(Photo: GQ and Thearon W. Henderson/Getty Images) via thegrio.com GQ Magazinehas just named Colin Kaepernick as its “Citizen of the Year.” In a special December issue of the magazine, Kaepernick paired with GQ as well as ten of his closest allies and friends to “reclaim the narrative of his protest.” The magazine calls Kaepernick “the man who became the movement” and referenced the fact that, four years ago, Kaepernick had been on the cover as one of the rising stars in American football.
“In 2013, Colin Kaepernick was on the cover of this magazine because he was one of the best football players in the world. In 2017, Colin Kaepernick is on GQ‘s cover once again—but this time it is because he isn’t playing football. And it’s not because he’s hurt, or because he’s broken any rules, or because he’s not good enough,” GQ wrote in the piece.
The piece also noted:
HE IS STILL, TO THIS DAY, ONE OF THE MOST GIFTED QUARTERBACKS ON EARTH. AND YET HE HAS BEEN LOCKED OUT OF THE GAME HE LOVES—BLACKBALLED—BECAUSE OF ONE SIMPLE GESTURE: HE KNELT DURING THE PLAYING OF OUR NATIONAL ANTHEM. AND HE DID IT FOR A CLEAR REASON, ONE THAT HAS BEEN LOST IN THE YEARLONG STORM THAT FOLLOWED. HE DID IT TO PROTEST SYSTEMIC OPPRESSION AND, MORE SPECIFICALLY, AS HE SAID REPEATEDLY AT THE TIME, POLICE BRUTALITY TOWARD BLACK PEOPLE.
But rather than speaking for himself about his protests, Kaepernick has vowed to keep his silence on the matter, and instead, the piece features ten people close to the former 49ers quarterback who spoke about what the protest means to them and what we can do, as a nation, to keep speaking out against injustice.
Check out the feature here. Source: http://thegrio.com/2017/11/13/colin-kaepernick-gq-citizen-of-the-year/
CREDIT: MEDIAPUNCH/REX/SHUTTERSTOCK by Joe Otterson via variety.com
A planned “Bad Boys” spinoff series starring Gabrielle Union has landed at NBC with a pilot production commitment. Union will star as Syd Burnett, her character from “Bad Boys 2,” who was last seen in Miami taking down a drug cartel. As an LAPD detective, she can now pursue all the pleasures Los Angeles has to offer and leave her past behind. But things will get complicated when her new partner, Nancy McKenna, learns that Syd’s unapologetic lifestyle may be masking a greater personal secret.
Union will also serve as an executive producer in addition to starring. The drama series will be written and executive produced by Brandon Sonnier and Brandon Margolis, who previously worked together on NBC’s “The Blacklist.” Jerry Bruckheimer, who produced the “Bad Boys” films, will executive produce along with Jonathan Littman, KristieAnne Reed, Jeff Gaspin, Jeff Morrone, Doug Belgrad. Sony Pictures Television Studios will produce in association with Jerry Bruckheimer Television, Primary Wave Entertainment, and 2.0 Entertainment. News of the development of this series comes as Union prepares to wrap up her role in BET’s “Being Mary Jane,” which wrapped up its fourth season in September. Union stars as successful broadcast journalist Mary Jane Paul. The network announced that the show will end its run in 2018 with a two-hour finale movie. Source: ‘Bad Boys’ Spinoff Series Starring Gabrielle Union Scores Production Commitment at NBC – Variety
Fox Family President Vanessa Morrison (CREDIT: COURTESY OF 20TH CENTURY FOX) by Brent Lang via Variety.com Vanessa Morrison, longtime head of Twentieth Century Fox Film’s animation division, is moving into a new role at the studio. She has been named president of Fox Family, a newly-created division that will develop films aimed at younger moviegoers and their parents. They include both animated films and films with live action elements. Her appointment is effective immediately, and she will report to Chair Proman and CEO Stacey Snider and Vice Chairman Emma Watts.
Fox said it will announce a replacement for Morrison in the coming days. The move comes as Snider is shaking up Fox’s animation arm with the goal of releasing at least one animated film a year. Snider recently signed a multi-year production deal with Locksmith Animation. The goal is to augment the films that Blue Sky, the makers of the “Ice Age” series, creates for Fox. The studio owns Blue Sky.
Snider believes that animated releases are an increasingly popular genre and that Fox needs to be a bigger player in the space. There’s certainly a lot of competition. Disney continues to dominate the market thanks to its Pixar division, Warner Bros. and Sony have upped their number of family releases, and Universal’s parent company Comcast made the decision in 2016 to shell out $3.8 billion to buy DreamWorks Animation.
In addition to her movie work, Morrison will also oversee the studio’s family animated television business. That division makes holiday television specials based on existing film properties. Fox is also making film features based on its small-screen efforts, such as a “Bob’s Burgers” film. Morrison will oversee those productions, as well. “Vanessa has for many years championed the studio’s efforts to take a more wholistic approach to the family entertainment space, and this new role will empower her to execute on that goal,” Snider and Watts said in a joint statement. “We are thrilled to have her leading this initiative, and as this segment in the marketplace continues to grow, the creation of this new division will strengthen our footprint as we look to create the best possible films for families across our entire company.”
Morrison has headed up Fox Animation since 2007. In addition to the “Ice Age” franchise, Morrison oversaw the production of the likes of the “Rio” films, “Peanuts,” and “Book of Life.” She also worked on “Ferdinand,” Fox’s next animated release, which hits theaters in November. Source: Vanessa Morrison Named Head of Fox Family in Animation Division Overhaul – Variety
Mr. Domino performing in 2007 on NBC’s “Today” show. (Photo Credit: Richard Drew/AP) Jon Pareles and William Grimes via nytimes.com Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,”“Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
https://youtu.be/xbfMlk1PwGU
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.” Fats Domino in 1956 (Photo: Associated Press)
Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.” Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available. To read more, go to: https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=second-column-region®ion=top-news&WT.nav=top-news&_r=0
Robert Guillaume (CREDIT: AP) Richard Natale via variety.com
Emmy Award-winning actor Robert Guillaume, best known as the title character in the TV sitcom “Benson,” died Tuesday. He was 89.
His wife Donna Brown Guillaume told the Associated Press he died at their Los Angeles home of complications of prostate cancer. Guillaume often played acerbic, dry-witted, but ultimately lovable characters like the butler Benson Du Bois, which he created on the 1977 series “Soap,” before his character was spun off in 1979. Guillaume won Emmys both for “Soap” (as supporting actor) and “Benson” (as lead actor).
He was also known as the the voice of Rafiki in “The Lion King,” for which he also won a Grammy for a spoken word recording. “Benson” ran on ABC for seven years until 1986. The show brought Guillaume an Emmy in 1985 for lead actor in a comedy. In the late ’90s he took on the role of Isaac Jaffe, executive producer of a cable sports show on the ABC sitcom “Sports Night,” and continued to perform even after being felled by a stroke.
Guillaume also possessed a powerful, mellifluous voice, which he used most notably to play the title role in Andrew Lloyd Webber’s “Phantom of the Opera” onstage. After suffering through a period of unemployment during the ’70s, he was cast in an all-black revival of “Guys and Dolls” as Nathan Detroit, which debuted on Broadway in 1977 and secured him a Tony nomination. He also guested during this period on sitcoms such as “All in the Family,” “Good Times,” “Sanford and Son” and “The Jeffersons,” which led to the supporting role of Benson in “Soap.”
He tried another sitcom in 1989, “The Robert Guillaume Show,” playing a marriage counselor. The series lasted four months before ABC pulled the plug. He returned to singing in 1990 in the Los Angeles production of “Phantom of the Opera” and on Broadway in the lead role of “Cyrano — The Musical” for four months beginning in November 1993. He also performed regularly in concert.
Guillaume was featured in films such as “Meteor Man,” “First Kid” and “Spy Hard.” On television he appeared in the HBO family series “Happily Ever After” and TV movies and miniseries including “Children of the Dust,” “Run for the Dream” and “Pandora’s Clock.” He appeared in Tim Burton’s “Big Fish” in 2003, and then made more frequent bigscreen appearances later in the decade, appearing in the Christian film “The Secrets of Jonathan Sperry” in 2008; in the thriller “Columbus Circle,” starring Selma Blair, in 2010; and in the small musical dramedy “Satin” in 2011.
Robert Peter Williams was born in St. Louis, Mo., changing his name only after he decided on a career in acting. After completing his schooling he joined the Army in 1945 and was discharged 15 months later. He took on a number of menial jobs while studying nights at St. Louis U. He originally intended to study business but became interested in singing and transferred to Washington U. to study voice and theater. His performance at the 1957 Aspen Music Festival led to an apprenticeship at the Karamu Performing Arts Theater in Cleveland, where he appeared in operas and musical comedies.
After moving to New York, he made his Broadway debut in a 1960 revival of “Finian’s Rainbow” and found regular employment in the chorus of shows like “Fly, Blackbird,” “Golden Boy” and “Porgy and Bess.” In 1972 he took on the title role in the musical “Purlie” and also appeared in the revue “Jacques Brel Is Alive and Well and Living in Paris.”He is survived by his second wife, TV producer Donna Brown Guillaume; one son (another died in 1990); and three daughters. Source: Robert Guillaume, Star of ‘Benson,’ Dies at 89 – Variety
Bassem Youssef and Larry Wilmore (photos via variety.com) by Joe Otterson via variety.com ABC is developing a comedy about a Middle Eastern family with superpowers from Larry Wilmore and Bassem Youssef. The untitled series centers on the Sharif family, an ordinary Middle Eastern American family with two superhero parents at a time when it’s illegal to be a superhero, so they are forced to save the world in secret. The show will highlight some of the issues that immigrant families face when it comes to fitting into a society that at many times treats you like the enemy.
Wilmore and Youssef will serve as writers and executive producers on the single camera series. ABC Studios will produce. “To have ABC challenge the narrative and stereotypes that have long stuck to people in my region is something spectacular to say the least,” said Youssef. “To have only terrorist roles available for us one day, then get to play superheroes the next, is ground breaking. I am grateful to work with, Larry Wilmore, one of the most talented writers and producers in the market. SCH is unprecedented, culture-defining, and entertaining for the whole family.”
The sale of the project marks Wilmore’s first solo project under his overall deal with ABC Studios. He also serves as an executive producer on “Insecure” and “Black-ish.” Youssef is a writer and comedian who has made numerous appearances on “The Daily Show” as a commentator and also appeared on Wilmore’s former Comedy Central series, “The Nightly Show With Larry Wilmore.”
“I’m beyond thrilled to have the chance to put a family like this on television,” Wilmore said. “Plus, I’ve always wanted to do a show about superheroes and to work with a real life superhero in Bassem is a double bonus.” Source: ABC Developing Middle Eastern Superhero Comedy From Bassem Youssef, Larry Wilmore – Variety
Diana Ross (photo via eurweb.com) via eurweb.com Diana Ross will be given a Lifetime Achievement honor at the 45th annual American Music Awards, and also perform during the broadcast, which airs Nov. 19 on ABC from Los Angeles’ Microsoft Theater. Ross has history with the AMAs, having attended her first ceremony in 1974 and serving as host in 1986 and 1987. She has seven AMA wins under her belt and has performed many times on the show, which is produced by Dick Clark Productions.
“I have endless memories of all the years that I have appeared on the American Music Awards,” Ross said in a Wednesday release about honor. “It started with Dick Clark and The Caravan of Stars and American Bandstand. It was Dick Clark who said, ‘Music is the soundtrack of our lives.’ So true. I am so excited to be receiving this honorable award.”
The American Music Award for Lifetime Achievement, given to those who’ve had significant contributions to the music industry, has previously honored Sting, Whitney Houston, Michael Jackson, Gloria Estefan and Prince. Nominations for the 2017 AMAs were announced last week, with BrunoMars leading with eight and followed by Ed Sheeran, The Chainsmokers, Drake, Kendrick Lamar and The Weeknd, each with five. To read more, go to: Diana Ross to Receive Lifetime Achievement Honor at American Music Awards | EURweb
Filmmaker Jordan Peele (l), ABC Entertainment President Channing Dungey (r) [photo credit: Getty Images via hollywoodreporter.com]by Arlene Washington via hollywoodreporter.com
The African American Film Critics Association (AAFCA) has named Get Out writer-director Jordan Peele and ABC Entertainment President Channing Dungey among the recipients of its special achievement honors. Alcon Entertainment’s co-CEOs Broderick Johnson and Andrew Kosove and Los Angeles Film Festival president Claudia Puig will also be recognized at AAFCA’s special achievement luncheon in 2018, which along with its annual awards ceremony will be a “Celebration of Women in Cinema.” The success of female-helmed films this year, from big-budget features including Patty Jenkins‘ Wonder Woman to Dee Rees‘ anticipated Mudbound (which recently screened at New York Film Festival), has inspired AAFCA — the largest group of black film critics — to proclaim 2017 the “Year of the Woman in Cinema.”
The organization stated that with films including The Zookeeper’s Wife, A United Kingdom, Detroit and The Beguiled, “women are rightfully being recognized for their long overdue equity in potential for quality, successful filmmaking.” “There is no argument that women have made a bold step forward this year in Hollywood,” says AAFCA president Gil Robertson, who co-founded the organization in 2003 with Shawn Edwards. “The evidence demonstrated during the past year speaks for itself both in terms of box office and critical recognition by women, and we predict that there will be continued momentum going forward. We are also pleased that African American women are a part of this progress and are taking advantage of increased opportunities to make their cinematic imprint.”
The organization also said that future projects, including Ava DuVernay‘s A Wrinkle in Time in March 2018, show that women and African American directors are heading toward a normalcy in getting more big-screen opportunities. “Women wrote, produced and directed some of the year’s most compelling, provocative and culturally relevant movies,” adds Edwards. “However, there is still a lot of work to be done to ensure that women have a permanent place at the table with equal representation.”
In addition to the AAFCA special achievement luncheon on Feb. 3 in Marina del Rey, Calif., the organization’s annual awards program will take place on Feb. 7 at the Taglyan Complex in Hollywood. Source: Jordan Peele, ABC’s Channing Dungey to Be Feted by AAFCA | Hollywood Reporter
Comedian and actor Tiffany Haddish (photo via theatlantic.com) by Michael P. Jeffries via theatlantic.com
When comedian Tiffany Haddish was 9, her stepfather tampered with the brakes on her mother’s car, hoping to kill his partner and her four children. Rather than going out with her mom that day, Haddish asked to stay home and look after her younger siblings—sparing her from the horrific accident that left her mother mentally impaired. As the oldest child, Haddish did what she could to help for three years, from tying her mother’s shoes to paying bills, but eventually Haddish and her siblings were placed in foster care.
Haddish used the trauma and tragedy of her upbringing to ignite what is now a blazing comedy career. As a child, the Girls Trip star was teased for being a foster kid, but Haddish has also talked about maintaining a strong sense of self worth in her recent Showtime standup special, She Ready!: From the Hood to Hollywood. “The state of California paid so much money to make sure I don’t die ‘cause they knew I was gonna be special,” Haddish tells her audience. “They knew it. They was like, ‘This one right here, she gonna be a unicorn.’ And they was right. I’m the last black unicorn, bitch!”
Haddish’s ascent in recent years—debuting on NBC’s The Carmichael Show in 2015 and appearing in the 2016 action comedy Keanu and the summer hit Girls Trip—is a testament to her talent and resilience. But her story also offers insight into what it takes for a black woman in comedy to become successful today. Haddish’s rise points to where systemic roadblocks still lie for performers of color, particularly women, when they first enter the business—and how some barriers to entry may be falling as comedy enters a new golden age, with fewer gatekeepers and more platforms for artists to reach their fans.
Even though Girls Trip has a black director and writers, Haddish faced questions about her low profile. Her agent initially told her that studio executives were looking for someone with a bigger name to play her character, Dina. Haddish told her agent to tell them, “I’ve had a name since 1979. Okay? I was born with a name.” In the end, her rare comedic gifts won out, and reviews of Girls Trip regularly singled Haddish out for praise.
