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R.I.P. Grammy Award-Winning Blues Master and Musical Legend B.B. King

(Photo: Associated Press)

B. B. King, whose world-weary voice and wailing guitar lifted him from the cotton fields of Mississippi to a global stage and the apex of American blues, died Thursday in Las Vegas. He was 89.

His death was reported early Friday by The Associated Press, citing his lawyer, Brent Bryson, and by CNN, citing his daughter, Patty King.

Mr. King married country blues to big-city rhythms and created a sound instantly recognizable to millions: a stinging guitar with a shimmering vibrato, notes that coiled and leapt like an animal, and a voice that groaned and bent with the weight of lust, longing and lost love.

“I wanted to connect my guitar to human emotions,” Mr. King said in his autobiography, “Blues All Around Me” (1996), written with David Ritz.

In performances, his singing and his solos flowed into each other as he wrung notes from the neck of his guitar, vibrating his hand as if it were wounded, his face a mask of suffering. Many of the songs he sang — like his biggest hit, “The Thrill Is Gone” (“I’ll still live on/But so lonely I’ll be”) — were poems of pain and perseverance.

The music historian Peter Guralnick once noted that Mr. King helped expand the audience for the blues through “the urbanity of his playing, the absorption of a multiplicity of influences, not simply from the blues, along with a graciousness of manner and willingness to adapt to new audiences and give them something they were able to respond to.”

B. B. stood for Blues Boy, a name he took with his first taste of fame in the 1940s. His peers were bluesmen like Muddy Waters and Howlin’ Wolf, whose nicknames fit their hard-bitten lives. But he was born a King, albeit in a sharecropper’s shack surrounded by dirt-poor laborers and wealthy landowners.

Mr. King went out on the road and never came back after one of his first recordings reached the top of the rhythm-and-blues charts in 1951. He began in juke joints, country dance halls and ghetto nightclubs, playing 342 one-night stands in 1956 and 200 to 300 shows a year for a half-century thereafter, rising to concert halls, casino main stages and international acclaim.

He was embraced by rock ’n’ roll fans of the 1960s and ’70s, who remained loyal as they grew older together. His playing influenced many of the most successful rock guitarists of the era, including Eric Clapton and Jimi Hendrix.

Have You Heard Prince's Song "Baltimore"? Check it Here (AUDIO)

As Prince gives a free “Rally 4 Peace” Mother’s Day concert in Baltimore to advocate for non-violent change, for those of us who can’t be there (or listen to the stream on Jay Z’s Tidal), here’s the song he was inspired to write for the occasion:

The Forbes Five: Hip-Hop's Wealthiest Artists in 2015

Last May, shortly after word began to spread that Dr. Dre had sold his eponymous headphone line to Apple, the superproducer made a proclamation: rap’s first billionaire was about to be crowned, and he hailed from Los Angeles.
“The first billionaire in hip-hop, right here on the [expletive] West Coast,” exclaimed Dre in a video clip that went viral almost instantly. But the deal, whose value was initially reported at $3.2 billion, ended up at an even $3 billion in cash. After taxes, Dre’s 25% stake left him with a $500 million windfall–$100 million more than FORBES estimated his stake to be worth last April–and a net worth of $700 million.
Amazingly enough, Dre is not the richest man in hip-hop; that honor goes to Diddy, who clocks in at $735 million. The news may come as a surprise to many, but while Dre’s wealth derived from a single jackpot idea, Diddy’s is the product of his interests in a slew of companies, a handful of which could one day give him a Beats-esque exit.
Diddy has a deal with Diageo’s Ciroc vodka that guarantees him a split of the proceeds if the brand is ever sold, an event that would surely land him a nine-figure check. He also owns a controlling stake, or close to it, in clothing lines Sean John and Enyce, alkaline water brand Aquahydrate, new tequila DeLeon and multimedia network Revolt. Diddy founded the latter as a sort of next generation MTV with a renewed focus on music.
“Revolt got built out of the frustration Sean was having with music media being able to get his albums out there,” says Revolt chief executive Keith Clinkscales. “Sean has been aggressive in being sure that we put the power of the platform in the hands of musicians to be able to create with fans in their authentic voice.”
2015 Top 5 Hip-Hop Artists By Wealth:

  1. Diddy        $730 Million
  2. Dr. Dre      $700 Million
  3. Jay Z        $550 Million
  4. 50 Cent    $155 Million
  5. Birdman   $150 Million

Diddy isn’t the only hip-hop mogul with that aim. Jay Z, who ranks third with a fortune of $550 million, purchased and relaunched Scandinavian streaming service Tidal this year with promises of creating an artist-owned Spotify competitor set apart by exclusive content.
Though the star-studded rollout struck some as tonedeaf—prompting a flurry of rich-getting-richer criticism, and perhaps a change in strategy for Jay Z—Tidal is still early in its life as a company, and may yet prove to be an increasingly valuable asset to Jay Z and to the whole industry.
“It’s alerting people that streaming is a viable option for them to listen to music,” says Jay Frank, chief of digital marketing outfit DigMark, of Tidal. “The more that we have positive conversations on that, the more opposition we have to grow the business.”
50 Cent and Birdman round out the list of five, with fortunes of $155 million and $150 million, respectively. The latter’s total dipped slightly due to uncertainty surrounding Cash Money Records, by far his biggest asset, which has been dogged by rumors of the departure of big acts including superstar Lil Wayne.

Prince to Play "Rally 4 Peace" Concert in Baltimore this Sunday

Prince at the Grammy Awards in February.
Prince at the Grammy Awards in February. (Credit: John Shearer/Invision, via Associated Press)

A protest song was not enough.

Days after announcing his song “Baltimore,” a tribute to Freddie Gray, the 25-year-old who suffered a fatal spinal-cord injury while in police custody, Prince has announced a surprise “Rally 4 Peace” concert in Baltimore. It will be held Sunday at Royal Farms Arena.

“In a spirit of healing, the event is meant to be a catalyst for pause and reflection following the outpouring of violence that has gripped Baltimore and areas throughout the U.S.,” Live Nation, the concert promoter, said in a statement. “As a symbolic message of our shared humanity and love for one another, attendees are invited to wear something gray in tribute to all those recently lost in the violence.”

Tickets go on sale today at 5 p.m. EST at LiveNation.com. Part of the proceeds will benefit Baltimore youth charities, organizers said.

While “Baltimore” has yet to be released — Prince said he was considering streaming the track on Jay Z’s Tidal service — its lyrics were made available online. The song begins:

Nobody got in nobody’s way

So I guess you could say

It was a good day

At least a little better than the day in Baltimore

Does anybody hear us pray?

For Michael Brown or Freddie Gray

Peace is more than the absence of war

Absence of war

article by Joe Coscarelli via nytimes.com

Ice-T Breaks Down Why "Art of Rap" Festival in July is Important to Hip-Hop, Art and Music

Screen Shot 2015-05-02 at 1.14.35 PM
“The Message” by Grandmaster Flash and the Furious Five is by far one of the most important records known to man.  A “total knock out of the park” as Public Enemy’s Chuck D once told Rolling Stone, the 1982 record marked a pivotal moment for hip-hop.  The first of its kind, at seven-minutes rapper Melle Mel and co-writer Duke Bootee traded clear-cut lines about the everyday struggle and decay in America’s ghettos. From the ubiquitous “broken glass” to the “junkies in the alley” and how the kids that are “born with no state of mind” end up succumbing to the live fast, die young statistic. It’s an monumental piece of recording that perfectly demonstrates the foundation on which hip-hop was founded.
Beyond that though, it’s also the very record that Mickey Bentson, co-founder of The Universal Zulu Nation, and Ice-T brought up during a phone conversation with REVOLT. “Grandmaster Flash and Melle Mel made one of the hardest records ever: “The Message” with no cursing. Wow. That’s unbelievable,” Bentson exclaimed.  “Where you gonna get all this stuff at? Nowhere but at the Art of Rap Festival baby.”
In 2012, Ice-T chronicled the rich foundation and importance of the hip-hop into a one hour-and-a-half epic, better known as the critically-acclaimed documentary, “Something From Nothing: The Art of Rap.” An intimate journey that uncovers the layers, elements, and science of hip-hop, the film took it back to the essence, while bringing along famous faces like Dr. Dre, Kanye West, Eminem, Q-Tip, Chuck D and many more for a discussion on the art form. Three years since he opened the conversation, Ice-T,  joined by Bentson, has added another layer (and new meaning) to the “The Art of Rap,” with an inaugural event he is calling “the most prolific and essential hip-hop festival ever.”
The Art of Rap Festival, which will take place over the course of two days in California, features a dream team line-up of emcees that range from Big Daddy Kane to Rakim, Afrika Bambaataa, EPMD, Doug E. Fresh, Grandmaster Melle Mel, King T, Kurtis Blow, Biz Markie, and more. Just like the film, the festival, which will feature co-headliners including Game and Ice-T at its July 18th Irvine date and Ice-T at the July 19th Mountain View show, takes it back to the essence.
Speaking about the summer must-attend festival, Ice-T and Mickey Bentson hopped on the phone with REVOLT and discussed just how and why this event came together.
In 2012, Ice-T, you released this film and now it has transformed into a full blown festival. How did you two come together for this?
Ice-T: Well, [The Art of Rap] happened for me, I was sitting around and for a while when you would say you an emcee, people actually had this heavy respect for you. Well the point that when you would say ‘rapper,’ people would kind of look at you like a clown. Rappers were kind of acting up and I didn’t like that, so I said you know what I want to make a film that makes people really respect the art of rap. It’s not a game, it’s real stuff. I worked really hard on my music, I grew up with [Big Daddy] Kane and Rakim and people like that, and I said this is serious business. So we shot the film, it did what it was supposed to do, make people understand that it is an art form and the next obvious move was to take it on the road. The Art of Rap Tour is meant to be about the craft and the culture of hip-hop, so we go all the way from The Soulsonic Force to somebody like The Game.
As you mentioned, this festival is about the craft and culture. Why is this such an important element for this event? 
T: We want people to take pride in what they do. If you take pride in your music, you’re going to do good music. If you look at music as just a way to get paid, then you might throw up any ol’ shit, and you also ain’t gonna represent it right, [because] when you get interviewed you gonna say any ol’ s*** — and that bothers the artists. That’s like me coming into jazz and not knowing who Miles Davis was, and there’s going to be people who’s going to have feelings about that. 

Prince Records Ode to Baltimore After Freddie Gray Protests

Singer-songwriter Prince records ode to Baltimore in the wake of Freddie Gray protests.

Moved by the unrest in Baltimore in the wake of Freddie Gray’s death at the hands of the police, Prince has recorded a song critical of the killing of young African-American men, a publicist for the artist said Thursday to CNN.

It is a tribute to the people of Baltimore and #BaltimoreUprising, but will also address political and social issues throughout the country.  Prince has done so before, most notably with 1987’s top-three single “Sign O’ The Times.”

Prince’s Paisley Park Studios has not yet announced a release date.

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

R.I.P. Singer/Songwriter and R&B Legend Ben E. King

Ben E King
Ben E King received an award from the Songwriters Hall of Fame in 2012 (Photo via bbc.com)

R&B and soul singer Ben E. King, best known for the classic song “Stand By Me,” has died at the age of 76.  The singer died on Thursday, his publicist Phil Brown told BBC News.

King started his career in the late 1950s with The Drifters, singing hits including “There Goes My Baby” and “Save The Last Dance For Me.”  After going solo, he hit the U.S. top five with “Stand By Me” in 1961.  It returned to the charts in the 1980s, including a three-week spell at number one in the U.K. following its use in the film of the same name directed by Rob Reiner.

King’s other hits included “Spanish Harlem,” “Amor,” “Don’t Play That Song (You Lied)” and “Supernatural Thing – Part I.”
Fellow musician Gary U.S. Bonds wrote on Facebook that King was “one of the sweetest, gentlest and gifted souls that I have had the privilege of knowing and calling my friend for more than 50 years”.
He wrote: “I can tell you that Ben E. will be missed more than words can say. Our sincere condolences go out to Betty and the entire family.
“Thank you Ben E. for your friendship and the wonderful legacy you leave behind.”
Actor Jerry O’Connell, who played Vern in the film “Stand By Me” alongside River Phoenix and Corey Feldmantweeted: “You know you are good when John Lennon covers your song. Ben E. King was a wonderful and immensely talented man.”
https://youtu.be/MX5sLLCrVdA
Born Benjamin Earl Nelson, he initially joined a doo-wop group called The Five Crowns, who became The Drifters after that group’s manager fired the band’s previous members.  He co-wrote and sang on the band’s single “There Goes My Baby,” which reached number two in the U.S. in 1959.

But the group members were paid just $100 per week by their manager and, after a request for a pay rise was turned down, the singer decided to go it alone. In the process, he adopted the surname King.

His first solo hit was “Spanish Harlem” in 1961, which was followed by “Stand By Me.”

Watch 1st Full Trailer for "What Happened, Miss Simone?", Documentary to Debut on Netflix June 26

What Happened, Miss Simone?

Netflix and RadicalMedia paired up to produce and release the documentary, “What Happened, Miss Simone?,” directed by Academy Award-nominated filmmaker Liz Garbus (“The Farm: Angola,” “USA” and “Bobby Fischer Against the World”), which will premiere exclusively in all territories where Netflix is available, on June 26.
Made in cooperation with the Estate of Nina Simone, and described as an “epic” documentary, director Liz Garbus’ film interweaves never-before-heard recordings and rare archival footage together, with Nina’’s most memorable songs, incorporating never-before-heard audio tapes, recorded over the course of 3 decades, of Nina, telling her life story to various interviewers and would-be biographers. Rare concert footage and archival interviews, along with diaries, letters, interviews with Nina’’s daughter, Lisa Simone Kelly, friends and collaborators, and other exclusive materials, make this the most authentic, personal, and unflinching telling of the extraordinary life of one of the 20th Century’s greatest recording artists.
Emmy–award nominated cinematographer Igor Martinovic (“House of Cards,” “Man on Wire”) shot the film, and Joshua L. Pearson (“Made in America,” “Under African Skies”) edited. Sidney Beaumont (“Paradise Lost 3: Purgatory”), Jon Kamen (“The Fog of War”), Lisa Nishimura (“The Square,” “Virunga”), Adam Del Deo (“The Square”) and Lisa Simone Kelly serve as executive producers on the film.
The documentary made its world premiere at the Sundance Film Festival earlier this year.
Netflix has released a first full trailer for the upcoming film, which is embedded below:
[youtube https://www.youtube.com/watch?v=moOQXZxriKY&w=560&h=315]
article by Tambay A. Obenson via blogs.indiewire.com

Bessie Smith Celebrated with Upcoming "Bessie" Biopic and HBO-Sponsored “Bessie’s 81 Theater Tour”

tv_bessie_queen_smith_duo1a
Queen Latifah as Bessie Smith in “Bessie” (l); Legendary Blues Artist Bessie Smith (r) [Photo via nypost.com]
 
For some reason, a decent portion of today’s entertainment news is all about Bessie Smith.  Which is a great thing, because the under-appreciated “Empress of the Blues” has deserved her due in the media as well as American musical history for well over half a century.  Thanks to Queen Latifah, who committed to bringing Bessie’s story to life after 22 years in development, HBO will air the biopic “Bessie”, written and directed by Dee Rees (“Pariah”), on May 16.  The movie also stars Khandi Alexander, Tika Sumpter, Mike Epps and Academy Award winner Monique as Ma Rainey.
Screen Shot 2015-04-29 at 2.53.04 PMNot only did Good Black News have the great fortune to be part of today’s HuffPost Live interview with “Bessie” director Rees (which you can watch by clicking the link above or right here), HBO also announced its launch of a special two-city event series in New York this week honoring the legacy of the blues-jazz singer called “Bessie’s 81 Theater Tour.”
The event, which will coincide with the New York and Los Angeles premieres of the biopic starring Queen Latifah, will feature a workshop lead by Grammy Award-winning producer Bryan Michael Cox and singer-songwriter Stacy Barthe. The workshop will be offered to local artists in an effort to mimic the creative music process once used by Smith and her peers.
“In today’s music, I believe the constant utilization of live instrumentation is missing,” Cox said in a statement emailed to HuffPost. “Whenever that element is injected into popular music in this era, the song usually becomes a hit. One great example of this is Mark Ronson’s ‘Uptown Funk.’”
In addition to the artist workshop, the two-city promotional tour will also feature a music showcase comprised of a series of performances from local artists. It will conclude with a private dinner for native influencers and a surprise performance by an “A-list artist.”
“When thinking about how we wanted to build buzz about the film, we wanted to do something that was completely unique and immersive,” Lucinda Martinez, SVP of HBO Multicultural Marketing said in a press release for the event.
“We’re confident that this event series properly honors the legacy of Bessie Smith by showcasing aspiring songwriters and producers. We want to raise awareness for the film, create connections and offer these young creatives a platform to share their craft.”
The “Bessie’s 81 Theater Tour” will conclude in Los Angeles next month leading up to the May 16 premiere of “Bessie” on HBO.
In the meantime, if you want a Bessie Smith fix before then, we suggest checking out her only appearance on film performing her iconic “St. Louis Blues” below:
[youtube https://www.youtube.com/watch?v=JpVCqXRlXx4&w=420&h=315]
article by Lori Lakin Hutcherson, Good Black News Founder and Editor-In-Chief

Academy Award Winner Common Joins "Barbershop 3" Cast

common

 Common has committed to star in the ensemble cast of Barbershop 3, the MGM sequel that New Line will distribute. He joins Ice Cube and Cedric the Entertainer, who are reprising their roles from the first two movies, and The Best Man franchise director Malcolm D. Lee, who’s helming. Cube Vision is producing and MGM will run production. Bob Teitel and George Tillman Jr. of State Street Pictures are the lead producers. The script is by Kenya Barris and Tracy Oliver.

Common has been busy since winning the Oscar for Best Original Song in the film Selma. He is starring in the Rob Reiner-directed Being Charlie as well as the David Ayer-directed Suicide Squad and the Martin Campbell-directed Hunter Killer.
article by Mike Fleming Jr. via deadline.com