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From Top Model To Black Panther, Actress Yaya Alafia Is 'Truly African-American'

In 2013, Yaya Alafia played Black Panther Carol Hammie in The Butler.
In 2013, Yaya Alafia played Black Panther Carol Hammie in The Butler.
Yaya Alafia arrived on TV screens more than a decade ago as Yaya DaCosta, the young model proud of her African and Latina roots in Season 3 of America’s Next Top Model. But, as she tells NPR’s Michel Martin, she has come a long way since competing on the series. “I have practiced such deliberate amnesia when it came to that show,” she admits. “Just hearing my voice at such a young, vulnerable age, forced into this other world that I wasn’t prepared for.”

But that experience did prepare her for a successful film career. In 2013, she starred in three films: Mother of GeorgeBig Words and The Butler, in which she played a Black Panther.
“[My father] was an organizer in the Student Nonviolent Coordinating Committee. My mother did a little bit of work with the Black Panthers,” she says. “It felt kind of natural for me going on that audition.”
A graduate in Africana studies and international relations from Brown University, Alafia celebrates the fact that she is “one of those Africans in America that’s kind of a mutt, for lack of a better word.” And although her roots stretch from Nigeria to Brazil, she believes that “when people start to get a little too specific, it serves as a divisive tactic.”
Originally from Harlem, she spent a trimester of high school abroad in the Dominican Republic. She says her experience there made her aware of complicated issues involving racial identity. “I didn’t realize how deep-rooted the brainwashing went and how much self-hate there was. … My host mother would yell at me, saying … ‘You’re going to burn out there, don’t get too dark, you could be so pretty.’ And that really had an effect on me.”

Kevin Hart’s Latest Box Office Success Certifies Star Power

about last night Movie

Kevin Hart more than lived up to his name on Valentine’s day as Sony-Screen Gems’ About Last Night led the charge among couples.  And yet, the comedian-turned-leading man, who stands at just 5’2″ tall, has been quietly building his brand, which has only just blown up at the box office, in order to become one of the most biggest African American stars since Will Smith or Denzel Washington.  Prior to this year, Hart was known more in the stand-up world, with Codeblack-produced and distributed (along with Summit) hits like Laugh at My Pain and Let Me Explain, both of which were preceded by the eponymous Kevin Hart.
In less than two months, Hart has become one of the industry’s sturdiest B.O. players with two major narrative feature hits: Universal’s Ride Along, which became this year’s first $100 million-plus grosser and now “About Last Night,” which topped Friday’s box office with $12.9 million, kick-starting a solid $28.5 million four-day run.
Earlier in his career, Hart had memorable supporting roles in such films as The Five-Year Engagement and Think Like a Man.  Hart’s seemingly overnight hit status also is due, in part, to the recent success of urban-targeted films in general, including The Best Man Holiday and 12 Years a Slave, both of which were released late last year.
Still, neither of those films broke out the way Ride Along has when it scored a rare three straight wins atop the domestic box office.  And while African American-themed films typically do not travel well outside the U.S. (aside from Will Smith — formerly, at least), they are made for a price. About Last Night, for instance, cost only $12.5 million to produce, while Ride Along was budgeted at $25 million.  During opening weekend, Ride Along scored 30% of its gross from Hispanics, with Caucasians contributing 12% of the opening. African Americans still delivered half of the box office, though since then the film’s staying power is attributed to a broadened demo base.  About Last Night, on the other hand, earned an overwhelming 72% of its opening from African Americans.
Regardless, it’s a steady beat for Hart.  Sony is further investing in multi-hyphenate by his upcoming comedy The Wedding Ringer to Martin Luther King Jr. weekend in 2015.
article by Andrew Stewart via Variety.com

 

Playboy Jazz Festival to Celebrate George Duke; Entire Lineup Announced

george duke
Singer Al Jarreau and bassist Stanley Clarke will celebrate the legacy of their friend and musical partner George Duke on the opening day of the 36th annual Playboy Jazz Festival at the Hollywood Bowl.
The Los Angeles Philharmonic Association, which is presenting the festival for the first time, announced the lineup for the June 14-15 event on Monday, reports the APGeorge Benson and fellow smooth jazz guitarist Earl Klugh will headline the closing concert.
Saturday’s concert will pay tribute to Duke, the keyboardist, singer, composer and producer who headlined last year’s Playboy opener and was a frequent participant in the Los Angeles area’s biggest jazz event. Duke, 67, died of leukemia last August shortly after releasing his chart-topping contemporary jazz CD “Dreamweaver,” which included a straight-ahead acoustic jazz track featuring Clarke.
Jarreau first performed with Duke in the house band at San Francisco’s Half Note Club in the late ’60s and the keyboardist was featured on the singer’s 1981 album “Breakin’ Away.” Clarke and Duke recorded three groove-oriented albums together, including 1981′s “Clarke/Duke Project” with the R&B hit single “Sweet Baby.”
Comedian George Lopez said he’s “thrilled” to be hosting the Playboy festival again after taking over from long-time emcee Bill Cosby last year.  “This year’s lineup of talent is unparalleled, and it’s going to be a great weekend of music,” Lopez said in a statement emailed to The Associated Press.  Saturday’s lineup includes singer Dianne Reeves, who featured her cousin Duke on several of her albums; pianist Kenny Barron’s trio with guest saxophonist Ravi Coltrane; trumpeter Arturo Sandoval’s big band and British singer-pianist Jamie Cullum.

John Singleton Back as Director for Tupac Shakur Biopic

John Singleton Tupac Movie
Director John Singleton (Lester Cohen/WireImage)
After falling off the project two years ago, all eyes are on John Singleton to return to Morgan Creek’s untitled Tupac Shakur biopic — a film he’s long wanted to make.  Singleton has closed a deal to rewrite, direct and produce the biopic about the iconic rapper, which would follow his rise to being one of the most popular hip-hop artists as well as his murder following a boxing match in 1996 in Las Vegas. Morgan Creek is co-financing the film with Emmett/Furla/Oasis.
“Tupac was the guy who I planned to do a lifetime of films with,” Singleton said. “His passing deeply affected my life as well as countless people in this world. His life story is as important to my generation.”  The next move is to find the actor to play Shakur. Singelton will soon dive into rewriting the script, with hopes of beginning production sometime this June.
Singleton had once been linked to the project, but the deal fell through and the film has been in limbo ever since. James G. Robinson and David Robinson, along with Program Pictures’ L.T. Hutton, are also producing the pic.  The film’s long history also includes a legal battle between Morgan Creek and Shakur’s mother, Afeni Shakur, over the rights that eventually led to a settlement and Afeni becoming an exec producer on the project. Training Day director Antoine Fuqua attached himself after Singleton’s original flirtation, but bowed out after he couldn’t get the right script in place or find a lead (Morgan Creek tried an open casting, but that didn’t pan out).

"About Last Night" 2nd Only to "LEGO Movie", Earns a Projected $35M Over Holiday Weekend

About Last Night

Benefitting from its strong date night appeal and Kevin Hart‘s current filmic hot streak, About Last Night opened strong on Valentine’s Day and wound up ahead of fellow 1980s remakes RoboCop and Endless Love this weekend, succumbing only to The LEGO Movie, which easily led the box office over President’s Day weekend.
According to boxofficemojo.com, in its second outing, The LEGO Movie added $48.8 million and so far has earned $129.1 million.  Playing at 2,253 locations, About Last Night opened to an estimated $27 million. That’s the best opening for a romantic comedy since 2012’s Think Like a Man ($33.6 million), which also featured Kevin Hart, Michael Ealy and Regina Hall. It is noticeably lower than recent Kevin Hart movie Ride Along ($41.5 million), though that’s a difficult number to match.
According to Sony, About Last Night‘s audience was 63 percent female and 57 percent over the age of 30. They awarded the movie a solid “A-” CinemaScore. Remaining a master builder in its second weekend, The Lego Movie ended Valentine’s Day in a tie with new entry About Last Night, but is expected to zoom ahead on Saturday for a possible $59 million-plus finish over the long Presidents Day weekend.  About Last Night took in $13 million on Friday for a projected four-day opening in the $35 million range.
article by Lori Lakin Hutcherson

BAFTA Awards: "12 Years a Slave" Wins Best Film, Best Actor Prizes

12 Years A Slave
According to Variety.com, the 2014 British Academy of Film and Television Arts (BAFTA) Award for Best Film went to 12 Years a Slave.  In his speech, helmer-producer Steve McQueen said that there were “21 million people living in slavery as we sit here now.” McQueen was joined at the event by fellow producers Anthony Katagas, Brad Pitt, Dede Gardner and Jeremy Kleiner.
The leading actor award went to Chiwetel Ejiofor for his performance in 12 Years a Slave. He paid tribute to McQueen, and said that the award really belonged to the director. “It’s yours. I’m going to keep it, but it is yours,” he said.  Although 12 Years A Slave‘s Lupita Nyong’o lost out to Jennifer Lawrence for Best Supporting Actress, the award for Supporting Actor was picked up by Barkhad Abdi for Captain Phillips. He thanked the performers who played the other pirates in the film. “We came from nothing and I got this (the BAFTA),” he said.

Dwayne Johnson’s HBO Half-Hour Pilot ‘Ballers’ Picked Up To Series

dwaynejohnsonDwayne Johnson is headed to HBO‘s primetime. The pay cable network has picked up to series half-hour pilot Ballers toplined by the wrestling and movie star in his first major series gig. He is executive producing the series with his Pain & Gain co-star Mark Wahlberg; Wahlberg’s manager/frequent producing partner Steve Levinson, on whose original idea the project is based; showrunner Even Reilly; and Peter Berg, who directed the pilot.
Written by Levinson in his pilot-writing debut, Ballers is exploring the lives of a group of former and current football players. Johnson stars as Spencer Strasmore, a retired athlete. The cast includes Omar Benson Miller as Charles, an affable former pro athlete who is searching for his next career; Denzel Washington’s son John David Washington as Ricky, a highly competitive and highly spiritual pro athlete; Rob Corddry as Joe, a financial advisor who tries really hard to fit in; Troy Garity as Jason, a top-tier sports agent; Donovan Carter as Vernon, a deeply family-oriented pro athlete; Jazmyn Simon as Julie, wife of an ex-pro athlete; Taylor Cole as Michaels, an ESPN sideline reporter who is romantically involved with Spencer; and LeToya Luckett as Tina, widow to one of Spencer’s closest friends.
The series pickup for Ballers, which will start production later this year, comes on the heels of the series order on Tuesday of another half-hour project with marquee stars from a top director and producer, The Brink, starring Jack Black and Tim Robbins. Jay Roach, who directed the pilot, and Jerry Weintraub are executive producing. Both series have been touted as capable of attracting broad audiences, something Johnson already has done in primetime as his WWE alter ego The Rock and on the big screen. He next reprises his role on the Fast & Furious 7 movie, whose production has been delayed by the death of star Paul Walker, and also has feature Hercules and TNT reality series Wake Up Call coming up.

Lupita Nyong'o Covers New York Magazine's Spring Fashion Issue

lupita

Lupita Nyong’o may be preparing herself for a potential Oscar win, but if you ask us, she has already won awards season this year. From that drop dead Ralph Lauren number at the Golden Globes to her epic turquoise Gucci dress at the SAG Awards, the actress has quickly become the fashion world’s “It girl.”  It’s no surprise then, that she’s the cover star of New York Magazine’s Spring Fashion Issue. The 12 Years A Slave star, who we have learned has no problem playing with color, looks as gorgeous as ever in a red and white dress by Stella McCartney. She chatted with The Cut about her childhood, dancing with Michael Fassbender and the difficulties of adjusting to life in the United States.
lupita
The 30-year-old actress admits that her first months at the Yale School Of Drama served as a bit of a culture shock. “I find my freedom in structure. It was very hard to adjust to an individualistic and very liberal system. I mean, my upbringing, I would iron my clothes every night. I would plan what I wore the night before, and then I would iron it. That’s just the way my mom raised us. Then I got to Hampshire, where clothing is sometimes optional and all this kind of thing. I was mortified,” she said.
Perhaps that’s why her look is a bit more… conservative than Lake Bell’s Fashion Issue cover from last season. Either way, she certainly has the poise and grace of a bonafide star — with the photos to prove it. Check out the beautifully done cover and spread below and head over to The Cut for the entire interview.
article by Jamie Feldman via huffingtonpost.com
 

OWN to Adapt Darlene Love’s Memoir as TV Movie

Darlene Love
Darlene Love (Shahar Azran/WireImage)
OWN has acquired the rights to Darlene Love’s memoir, and will adapt the book as a TV movie with Oprah Winfrey executive producing.  Love’s memoir, titled My Name is Love: The Darlene Love Story, will be OWN’s first original telepic. Love is also exec producing alongside Morgan Neville.
“The fantastic life journey of music great Darlene Love is the perfect choice for our first original scripted movie,” said Sheri Salata, president, OWN.  “From her first hit song to her darkest days cleaning houses in Beverly Hills to make ends meet, to the triumphant comeback that made rock and roll history, Darlene is a true living legend who worked with many of the greatest talents in music from Elvis Presley and Tom Jones to Frank Sinatra, Aretha Franklin and Bruce Springsteen.”
OWN has also licensed the first broadcast window on cable TV for backup singer documentary Twenty Feet From Stardom, which was helmed by Neville and features Love. Broadcast window begins next year.
article by AJ Marechal via Variety.com

Indie Music Publisher Kobalt Gets Into the Miles Davis Business

Miles Davis

In a deal that reflects both the continuing initiative of the Miles Davis estate and the growing mini-major status of the Kobalt Music Group, the two parties recently struck a deal for the independent music publisher to administer the entire catalog of the late jazz icon. Kobalt’s global synch licensing and creative teams will take over worldwide administration of Davis’ music, previously overseen by the Universal Music Group, and aims to “develop new creative opportunities” as well as tap Davis’ works for use in films, television, advertising and other media. Kobalt’s clients include Paul McCartney, Dave Grohl, Thom Yorke and such jazz artists as Herbie Hancock, Chick Corea and Pat Metheny.
“As a jazz enthusiast and sax player myself, listening to his music has been a major part of my life,” said Willard Ahdritz, founder and CEO of Kobalt, in the statement. “So it’s especially meaningful to me and an honor for everyone at Kobalt to be working with the Miles Davis Estate and their great team including Erin Davis, Cheryl Davis, Vince Wilburn, Jr. and Darryl Porter.”  For its part, Miles Davis Properties LLC called Kobalt a “forward-thinking” company that “puts the artists’ needs at the forefront.”
The Davis family has been quite busy as of late, overseeing several reissues the the jazz/fusion pioneer, including the upcoming Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. 3, being released March 25 via Columbia/Legacy; a lavish hardcover book of paintings by Davis called Miles Davis: The Collected Artwork published by Insight Editions; and a Davis biopic titled Kill the Trumpet Player directed, co-written by and starring Don Cheadle as the man with the horn that’s said to be scheduled for production in the coming year.
article by Steve Chagollan via Variety.com