[youtube=http://www.youtube.com/watch?v=mgNJkq53l68&w=560&h=315]
On August 28, 1955, 14-year-old Emmett Till was savagely beaten and shot through the head in Money, Mississippi, all for the crime of speaking to a 21-year-old white woman. After a widely covered trial, his murderers were acquitted — leading to national indignation and helping to catalyze the civil rights movement.
Though the specifics of each case are vastly different, it’s easy to compare Till’s murder and its aftermath to the 2012 shooting of 17-year-old Trayvon Martin. Oprah Winfrey did that very thing during the Lee Daniels’ The Butler press junket, calling the killings “parallel” — and adding, “In my mind, [they’re the] same thing.”
At the same time, Winfrey — who stars in Lee Daniels’ The Butler, a film set partially during the height of the civil rights movement — was careful to say that those outraged by Martin’s death and George Zimmerman being found not guilty shouldn’t dwell in the past. “You can get stuck in that,” she said, “and not allow yourself to move forward and to see how far we’ve come.”
article by Hillary Busis via popwatch.ew.com
Posts published in “Entertainment”
2 Guns, a buddy cop comedy-thriller featuring Denzel Washington and Mark Wahlberg, was the top weekend film in U.S. and Canadian theaters, collecting $27.4 million for Universal Pictures. (CMCSA). A tale of undercover lawmen trying to catch a drug kingpin, 2 Guns taps the bickering buddy movie formula successfully mined by Hollywood in films such as Lethal Weapon and marks the seventh No. 1 weekend opening this year for Universal, part of Comcast Corp. “The chemistry is obvious in the film,” Nikki Rocco, president of distribution for Universal Pictures, said in an interview. “Hopefully, it finds its own life in a marketplace that’s very crowded.”
Washington plays Drug Enforcement Administration agent Bobby Trench, while Wahlberg is cast as U.S. naval intelligence officer Marcus Stigman. The two reluctantly work undercover as members of a narcotics syndicate. When their attempt to infiltrate a Mexican drug cartel goes haywire, they are disavowed by their superiors and can only count on each other. “This is a business where being No. 1 is always wonderful,” Rocco said. “It’s nice to be on a roll.”
Returning film The Wolverine was second with $21.7 million and The Smurfs 2, a family feature combining animation with live action, opened with $18.2 million in receipts for Sony Corp. (6758) to place third.
article via bloomberg.com
In a split bill at Damrosch Park Bandshell in New York City, Marc Bamuthi Joseph’s “Word Becomes Flesh” and Kyle Abraham’s “Pavement” explored race, power and, most specifically, what it means to be a black man in contemporary society as part of the Lincoln Center Out of Doors series last Thursday night. Using spoken word, movement and music, Mr. Joseph takes on the issues confronting black fatherhood in “Word Becomes Flesh,” which program notes describe as a “choreopoem.” First performed in 2003 by Mr. Joseph, the work is a recitation of letters written to his unborn son. Now “Word” is reimagined for an ensemble cast of six. The performers share their fears about bringing a child — first addressed as “heartbeat” and later as “brown boy” — into the world.
Spurts of movement — diagonal runs from the wings; slow, exaggerated steps; and springy jumps — often serve to accentuate the wistful text, which magnifies the idea of multiple, insecure fathers-to-be. “You have an intrinsically intimate relationship with your mother,” one dancer says, “but your dad didn’t check out when you were in the womb.”
For all of its words, Mr. Joseph’s loquacious piece lacks poetry. Mr. Abraham’s “Pavement” is more elegiac, yet the thorny sightlines of the Damrosch bandshell did the piece few favors. Mr. Abraham is a beautiful dancer — unpredictable and spry, with the kind of articulation that is likely to become only more refined and subtle with age — but his packed productions are somewhat unconvincing. “Pavement,” influenced by the writings of W. E. B. Du Bois and John Singleton’s 1991 film “Boyz N the Hood,” is set in the historically black neighborhoods of Pittsburgh. It was there, at 14, that Mr. Abraham first watched the Singleton movie; audio clips from the film are included in the production.
Tension is wonderful in a work, and Mr. Abraham’s propensity for moving his dancers in multiple directions — his movement phrases show a body swirling one way and then the next before evading momentum with a backward hop in arabesque — can be exhilarating. But the push and pull between narrative and dancing throughout “Pavement” gives it a choppy, locomotive feel. The film audio is overkill.
Thousands of minority- and women-owned entrepreneurs will have the chance to audition to appear on ABC’s reality show Shark Tank, providing them an opportunity to gain much needed capital for growing their businesses. Casting directors will hold an open call on Friday, August 23, in Washington, DC during the Kingonomics Innovation, Entrepreneurship and Investment Conference. The event’s organizer, Rodney Sampson, recently signed on with Shark Tank Executive Producer Mark Burnett as executive in charge of diversity and outreach at One Three Media, a joint media and production venture between Burnett and the Hearst Corporation.
Kingonomics is the title of Sampson’s book, which is an interpretation of Dr. Martin Luther King Jr.’s economic vision for jobs and financial freedom for all Americans; through his lens as a serial entrepreneur and accredited investor primarily in technology and new media. The Kingonomics Conference, done in collaboration with the SCLC Poverty Institute, will bring together experts in capital raising strategies including crowdfunding, angel investment, and venture capital. The daylong forum and Shark Tank casting call also coincides with activities on Capitol Hill surrounding the 50th Anniversary celebration of the historic March On Washington for Jobs and Freedom.
Now in its fifth season, Shark Tank is a competition reality-based television series that features a panel of self-made multimillionaire and billionaire entrepreneurs/judges who consider offers from aspiring entrepreneurs seeking investment capital for their businesses or products. The Emmy Award-nominated series features investor billionaire Mark Cuban, owner of the Dallas Mavericks; business mogul and brand expert Daymond John, founder of FUBU clothing line; inventor and “Queen of QVC” Lori Griener; real estate mogul Barbara Corcocran; technology innovator Robert Herjavec; and, venture capitalist Kevin O’Leary.
Sampson was tapped personally by Burnett (Survivor, Celebrity Apprentice, The Voice) to spearhead his television production company’s diversity efforts. The two had worked together on the hit television miniseries The Bible; the 10-hour drama that ran on the History Channel in March 2013. Burnett and his wife Roma Downey scripted and produced the show. Sampson served on the show’s advisory board in a diversity and inclusion role to insure conversations around people of color were authentic.
Burnett sought Sampson’s assistance when he learned the ratings for the Shark Tank revealed a larger African American and female audience on Friday night at 8 pm ET.
“The challenge he said is that most of the companies that pitch are white males,” recalls Sampson. “He decided that he wanted diversity and inclusion to be intentional not just on Shark Tank or one show but all of his properties. That is what led to me becoming the first head of diversity and inclusion inside of the organization.”
Sampson is charged with identifying and attracting a more diverse pool of inventors and entrepreneurs. “Our goal is for at least 20% of the companies that pitch on the show to be minorities.”
The Shark Tank open casting call is a great forum he says especially given that access to capital remains the most important factor limiting the launch, expansion or growth of minority-owned businesses. Moreover, less than 3% of venture capital is invested in women owned and operated enterprises; less than 1% goes to African-American run businesses.
article by Carolyn M. Brown via blackenterprise.com
Criminal Minds executive producer Janine Sherman Barrois has closed a two-year overall deal with ABC Studios, the studio behind the veteran CBS crime drama. Under the pact, Barrois will continue on Criminal Minds, where she has been since 2010, and develop new projects. She just penned Criminal Minds‘ upcoming ninth-season premiere. Barrois previously was an executive producer on the final season of ER and a co-executive producer on Third Watch where she worked for five seasons. On the comedy side, she spent multiple seasons on The PJ’s and The Jamie Foxx Show.
article by Nellie Andreeva via deadline.com
Denzel Washington will star opposite Diahann Carroll in the Broadway revival of Lorraine Hansberry’s classic A Raisin In The Sun. Previews begin March 8, 2014, with opening night on April 3, 2014 at the Barrymore Theatre where the original production opened 55 years ago. Set on Chicago’s South Side, A Raisin In The Sun revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee (Washington), his wife Ruth (Sophie Okonedo), his sister Beneatha (Anika Noni Rose), his son Travis and matriarch Lena, called Mama (Carroll). Rounding out the cast are Stephen Tyrone Williams, Jason Dirden, and Stephen McKinley Henderson. Washington won a Best Actor Tony for his performance in 2010′s Fences. The Kenny Leon-directed A Raisin In The Sun is a limited engagement, running 14 weeks only through June 15, 2014. Washington currently can be seen in Universal’s action thriller 2 Guns with Mark Wahlberg which opens today.
article via deadline.com
“I’m absolutely thrilled. This truly is my dream job. I’ve loved Essence since I was a kid,” Vanessa Bush, the new editor-in-chief of Essence, told theGrio. The new head of the black women’s lifestyle bible has worked for numerous publications over the course of her career, including Life and Glamour, but none other has drawn her passionate devotion. In her new role, Bush is thrilled to take her decade-plus years of experience in journalism and apply it in service to African-American women, at a magazine that inspired her both as a black woman and budding journalist as a child.
She even remembers her first encounter with the glossy. “It’s something that I will never forget. I can remember creating mini-magazines with my mom,” Bush reminisced. “One of the few places where I could actually cut out pictures of women who look like me was Essence magazine. So to be able to bring that full circle decades later is just a dream. Essence is the embodiment of the quintessential black woman who is empowered and that’s an achiever, that’s looking for inspiration, that’s looking for wise counsel. That’s always trying to be the best that she can be. Essence has always been that guide book that shows us how to do that.”
The backstory of the new Essence chief
The Columbia School of Journalism graduate began her career as a staff writer before moving into editorial duties. In 2000, Bush began working at Time, Inc., now the parent company of Essence Communications. Simultaneously, after operating independently since its founding by Edward Lewis in 1970, Essence began its initial partnership with Time in 2000. Bush made her move at that time, and joined the Essence team as a beauty and fashion features editor.
Vanity Fair Magazine released its International Best Dressed List for 2013 yesterday and for the first time, Django Unchained and Scandal actress Kerry Washington was the top honoree. Washington was in good company, as the list also included perennial style icon and new mom Princess Kate of England, pop mavens Beyoncé and Justin Timberlake and NBA Champion and MVP LeBron James, among others. To see the full list and more photos, click here.
article by Lori Lakin Hutcherson
Days after it was revealed Steven Soderbergh donated $10,000 to Spike Lee‘s Kickstarter campaign, the Magic Mike and Behind the Candelabra director explained why he offered such massive financial support.
Lee was one of three independent American filmmakers, with David Lynch and Jim Jarmusch, who inspired Soderbergh in the ’80s, a time in which he otherwise “felt like the sense of what was possible had shrunk,” Soderbergh wrote on Lee’s Kickstarter page.
“These were distinctive new voices, and the freedom (and success) they represented was liberating and energizing; these were shoulders I would try to stand on, that I would be proud to stand on,” he explains.
Soderbergh continues to praise Lee, writing: “Certain filmmakers exist outside the traditional parameters of criticism; their point of view and body of work make discussions about individual films interesting but ultimately irrelevant because each project is merely a chapter in a very long book that must (and will) be acknowledged and appreciated for its breadth, ambition, and contributions to the art of cinema. For me, Spike Lee is one of those filmmakers. He is a totally unique figure in American cinema, and he’s always gone his own way and spoken his mind (even when the commercial stakes were high), qualities which are in short supply in the film business.”
In closing, Soderbergh reiterates that he’s supporting a friend whose films he admires and who paved the way for his own success. He also notes that he’s hoping — through the Knicks game he’s been promised for his pledge — to get to know Lee better as a person. Lee’s Kickstarter for a movie that he describes as a “funny,” “sexy” and “bloody” picture has so far raised $403,546 of its $1.25 million goal from 1,989 backers (including 21 at the $10,000 maximum level). There are 22 days left for the campaign to meet its fundraising target.
article by Hilary Lewis via hollywoodreporter.com
“These were distinctive new voices, and the freedom (and success) they represented was liberating and energizing; these were shoulders I would try to stand on, that I would be proud to stand on,” he explains.
Soderbergh continues to praise Lee, writing: “Certain filmmakers exist outside the traditional parameters of criticism; their point of view and body of work make discussions about individual films interesting but ultimately irrelevant because each project is merely a chapter in a very long book that must (and will) be acknowledged and appreciated for its breadth, ambition, and contributions to the art of cinema. For me, Spike Lee is one of those filmmakers. He is a totally unique figure in American cinema, and he’s always gone his own way and spoken his mind (even when the commercial stakes were high), qualities which are in short supply in the film business.”
In closing, Soderbergh reiterates that he’s supporting a friend whose films he admires and who paved the way for his own success. He also notes that he’s hoping — through the Knicks game he’s been promised for his pledge — to get to know Lee better as a person. Lee’s Kickstarter for a movie that he describes as a “funny,” “sexy” and “bloody” picture has so far raised $403,546 of its $1.25 million goal from 1,989 backers (including 21 at the $10,000 maximum level). There are 22 days left for the campaign to meet its fundraising target.
article by Hilary Lewis via hollywoodreporter.com
According to Variety.com, Cheryl Boone Isaacs has become the Academy of Motion Picture Arts & Sciences first African-American president. After a lengthy career behind the scenes, the Academy Board of Governors chose Isaacs, who served as first vice president of the Academy board. Isaacs, who has held every other Academy board officer position and also produced last year’s Governor’s Awards, also becomes the first female Academy president since Fay Kanin in 1979-83 and third overall, counting the two-month tenure of Bette Davis in 1941.
Rob Friedman, the co-chairman of Lionsgate Motion Picture Group and most recently treasurer of the board, was perceived as the other top candidate for the post. Voting totals are not released by the Academy. Academy board members serve three-year terms, while officers serve one-year terms, with a maximum of four consecutive terms in any one office, including president.
The president role was once a ceremonial title. But in recent years the role has taken on greater responsibility, as each worked with the Academy’s salaried staff, including CEO Dawn Hudson and Ric Robertson to further diversity initiatives, while also trying to move the Academy Museum of Motion Pictures, scheduled to open in 2017, closer to reality. They also dealt with questions of electronic voting, changes in Oscar rules (such as more than five best-picture contenders) and a restructuring of the staff.
article by Jon Weisman with additional reporting by Lori Lakin Hutcherson