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BHM: Let’s Honor Oprah! Entrepreneur, Media Maven, Philanthropist, Actor, Influencer… Genius

by Lori Lakin Hutcherson (@lakinhutcherson)

Not many people on Earth have their names become synonymous with genius in their profession, let alone genius in general. Einstein, Shakespeare, Mozart, even Spielberg and Prince easily come to mind. Notably, they are all men, mostly White, and only one is known by his first name. But when you say, “Hey, where are the women? What women do you think of when someone says ‘Who are the geniuses?,'” an immediate response would (or should) be… Oprah.

It may seem like opinion, but I want to go on record that saying “Oprah Winfrey is a genius” is a fact, and one that should be touted widely. Oprah’s status as a cultural icon, media mogul and inspirational leader is taken as a given, but when you look back and reflect on her journey from rural poverty in Mississippi to global icon, you too will recognize how much intelligence, excellence and genius it took to get there and what’s more – stay there.

What follows below in regards to recognizable achievement, vision and success rightfully will only add credence to the “Oprah Winfrey is a genius” fact, but I submit that the secret sauce of Oprah’s claim to that title has been best articulated (and realized) by Oprah herself:

Everybody has a calling. And your real job in life is to figure out as soon as possible what that is, who you were meant to be, and to begin to honor that in the best way possible for yourself. – Oprah Winfrey

Oprah Gail Winfrey, originally named “Orpah” after the biblical figure in the Book of Ruth but had it misspelled and mispronounced so much that “Oprah”  stuck, recently celebrated her 65th birthday on January 29, 1954. Winfrey was born in Kosciusko, Mississippi, to Vernita Lee, an unmarried teenage mother and housemaid, and Vernon Winfrey, a coal miner turned barber turned city councilman who had been in the Armed Forces when Oprah was born.

According to wikipedia.org, Winfrey spent her first six years living with her maternal grandmother, Hattie Mae Lee, who was so poor that Winfrey often wore dresses made of potato sacks, and the local children made fun of her. Her grandmother, ever in Oprah’s corner, taught her to read before the age of three and took her to church, where she was nicknamed “The Preacher” for her preternatural ability to recite Bible verses and command the stage.

Despite parental neglect from her mother, sexual abuse by family members from the age of nine, and the stillbirth of a son at age 14, Oprah’s intellect and ability to speak powerfully in public earned her a full ride to HBCU Tennessee State University on an Oratory Scholarship.

As Oprah honed her skills through education and experience, she became the youngest news anchor and the first black female news anchor at Nashville’s WLAC-TV. Oprah then became an anchor in the larger market of Baltimore, MD before taking over the hosting position of low-rated AM Chicago in 1984.

Oprah aligned her talents, smarts, professionalism and relatability to catapult her over Phil Donahue’s long-venerated talk show Donahue for the top-rated slot. Oprah then wisely took advice from movie critic Roger Ebert to make a syndication deal with King World Media and have ownership in her program – the beginning of the Oprah brand.

The Oprah Winfrey Show debuted September 8, 1986 and topped daytime talk show ratings for 25 years until she retired from the show. Oprah really hit her stride and pinpointed her brand when she followed her instincts in the 1990s to shift away from “tabloid-style” shows to ones with a focus on literature, self-improvement, mindfulness and spirituality. Even though she briefly took a ratings dip during the change, she soared to the top again and outlasted several popular talk show hosts of the time such as Sally Jesse Raphael, Ricki Lake, Montel Williams, Donahue, Jenny Jones, and Jerry Springer.

“Black Panther,” “Black KkKlansman,” Regina King, Spike Lee and More Nominated for 2019 Academy Awards

by Lori Lakin Hutcherson (@lakinhutcherson)

The nominees for the 91st Academy Awards were announced early this morning by Black-ish star Tracee Ellis Ross and The Big Sick star Kumail Nanjiani, and among them were for the first time a superhero movie nominated for Best Picture, Black Panther, and the prolific Spike Lee‘s first nomination in the Best Director category for Black KkKlansman, which also was nominated for Best Picture.

Ever since the #OscarsSoWhite controversy of 2016, the demand for more diversity in movies and television has gained and retained attention. Although there are no African-Americans among the Best Actor or Best Actress nominees, Mexican actress Yalitza Aparicio was recognized for her work in Roma, and among the nominees in the Best Supporting Actress category are Golden Globe winner Regina King for her turn in If Beale Street Could Talk, and Academy Award winner Mahershala Ali, who garnered his third Oscar nomination for Best Supporting Actor in Green Book.

Other notable African-American Oscar nominees this year are Kendrick Lamar and SZA in the Original Song category for “All The Stars” from Black Panther, and Academy Award winner Jennifer Hudson, who might win for what she first became known for as she is also nominated (with Diane Warren) in the Original Song category for “I’ll Fight” from RBG.

“Black Panther” nominees Hannah Beachler and Ruth E. Carter; “Spider-Man: Into the Spider Verse” co-director Peter Ramsey

Peter Ramsey, who is co-director on Best Animated Feature Spider-Man: Into the Spider-Verse, and Barry Jenkins in the Adapted Screenplay category for If Beale Street Could Talk. Spike Lee earned a second nod in the Adapted Screenplay category as one of the writers of Black KkKlansman.

Another first this year is Hannah Beachler‘s nomination for Production Design for Black Panther, the only African American woman to receive one in this category. Ruth E. Carter earned her third nomination for Costume Design (the first two were for Malcolm X and Amistad) for Black Panther and  composer Terence Blanchard, who has scored more than forty films and all of Spike Lee’s, finally earned an Original Score nomination this year for his work on Black KkKlansman.

The Oscars will be broadcast live by ABC on Feb. 24 at 5 p.m. PT/8 p.m. ET. Below is a complete list of all the nominees:

27th Annual Pan African Film and Arts Festival to Screen Long-Awaited Aretha Franklin Documentary “Amazing Grace” On Opening Night February 7

by Lori Lakin Hutcherson (@lakinhutcherson)

The Pan African Film & Arts Festival announced today that it will celebrate its 27th Annual Opening Night on Thursday, February 7, with a screening at the Directors Guild of America in Los Angeles of Amazing Grace, the long-awaited Aretha Franklin concert documentary.

Amazing Grace, produced by Alan Elliott, was originally filmed and directed by Sydney Pollack in 1972 at New Temple Missionary Baptist Church in Los Angeles, California. A rare gem, the documentary has not been seen or released before now due to technical and rights issues.

The festival, which presents a slate of over 170 new projects by black filmmakers from the US and around the world and exhibits more than 100 fine artists and unique craftspeople, runs from February 7 through Monday, February 18, with most films shown at the Cinemark Rave 15 Theatres and the adjacent Baldwin Hills Crenshaw Plaza in Los Angeles.

“It’s such a blessing to open the festival this year with Amazing Grace,” expressed PAFF Co-Founder and Actor Danny Glover. “Aretha Franklin is a rare treasure. To be graced with this film is an honor and a testament to the perseverance and long-standing prominence of the festival’s impact.”

Over the past 26 years, The Pan African Film & Arts Festival has sought to increase cultural awareness and bridge diverse communities from the African diaspora by providing a creative safe space for the development and expression of the Black narrative through film, poetry, art and music. This year, PAFF will “amPAFFify” and ignite the Pan-African experience through next-generation storytelling.

To further “amPAFFify” PAFF’s proud history, the organization recently launched an “#IAMPAFF” Meme Generator, designed to allow festival supporters to share their own stories on social media. Festival supporters can join in the fun by creating a meme to tell their story at paff.org/iampaff.

“27 years ago, we made a political, cultural, social and intellectual decision to get involved in film festivals as it became clear that a platform to showcase Black films was needed,” shared Ayuko Babu, Executive Director and Co-Founder of PAFF.

“It’s been a privilege to be a platform for many filmmakers and talent to share their unique stories through the lens of their own experiences, visions and creative artistry. The on-going challenge is… who’s story gets told on the small screen and big screen? The Pan African Film Festival is a way of showing distributors the stories that matter to people of color.”

This year’s program features the Filmmakers Brunch, ARTFest, PAFF Institute Panels, StudentFest, LOL Comedy Series, Children’s Fest, SpokenWord Fest, Seniors’ Connection and much more.

Individual screening tickets and all festival passes can be purchased at paff.org/tickets. Group sales discounts are also available. For more information, visit the PAFF website at paff.org or call 310-337-4737.

Born On This Day in 1928: Ruth Brown, Grammy and Tony Award-Winning “Queen of R&B” and Musicians’ Rights Activist

by Lori Lakin Hutcherson (@lakinhutcherson)

Ruth Alston Brown (born Ruth Weston), singer-songwriter and actress known for hit songs such as “So Long,” “Teardrops from My Eyes,” “5-10-15 Hours,” “(Mama) He Treats Your Daughter Mean” and “Oh What A Dream” which earned her the nicknames “Miss Rhythm” and “Queen of R&B,” was born January 12, 1928 in Portsmouth, VA. She would have been 91 years old today.

In 1945 when she was just 17, Brown ran away from her home in Portsmouth along with trumpeter Jimmy Brown, whom she married, to sing in bars and clubs.  According to biography.com, Brown would later discover that Jimmy was already married and their marriage was legally void.

By the time Brown learned of Jimmy Brown’s bigamy, she had already developed a reputation under his surname, so she kept the name Ruth Brown as a stage name for the rest of her life.

Brown soon spent a month with singing with Lucky Millinder‘s orchestra. Famous bandleader Cab Calloway‘s sister Blanche Calloway, owner of the Crystal Caverns nightclub in Washington D.C., became Brown’s manager and offered Brown a regular gig performing at her club. Willis Conover, the future Voice of America disc jockey, caught Brown’s act and recommended her to Atlantic Records bosses Ahmet Ertegün and Herb Abramson.

Brown was unable to audition for Atlantic as planned because of a car crash, which resulted in an almost year-long stay in the hospital. Regardless, she signed with Atlantic Records and Brown’s series of hits for Atlantic Records in the 1950s had many referring to the record label as “the house that Ruth built.”

Nevertheless, Brown’s popularity and R&B charts success did not translate into personal financial wealth. Due to a practice known as “whitewashing,” in which white singers covered black artists’ songs without permission, Brown’s records never sold nearly their full potential. Furthermore, Atlantic Records made Brown pay her recording and touring expenses out of pocket—costs that nearly equaled her cut of the sales.

According to wikipedia.org, during the 1960s, Brown faded from public view, moved to Long Island, New York, where she worked various part-time jobs as a teacher’s aide, school bus driver and maid just to make ends meet.

Brown returned to music in 1975 with the help of comedian Redd Foxx, and a series of comedic acting jobs followed. These included roles in the 1988 John Waters film Hairspray, and the Broadway productions of Amen Corner and Black and Blue. The latter earned her a Tony Award in 1989 as Best Actress in a Musical. She also won a Grammy Award for her album Blues on Broadway that same year.

Bonnie Raitt and Ruth Brown during 8th Annual Rock and Roll Hall of Fame Induction Ceremony, 1993 in Century City, CA, United States. (Photo by Jeff Kravitz/FilmMagic, Inc)

Brown’s fight for musicians’ rights and royalties in 1987 led to the founding of the Rhythm and Blues Foundation to help emerging as well as aging R&B musicians. The nonprofit was financed by a settlement with Atlantic Records. Brown, who is also aunt to legendary Hip-Hop artist Rakim, was inducted into the Oklahoma Jazz Hall of Fame in 1992 and the Rock and Roll Hall of Fame in 1993.

Brown died in a Las Vegas–area hospital on November 17, 2006, from complications following a heart attack and stroke she suffered after surgery the previous month. She was 78 years old. Brown is buried at Roosevelt Memorial Park in Chesapeake City, Virginia.

One of the first great divas of modern American popular music, Brown’s songs provided a blueprint for much of the rock ‘n’ roll that soon came after her. In addition to the musical legacy she left, Brown also left future artists a more artist-friendly environment, thanks to her tireless work to reform the royalty system. To get a glimpse of Brown, and hear her legendary voice and style, click below:

MOVIES: “Little” Trailer Released Today Starring Issa Rae, Regina Hall and Marsai Martin – In Theatres April 12

by Lori Lakin Hutcherson (@lakinhutcherson)

I have to admit, I have been waiting for this. Ever since I heard a year ago that then 13 now 14 year-old Black-ish star Marsai Martin came up with the concept for this movie and sold it to Universal, I have been excited about the potential of “Little.” Seeing the trailer for it, released today, makes me feel only more justified in rooting for its fruition.

Starring Issa Rae, Regina Hall and Martin (Martin and Hall also serve as executive producers), “Little” is produced by Will Packer Productions, written by Tracy Oliver (“Girls Trip”) and Tina Gordon Chism (“Peeples”) and directed by Chism.

Hall plays Jordan Sanders, a snarky tech mogul who shows little regard for her assistant April (Rae). After a confrontation with a young girl, Hall wakes up to find that she is a tween (Martin) again and has to lean on her assistant, the only one in on the secret, to run the company, while she heads back to grade school. Based on the trailer, this movie looks like a potential comedy blockbuster as well as great family entertainment.

“Little” will be in theaters April 12 – mark your calendars – and check out the trailer below:

Fabolous Spends 100K+ on Gifts for Brooklyn Youth in Annual Toy Drive

Fabolous made Christmas come early for kids in the Madison Square Boys and Girls Club of Brooklyn this year with his annual Christmas Toy Drive. The event was made possible by the Brooklyn rapper’s foundation A Fabolous Way (which is designed to merge communities and the arts), Def Jam and D’usse.

“On behalf of The Boys and Girls Club, we would like to thank Fabolous and Lisa for bringing joy to some of our families this holiday season,” said the Director of Clubhouse Operations, Antonio Fort. “Fab has visited us in the past and we appreciate his positive message of inspiration to the youth.”

The event was held at the lavish Red Rabbit in New York City’s Meat Packing District neighborhood. According to Page Six, Fab spent over 100K on the presents. “I don’t put a money amount on Christmas — I just want to show people that they are special to me,” he said. “But, it is safe to say I have spent over $100,000.”

Although he’s definitely generous, he admits that doing the actual shopping is tough for him because of his busy life. What matters most to him is making sure he’s giving someone a thoughtful gift.

To read more: https://www.vibe.com/2018/12/fabolous-brooklyn-annual-toy-drive

Former ABC Entertainment President Channing Dungey Joins Netflix as VP of Original Content

by Lori Lakin Hutcherson (@lakinhutcherson)

Credit: Photo by Matt Baron/REX/Shutterstock

According to Variety.com, outgoing ABC Entertainment president Channing Dungey is joining Netflix as Vice President of Original Content for the streaming service. Dungey will report to Cindy Holland, also Vice President of Original Content, and will officially start working there in February.

“We’re delighted to be adding Channing’s expertise, leadership and deep experience to Netflix, and I look forward to partnering with her as we continue to grow and evolve our global network,” said Holland. “I have been a fan of her character and approach from our early days as executives.”

Dungey is to partner with Holland in setting strategic direction as well as in overseeing a large portion of Netflix’s slate, including some of the company’s overall deals with former ABC-based producers Shonda Rhimes and Kenya Barris, “Orange Is The New Black” and “Glow” producer Jenji Kohan, “Unreal” and “Girlfriends’ Guide To Divorce” producer Marti Noxon, producer Steven DeKnight, and Barack and Michelle Obama’s Higher Ground Productions, among others.

“Channing is a creative force whose taste and talent have earned her the admiration of her peers across the industry,” said Ted Sarandos, chief content officer of Netflix. “She’s a risk taker and ground-breaker and talent love working with her. I couldn’t be happier to welcome her to Netflix.”

Prior to presiding over ABC, Dungey lead the network’s drama development team. She helped develop several popular shows in that role, including huge hits “Scandal” and “How to Get Away With Murder.” Other shows she shepherded during that time include “Quantico,” “Agents of S.H.I.E.L.D.,” “American Crime,” and “Once Upon a Time.”

“I’m drawn to the forward-thinking, risk-taking and creative culture at Netflix, and the deeply talented people there, especially Ted and Cindy, with whom I’m excited to partner on setting the strategy for original content,” said Dungey. “Given that ABC, the place I’ve called home for nearly 15 years, represents the gold standard of traditional broadcast, it feels like the perfect next step for me to join Netflix, the unparalleled leader in streaming. I’m invigorated by the challenges ahead and the opportunity to forge new relationships, and excited for the very welcome reunion with incredible talent.”

Dungey also famously canceled ABC’s revival of “Roseanne” after series star and creator Roseanne Barr tweeted that former Obama administration aide Valerie Jarrett, who is black, looked like a cross between the “muslim brotherhood & planet of the apes [sic].”

Dungey previously partnered with Pamela Post at Dexterity Pictures, a production partnership focused on making both studio and independent films, as well as developing television series. She also served as president of Material, Jorge Saralegui‘s film production company based at Warner Bros. Prior to that, she worked for five years as a Warner Bros. production executive.

Dungey, a magna cum laude graduate of  UCLA’s School of Theater, Film and Television, has been a visiting professor there and serves on the school’s executive board. She is also a founding and current board member of Step Up, a national non-profit membership organization dedicated to helping girls living in under-resourced communities to fulfill their educational potential. 

R.I.P. Grammy Award Winner, Legendary Song Stylist and Civil Rights Activist Nancy Wilson, 81

by Jim Farber via nytimes.com

Nancy Wilson, whose skilled and flexible approach to singing provided a key bridge between the sophisticated jazz-pop vocalists of the 1950s and the powerhouse pop-soul singers of the 1960s and ’70s, died on Thursday at her home in Pioneertown, Calif. She was 81.

Her death was confirmed by her manager, Devra Hall Levy, who said Ms. Wilson had been ill for some time; she gave no other details.

In a long and celebrated career, Ms. Wilson performed American standards, jazz ballads, Broadway show tunes, R&B torch songs and middle-of-the-road pop pieces, all delivered with a heightened sense of a song’s narrative.

“I have a gift for telling stories, making them seem larger than life,” she told The Los Angeles Times in 1993. “I love the vignette, the plays within the song.

Some of Ms. Wilson’s best-known recordings told tales of heartbreak, with attitude. A forerunner of the modern female empowerment singer, with the brassy inflections and biting inflections to fuel it, Ms. Wilson could infuse even the saddest song with a sense of strength.

In her canny signature piece from 1960, “Guess Who I Saw Today”(written by Murray Grand and Elisse Boyd), a woman baits her husband by dryly telling him a story in which he turns out to be the central villain. In her 1968 hit, “Face It Girl, It’s Over” (by Francis Stanton and Angelo Badale), Ms. Wilson first seems to throw cold water in the face of a deluded woman who fails to notice that her lover has lost interest in her. Only later does she reveal that she is the benighted woman scorned.

“Face It Girl,” an epic soul blowout, became one of Ms. Wilson’s biggest chart scores, making the Top 30 of Billboard’s pop chart and Top 15 on its R&B list.ing News

Her biggest hit came in 1964, when “(You Don’t Know) How Glad I Am”(Jimmy Williams and Larry Harrison), a rapturous R&B ballad delivered with panache, reached No. 11 on Billboard’s pop chart.

Three years later she became one of the few African-Americans of her day to host a TV program, the Emmy-winning “Nancy Wilson Show,” on NBC.

Ms. Wilson released more than 70 albums in a five-decade recording career. She won three Grammy Awards, one for best rhythm and blues recording for the 1964 album “How Glad I Am,” and two for best jazz vocal album, in 2005 and 2007. In 2004, she was honored as a Jazz Master by the National Endowment for the Arts. Nancy Wilson’s album “How Glad I Am,” from 1964, won a Grammy Award for best rhythm and blues recording.

For her lifelong work as an advocate of civil rights, which included participating in a Selma to Montgomery, Ala., protest march in 1965, she received an award from the Martin Luther King Jr. Center for Nonviolent Social Change in Atlanta in 1993 and an N.A.A.C.P. Hall of Fame Image Award in 1998.

In 2005, she was inducted into the International Civil Rights Walk of Fame at the Martin Luther King Jr. National Historic Site, also in Atlanta.

“As an artist then, taking such a political stand came with professional risks,” she told the blog Jazz Wax in 2010. “But it had to be done.”

Issa Rae and Columbia Pictures Sign Multi-Picture Production Deal Promoting Diverse Screenwriters

(PHOTO BY PETER YANG)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to deadline.com, creator/writer/actor Issa Rae, via her production company ColorCreative, has signed a multi-picture production deal with Columbia Pictures. ColorCreative will work primarily with and support projects from emerging, diverse screenwriters.

Globally successful, profitable films such as “Black Panther” and “Crazy Rich Asians” have demonstrated the commercial appeal of movies with leads of color and from their perspective, but so far movies like these remain the exception, not the rule. A recent study from USC  stated that only 29.3% of characters in the 100 top grossing movies of 2017 were from underrepresented racial and ethnic groups.

Selected participants, to be announced in spring 2019, will work with Rae and Columbia to develop and write features based on their original ideas.

“Issa is a force of nature, and a magnet for talented people,” said Sanford Panitch, president of Columbia Pictures, in a statement. “We couldn’t be more excited to join her in her mission to pave the way for fresh and authentic voices.”

Bryan Smiley, VP of production at Columbia Pictures, oversaw the deal and will oversee production and development with ColorCreative for the motion picture group. Sara Rastogi, VP of production for ColorCreative, will also help guide the deal for the company along with Deniese Davis, COO of ColorCreative.

“Working with Bryan Smiley and Columbia Pictures to further the mission ColorCreative set out to achieve four years ago in creating access for underrepresented writers, has been a dream come true,” Rae said in a statement. “All of the projects we are working on are fresh and promising and we can’t wait to continue the work. We hope to set a precedent and inspire the industry at large to invest in undiscovered talent, original IP, and fresh stories and perspectives.”

Meet Lena Waithe’s Black Women Who Brunch, the Next Big TV Scribes | Hollywood Reporter

splash_blackfemalewriters-thrby Rebecca Sun via hollywoodreporter.com

For The Hollywood Reporter’s largest shoot ever, members of Black Women Who Brunch, a networking group co-founded by Lena Waithe, gather to discuss how the industry can better understand black women in Hollywood: “We have to be exceptional.”

In 2014, Nkechi Okoro Carroll was an executive story editor on Bones when she met an up-and-coming scribe named Lena Waithe at a WGA Committee of Black Writers event. The two hit it off, so much so that Okoro Carroll got the future Emmy winner — whose major credit at the time was writing for the Nickelodeon series How to Rock — hired as a staff writer on her Fox procedural, making Waithe the second black woman in the room. “Aren’t you worried she’s going to take your job?” a fellow writer on staff asked Okoro Carroll.

“You should be worried she’ll take your job,” retorted Okoro Carroll, now showrunning The CW’s All American. What the duo felt was not competition but kinship: “We often felt like unicorns,” Okoro Carroll says. “When someone asked me to recommend mid-level female writers [of color] for a job, I was appalled to realize I didn’t know many names.”

Together with Erika L. Johnson, then writing for BET’s Being Mary Jane, the women decided to create a network of black female TV writers themselves. Twelve assembled for the March 2014 inaugural meeting of what came to be known as Black Women Who Brunch (BWB); today, the membership nears 80. “This group is the proof” against and antidote to “people saying, ‘We can’t find any black female writers,'” says Johnson, now a co-executive producer on NBC’s upcoming The Village.

BWB holds potlucks at Okoro Carroll’s house every few months (usually about 30 members are available at one time) to toast triumphs and troubleshoot challenges. “It’s not just a community we’re building, but a resource,” says Waithe. “We really are able to recommend eight or nine black women for certain jobs.”

In August, BWB took its first off-site trip — a weekend getaway to Palm Springs. And in November, 62 members gathered for THR‘s biggest photo shoot ever, where they revealed what they wish their colleagues knew about being a black woman in the business.

To read and see more, go to:  Meet Lena Waithe’s Black Women Who Brunch, the Next Big TV Scribes | Hollywood Reporter