article by Kimberly Wilson via thegrio.com
The boys of “Moonlight” will be getting their moment.
Both 13-year-old Alex Hibbert and 12-year-old Jaden Piner, are slated to receive keys to the city of Miami Gardens, FL at this year’s Jazz in the Gardens Music Festival. The two students from Norland Middle School in Miami Gardens had starring roles in the Oscar-winning film “Moonlight,” with Alex playing young Chiron and Jaden playing Kevin, Chiron’s best friend.
“We think it’s a great opportunity for us to acknowledge what they’ve done at a young age, and tell them how proud we are of them,” shares Miami Gardens Mayor Oliver G. Gilbert III. “Because so often when you hear about young black kids, people don’t want to tell you the stories of these kids and areas that they excel in,” continues Mayor Gilbert. “We aren’t talking about them most times. Most times we’re talking about young black boys in a negative context, so anytime we get an opportunity to tell them how extraordinary they are, we will do it. And ‘Jazz In The Gardens’ is the biggest stage that we can offer in the city.”
The key ceremony will be just one highlight of the highly-anticipated weekend. As the staple event each year in the city of Miami Gardens, Jazz in the Gardens Music Festival is back for its 12th year, and is quickly growing beyond its borders. Hosted again by veteran comedian Rickey Smiley, the city can expect more than 70,000 music lovers from all over the United States and Caribbean Islands.
The festival will take place this upcoming weekend, March 17-19 at Hard Rock Stadium, featuring performances by Jill Scott, Esperanza Spalding, Common, and LLCoolJ.
To read more, go to: Young stars of Oscar-winning “Moonlight” to receive keys to the city of Miami Gardens | theGrio
Posts published in “Entertainment”
article via shadowandact.com
JuVee Productions – the integrated film, television and digital production company created by Viola Davis and her husband, Julius Tennon, is embarking on an effort to raise $250,000,000 in a global expansion plan for the development, production and distribution of diverse and inclusive film and digital content.
The fund will be used to develop, finance, produce and distribute a slate of multiple feature films and branded digital content that will see the relatively young production company expand its footprint globally. “The shift in storytelling should be inclusive and we aim to make it a reality,” says Julius Tennon in a press statement.
Launched in 2012 by Davis and Tennon, JuVee Productions is a Los Angeles-based artist driven production company that develops and produces independent film, television, theater, and digital content across all platforms. JuVee Productions aims to become the go-to creative hub where the next generation of filmmakers and artists have the space to craft dynamic stories spanning the broad spectrum of humanity.
The company’s most recent project is the courtroom drama “Custody” which premiered at the Tribeca Film Festival in 2016, and aired on the Lifetime network last week. The short film “Night Shift” premiered at the Sundance Film Festival in January of this year and continues to tour the film festival circuit.
Upcoming the production company has the film adaptation of “The Personal History of Rachel DuPree” which Davis is starring in; a biopic on Barbara Jordan (the first Southern African American woman elected to the United States House of Representatives), also with Davis starring; and a TV period series set up at ABC titled “The Zipcoders,” set in 1968, about a group of black teenagers form a rock ‘n’ roll band who aspire to be like The Beatles; and there’s also Davis’ Harriet Tubman film with HBO.
To read full article, go to: Viola Davis’ JuVee Productions Raising $250M for Content Development, Production & Distribution – Shadow and Act
article by Christopher Smith via latimes.com
Opera is often called the most irrational art form. Seen through that lens, bass singer Morris Robinson’s unlikely career path makes wonderful sense.At a young age, from a family and culture that reveres singing, Robinson aspired to be a drummer instead. He ignored college music scholarships and conservatory programs for a free-ride to play football at a military college. Afterward, bypassing all thought of studying music at grad school, he worked for a Fortune 500 company in regional sales of data storage.
At 30, in finally attempting to sing professionally, he tried out for the chorus of “Aida” at the Boston Lyric Opera, the biggest company in New England. A week later, the music director handed him music for a solo role, accompanied by a plea: “Please don’t screw it up.”
“A lot of the purists, they don’t believe my story,” Robinson said. “They don’t believe it until they witness it themselves.”
Now 47 and equipped with 18 years of major roles with A-list companies nationally and internationally, Robinson has forged a life path in opera that seems inevitable in retrospect. After all, he was “the rare person,” L.A. Opera music director James Conlon said, “born with the great voice where strength predates technique. It’s a round, large voice.”
“A lot of people force their voices, they either yell or scream, which decays the quality of the sound. Morris himself is big, and that voice is right there without him having to make it that way, so he can sing with beautiful rounded sounds.”
With this level of vocal entitlement, Robinson might seem to be a natural. But throughout his life he seemed to ignore, even actively ward off, singing — though it was always around him.
Raised in a musical clan in Atlanta, Robinson had a dad, mom and three young sisters who all sang. Around 6, he participated in a church choir and then the Atlanta Boy Choir, alternately immersed in religious and secular music. But singing was at best a backdrop, maybe even an obstacle. “I felt like I could do something special, but I could never figure out what it was,” he said.
“At first, I always was in the choirs, but to me, at heart, I was a drummer. Because if you’re going to be in a church in the South, there has to be rhythm. It was always about beats, beats, beats.”
He entered a performing arts high school. His senior year he made all-city band and all-state chorus.
But all he really cared about?
article via shadowandact.com
“The Best Place To Be,” a new Travel Channel mini-series from Queen Latifah and Shakim Compere at Flavor Unit, is an invitation to discover the world through the eyes and access of Hollywood’s most adventurous.
Each of the four one-hour episodes of “The Best Place To Be” follow a noted personality as they share the best places to eat, drink, shop and sightsee at their favorite international destinations.
“This is a fun show that gives a true glimpse into how to really escape and explore,” says Shakim Compere of Flavor Unit. “Actors and performers are fortunate enough to travel around the globe for work and fun. But there’s always places that stay with them — these are the cities they keep going back to.”
The mini-series will premiere two episodes in April and two in May as follows:
“Rio, Fit for a Queen” – Premieres Sunday, April 2 at 5:00 p.m. ET/PT Queen Latifah and her friends explore Rio de Janeiro, taking mototaxis to the favelas, trying local dishes and dancing the samba. From footvolley on the beach to hunting for waterfalls in the rainforest, they discover why Rio is the best place to be.
“Anthony Anderson’s Barcelona” – Premieres Sunday, April 9 at 5:00 p.m. ET/PT Actor Anthony Anderson and his friend Jeff Sanchez head to Barcelona, Spain, where they catch a soccer game, check out architect Antoni Gaudi’s masterpiece, join a St. Jordi’s Day celebration and try Spain’s traditional dishes.
To read more, go to: Queen Latifah and Flavor Unit Team Up with Travel Channel for Mini-Series ‘The Best Place to Be’ – Shadow and Act
article by Justin Kroll via Variety.com
Warner Bros. has optioned Brit Bennett’s debut novel and New York Times bestseller, ”The Mothers,” with Kerry Washington on board to produce. Washington will produce under the Simpson Street Banner, along with Natalie Krinsky. Bennett will write the script and executive produce.
Originally published in October 2016 by Riverhead, a division of Penguin, “The Mothers” is a story about young love, friendship, a big secret in a small community, and the things that ultimately haunt us most. At this time, Washington is just producing the project.
Simpson Street’s first production, “Confirmation,” earned critical acclaim as well as an Emmy nomination for best movie made for television. “The Mothers” will be their first feature project for Warner Bros. Washington also received an Emmy nomination for “Confirmation” and continues to star in the hit ABC series “Scandal.”
To read more, go to: Warner Bros. Options ‘The Mothers’ for Kerry Washington | Variety
article by Dan Hyman via rollingstone.com
Chance the Rapper announced on Monday that he will donate $1 million to the Chicago Public Schools Foundation “for arts and enrichment programming.” The announcement came at a press conference held at Westcott Elementary School in the Grammy-winning rapper’s native South Side neighborhood of West Chatham, during which he presented an oversized check to students flanking him on both sides.
The announcement comes days after the Coloring Book rapper met with Illinois Governor Bruce Rauner to discuss what he believes is a lack of state funding directed towards the Chicago Public Schools (CPS) systems. “The governor gave me a lot of vague answers in our meeting and since has called me over the weekend,” Chance told a group of reporters and students gathered on Monday. It’s a sentiment he shared minutes after his talk with Rauner on Friday, when he told the Governor, via reporters, to “Do your job!” “Our talks were unsuccessful,” Chance continued. “Gov. Rauner still won’t commit to giving Chicago’s kids a chance without caveats or ultimatums.”
Chance’s efforts principally stem from Rauner’s veto of a bill that was set to delegate $215 million in funding to CPS, “an important compromise on behalf of the schools and the students across the state,” Chance noted. As a result, CPS may have to lay off thousands of staff or, as Chance passionately explained, even cut the school year short by 13 days. “This means over 380,000 kids will not have adult-supervised activities in June and could possibly be put in harm’s way,” he explained.
The rapper said his $1 million donation was made possible through ticket sales for his upcoming spring tour and a joint effort between concert promoters (including Live Nation, AEG and Ticketmaster) and local venues and promoters across the country. The rapper did not give specifics on how the money would be raised, but noted that the aforementioned companies “were able to band together to use funds from ticket sales to donate to CPS.”
On top of the rapper’s $1 million, Social Works, a local non-profit organization Chance created last year, will match every $100,000 raised for the CPS with an additional $10,000 to be allocated for specific Chicago public schools. (The charity has set up a website to receive donations for CPS.) In light of the $1 million donation, Chance will give out 10 additional $10,000 donations to select local schools, including Westcott Elementary.
To read full article, go to: Chance the Rapper Donating $1 Million to Chicago Public Schools – Rolling Stone
article by Jordan Murray via nbcwashington.com
The Kennedy Center announced their first director of hip-hop culture and contemporary music Wednesday. Simone Eccleston, currently the director of programming at Harlem Stage in New York, will assume the role March 13. Eccleston’s new role will include leading a center-wide commitment to hip-hop culture and contemporary music, which includes R&B, soul, folk and roots, indie, world music and Latin music, according to a release.
Eccleston will also work as a partner with other areas of the Kennedy Center to highlight the collaborative nature of hip-hop music. The program will also aim to increase opportunities for community involvement and participation. Hip-hop is based on five core elements — deejaying, emceeing, break-dancing, graffiti writing and knowledge of self — the Kennedy Center said, all of which build and transform communities through art and action.
“With the Kennedy Center serving as the preeminent home for our nation’s arts and culture, the creation of a programmatic platform for hip-hop culture is deeply significant,” Eccleston said in a statement. She also said hip-hop culture has influenced and contributed to every aspect of American society and helps drive innovation and creative expressions across many different disciplines. “It is also an important catalyst for community building, activism and empowerment.”
Kennedy Center Senior Vice President Robert van Leer said the nature of hip-hop culture can create collaborations with the dance, theater, music and education programs. “We are thrilled to have an arts administrator of Simone’s caliber join us — someone who can lead that exploration of what hip-hop at the Kennedy Center can become in the coming years,” van Leer said in a statement. “And we believe it is the Center’s responsibility to develop and elevate thought-leaders like Simone to champion the bright future of our nation’s cultural institutions.”
Last March, the center appointed MC, rapper and record producer Q-Tip as its first artistic director for hip-hop culture.
To read full article, go to: Kennedy Center Names First Director of Hip-Hop Culture | NBC4 Washington
article via shadowandact.com
Queen Latifah is expanding her relationship with 20th Century Fox TV (via her Flavor Unit production company), teaming up with faith-based content producer Holly Carter via her Relevé Entertainment (“The Gospel” and “A Beautiful Soul”) to develop what is described as a bible-themed drama series titled “The Scroll.”
Michael Elliot (“Brown Sugar,” “Just Wright”) will write and executive produce the project, which will reimagine some of the Bible’s most popular stories, but modernized and set in the present day.
The project shouldn’t be expected until 2018 or beyond.
To read more, go to: Queen Latifah’s Flavor Unit Teams Up with Fox for ‘The Scroll’ (Reimagining of Bible Stories Set in the Present Day) – Shadow and Act
article via shadowandact.com
The Film Foundation is a nonprofit organization established in 1990 dedicated to protecting and preserving motion picture history. By working in partnership with archives and studios, the foundation has helped to restore over 750 films, which are made accessible to the public through programming at festivals, museums, and educational institutions around the world.
The Film Foundation’s World Cinema Project has restored 28 films from 20 different countries representing the rich diversity of world cinema. In addition, the foundation’s free educational curriculum, “The Story of Movies,” teaches young people – over 10 million to date – about film language and history.
Martin Scorsese is the founder and chairman of The Film Foundation which today announced what it calls the African Film Heritage Project, created to do what is very necessary work – locate, restore, and preserve African films; many of which are seemingly *lost* to history, or just not widely accessible and could greatly benefit from restoration and re-release/re-discovery.
African cinema history is deeper than many outside of the continent might realize. But, as has been noted on this blog in the past, some of the older films are impossible to get one’s hands on, unless made by the continent’s higher profile filmmakers like the late Ousmane Sembene.
The project is in partnership with the Pan African Federation of Filmmakers (FEPACI) and UNESCO. Said Scorsese during the announcement: “There are so many films in need of restoration from all over the world. We created the World Cinema Project to ensure that the most vulnerable titles don’t disappear forever. Over the past 10 years the WCP has helped to restore films from Egypt, India, Cuba, the Philippines, Brazil, Armenia, Turkey, Senegal, and many other countries. Along the way, we’ve come to understand the urgent need to locate and preserve African films title by title in order to ensure that new generations of filmgoers — African filmgoers in particular — can actually see these works and appreciate them.”
As Cheick Oumar Sissoko, FEPACI secretary general (and a Malian filmmaker), notes: “Africa needs her own images, her own gaze testifying on her behalf, without the distorting prism of others, of the foreign gaze saddled by prejudice and schemes. We must bear witness to this cradle of humanity which has developed a rich and immense human, historical, cultural and spiritual patrimony.”
This will certainly go a long way towards making African films – especially classics of African cinema – widely accessible, and hopefully help fuel budding filmmakers across the continent.
To read full article, go to: Martin Scorsese’s Film Foundation Launches African Film Heritage Project to Restore 50+ African Films – Shadow and Act
article via shadowandact.com
Nafessa Williams and China Anne McClain have joined the previously cast Cress Williams in The CW’s upcoming DC Comics pilot “Black Lightning.” Cress Williams plays the title role (real name Jefferson Pierce), while Williams and McClain have signed up to play his daughters, Anissa and Jennifer Pierce – one a 20-something, passionate and quick-witted, who balances the demands of medical school with her job teaching part-time at her father’s school; and the other is an independent, outspoken scholar-athlete with a wild streak of her own.
In the DC comics, both daughters follow in their father’s footsteps and become superheroes themselves, known as Thunder and Lightning.
Initially set up at Fox TV, the Warner Bros/DC Comics project “Black Lightning” was moved to The CW, where it received an official pilot order. Fox put the project in turnaround after deciding not to proceed with a pilot. The move to The CW actually makes sense, as other Greg Berlanti superhero series (“The Flash” and “Supergirl”) are all currently at The CW. Recall “Supergirl” spent its first season on CBS, but it never really quite caught on with that network’s viewers, and so was shipped off to The CW.
Berlanti is collaborating with Mara Brock Akil and Salim Akil on the live-action series based on the Black Lightning superhero – one of the first major African American superheroes to appear in DC Comics.
To read more, go to: Nafessa Williams and China Anne McClain Join CW’s ‘Black Lightning’ Pilot – Shadow and Act