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"Saturday Night Live" Writer Leslie Jones Becomes Show's Latest Cast Member

'Saturday Night Live' Adds New Cast

According to Variety.com, NBC’s “Saturday Night Live” has added Leslie Jones, a member of its writing staff, to the cast.  She’ll begin in this role as regular performer starting with this week’s Jim Carrey-hosted episode.

The comedian was a contender in the search for a new cast member of color last fall. The spot went to Sasheer Zamata, but producers decided to bring Jones on as a writer.  Jones is the latest “SNL” cast member to be plucked from the writing staff.  Michael Che, the new Weekend Update co-anchor, was also upped from his spot as a writer earlier this season.
Jones has appeared several times on SNL’s Weekend Update segment, including one in the 40th season premiere, proving her onscreen chops. She also starred in her own comedy special, “Problem Child,” for Showtime.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

"The Queen Latifah Show" Veteran Robin Thede Lands Head Writer Spot for Comedy Central's "Minority Report"

Comedy Central’s The Minority Report With Larry Wilmore has found a head writer.

Robin Thede has been tapped to lead Larry Wilmore‘s upcoming late-night show, which replaces The Colbert Report in January when Stephen Colbert segues to CBS’ Late Show.
Thede was most recently head writer on syndicated daytime talker The Queen Latifah Show and also wrote for Chris Rock when he hosted the 2014 BET Awards, as well as the NAACP Image Awards. She was previously a writer on BET’s satirical comedy Real Husbands of Hollywood, which starred Kevin Hart, Boris Kodjoe and Nick Cannon for the first two seasons.
A Second City and Improv Olympic alumna, Thede’s sketch/improv credits includeI n the Flow With Affion Crockett, Mike Epps‘ sketch comedy series Funny Bidness and Clunkers. She has appeared in BET’s Second Generation Wayans, Fox’s Goodwin Games, TV Land’s Hot in Cleveland, UPN’s All of Us and Comedy Central’s Key & Peele, in addition to the Marlon Wayans film A Haunted House. 
The Minority Report, like the Daily Show and The Colbert Report, aims to provide a comedic look at news, current events and pop culture from different perspectives not typically seen on television.
The news comes three months after former The Daily Show showrunner Rory Albanese was tapped to head up the 11:30 p.m. show, reuniting him with Daily Show corespondent Wilmore. Jon Stewart also serves as an executive producer. Wilmore, a veteran producer in his own right, transitioned from his duty as executive producer/showrunner on ABC’s black-ish, which earned a full-season order this week, in September to focus on launching Minority Report.
article by Philiana Ng via hollywoodreporter.com

Chris Rock and Prince Set for November 1st Episode of "Saturday Night Live"

Chris Rock Prince Split - H 2014
Chris Rock and Prince (AP Images/Invision)

Chris Rock is returning to Saturday Night Live.  The comedian and former SNL cast member will be back at Studio 8H to host the Nov. 1 episode, the show announced Tuesday. Rock was part of the main ensemble for three seasons, from 1990-93.
Joining him as the musical guest will be Prince, who released two albums, Plectrumelectrum and Art Official Age, earlier this month.
Rock marks the latest ex-SNL cast member to take hosting duties during the show’s 40th season. Sarah Silverman, who was a main player from 1993-94, and Bill Hader, who left in 2013, have both led episodes. Rock next stars in Top Five, a Toronto title that hits theaters Dec. 5.
Jim Carrey, promoting Dumb and Dumber To, has been set as host for the Oct. 25 episode with musical guest Iggy Azalea.
article by Philiana Ng via hollywoodreporter.com

Sasha and Malia Obama, Mo’ne Davis Top Time Magazine’s "25 Most Influential Teens Of 2014" List

Mo'ne Davis
First Daughters Sasha Obama and Malia Obama, Little League superstar Mo’ne Davis and Jaden Smith are included in Time Magazine’s “25 Most Influential Teens of 2014” list.
Davis (pictured above), is the first girl to earn a win and pitch a shutout game in Little League World Series history.  The braided cutie is also the first Little League baseball player to appear on the cover of Sports Illustrated as a Little League player.
The Obama girls are bright, opinionated and it is already very evident that they will one day be accomplished, strong, opinionated leaders in their own right, just like their famous mom and dad.
Jaden Smith (pictured), the 16-year-old son of Hollywood A-listers, Will and Jada is an accomplished actor in his own right and the kid already has quite a way with words.  Known for his brow-raising Twitter postings, Jaden has managed to garner 5 million followers on the popular social medium.
The unranked list, which was released Monday morning, “analyzed social-media followings cultural accolades, business acumen and more” in order to highlight worthy candidates who influence society in a positive way.
article by Ruth Manuel-Logan via newsone.com

Pulitzer-Prize Winning Playwright Suzan-Lori Parks' "Father Comes Home From The Wars (Parts, 1, 2 & 3)" Opens Tuesday at Public Theater in New York

Sterling K. Brown in “Father Comes Home From the Wars (Parts 1, 2 & 3).” (Photo: Richard Termine)
Sterling K. Brown in “Father Comes Home From the Wars (Parts 1, 2 & 3).” (Photo: Richard Termine)

In “Father Comes Home From the Wars (Parts 1, 2 & 3),” a new drama by the Pulitzer Prize-winning playwright Suzan-Lori Parks (“Topdog/Underdog”), Hero, a slave, is offered a deal by his master: Leave behind his family and fight for the Confederacy in exchange for his freedom.  This decision and its implications are at the heart of this historical tale, whose first three parts open Tuesday at the Public Theater.  If this work sounds too familiar to be a “world premiere,” as it is billed, that’s because it has been gestating for years, with workshop productions staged at the Public Lab in 2009 and this year.  Sterling K. Brown (“The Brother/Sister Plays”) is Hero, and Jo Bonney directs. (425 Lafayette Street, at Astor Place, East Village, 212-967-7555, publictheater.org.)

article by Jason Zinoman via nytimes.com

ABC Gives Full-Season Orders to ‘Black-ish’ and ‘How to Get Away with Murder’; CBS Renews "Extant"

Blackish, Murder, Extant
According to Variety.com, television projects featuring African-American leads have fared extremely well this season.  ABC has given full-season orders to the Anthony Anderson/Tracee Ellis Ross comedy “Black-ish” and the Viola Davis vehicle “How to Get Away with Murder,” two of the highest-rated new programs on all broadcast channels.  CBS, in turn, has picked up summer sci-fi drama “Extant” for a second season.  “Extant” stars Halle Berry and is produced by Steven Spielberg.

“Murder” is the fall’s highest-rated new series in adults 18-49, and the premiere also set DVR playback records, gaining about 6 million viewers within the first three days of its airing. It is created and executive produced by Pete Nowalk (“Scandal,” “Grey’s Anatomy”). Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Betsy Beers (“Scandal,” “Grey’s Anatomy”) and Bill D’Elia (“Grey’s Anatomy,” “The West Wing”) also serve as executive producers.
“Black-ish” has come on strong as the fall’s top new comedy in 18-49 (2.9 rating) and total viewers (9.1 million) in same-day viewing estimates. This week, the show saw a 12% week-to-week increase in adults 18-49, retaining about 80% of its “Modern Family” lead-in. It was created by Kenya Barris and is executive produced by Anderson, Barris, Jonathan Groff, Larry WilmoreLaurence Fishburne, Helen Sugland and E. Brian Dobbins.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)

R.I.P. Tony-Award Winning Dancer, Actor and Artist Geoffrey Holder

Geoffrey Holder, the dancer, choreographer, actor, composer, designer and painter who used his manifold talents to infuse the arts with the flavor of his native West Indies and to put a singular stamp on the American cultural scene, not least with his outsize personality, died on Sunday in Manhattan. He was 84.

Charles M. Mirotznik, a spokesman for the family, said the cause was complications of pneumonia. Few cultural figures of the last half of the 20th century were as multifaceted as Mr. Holder, and few had a public presence as unmistakable as his, with his gleaming pate atop a 6-foot-6 frame, full-bodied laugh and bassoon of a voice laced with the lilting cadences of the Caribbean.

Mr. Holder directed a dance troupe from his native Trinidad and Tobago, danced on Broadway and at the Metropolitan Opera and won Tony Awards in 1975 for direction of a musical and costume design for “The Wiz,” a rollicking, all-black version of “The Wizard of Oz.”

His choreography was in the repertory of the Alvin Ailey American Dance Theater and the Dance Theater of Harlem. He acted onstage and in films and was an accomplished painter, photographer and sculptor whose works have been shown in galleries and museums. He published a cookbook.

Mr. Holder acknowledged that he achieved his widest celebrity as the jolly, white-suited television pitchman for 7Up in the 1970s and ’80s, when in a run of commercials, always in tropical settings, he happily endorsed the soft-drink as an “absolutely maaarvelous” alternative to Coca-Cola — or “the Un-Cola,” as the ads put it.

Long afterward, white suit or no, he would stop pedestrian traffic and draw stares at restaurants. He even good-naturedly alluded to the TV spots in accepting his Tony for directing, using their signature line “Just try making something like that out of a cola nut.”

TRAVEL: Tim Howard and Angela Simmons Bring Sportiness and Style to Marriott's Inclusive #LoveTravels Campaign (VIDEO)

Tim Howard, Angela Simmons
Tim Howard, the American soccer goalie who won our hearts with his unforgettable, valiant efforts during the World Cup and the artistic style maven, cultural icon and entrepreneur, Angela Simmons, are featured in the latest installment of Marriott International’s beautiful, all-inclusive extension of its #LoveTravels campaign.
Marriott has done something special and smart here with this branding campaign. They are encouraging travelers to not only share their own travel experiences (via social networking) but promoting the feeling of true comfort and connectivity that enriches our lives — and all lives. The original content video series featuring notable individuals like Tim and Angela, launches alongside visually stunning images presented in an online portrait gallery and display ads. Through these digital experiences the passion of travel and following one’s personal journey are highlighted.
Tim Howard
“I was inspired by Marriott International’s idea of #LoveTravels, and thought it was an incredible opportunity to share my love of soccer as well as my other personal passions,” said Howard. “#LoveTravels is about elevating travel beyond basic necessities and making it more about the people walking through the door. It is about feeling comfortable with who you are and tapping into that sense of belonging for the ultimate travel experience.”
In the clip below, see the extremely likeable Howard wax about how love travels with him. He lights up when he speaks about traveling to see his children, for a job that he loves and even when the destination is purely for relaxation.  Love certainly travels with this diverse athlete, and it’s refreshing to hear his personal story and about his inspirations:
[youtube https://www.youtube.com/watch?v=GKqrZplQc4I&w=560&h=315]

Derek Jeter Backs New Sports Website Offering Unique Access to Fans

NEW YORK (AP) — Derek Jeter was one of the world’s most covered athletes in media during his 20-season career with the New York Yankees. Now, he’s joining media with a new website devoted to delivering athletes’ “unfiltered” views to the fans.

The Players Tribune is being billed as a digital company that will offer unique access to top athletes in every sport — from videos to photos to podcasts and more — without having to deal with reporters to do it.
In a statement on the site that posted Wednesday, Jeter said he wants it to “transform how athletes and newsmakers share information, and bring fans closer than ever to the games they love.”
Jeter — who admits to being guarded with reporters — attributed his success in what he called “the toughest media market” to being careful about what he said.
“Those simple answers have always stemmed from a genuine concern that any statement, or opinion or detail, might be distorted,” he wrote in his letter on the site.
But he said fans deserve to hear more from their fans than “no comments” and his site will allow a direct connection to the athlete.
“We just need to be sure our thoughts will come across the way we intend,” he wrote.
The All-Star retired from the Yankees after spending his entire career with New York, winning five championships during a storied career. In his post on the site, he spoke about the “whirlwind” of his final season and his disappointment in missing the postseason.
While singling out Yankee fans as the greatest, he also paid tribute to fans outside of New York for their support.
“It’s the reception outside of New York that was the biggest difference this year. I’ll never forget how baseball fans across the country have treated me,” he said.
“Ballparks I used to view as enemy territory were transformed with cheers, handshakes and hat tips,” he said. “If I thought baseball was part of my family before this season, I now know that it’s truly the case. And I am grateful for that.”
article via blackamericaweb.com

THEATER REVIEW: Craig Grant, aka "muMs", Sets His Life Story to Hip-Hop in "A Sucker Emcee"

“A Sucker Emcee”: Craig Grant, also known as muMs, in his show at the Bank Street Theater. (Credit: Ruby Washington/The New York Times)

Like Jean-Jacques Rousseau set to a hip-hop beat, Craig Grant offers his confessions in “A Sucker Emcee,” produced by the Labyrinth Theater Company. While a D.J. (Rich Medina) moves between two turntables, scratching and spinning, Mr. Grant tells the story of his life in rhymed couplets.

Mr. Grant, also known as muMs, speaks in a gentle growl with just a trace of a native Bronx drawl, though he can send his voice swooping up and down the social register. Dressed in Nikes and a T-shirt proclaiming “The Truth,” he spends most of the show near the front of the bare stage, lips pressed close to a microphone.

Though he’ll occasionally speak as his mother, his father, a friend or a teacher, he spends most of the piece as simply himself, narrating youthful screw-ups with fondness and exasperation.

In some ways his story is standard bullet-point autobiography. He begins with his volatile Bronx childhood, darts through some dissolute college years, chronicles his subsequent ups and down as a rapper and actor (best known for his role in the HBO prison drama “Oz”) and finally returns, with hard-won maturity and grace, to the borough of his birth. So far, so familiar. But what adds urgency and fierce pleasure to the monologue, directed by Jenny Koons, is his debt to music. D.J.’s, it seems, saved Mr. Grant’s life. “Before hip-hop, I couldn’t speak,” Mr. Grant recalls. The music gave him a voice, a place, a future, helping him to “turn all that hate into a dance and a chant.”

Mr. Medina provides backing beats to Mr. Grant’s chants and sometimes helps him pay more direct homage to the heroes of his youth — KRS-One, Rakim, the Sugarhill Gang. Even when the show threatens to turn into some sort of lecture demonstration, it’s still pretty good fun, with Mr. Medina illustrating each style and technique while Mr. Grant narrates and occasionally threatens some B-boy moves.

Even when the story ends with Mr. Grant’s returning to the Bronx and caring compassionately for his aging mother, the beat and the applause don’t stop.