Of course, it would take a superstar group of powerful Black women to sell and make a movie about The Clark Sisters, the pioneering Detroit siblings who are now in their fifth decade of rocking the gospel music world.
Tonight’s “The Clark Sisters: First Ladies of Gospel” (airing on Lifetime at 8PM) comes from executive producers Queen Latifah, Mary J. Blige and Missy Elliott, co-executive producer Holly Davis Carter, writer Camille Tucker and director Christine Swanson.
I had my own Clark Sisters experience while working as an executive at TV One back in 2007-08, where The Clark Sisters were the subjects of one of the very first episodes of network’s successful biography series “UnSung,” a show I developed and initially oversaw.
At the time, I generally knew enough about The Clark Sisters to recognize their breakthroughs in transforming the gospel music sound – and I felt that the world had not generally afforded them enough credit for that. But I didn’t know much else about their personal story and ended up fascinated by the conflicts and struggle, and of course, all the music. It’s not a surprise to me that producer Carter said she’s been trying to make this movie for 15 years – it is a worthy story to tell.
In honor of this movie accomplishment, Good Black News offers a career-spanning Spotify playlist below to allow you to keep enjoying the patented Clark Sister Sound all weekend long.
The Clark Sisters Playlist was crafted to include most of the key hits from The Clark Sisters – as well as highlights from the solo careers of Karen Clark Sheard, Dorinda Clark-Cole, Twinkie Clark, and even from next generation Clark family gospel superstar Kierra Sheard (who plays her mom Karen in the movie). For good measure, there’s also a rare solo track from Jacky Clark-Chisholm (a duet with movie exec producer Blige), and a coda from Dr. Mattie Moss Clark herself.
Jacky, Denise, Elbernita (Twinkie), Dorinda, and Karen were the five daughters of Mattie Moss Clark, a pioneering gospel music figure herself, who while raising her daughters also served as a minister of music for the Church of God In Christ, first at the local level in Michigan, but eventually at the national level.
GBN delights in the opportunity to commemorate the birth of Billie Holiday, one of America’s most talented singing artists, on what would have been her 105th birthday.
Born Eleanora Fagan on April 7, 1915 and raised primarily in Baltimore, MD, Holiday is best known for her signature songs “God Bless The Child,” which she co-wrote with Arthur Herzog, Jr. and “Strange Fruit,” the anti-lynching protest song she first recorded in 1939.
Slightly older generations may have become acquainted with Holiday through the 1972 film Lady Sings The Blues, which garnered Diana Ross an Academy Award nomination for the title role.
Above you can watch Lady Day in 1957 on CBS’ The Sound of Jazz performing “Fine and Mellow,” the blues standard she wrote and first recorded in 1939, with Jazz All Stars such as Lester “Prez” Young, Ben Webster, Roy Eldridge, Gerry Mulligan, Milt Hinton and Mal Waldron.
Below you can experience a comprehensive compilation of Billie Holiday’s recordings in a Spotify playlist called Loving Lady Day: The Best of Billie Holiday. Click through to follow and/or download. Enjoy!
Even though Stevie Wonder wrote and sang the words above in his 1976 release “Sir Duke” from his classic “Songs in the Key of Life” double album, they are words that have been true since the formation of life and the sounds from it emerged on this planet.
In good times and bad, music remains an indelible part of our souls and our existence. So even now, as the entire world faces a sobering scourge in the form of a viral pandemic, music has the power to help us cope. Music can help us relax, rejoice, reflect, rejuvenate… revolutionize.
In recent weeks, Good Black News has offered playlists in celebration of legendary artists such as Aretha Franklin, Bill Withers, Manu Dibango, Ellis Marsalis and Wallace Roney. They have been met with such warm response, GBN has decided to make playlist offerings a weekly feature.
So every Monday, expect to see a new playlist posted here on our main page as well as across any of our social platforms that support them or links to them (eg. FB, Twitter, Tumblr, Pinterest).
Marlon West (photo courtesy Marlon West)
Today’s list comes from GBN Contributor Marlon West and has that island flair, reminding us we’re all in this struggle together, everywhere. In Marlon’s words:
“Back again with a shelter-at-home playlist. Enjoy this batch of reggae classics. Stay sane, safe and healthy, y’all.
Singer-songwriter Bill Withers (photo via wikipedia.com)
According to Variety.com via Associated Press, Grammy winner and Rock and Roll Hall of Fame member Bill Withers, whose career in music blossomed in the early ‘70s via a string of highly-personalized hits such as “Lean On Me,” “Ain’t No Sunshine,” “Lovely Day,” and “Use Me,” died from heart complications on Monday in Los Angeles. He was 81. Withers is survived by his wife and two children.
To quote the article:
“We are devastated by the loss of our beloved, devoted husband and father. A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other,” the family said in a statement to AP. “As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”
Withers was 33 years old and working on an aircraft assembly line in 1971 when his first hit, the self-penned, Grammy-winning “Ain’t No Sunshine,” soared up the charts. He quickly followed up that success with a run of hit singles that included “Use Me” and the gospel-soul smash “Lean On Me,” which won a belated Grammy Award as best R&B song in 1987.
While those songs are recognized today as classics, Withers was not able to top the surprise commercial success of his early career. His subdued, introspective, often acoustic-based style grew increasingly at odds with the hard funk and disco of the ‘70s, and disputes with his record labels slowed his production at the height of his popularity. He essentially retired from performing and recording in the mid-‘80s. He was inducted into the Rock and Roll Hall of Fame in 2015.
Withers was born July 4, 1938, in the mining town of Slab Fork, VA. He was afflicted with a stutter from an early age. He enlisted in the Navy at 18, and, as his speech disability receded, he began singing and songwriting. After nine years of service, he was discharged in 1965.
Relocating to Los Angeles, he began performing in local clubs at night while working assembly line jobs in the aviation industry. In 1970, a demo tape he had recorded caught the interest of the well-traveled black record exec Clarence Avant, who signed Withers to his label, Sussex Records.
Withers debut album “Just As I Am” was released in May 1971; Withers is pictured on the cover holding a lunchbox in his hand, for the shot was taken during his lunch break at Burbank’s Weber Aircraft, where he continued to install toilet seats in commercial airplanes.
The collection was the first major hit produced by Booker T. Jones, the former keyboardist for the Memphis instrumental soul act Booker T. & the MG’s, who appeared on the set with former band mates Donald “Duck” Dunn and Al Jackson. Stephen Stills, of Crosby, Stills, Nash & Young, and studio ace Jim Keltner also contributed to the record’s eclectic sound.
The LP contained “Ain’t No Sunshine,” an incantatory two-minute cry of pain that its author said was inspired by a viewing of Blake Edwards’ drama about alcoholism “The Days of Wine and Roses.” The song — released as the B-side of the “Harlem” 45, which was flipped by DJs — soared to No. 3 on the pop chart and No. 6 on the R&B rolls, garnered a Grammy as best R&B song, and pushed “Just As I Am” into the national pop top 40. The album’s moving “Grandma’s Hands” also reached No. 18 on the R&B side.
For his follow-up, Withers recruited four members of the Watts 103rd Street Rhythm Band, a popular L.A. act fronted by singer Charles Wright, to back him and co-produce his sophomore album. “Still Bill” (1972) topped its predecessor, shooting to No. 4 on the pop list and No. 1 on the R&B album chart; the LP was pushed by the massive hit singles “Lean On Me” (No. 1 pop and R&B) and “Use Me” (No. 2 pop, No. 1 R&B). In 1973, Withers wed “Room 222” sitcom star Denise Nicholas, but the marriage lasted only a year.
He made his last appearance in the national top 10 in 1981 with a guest vocal on “Just the Two of Us” (No. 2 pop, No. 3 R&B), a romantic ballad issued on hitmaking saxophonist Grover Washington, Jr.’s album “Winelight.”
After Columbia’s release of “Watching You Watching Me” (No. 143, 1985), Withers stepped away from performing. In later years, he explained his retreat from the stage and the studio, and ultimately from writing, to Alix Sharkey of England’s Telegraph: “That kind of stuff, to me, was a lot more interesting at 35…. I’m not motivated to wanna draw attention to myself or travel all over the place. There was a time for that. When it was done, it was done.”
To hear some of his best music, listen to the Spotify playlist below:
GBN would like to take a moment to commemorate the birth of one of the most talented musicians to ever grace planet Earth, Aretha Louise Franklin, on what would have been her 78th birthday.
Although 2020 will offer memorials to the Queen in the form of MGM‘s theatrical movie “Respect”starring Jennifer Hudson and the limited series under National Geographic Channel’s “Genius” banner starring Cynthia Erivo, it’s doubtful either will focus on an oft-overlook aspect of Franklin’s myriad talents: her songwriting.
Above you can watch Aretha performing “Think,” one of her best-known compositions in a clip from The Blues Brothers, while below you can listen to even more gems penned by Aretha in a Spotify playlist called “Rock Steady”: Songs Aretha Franklin Wrote:
NFL Quarterback Russell Wilson and Musical Artist Ciara (photo via flickr.com)
According to NBCSports.com, Seattle Seahawks quarterback Russell Wilson and singer Ciara have pledged 1 million meals to Food Lifeline and Feeding America in an effort to help keep Americans in need fed in the wake of the COVID-19 outbreak.
To quote the article:
“Obviously this worldwide pandemic, coronavirus, is changing the world, second-by-second, minute-by minute. People are losing loved ones, the elderly and the young, people in between. … So what we’ve decided to do is partner with our local food bank in Seattle, Seattle Food Lifeline, and we’re going to donate a million meals and hopefully make a difference,” Wilson said in a video message.
Wilson and Ciara mentioned people losing jobs in the wake of increasing shut down initiatives in an effort to keep the spread of the virus from proliferating an exponential rates. They’ve already seen friends in the area that work for companies such as Alaska Airlines, the Seattle Sounders – where the pair are part owners – and Seattle Children’s Hospital hit with the effects of the virus.
“We want to encourage every out there to join us in whatever way that you can, big or small,” Ciara said. “Everything makes a difference. Everything that we do together makes a difference and together we will conquer this tough time that we’re going through.”
The Feeding America network of food banks “distributes 4.3 billion meals each year through food pantries and meal programs throughout the United States and leads the nation to engage in the fight against hunger.”
Although we as a species are currently going through unprecedented times of hardship and uncertainty as we grapple with a global pandemic, I want to take a moment to acknowledge the creation of Good Black News a decade ago on March 18, 2010.
You can read the detailed story of GBN’s inception and creation here, because what I want to celebrate today more than anything else is you, GBN’s loyal readers and followers, who, in concert with the Good Black News Team, have slowly but steadily built a strong, respectful, and loving community that is willing to celebrate positivity, action, achievement, humor and humanity on a daily basis.
I will admit to having wanted to do more to celebrate ten years of GBN – offered a proper retrospective of our best stories, the times we’ve been news, big up our Top Fans, announce new plans for expansion, perhaps even throw a party! – but between personal and professional challenges this past year (sick family member, demanding day job), plus the current state of affairs due to coronavirus, these words I’m writing in this moment shall have to suffice.
Thank you for the appreciation you’ve shown GBN the past decade via follows, likes, comments, shares, reblogs, letters and e-mails, as they inspire me daily to keep GBN going.
Good Black News remains a labor of love for me and Lifestyle Editor Lesa Lakin, and we gratefully acknowledge the decade’s extraordinary volunteer contributors (in alphabetical order):
Rebecca Carpenter, Susan Cartsonis, Dena Crowder, Julie Bibb Davis, Alyss Dixson, Dan Evans, Gina Fattore, Julie Fishman, Michael Giltz, Eric Greene, Thaddeus Grimes-Gruczka, Skip Heller,Ashanti Hutcherson, Warren Hutcherson, Fred Johnson, Epiphany Jordan, Fabio Koelsch, Brenda Lakin, Joyce Lakin, Ray Lancon, John Levinson, Jason Lief,Neeta McCulloch, Hanelle Culpepper Meier, Jeff Meier, Catherine Metcalf, Minsun Park, Tajamika Paxton, Patrick-Ian Polk, Flynn Richardson, Rosanna Rossetto,Gabriel Ryder, Terry Samwick, Becky Schonbrun, Susan Shaffer, Kelly Spears, Callie Teitelbaum, Teddy Tenenbaum, Arro Verse, Marlon West,and Joshua A.S. Young.
And extra special thanks to friend and best-selling author Terry McMillan for being the inspiration behind it all. P.S. GBN Patron Saint Terry has a new book arriving March 31. Consider checking out It’s Not All Downhill From Here! (amazon link)
Please continue to help us spread GBN by sharing, liking, re-tweeting and commenting, and consider following GBN on the main page, as well as wherever you are on social media.
Please also consider joining our e-mail list via our “Contact Us” tab on goodblacknews.org. We will only use this list to keep you updated on GBN and send you our upcoming weekly e-newsletter (which may finally launch for real for real, as we will soon have a lot more time to focus on it!) — nothing else. And, of course, you may opt out at any time.
Thank you again for your support, and we look forward to providing you with more Good Black News in the coming decade, and beyond!
McCoy Tyner, a cornerstone of John Coltrane’s groundbreaking 1960s quartet and one of the most influential pianists in jazz history, died on Friday at his home in New Jersey at age 81, according to the New York Times.
His death was announced by a spokesman for the Tyner family. No other details were provided. Mr. Tyner’s survivors include his wife, Aisha; his son, Nurudeen, who is known as Deen; and his brother, Jarvis.
To quote from the article:
Along with Bill Evans, Herbie Hancock, Chick Corea and only a few others, Mr. Tyner was one of the main expressways of modern jazz piano. Nearly every jazz pianist since Mr. Tyner’s years with Coltrane has had to learn his lessons, whether they ultimately discarded them or not.
Mr. Tyner’s manner was modest, but his sound was rich, percussive and serious, his lyrical improvisations centered by powerful left-hand chords marking the first beat of the bar and the tonal center of the music.
That sound helped create the atmosphere of Coltrane’s music and, to some extent, all jazz in the 1960s. (When you are thinking of Coltrane playing “My Favorite Things” or “A Love Supreme,” you may be thinking of the sound of Mr. Tyner almost as much as that of Coltrane’s saxophone.)
Mr. Tyner did not find immediate success after leaving Coltrane in 1965. But within a decade his fame had caught up with his influence, and he remained one of the leading bandleaders in jazz as well as one of the most revered pianists for the rest of his life.
Alfred McCoy Tyner was born in Philadelphia on Dec. 11, 1938, to Jarvis and Beatrice Tyner, both natives of North Carolina. His father sang in a church quartet and worked for a company that made medicated cream; his mother was a beautician. Mr. Tyner started taking piano lessons at 13, and a year later his mother bought him his first piano, setting it up in her beauty shop.
He grew up during a spectacular period for jazz in Philadelphia. Among the local musicians who would go on to national prominence were the organist Jimmy Smith, the trumpeter Lee Morgan and the pianists Red Garland, Kenny Barron, Ray Bryant and Richie Powell, who lived in an apartment around the corner from the Tyner family house, and whose brother was the pianist Bud Powell, Mr. Tyner’s idol. (Mr. Tyner recalled that once, as a teenager, while practicing in the beauty shop, he looked out the window and saw Powell listening; he eventually invited the master inside to play.)
Just before Coltrane’s death in 1967, Mr. Tyner signed to Blue Note. He quickly delivered “The Real McCoy,” one of his strongest albums, which included his compositions “Passion Dance,” “Search for Peace” and “Blues on the Corner,” all of which he later revisited on record and kept in his live repertoire.
From “The Color Purple” (photo courtesy J2 Communications)
This year, THE COLOR PURPLE, written by Alice Walker (screenplay by Menno Meyjes), produced by Quincy Jones and directed by Steven Spielberg, celebrates its 35th anniversary. In honor of the occasion, Fathom Events and TCM are presenting this indelible film in theaters for one special day only: tomorrow, Sunday February 23, 1 p.m. and 5 p.m. (local time) on more than 600 U.S. movie screens.
Based on Walker’s Pulitzer Prize-winning novel*, THE COLOR PURPLEintroduced movie audiences to Whoopi Goldberg and Oprah Winfrey, both of whom, along with Margaret Avery, were Oscar nominated for their performances.
Their nods were three of the 11 Academy Award nominations for the film, which was also named 1985’s best film at the NAACP Image Awards and by the National Board of Review.
The movie also stars Danny Glover, Adolph Ceasar, Akosua Busia and Rae Dawn Chong in supporting roles.
This presentation is part of the yearlong TCM Big Screen Classics series, and tickets are available now at the Fathom Events website or at participating theater box offices.
According to deadline.com, writer/director Merawi Gerima’s Residue won the Audience Award at the 2020 Slamdance Film Festival, as well as receiving an Honorable Mention for the Grand Jury Prize.
First-time feature director Gerima is the son of acclaimed independent filmmaker Haile Gerima (Sanfoka). Merawi Gerima also produced and directed Residue, and his cast includes Obinna Nwachukwu, Dennis Lindsey, Taline Stewart, Jacari Dye, Julian Selman, Melody Tally, Ramon Thompson, and Derron Scott.
Check out the trailer below:
Residue tells the story of Jay, a young man who arrives home to find his neighborhood gentrified beyond recognition. Demetrius, his childhood best friend, is missing, but none of the remaining black folks trust Jay enough to provide any answers. Jay’s frustration compounds as he also finds himself alienated in the city at large, attacked from all sides. Jay visits his last friend Dion in prison, but leaves feeling powerless and infuriated. One final, chance confrontation results in Jay succumbing to the same forces as did his friends.
Their nods were three of the 11 Academy Award nominations for the film, which was also named 1985’s best film at the NAACP Image Awards and by the National Board of Review.