Grammy Award-winner Tim “Timbaland” Mosley has signed on to write and produce the music for the Fox pilot,Empire. The family drama, which is written by Daniels and Danny Strong and directed by Daniels, is set in the world of the hip-hop industry and stars Terrence Howard and Taraji P. Henson. It’s executive-produced by Daniels, Strong, Brian Grazer and Francie Calfo. It will feature original and current music.
This world is something Mosley understands well. In 2013 alone, the sought-after producer, songwriter and rapper produced and co-wrote multiple tracks on four of the year’s biggest selling multi-platinum-albums: Magna Carta Holy Grail, The 20/20 Experience Part I and Part II, and Beyoncé. While he has worked with movie productions before, this endeavor marks the first time Mosley has worked so closely on a drama pilot. article by Whitney Frielander via Variety.com
Coming off HBO’s Treme, Rob Brown (Finding Forrester, Coach Carter) has joined NBC’s drama pilot Salvation. In the project, written by Elizabeth Heldens and directed by Jeffrey Reiner, mega-church Pastor Daniel Strickland suddenly dies, and his loyal wife, Jennifer Strickland (Ashley Judd), must rally to keep their family together and save the church. Brown, repped by WME, Industry Entertainment and Jeff Endlich, will play Miles Strickland, the adopted son of Jennifer and Daniel Strickland who returns home after a 6-year absence out of a sense of loyalty to the family but does not share in their beliefs. He most recently seen in Joseph Gordon Levitt’s directorial debut Don Jon. article by Nellie Andreeva via Deadline.com
Based on the novel by Shay Youngblood, Black Girl in Paris is written and directed by Kiandra Parks and stars Tracey Heggins (Medicine for Melancholy) as a down-on-her-luck writer who experiences personal and sexual awakening thanks to a savvy prostitute, played by Zaraah Abrahams (who is also in Spike Lee‘s upcoming Da Sweet Blood of Jesus).
After filming in 2012 and touring the festival circuit in 2013, winning the American Black Film Festival’s Short Film Award, the twenty-minute movie is now available to view on HBOGo through March 31st. article by Jai Tigget via ShadowAndAct.com
12 Years A Slave topped off its amazing awards-season run by earning the Best Picture Oscar tonight at the 86th Academy Awards. 12 Years director/producer Steve McQueen and producer Brad Pitt accepted the award at the end of a night that also saw writer John Ridley win for Best Adapted Screenplay, and rising star Lupita Nyong’o triumph in the Best Supporting Actress category. According to Variety.com, McQueen made history by becoming the first black producer to ever win an Academy Award for Best Picture.
The star-studded night also saw an energizing performance of “Happy” by Original Song nominee Pharrell Williams (who danced with Nyong’o, Meryl Streep and Amy Adams in the aisles), a brief a cappella version of “Eye on the Sparrow” from Darlene Love during the Best Feature Documentary acceptance speech for 20 Feet From Stardom and Oscar presentations from Will Smith, Whoopi Goldberg, Jamie Foxx, Michael B. Jordan, Tyler Perry, Gabourey Sidibe, Academy President Cheryl Boone Isaacs, and the first black man to ever win a Leading Actor Oscar, Sidney Poitier. One of the biggest highlights of the evening was Nyong’o’s acceptance speech, where she honored those who suffered so she could shine:
Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own.
Nyong’o then went on to thank McQueen, co-star and Best Actor nominee Chiwetel Ejiofor, her family and her chosen family, before closing with encouragement to children everywhere:
When I look down at this golden statue, may it remind me and every little child that no matter where you’re from, your dreams are valid. Thank you.
Steve McQueen wins Best Director and accepts Best Picture Award for “12 Years A Slave”
Lupita Nyong’o wins Best Supporting Actress
John Ridley wins Best Adapted Screenplay
According to Variety.com, 12 Years a Slave dominated the Independent Spirit Awards today, winning Best Feature, Best Director for Steve McQueen, Best Supporting Actress for Lupita Nyong’o and Best Adapted Screenplay for John Ridley. 12 Years also took the cinematography award for Sean Bobbitt.McQueen dedicated his Best Director award to Solomon Northup, whose life and book was the basis for the searing historical drama, and also gave thanks to Chiwetel Ejiofor — the “soul” of the film.
In her acceptance speech, a composed Nyong’o said breathlessly that she had not been aware initially of the distinction of independent films, but said she then realized, “Independent film is where stuff actually happens.” Nyong’o noted that it was her birthday and concluded her speech by thanking her mother for supporting her choice to become an actress. Fruitvale Stationfinally gained some much-deserved recognition this awards season, winning Best First Feature for writer/director Ryan Coogler and its cast. Coogler gave a moving acceptance speech honoring Oscar Grant that received a standing ovation. Matthew McConaughey won the best actor trophy as an activist for Dallas Buyers Club and Cate Blanchett took the best actress award for her portrayal of the neurotic title character in Woody Allen’s Blue Jasmine. A full list of winners appears below.
In order to be nominated, each film has to have less than a $20 million production budget. To vote, one need only buy a $95 per year membership in Film Independent, the nonprofit arts organization that also produces the Los Angeles Film Festival.
According to Deadline.com, Viola Davis (The Help, Doubt) has been cast as the lead of ABC‘s drama pilot How To Get Away With Murder, from ABC Studios and Shonda Rhimes‘ (Grey’s Anatomy, Scandal) Shondaland. This marks the first series regular role in over a decade for the Oscar-nominated actress (her last was on CBS’ Century City). In making her foray into television pilot season, Davis joins The Help co-star Octavia Spencer, who recently signed to star in the Fox drama pilot The Red Band Society.
Written by Peter Nowalk, How To Get Away With Murder is described as a sexy, suspense-driven legal thriller that centers on ambitious law students and their brilliant and mysterious criminal defense professor (Davis) who become entangled in a murder plot that could rock their entire university and change the course of their lives. Nowalk is executive producing alongside Shonda Rhimes and Betsy Beers.
This is the second consecutive drama pilot in which Rhimes has booked an A-list black actress for the lead, following Scandal and Kerry Washington. Though primarily a feature film actress now, in the past few years, Davis had recurring roles on Law & Order and The United States Of Tara. She recently wrapped production on the independent film Lila & Eve opposite Jennifer Lopez, which was produced by Davis’ JuVee Prods. company. article by Lori Lakin Hutcherson; story contributed by Becky Schonbrun
The Dog Pound is safe to keep on barking. According to Shadow and Act, The Arsenio Hall Show has been renewed for a second season. Tribune Broadcasting, a partner in production of the syndicated, late-night talk show, will continue to be the anchor station group, airing the show on 17 stations, including in the three largest markets on WPIX, New York, at 11 p.m.; KTLA, Los Angeles, at 11 p.m.; and WGN, Chicago, at 10 p.m.
“Since 9/9/13, I’ve been waking up without an alarm clock,” said Arsenio Hall. “Producing and hosting my late-night talk show brings me great joy. I’m back where I belong! Thanks to my partners at CBS Television Distribution and Tribune.”
“Arsenio is an incredibly talented host who has connected with his viewers; we look forward to watching the show grow and develop in year two,” said Sean Compton, President Strategic Programming and Acquisitions, Tribune Company. The Arsenio Hall Show is produced by CBS Television Distribution, in association with Arsenio Hall Communications Ltd. and Octagon Entertainment Productions. article by Lori Lakin Hutcherson
I wrote down this speech that I had no time to practice so this will be the practicing session. Thank you Alfre, for such an amazing, amazing introduction and celebration of my work. And thank you very much for inviting me to be a part of such an extraordinary community. I am surrounded by people who have inspired me, women in particular whose presence on screen made me feel a little more seen and heard and understood. That it is ESSENCE that holds this event celebrating our professional gains of the year is significant, a beauty magazine that recognizes the beauty that we not just possess but also produce.
I want to take this opportunity to talk about beauty, black beauty, dark beauty. I received a letter from a girl and I’d like to share just a small part of it with you: “Dear Lupita,” it reads, “I think you’re really lucky to be this black but yet this successful in Hollywood overnight. I was just about to buy Dencia’s Whitenicious cream to lighten my skin when you appeared on the world map and saved me.”
My heart bled a little when I read those words, I could never have guessed that my first job out of school would be so powerful in and of itself and that it would propel me to be such an image of hope in the same way that the women of The Color Purple were to me.
I remember a time when I too felt unbeautiful. I put on the TV and only saw pale skin, I got teased and taunted about my night-shaded skin. And my one prayer to God, the miracle worker, was that I would wake up lighter-skinned. The morning would come and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of a mirror because I wanted to see my fair face first. And every day I experienced the same disappointment of being just as dark as I was the day before. I tried to negotiate with God, I told him I would stop stealing sugar cubes at night if he gave me what I wanted, I would listen to my mother’s every word and never lose my school sweater again if he just made me a little lighter. But I guess God was unimpressed with my bargaining chips because He never listened.
And when I was a teenager my self-hate grew worse, as you can imagine happens with adolescence. My mother reminded me often that she thought that I was beautiful but that was no conservation, she’s my mother, of course she’s supposed to think I am beautiful. And then … Alek Wek. A celebrated model, she was dark as night, she was on all of the runways and in every magazine and everyone was talking about how beautiful she was. Even Oprah called her beautiful and that made it a fact. I couldn’t believe that people were embracing a woman who looked so much like me, as beautiful. My complexion had always been an obstacle to overcome and all of a sudden Oprah was telling me it wasn’t. It was perplexing and I wanted to reject it because I had begun to enjoy the seduction of inadequacy. But a flower couldn’t help but bloom inside of me, when I saw Alek I inadvertently saw a reflection of myself that I could not deny. Now, I had a spring in my step because I felt more seen, more appreciated by the far away gatekeepers of beauty. But around me, the preference for my skin prevailed, to the courters that I thought mattered I was still unbeautiful. And my mother again would say to me you can’t eat beauty, it doesn’t feed you and these words plagued and bothered me; I didn’t really understand them until finally I realized that beauty was not a thing that I could acquire or consume, it was something that I just had to be.
And what my mother meant when she said you can’t eat beauty was that you can’t rely on how you look to sustain you. What is fundamentally beautiful is compassion for yourself and for those around you. That kind of beauty enflames the heart and enchants the soul. It is what got Patsey in so much trouble with her master, but it is also what has kept her story alive to this day. We remember the beauty of her spirit even after the beauty of her body has faded away.
And so I hope that my presence on your screens and in the magazines may lead you, young girl, on a similar journey. That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside.
There is no shade to that beauty.
To see video of this speech, click here. article by Lindsey Weber via vulture.com
Source: Instagram Hustle & Flow co-stars Taraji P. Henson and Terrence Howard will be reuniting to headline Empire, the Fox TV pilot helmed by Lee Daniels and Danny Strong. The drama takes place in the midst of a family-run hip-hop empire. Howard will be playing Lucious Lyon, who runs a record label. Henson will be playing Lucious’ ex-wife, Cookie Lyon, an ex-con who has just been released after serving 17 years in prison for dealing drugs to fund Lucious’ then-struggling record label. After being released for good behavior, naturally, Cookie is looking to reclaim what’s hers.
As if all of that isn’t enough, it turns out that Cookie was the driving force behind Lucious’ rise to super stardom and now she’s looking to do the same with the couple’s homosexual son, Jamal, who will be played by Jussie Smollet. This puts Cookie at odds with Lucious, who has rejected and shunned his son since childhood because of his sexuality. Jamal is actually the couple’s middle son of three and is described as “a sensitive soul and musical prodigy who could easily rise to superstardom if he desires.” See more at: http://madamenoire.com/405376/taraji-p-henson-terrence-howard-star-fox-hip-hop-pilot-empire/#sthash.xol28g52.dpuf
First Lady Michelle Obama speaks as actress Amy Poehler, (L) listens during a visit to the Gwen Cherry Park NFL/YET Center on February 25, 2014 in Miami, Florida at a “Let’s Move!” event. (Photo by Joe Raedle/Getty Images)
WASHINGTON (AP) — NBC’s Parks and Recreation is getting a stunning new cast member for a night: First Lady Michelle Obama. According to the Associated Press, the first lady’s office says Mrs. Obama will appear on the show’s April 24th season finale. The show’s Twitter account said it’s “time to get real about Pawnee’s obesity,” which is a reference to Pawnee, Indiana, the fictional town where Parks and Recreation takes place, and the first lady’s campaign against child obesity. Obama recently appeared in a comedy sketch on the Tonight Show with Jimmy Fallon with Fallon and Will Ferrell also designed to promote “Let’s Move.” Parks and Recreation star Amy Poehler helped the campaign earlier this week when she appeared at a “Let’s Move” event in Miami, where Mrs. Obama joked that she and Poehler are best friends. Mrs. Obama won’t be the first White House figure to appear on the show. Vice President Joe Biden made a cameo on the show in 2012. article by Lori Lakin Hutcherson