who has worked with artists such as Rihanna, Janet Jackson and Justin Timberlake) will serve as the tribute concert’s Musical Director. Robinson will attend the tribute concert to accept the award but is not scheduled to perform.
Tickets to the Nov. 7 concert range from $30 – $100 and are available now at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Fri., Oct. 30.
To open the tribute concert, Case Western Reserve will bestow an honorary Doctor of Humane Letters degree to Smokey Robinson, recognizing his many musical and cultural contributions, which extend from enduring songs to his leadership in the music industry. The university awards honorary degrees to recognize those who exemplify in their work the highest ideals and standards of excellence in any valued aspect of human endeavor, including scholarship, public service and the performing arts.
Additional events include:
JUST ANNOUNCED! FREE with RSVP – Mon., Nov. 2 at 7 p.m. – “Smokey Robinson and the Sensual Black Avant-Garde” / Author Series with Jason King at the Rock Hall’s Library and Archives (2809 Woodland Avenue, Cleveland). Reservations can be made through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office.
FREE with RSVP – Wed., Nov. 4 at 8 p.m. – An Evening with Members of the Music Masters tribute band in the Rock Hall’s Foster Theater. This event will be streamed live at http://rockhall.com.
FREE – Thurs., Nov. 5 at 7 p.m. – Keynote Lecture “You Really Got a Hold On Me” by Dave Marsh at Case Western Reserve University’s Tinkham Veale University Center (11038 Bellflower Road, Cleveland OH). Marsh, rock critic, historian, anti-censorship activist, talk show host, and “Louie Louie” expert, has written more than 20 books about rock and popular music, and edited that many more. In this talk, Marsh will explore more than 50 years of listening to Smokey and why, in his opinion, Smokey Robinson is the best singer-songwriter ever. This event is free and reservations are not required. Seats are available on a first-come, first-served basis. This event will be streamed live at http://rockhall.com.
Sat., Nov. 7 from 10:30 a.m. until 3:30 p.m. – Annual Music Masters Conference in the Rock and Roll Hall of Fame’s Foster Theater
The conference will celebrate Smokey Robinson’s impact on popular music, including a panel discussion on Smokey moderated by renowned author and Smokey Robinson autobiography co-author, David Ritz. Ritz will be joined by Harry Weinger, Vice President, A&R at Universal Music Enterprises; Jason King, Director of Writing, History & Emergent Media Studies at New York University’s Clive Davis Institute of Recorded Music; and Andy Flory, Assistant Professor of Music at Carleton College. There will be a special Motown-inspired performance and master class with the youth of the Boys and Girls Clubs of Cleveland as well as interviews with special guests. Tickets are $25 ($10 lunch voucher included) and are available through the Rock Hall website at https://tickets.rockhall.com or at the Rock Hall Box Office. Admission to the Museum is free with the purchase of a conference ticket.
Sat., Nov. 7 at 7:30 p.m. – Annual Music Masters Tribute Concert at Playhouse Square’s State Theatre. Tickets to the November 7 tribute concert range from $30 – $100 and are at the Playhouse Square box office, by calling (216) 241-6000, or by visiting www.playhousesquare.org. A limited number of premium seating and VIP packages beginning at $300 are available by contacting the Rock Hall’s development office at (216) 515-1201 or development@rockhall.org by Friday, October 30.
Special programming for teachers and students:
Tues., Nov. 3 – Digital Classroom: Launch of Smokey Robinson and the Miracles Education Unit
The Rock Hall’s award-winning education team will launch a special Smokey Robinson and the Miracles teaching unit as part of their Digital Classroom online curriculum on Tuesday, November 3. The Digital Classroom allows teachers and students to learn more about rock and roll history with lesson plans, listening guides, and exclusive content that can be used in classroom. To learn more, visit http://www.rockhall.com/digitalclassroom.
About Smokey Robinson:
Save for founder Berry Gordy, no single figure has been more closely allied with the Detroit-based recording empire known as Motown than William “Smokey” Robinson. In addition to leading the Miracles, Robinson served as a Motown producer, songwriter, talent scout and Gordy’s most trusted confidant and right-hand man.
Smokey Robinson and the Miracles scored twenty-seven pop-soul hits at Motown between 1960 and 1971, including the classics “You’ve Really Got a Hold on Me,” “Shop Around,” “Going to a Go-Go” and “I Second That Emotion.” The Miracles’ brightest moments on record – “Ooo Baby Baby,” “The Tracks of My Tears” and “The Tears of a Clown” foremost among them – still kindle memories for those who came of age in the Sixties.
The Alvin Ailey American Dance Theater has been amazing audiences around the world since 1958. However, even after almost 60 years in business, it is still breaking ground as a modern dance company.
On Thursday, Oct. 22, Ailey will be debuting its first-ever feature film as part of the Lincoln Center at the Movies series, Great American Dance. In movie theaters nationwide, audiences will have the chance to watch the Ailey company perform some of its most classic, popular pieces like “Revelations,” “Takademe” choreographed by Robert Battle and “Grace” by Ronald K. Brown.
Hosted by Kelly Ripa and Michael Strahan, the film will also feature behind-the-scenes footage from shows and exclusive interviews with members of the company.
Considering that this is a one-night only affair, this event is the opportunity of a lifetime. The Ailey company is critically acclaimed for its brilliant choreography and innovative scores featuring some of the most loved and revered musicians in Black music including Duke Ellington, Roy Davis and Fela Kuti. The entire show is performed to African-American spirituals, song-sermons, gospel songs and holy blues.
Interested? Check local listings (the show starts at 7 pm local time) here or here and check out the trailer below:
[youtube https://www.youtube.com/watch?v=kidmQA4Loqc&w=560&h=315]
article by Monique John via hellobeautiful.com
Fox’s “Rocky Horror Picture Show” has invited Laverne Cox to come up to its lab.
The “Orange is the New Black” actress has been cast as the sexually ambiguous flirtatious alien mad scientist Frank-N-Furter in the two-hour event special, said to be a re-imagination of the cult classic. The part is most famously played by a leather-corseted Tim Curry in the film version of the musical, which turned 40 this year.
Fox’s version was announced earlier this year, with “High School Musical’s” Kenny Ortega on board to direct, choreograph and executive produce. Gail Berman is producing the two-hour special through her Jackal Group with Fox 21 Television Studios. Lou Adler, who executive produced the movie, is also on board to executive produce. (Berman attempted to get a similar production on the air when she was president of Fox.)
The stage production “The Rocky Horror Show” first appeared in the ’70s in London’s West End, with Curry later starring in the Broadway version. A Broadway revival premiered in 2000 with a cast that included Tom Hewitt, Daphne Rubin-Vega and Alice Ripley. A 40th anniversary tour was staged this year at the London Playhouse and recently aired on BBC America.
“Rocky Horror Picture Show” will air in fall 2016 on Fox.
article by Whitney Frielander via Variety.com
The “Orange is the New Black” actress has been cast as the sexually ambiguous flirtatious alien mad scientist Frank-N-Furter in the two-hour event special, said to be a re-imagination of the cult classic. The part is most famously played by a leather-corseted Tim Curry in the film version of the musical, which turned 40 this year.
Fox’s version was announced earlier this year, with “High School Musical’s” Kenny Ortega on board to direct, choreograph and executive produce. Gail Berman is producing the two-hour special through her Jackal Group with Fox 21 Television Studios. Lou Adler, who executive produced the movie, is also on board to executive produce. (Berman attempted to get a similar production on the air when she was president of Fox.)
The stage production “The Rocky Horror Show” first appeared in the ’70s in London’s West End, with Curry later starring in the Broadway version. A Broadway revival premiered in 2000 with a cast that included Tom Hewitt, Daphne Rubin-Vega and Alice Ripley. A 40th anniversary tour was staged this year at the London Playhouse and recently aired on BBC America.
“Rocky Horror Picture Show” will air in fall 2016 on Fox.
article by Whitney Frielander via Variety.com
Chris Rock will host the 88th Oscars, the film academy announced today, returning the comedian to a gig that earned him wildly divided reviews in his one and only turn at the job 11 years ago.
Rock’s second stint as host had been predicted as a strong possibility since the academy hired Reginald Hudlin and David Hill to produce the 2016 show. Hudlin worked with Rock previously, directing the pilot episode of Rock’s TV show “Everybody Hates Chris.” Hudlin also produced the academy’s Governors Awards last year where Rock was on hand to pay tribute to Harry Belafonte.
The academy will hope that Rock can deliver better reviews and, more importantly, higher ratings than last year’s show. The 2015 telecast’s audience dropped nearly 15%, with host Neil Patrick Harris struggling through a sluggishly paced evening. In 2014, the Ellen DeGeneres-hosted show, with its star-studded selfie that temporarily disabled Twitter and other interactive skits and bits, drew an average of nearly 44 million viewers.
Rock’s second stint as host had been predicted as a strong possibility since the academy hired Reginald Hudlin and David Hill to produce the 2016 show. Hudlin worked with Rock previously, directing the pilot episode of Rock’s TV show “Everybody Hates Chris.” Hudlin also produced the academy’s Governors Awards last year where Rock was on hand to pay tribute to Harry Belafonte.
The academy will hope that Rock can deliver better reviews and, more importantly, higher ratings than last year’s show. The 2015 telecast’s audience dropped nearly 15%, with host Neil Patrick Harris struggling through a sluggishly paced evening. In 2014, the Ellen DeGeneres-hosted show, with its star-studded selfie that temporarily disabled Twitter and other interactive skits and bits, drew an average of nearly 44 million viewers.
Rock’s previous stint as Oscars host produced a wide range of reactions, with USA Today crowning him “one of the worst hosts ever,” while Roger Ebert praised a “home run” opening monologue that was “surprisingly pointed, topical, and not shy of controversy.”
Usher may be the reigning King of R&B, but, right now, we’re pretty sure he’s feeling like the King of the World.”
The soulful singer spent October 14, his 37th birthday, recording a taping of PBS’ concert series “In Performance at the White House.” He and his bride Grace were chatting with President Barack Obama and First Lady Michelle Obama when they surprised him by singing “Happy Birthday” and presented him with a cupcake topped with a single candle.
[youtube https://www.youtube.com/watch?v=c9D6jk3cRHo&w=560&h=315]
The former “The Voice” coach seemed humbled — and in total disbelief — by the experience, at one point, turning to the videographer and asking, “Are you getting this?
After the First Couple were done singing to Usher, President Obama said, “That’s a good cupcake, too.”
Along with Usher, Queen Latifah, Smokey Robinson, and Esperanza Spalding also performed at the White House for the concert series.
See the Obamas serenade Usher in the video above.
article via newsone.com
If by chance you missed it, last night (10-17-15) – for the first time since a multi-vehicle crash left him in a coma – funny man Tracy Morgan returned to “Saturday Night Live” to host the long-running show.
“I’m back. It feels so good to be here. You may have seen on the news I was in a terrible car accident a year ago. It was awful. But it also showed me how much love and support I have in this world,” Morgan said during the show.
Morgan’s return to “SNL” also lifted ratings for the latenight show, which, according to Variety.com, was up week-to-week and matched its top overnight demo score since last winter. Compared to its October 2014 average, “SNL” was up 8% in overnight household rating (from 3.9) and even in adults 18-49. The show hasn’t done a higher 18-49 overnight rating since the Jan. 31 show hosted by J.K. Simmons.
In his opening monologue, the comedian observed that some folks have been wondering if he has full mental capacity after his June 2014 crash on the New Jersey Turnpike. Well, he just used that as fodder and cracked this response:
“People were wondering, ‘Can he speak? Does he have 100-percent mental capacity?’ But the truth is I never did. I may even be a few [IQ] points higher now.”
He was joined in one sketch by “30 Rock” co-stars Tina Fey, Alec Baldwin, Jane Krakowski and Jack McBrayer. Fey broke character to inject a serious note: “We’re so happy you’re OK. We’re even happier you’re ready to make people laugh again.”
During the show Morgan also brought back two of his familiar characters — Astronaut Jones and animal expert Brian Fellow. To see his opening monologue, click below:
[youtube https://www.youtube.com/watch?v=H9UkjPF5X6o&w=560&h=315]
article via eurweb.com; additions from Variety.com
Issa Rae is bringing her misadventures to HBO. Insecure, the YouTube star’s comedy pilot, has been picked up to series at the pay cabler. The half-hour comedy examines the friendship of two modern-day African-American women and their uncomfortable experiences and racy tribulations.
Rae stars as Issa Dee opposite Yvonne Orji (Love That Girl!), who will play Issa’s best friend, Molly. Although she is very successful professionally in the corporate world, Molly is not so successful in her love life.
Jay Ellis (The Game) also stars as Lawrence, Issa’s depressed and unemployed boyfriend who has been trying to get his act together for the past four years. Lisa Joyce (Boardwalk Empire) rounds out the ensemble as Frieda, Issa’s liberal and empathetic co-worker at an educational non-profit firm.
Prentice Penny (Brooklyn Nine-Nine) will serve as showrunner on the series, exec producing with Michael Rotenberg, Dave Becky and Jonathan Berry. Rae and Larry Wilmore co-created the project and the wrote the pilot together. She will co-executive produce, while he will serve as a consultant. Wilmore is now behind the desk on Comedy Central’s The Nightly Show, which came after Insecure was put in development at HBO in 2013.
Melina Matsoukas directed the pilot. Rae is known for her award-winning web series, The Misadventures of Awkward Black Girl, which has helped her amass 200,000 subscribers and 20 million views on YouTube. She is repped by UTA, 3 Arts Entertainment and John V. Meigs Jr.
Insecure‘s series pickup comes as part of television’s continued efforts to increase diversity, which have proved successful for networks like Fox (Empire) and ABC (Black-ish).
Insecure joins HBO’s expanding comedy slate that includes Girls, Veep, Silicon Valley, Togetherness, Ballers, The Brink, Doll & Em, the upcoming final season of Getting On and the TV movie finale of Looking.
article by Kate Stanhope and Lesley Goldberg via hollywoodreporter.com
Thirty-five years ago an unknown teenager from Brooklyn made an uncredited cameo in a lackluster episode of a network variety show on the verge of collapse. By the next episode that kid got his first real shot on screen and he never looked back. Soon enough, the only thing keeping “Saturday Night Live” from dying in the post-Lorne Michaels era was legendary-comedian-in-the-making Eddie Murphy.
Within two years Murphy was performing standup on “The Tonight Show” with Johnny Carson, and turning in iconic parodic performances on “SNL” as Buckwheat, Gumby and Mr. Robinson in sketches that would be forever emblazoned in the annals of American pop culture. By 1984, Murphy was a hugely bankable movie star, making his mark in comic masterpieces like “48 Hours,” “Trading Places” and “Beverly Hills Cop,” which catapulted Murphy to international fame and spawned two sequels.
On Oct. 18, the man with one of the most infectious laughs in comedy will receive the 18th annual Kennedy Center Mark Twain Prize for American Humor. Kathy Griffin, who will present clips of Murphy’s 1982 “Tonight Show” debut at the Kennedy Center gala event, says Murphy’s brilliance stems from his gutsy approach to standup comedy.
“In an era when everyone is apologizing for everything, it is fun and liberating to go back and watch him express anything that he thinks is funny without filters,” she says. “He is not a safe comedian and isn’t that what standup comedy is really about?”
Of course, Murphy is also one of the most commercially successful African-American actors in film history. His movies have averaged $100 million at the box office, including such hits as “Coming to America,” “Shrek” and “The Nutty Professor.” Although he’s been absent from the big screen for several years, Imagine Entertainment is reportedly developing a Netflix comedy feature with Murphy.
“Eddie is an icon and a terrific actor who has been making us laugh for 35 years,” says Cappy McGarr, executive producer of the Mark Twain Prize. He adds that Murphy’s early films were brilliant not only because they were funny, but also because they tackled themes of racism in America. “Trading Places,” released in 1983, explored the divide between the haves and have-nots.
“That movie is just as relevant now as when it was made,” McGarr says. “Like Richard Pryor, who received the first Mark Twain Prize, Eddie has been an incredible influence on all those who followed him.”
Comedians Murphy influenced and inspired include Arsenio Hall, Dave Chappelle and Chris Rock, who’s called Murphy his “idol.” He will be among the presenters at the Kennedy Center ceremony, along with fellow “SNL” alumni Will Ferrell, who received the Mark Twain Prize in 2011, and Tina Fey, who was honored with the award in 2010.
Griffin says the Mark Twain Prize is the ultimate award for comedians, especially since they are typically overlooked at the Oscars. (Murphy’s one nomination is for his dramatic turn in Bill Condon’s 2006 musical “Dreamgirls.”)
“This is a huge honor for Eddie,” Griffin says. “Everyone in comedy wants this. The ones that have it all brag about it and the ones that don’t are pissed. This is it.”
Per McGarr, the Mark Twain Award may not be enough validation for a genius such as Murphy: “I just wish we could give him more than one medal.”
article by Stuart Miller via Variety.com
Within two years Murphy was performing standup on “The Tonight Show” with Johnny Carson, and turning in iconic parodic performances on “SNL” as Buckwheat, Gumby and Mr. Robinson in sketches that would be forever emblazoned in the annals of American pop culture. By 1984, Murphy was a hugely bankable movie star, making his mark in comic masterpieces like “48 Hours,” “Trading Places” and “Beverly Hills Cop,” which catapulted Murphy to international fame and spawned two sequels.
On Oct. 18, the man with one of the most infectious laughs in comedy will receive the 18th annual Kennedy Center Mark Twain Prize for American Humor. Kathy Griffin, who will present clips of Murphy’s 1982 “Tonight Show” debut at the Kennedy Center gala event, says Murphy’s brilliance stems from his gutsy approach to standup comedy.
“In an era when everyone is apologizing for everything, it is fun and liberating to go back and watch him express anything that he thinks is funny without filters,” she says. “He is not a safe comedian and isn’t that what standup comedy is really about?”
Of course, Murphy is also one of the most commercially successful African-American actors in film history. His movies have averaged $100 million at the box office, including such hits as “Coming to America,” “Shrek” and “The Nutty Professor.” Although he’s been absent from the big screen for several years, Imagine Entertainment is reportedly developing a Netflix comedy feature with Murphy.
“Eddie is an icon and a terrific actor who has been making us laugh for 35 years,” says Cappy McGarr, executive producer of the Mark Twain Prize. He adds that Murphy’s early films were brilliant not only because they were funny, but also because they tackled themes of racism in America. “Trading Places,” released in 1983, explored the divide between the haves and have-nots.
“That movie is just as relevant now as when it was made,” McGarr says. “Like Richard Pryor, who received the first Mark Twain Prize, Eddie has been an incredible influence on all those who followed him.”
Comedians Murphy influenced and inspired include Arsenio Hall, Dave Chappelle and Chris Rock, who’s called Murphy his “idol.” He will be among the presenters at the Kennedy Center ceremony, along with fellow “SNL” alumni Will Ferrell, who received the Mark Twain Prize in 2011, and Tina Fey, who was honored with the award in 2010.
Griffin says the Mark Twain Prize is the ultimate award for comedians, especially since they are typically overlooked at the Oscars. (Murphy’s one nomination is for his dramatic turn in Bill Condon’s 2006 musical “Dreamgirls.”)
“This is a huge honor for Eddie,” Griffin says. “Everyone in comedy wants this. The ones that have it all brag about it and the ones that don’t are pissed. This is it.”
Per McGarr, the Mark Twain Award may not be enough validation for a genius such as Murphy: “I just wish we could give him more than one medal.”
article by Stuart Miller via Variety.com