
Eighteen year-old hip-hop dancer and Las Vegas street performer Du-Shant Stegall, better known as Fik-Shun, took the top male spot in last night’s So You Think You Can Dance finale on FOX. Fik-Shun beat out tapper Aaron Turner, and shares the Favorite Dancer title with jazz dancer Amy Yakima (pictured above with Fik-Shun), who beat out contemporary dancer Jasmine Harper for the top female spot. Fik-Shun and Amy each won $100,000 and will be featured on the cover of an upcoming issue of Dance Spirit Magazine. This was the 10th season of So You Think You Can Dance, which was renewed for an 11th season according to producer and head judge Nigel Lythgoe.
Check out one of Fik-Shun’s mind-blowing hip-hop solos that helped earn him his Favorite Dancer crown below:
[youtube=http://www.youtube.com/watch?v=zMY8YTVip1E&w=420&h=315]
article by Lori Lakin Hutcherson
Posts published in “Entertainment”

Longtime Howard Stern show co-host Robin Quivers revealed this morning that she’s been declared cancer-free after a long battle with the disease. She’s been broadcasting from her home by an ISDN line since she had a grapefruit-sized tumor removed from her bladder in May of 2012, missing only two episodes despite undergoing extensive radiation therapy, chemotherapy and highly invasive operations. “Howard was wrecked when this first came out,” said Stern producer Jon Hein on the air. “He didn’t feel comfortable doing the show without her. It looks like she’s cancer-free and will hopefully be back here sometime soon.”
Quivers has been an essential part of the Howard Stern show since she was first paired up with the shock jock in March of 1981 at a Washington, D.C. radio station. With the exception of a very brief time period when Stern moved over to WNBC in New York in 1982, they have been together ever since.

Brad Pitt didn’t say much during the question-and-answer session that followed the Toronto International Film Festival premiere of “12 Years a Slave” on Friday night, just a short comment on why he produced and co-starred in the Steve McQueen period drama.
It’s a sentiment you could imagine the lead cast members — Michael Fassbender, Lupita Nyong’o and of course Chiwetel Eijiofor, standing out amid the standouts — sharing with Pitt. And it’s a sentiment you could imagine the audience feeling. Festivals come and go; movies rise and fade. But once in a great while there’s a film that feels almost instantly, in the room, like it’s going to endure, and change plenty of things along the way. And “12 Years” offers that feeling.
Most narrowly, that’s true on Oscar level. By 9 p.m. Friday night, just six days into September, the film had already become a top contender for various acting, writing and directing prizes, as well as the big prize. You could say that’s premature. But you probably wouldn’t if you sat in the room. (Vulture’s Kyle Buchanan certainly didn’t hold back.)
It’s equally true on a social level. “12 Years” tells the fact-based story of Solomon Northup (Eijiofor), a free man who in 1841 was kidnapped and sold into slavery, and his travails — at once horrifying and surprising, no matter how much you think you’re ready for them — when he is trafficked to a series of Southern plantations for more than a decade.
[youtube=http://www.youtube.com/watch?v=jiiFzKfuPMk&w=560&h=315]
Today, Eddie Murphy unveiled the worldwide release of the official music video for his new single “Red Light”, on VEVO from his forthcoming solo album “9”. Featuring Snoop Lion, “Red Light,” showcases Murphy’s vocals over a laid back Reggae tune, serving as a postive anthem attempting to raise awareness about social injustice, stop violence and self-sabotage. Eddie Murphy’s “9” is slated to be released in the first quarter of 2014.
article via eurweb.com

Total domestic box office was up over this time last year by roughly 25%, thanks also to a excellent expansion for Lionsgate-Pantelion’s “Instructions Not Included.” The Hispanic-targeted crowdpleaser earned $8.1 million from just 717 locations, up from 384 last weekend, for a U.S. cume now past $20 million.
It was a sci-fi-themed weekend globally: Sony’s futuristic pic “Elysium” ranked first overseas with an estimated $21.2 million, of which China contributed $11.7 million in its first weekend locally. In total, “Elysium” has cumed $127 million internationally and $212 million worldwide.
While “Riddick” defied the post-Labor Day slump, the film still came in on the low-side of expectations. Pic opened with less than its predecessor’s $24 million debut in 2004, but the $38 million three-quel outperformed the original film, 2000′s “Pitch Black,” which grossed $11.6 million during opening weekend.
“We always try to find the right time for the right films,” said Universal distribution prexy Nikki Rocco. “This was an inexpensive venture for Universal, and we wanted Vin to have the No. 1 film.”
Not surprisingly, “Riddick” earned most of its opening from men, at 59%, with Hispanics contributing a sizable 37% of the gross. Imax also helped with fanboy appeal, posting $2.5 million of the domestic opening.
article by Andrew Stewart via variety.com

Playing the role of a slave woman at one of the country’s top-tourist destinations, actress and comedian Azie Mira Dungey learned first hand how ignorant many Americans are about the institution of slavery. For two years, Dungey worked part-time at George Washington‘s Mount Vernon mansion in Mount Vernon, Va., often portraying one of the slave women who worked inside of Washington’s home. The role required her to read countless books on the plantation’s history over a two month period before she started the job.

Once she stepped into character, Dungey realized that she was more than just a recent New York University graduate milling around in a short-term gig until Hollywood called; instead, Dungey believed that she was something of a griot of Black history and took her role very seriously.
And her job wasn’t easy. Often, Dungey has had to answer challenging questions from mostly White tourists — all while staying in character.
During an exclusive interview with NewsOne, Dungey recalled the time someone asked, “What’s your favorite part of the plantation?” (Her answer: “My bed”) Then there was the guy who asked, “How did you get to be the house maid for such a distinguished Founding Father? Did you see the advertisement in the newspaper?”
(Her answer: “Did I read the advertisement in the newspaper? Why yes. It said, ‘Wanted: One housemaid. No pay, preferably mulatto, saucy with breeding hips. Must work 18 hours a day. No holidays. But, you get to wear a pretty dress. And, if you’re lucky, you might to get carry some famous White man’s bastard child.’ So, you better believe I read that, ran over and said, ‘sign me up.’” ).
But not all of the obtuse questions came from White people.
After speaking to an older Black man about a runaway slave who attempted to flee Washington’s plantation, the man seemed shocked at the slave’s attempt at freedom. “He was like, ‘Wait a minute, why did he want to run away?’” Dungey recalls the man asking. “‘I thought that George Washington was a good slave owner.’”
“I just looked at him, like, Are you serious?… You can be the nicest in the world but people don’t want to be your slave. And the man was like, ‘Yeah, that’s true.’”
As aforementioned, though, as comical as some of the questions were, Dungey never broke character. Dungey was committed to ensuring that she conveyed the reality in which her character lived. In her role, Dungey realized that she may be one of the few people from whom they can get some sense of how Blacks lived during a very repressive period in American history.
“History is our narrative,” she said. “It shapes what we think of ourselves and our society. How it is controlled, and whose stories get told (or not told) has a strong effect on culture, and even on public policy. Black history is not a separate history or a less important one. Misconceptions about Black history and the modern Black experience is really dividing us politically and socially. If we don’t understand racism and where it comes from, how can we end it? How can we weed it out? We have to be critical of these things to make true progress.”
She left that job late last year and has since moved to Los Angeles to pursue an acting career, but the two-year experience motivated her to turn the hilarity of the tourists’ ignorance into the YouTube web series “Ask A Slave.” As “Lizzie Mae,” Dungey sits in front of a TV and answers viewers’ questions about slavery and George Washington.
All of the questions are ones tourists actually asked while she was working at Mount Vernon.
Watch Episode 1 of “Ask A Slave” here:
Since going live with two videos Sept. 1, the first episode has garnered more than 301,100 views, while the second episode has more than 119,000 views. It’s not a bad start at all, especially considering that Dungey raised the funds for production herself.
Watch Episode 2 of “Ask A Slave” here:
Back in April, she raised $3,000 through the crowdsourcing site GoFundMe to shoot six episodes, which will be published on YouTube each Sunday. The series was directed by Jordan Black, creator of the improvised comedy web series “The Black Version.” The first two episodes have gotten positive reviews from Jezebel, MadameNoire, as well as other sites, with Gawker’s Neetzan Zimmerman calling it “the best web series since “Drunk History.”

Mayweather’s Money Team signed a very lucrative contract with Showtime Networks earlier this year. The network will broadcast six of his fights over 30 months and they are set to pay him a whopping $200 million. Mayweather’s fight against Alvarez is the second fight of the agreement. Mayweather’s $41 million payday breaks the record he set when he fought Miguel Cotto and Robert Guerrero in May of 2012 and May of this year respectively. Each of those fights added $32 million to Mayweather’s bank accounts.
While $41 million is a hefty sum of money, Floyd Mayweather could possibly earn more through pay-per-view. According to reports by ESPN.com, people do expect the Mayweather-Alvarez bout to match or surpass the record of 2.44 million purchases. 2.44 million people generated about $130 million for the 2007 match between Mayweather and Oscar De La Hoya. It’s very likely This fight will be more successful than the bout between De La Hoya and Mayweather because Golden Boy boxing promoter Richard Schaefer says the fight has already broken the all-time record for ticket sales for an MGM Grand boxing match.
The Mayweather-Alvarez fight will take place on September 14.
article by Johnathan Hailey via theurbandaily.com

He wears a heavy tweed coat instead of a cape and a steely, brooding façade instead of a dark cowl, but for Luther star Idris Elba, his British copper might as well be London’s own Batman. “In concept, we straddle between detective and superhero. Although there aren’t any magic tricks or capes or anything like that, we put our central character through improbable — and probable — scenarios that ask the audience to suspend their belief,” says Elba, the British actor who returns as Detective Chief Inspector John Luther for a third installment of the series running Tuesday through Friday (10 ET/PT nightly, except at 9 ET/PT Wednesday) on BBC America.
Over the course of a trio of seasons since 2010, Luther has dealt with masked serial killers, pedophiles, twin killers, snipers and the psychopathically endearing murderer Alice Morgan (Ruth Wilson), who’s gone from Luther’s arch-enemy to confidante. That stuff is almost easiest for the grumpy lawman to deal with than other aspects of his life, like coming to grips with the death of his ex-wife and brandishing his own sense of justice that, while efficient, puts him at odds with most every other cop in town.
“He’s a spiritually wounded man, and one of the great malicious pleasures of writing for the character and this particular actor is what kind of hell can I put him through next?” says Luther creator and writer Neil Cross.
According to box office estimates, Lee Daniels’ The Butler the film beat out One Direction: This Is Us to win the Labor Day weekend box office race and become the first movie this year to finish No. 1 three consecutive weeks, according to TheWrap.
“We’re surprised,” The Weinstein Company’s distribution chief Erik Lomis told TheWrap, “and very proud. We weren’t expecting to come away with this one, especially after starting out $5 million behind ‘One Direction’ after Friday.”
Lomis said “The Butler,” which has now brought in nearly $80 million domestically, was continuing to broaden its demographic base by playing younger.
“With the kids getting back to school, we’re hoping the word of mouth gets even stronger,” said Lomis. There’s not much room to expand in terms of theaters; it’s on 3,330 screens and averaged just over $6,000.
Two other wide openers – the Selena Gomez-Ethan Hawke thriller “Getaway” and the Eric Bana spy tale “Closed Circuit” – were both non-starters. But “Instructions Not Included,” a family comedy starring Eugenio Derbez, recorded the biggest domestic opening ever for a Spanish-language movie – on just 347 screens – and finished fifth with $10 million for the four days.
Get the FULL story at TheWrap.

