[youtube http://www.youtube.com/watch?v=zQpUkH37Gek&w=560&h=315]
The story of how Venus and Serena Williams grew to become two of the world’s most notable tennis stars is quite fascinating. The sisters, who are only 15 months apart, are finally telling their story from the beginning with the release of the documentary, Venus and Serena. Watch the super-trailer above to see the sisters give a never-before-seen glimpse into their lives as not only world-renowned champions, but sisters and best friends, too. The film will be released on iTunes April 4 and in theatres May 10.
article by Nicole Maria Melton via essence.com
Posts published in “Entertainment”
Due out in July, comedian Kevin Hart’s “Let Me Explain” movie-length exploration of his life on the road and on stage will be released by Summit Entertainment/Lionsgate. Find out more about Hart and his projects at kevinhartnation.com.
article by Lori Lakin Hutcherson
Leontyne Price as “Cleopatra” in the 1966 production of “Antony and Cleopatra” by the Metropolitan Opera at the Lincoln Center in New York.

Bryant Gumbel on the set of “Real Sports with Bryant Gumbel”
Robin Roberts’ ABC special about her bone marrow transplant and “Real Sports with Bryant Gumbel” were among the 39 winners of this year’s Peabody Awards honoring the best in electronic media in 2012. The honorees were announced at a ceremony on the University of Georgia campus, but the awards won’t be handed out until a luncheon event in New York City on May 20.
Also awarded, Comedy Central’s “D.L. Hughley: The Endangered List,” an hourlong special on whether black men should be on the endangered species list; and the Smithsonian Channel’s “MLK: The Assassination Tapes,” which used rare footage collected at the University of Memphis in 1968, to relive the events leading up to the murder of the Rev. Martin Luther King Jr. and its aftermath.

The long-gestating Richard Pryor biopic is starting over from scratch with Forest Whitaker now in charge.
Fresh from producing the Sundance Grand Jury Prize and Audience Award winner “Fruitvale,” Whitaker has taken over the nearly two-decade effort to bring the legendary comic’s life of the big screen, reports Deadline.com.
Whitaker is teaming with the late comic’s widow, Jennifer Pryor, to produce the film through his Significant Productions shingle. Whitaker will develop a new script with input from Jennifer Pryor, and Significant Productions’ Nina Yang-Bongiovi, will also produce.
The Pryor biopic has been attempted numerous times, and the most recent version had Bill Condon poised to direct Marlon Wayans in the starring role for Sony Pictures, where Adam Sandler’s Happy Madison had set the project. Condon was certainly passionate about Pryor, but everything took a back seat when he signed on to helm the final two “Twilight Saga” installments. The project languished.
The first Pryor project was a Martin Scorsese-directed drama to star Damon Wayans, this well before Pryor died in 2005. Later, there was a Showtime pic that was to star Eddie Griffin and another attempt at a feature that was to star Mike Epps with Kasi Lemmons directing.
Condon’s first flirtation had Eddie Murphy briefly interested, and then Chris Rock was briefly in the conversation.
The question now is, who will be Whitaker’s Richard Pryor? Deadline.com’s Mike Fleming Jr. thinks he should look no further than his “Fruitvale” star, Michael B. Jordan, “who by all accounts crushed it in that film.”
Fleming writes: “Jordan, who grew up playing roles in ‘The Wire’ and ‘Friday Night Lights’ before starring in ‘Chronicle,’ certainly has the charisma and should be established enough as the lead on a modestly budgeted film after The Weinstein Company releases ‘Fruitvale’ later this year.”
article via eurweb.com
On March 29, 1988, an album that propelled two kids from West Philadelphia into the stratosphere of international fame was released on Jive Records: DJ Jazzy Jeff and the Fresh Prince’s He’s the DJ, I’m the Rapper. Their debut LP, 1987’s Rock the House, included the mild hit single, “Girls Ain’t Nothing But Trouble,” but it was the duo’s sophomore effort, which eventually sold enough to be certified triple platinum, that ranks among the most successful hip-hop records ever—and certainly the most successful out of Philadelphia.
He’s the DJ, I’m the Rapper made Jeffrey Townes and Will Smith household names throughout their beloved hometown, while subsequently putting Philly on the map and the global stage in ways that still resonate a quarter-century later. Townes remains one of the most respected spinmasters in the world, and Smith has become one of Hollywood’s highest-grossing actors in Hollywood and part owner of the 76ers.
Read more at: DJ Jazzy Jeff on the 25th Anniversary of “He’s the DJ, I’m the Rapper” | Cover Story | Arts and Culture | Philadelphia Weekly.
LOS ANGELES (AP) — When your film franchise has gotten tired — the Fast aren’t quite as Furious, the Mummy needs a reason to Return — Dwayne Johnson is the guy to call.
The 40-year-old actor has become a savior of stale film series, injecting new life into “Fast Five,” ”The Mummy Returns,” ”Journey 2: The Mysterious Island” and now “G.I. Joe: Retaliation.” The former professional wrestler rocks established franchises by joining them on the second or subsequent installment and boosting the property’s box office.
“Fast & Furious 6″ and “Journey 3″ are on the way, and Johnson’s ”Mummy” character got his own spinoff film, “The Scorpion King.” “We call him franchise Viagra,” said “Retaliation” director Jon M. Chu. “He comes in and he elevates everything, not just physically, but energy-wise… He was the only one in our minds that could reinvent G.I. Joe and carry the franchise forward.”




