Common delivered the commencement address at the WSSU graduation in Bowman Gray Stadium. (Photo: David Rolfe)
WINSTON-SALEM — Award-winning hip-hop recording artist and actor Common encouraged nearly 1,000 graduating students from Winston-Salem State University to follow and trust in their paths to achieve their dreams.
“You want to surround yourself with people who believe in your path,” Common said Friday. “Belief is contagious. As you climb up the mountain, it will be difficult at times.”
Common, who was born Lonnie Rashid Lynn Jr., was the keynote speaker at WSSU’s graduation ceremony, which was held at Bowman Gray Stadium before about 12,000 people.
During his 27-minute speech, Common talked about his career as an actor, author and a hip-hop artist.
He mixed humor with his remarks that elicited laughter from the crowd. Some women in the audience screamed as he spoke.
He told the graduates that he was inspired by NBA star Michael Jordan, media mogul Oprah Winfrey, President Barack Obama and Jesus.
Common said he learned as a youth playing for a basketball team in Chicago that he had to practice and work hard to achieve greatness. Common said he dropped out of college to pursue a career as a hip-hop artist over the objection of his mother.
“I had found my path,” he said. “This voice of hip-hop would take me around the world.”
Common released his first album, “Can I borrow a Dollar,” in 1992, and he has since recorded nine others.
Common, 43, won a Grammy Award in 2003 for his song, “Love of My Life,” with singer-songwriter Erykah Badu. Common won a second Grammy for his 2007 album, “Southside.” He’s also a noted social activist.
During his speech, a young woman yelled to Common from the grandstand: “Here’s your wife.” Common replied, “Where are you; I want to meet you.”
The crowd laughed at the exchange.
Common told the graduating students they will face challenges in their lives, and they will not achieve their goals as quickly as they want. “If you see the mountaintop, you know you will get there,” he said.
After his speech, the WSSU Choir and Symphonic Band performed the song “Glory” from the 2014 movie “Selma.” The song, by Common and singer John Legend, won the Academy Award in February for Best Original Song.
Afterward, WSSU Chancellor Elwood Robinson presented Common with an honorary doctorate of humane letters. Common said he appreciated receiving the degree. “This is one of the best days of my life to get this honor for you all,” Common said. “I’m grateful. I got a doctorate.” article via news-record.com
B. B. King, whose world-weary voice and wailing guitar lifted him from the cotton fields of Mississippi to a global stage and the apex of American blues, died Thursday in Las Vegas. He was 89.
His death was reported early Friday by The Associated Press, citing his lawyer, Brent Bryson, and by CNN, citing his daughter, Patty King.
Mr. King married country blues to big-city rhythms and created a sound instantly recognizable to millions: a stinging guitar with a shimmering vibrato, notes that coiled and leapt like an animal, and a voice that groaned and bent with the weight of lust, longing and lost love.
“I wanted to connect my guitar to human emotions,” Mr. King said in his autobiography, “Blues All Around Me” (1996), written with David Ritz.
In performances, his singing and his solos flowed into each other as he wrung notes from the neck of his guitar, vibrating his hand as if it were wounded, his face a mask of suffering. Many of the songs he sang — like his biggest hit, “The Thrill Is Gone” (“I’ll still live on/But so lonely I’ll be”) — were poems of pain and perseverance.
The music historian Peter Guralnick once noted that Mr. King helped expand the audience for the blues through “the urbanity of his playing, the absorption of a multiplicity of influences, not simply from the blues, along with a graciousness of manner and willingness to adapt to new audiences and give them something they were able to respond to.”
B. B. stood for Blues Boy, a name he took with his first taste of fame in the 1940s. His peers were bluesmen like Muddy Waters and Howlin’ Wolf, whose nicknames fit their hard-bitten lives. But he was born a King, albeit in a sharecropper’s shack surrounded by dirt-poor laborers and wealthy landowners.
Mr. King went out on the road and never came back after one of his first recordings reached the top of the rhythm-and-blues charts in 1951. He began in juke joints, country dance halls and ghetto nightclubs, playing 342 one-night stands in 1956 and 200 to 300 shows a year for a half-century thereafter, rising to concert halls, casino main stages and international acclaim.
He was embraced by rock ’n’ roll fans of the 1960s and ’70s, who remained loyal as they grew older together. His playing influenced many of the most successful rock guitarists of the era, including Eric Clapton and Jimi Hendrix.
As Prince gives a free “Rally 4 Peace” Mother’s Day concert in Baltimore to advocate for non-violent change, for those of us who can’t be there (or listen to the stream on Jay Z’s Tidal), here’s the song he was inspired to write for the occasion:
Last May, shortly after word began to spread that Dr. Dre had sold his eponymous headphone line to Apple, the superproducer made a proclamation: rap’s first billionaire was about to be crowned, and he hailed from Los Angeles.
“The first billionaire in hip-hop, right here on the [expletive] West Coast,” exclaimed Dre in a video clip that went viral almost instantly. But the deal, whose value was initially reported at $3.2 billion, ended up at an even $3 billion in cash. After taxes, Dre’s 25% stake left him with a $500 million windfall–$100 million more than FORBES estimated his stake to be worth last April–and a net worth of $700 million.
Amazingly enough, Dre is not the richest man in hip-hop; that honor goes to Diddy, who clocks in at $735 million. The news may come as a surprise to many, but while Dre’s wealth derived from a single jackpot idea, Diddy’s is the product of his interests in a slew of companies, a handful of which could one day give him a Beats-esque exit.
Diddy has a deal with Diageo’s Ciroc vodka that guarantees him a split of the proceeds if the brand is ever sold, an event that would surely land him a nine-figure check. He also owns a controlling stake, or close to it, in clothing lines Sean John and Enyce, alkaline water brand Aquahydrate, new tequila DeLeon and multimedia network Revolt. Diddy founded the latter as a sort of next generation MTV with a renewed focus on music.
“Revolt got built out of the frustration Sean was having with music media being able to get his albums out there,” says Revolt chief executive Keith Clinkscales. “Sean has been aggressive in being sure that we put the power of the platform in the hands of musicians to be able to create with fans in their authentic voice.” 2015 Top 5 Hip-Hop Artists By Wealth:
Diddy $730 Million
Dr. Dre $700 Million
Jay Z $550 Million
50 Cent $155 Million
Birdman $150 Million
Diddy isn’t the only hip-hop mogul with that aim. Jay Z, who ranks third with a fortune of $550 million, purchased and relaunched Scandinavian streaming service Tidal this year with promises of creating an artist-owned Spotify competitor set apart by exclusive content.
Though the star-studded rollout struck some as tonedeaf—prompting a flurry of rich-getting-richer criticism, and perhaps a change in strategy for Jay Z—Tidal is still early in its life as a company, and may yet prove to be an increasingly valuable asset to Jay Z and to the whole industry.
“It’s alerting people that streaming is a viable option for them to listen to music,” says Jay Frank, chief of digital marketing outfit DigMark, of Tidal. “The more that we have positive conversations on that, the more opposition we have to grow the business.” 50 Cent and Birdman round out the list of five, with fortunes of $155 million and $150 million, respectively. The latter’s total dipped slightly due to uncertainty surrounding Cash Money Records, by far his biggest asset, which has been dogged by rumors of the departure of big acts including superstar Lil Wayne.
Prince at the Grammy Awards in February. (Credit: John Shearer/Invision, via Associated Press)
A protest song was not enough.
Days after announcing his song “Baltimore,” a tribute to Freddie Gray, the 25-year-old who suffered a fatal spinal-cord injury while in police custody, Prince has announced a surprise “Rally 4 Peace” concert in Baltimore. It will be held Sunday at Royal Farms Arena.
“In a spirit of healing, the event is meant to be a catalyst for pause and reflection following the outpouring of violence that has gripped Baltimore and areas throughout the U.S.,” Live Nation, the concert promoter, said in a statement. “As a symbolic message of our shared humanity and love for one another, attendees are invited to wear something gray in tribute to all those recently lost in the violence.”
Tickets go on sale today at 5 p.m. EST at LiveNation.com. Part of the proceeds will benefit Baltimore youth charities, organizers said.
While “Baltimore” has yet to be released — Prince said he was considering streaming the track on Jay Z’s Tidal service — its lyrics were made available online. The song begins:
Nobody got in nobody’s way
So I guess you could say
It was a good day
At least a little better than the day in Baltimore
“The Message” by Grandmaster Flash and the Furious Five is by far one of the most important records known to man. A “total knock out of the park” as Public Enemy’s Chuck D once told Rolling Stone, the 1982 record marked a pivotal moment for hip-hop. The first of its kind, at seven-minutes rapper Melle Mel and co-writer Duke Bootee traded clear-cut lines about the everyday struggle and decay in America’s ghettos. From the ubiquitous “broken glass” to the “junkies in the alley” and how the kids that are “born with no state of mind” end up succumbing to the live fast, die young statistic. It’s an monumental piece of recording that perfectly demonstrates the foundation on which hip-hop was founded.
Beyond that though, it’s also the very record that Mickey Bentson, co-founder of The Universal Zulu Nation, and Ice-T brought up during a phone conversation with REVOLT. “Grandmaster Flash and Melle Mel made one of the hardest records ever: “The Message” with no cursing. Wow. That’s unbelievable,” Bentson exclaimed. “Where you gonna get all this stuff at? Nowhere but at the Art of Rap Festival baby.”
In 2012, Ice-T chronicled the rich foundation and importance of the hip-hop into a one hour-and-a-half epic, better known as the critically-acclaimed documentary, “Something From Nothing: The Art of Rap.” An intimate journey that uncovers the layers, elements, and science of hip-hop, the film took it back to the essence, while bringing along famous faces like Dr. Dre, Kanye West, Eminem, Q-Tip, Chuck D and many more for a discussion on the art form. Three years since he opened the conversation, Ice-T, joined by Bentson, has added another layer (and new meaning) to the “The Art of Rap,” with an inaugural event he is calling “the most prolific and essential hip-hop festival ever.” The Art of Rap Festival, which will take place over the course of two days in California, features a dream team line-up of emcees that range from Big Daddy Kane to Rakim, Afrika Bambaataa, EPMD, Doug E. Fresh, Grandmaster Melle Mel, King T, Kurtis Blow, Biz Markie, and more. Just like the film, the festival, which will feature co-headliners including Game and Ice-T at its July 18th Irvine date and Ice-T at the July 19th Mountain View show, takes it back to the essence.
Speaking about the summer must-attend festival, Ice-T and Mickey Bentson hopped on the phone with REVOLT and discussed just how and why this event came together. In 2012, Ice-T, you released this film and now it has transformed into a full blown festival. How did you two come together for this?
Ice-T: Well, [The Art of Rap] happened for me, I was sitting around and for a while when you would say you an emcee, people actually had this heavy respect for you. Well the point that when you would say ‘rapper,’ people would kind of look at you like a clown. Rappers were kind of acting up and I didn’t like that, so I said you know what I want to make a film that makes people really respect the art of rap. It’s not a game, it’s real stuff. I worked really hard on my music, I grew up with [Big Daddy] Kane and Rakim and people like that, and I said this is serious business. So we shot the film, it did what it was supposed to do, make people understand that it is an art form and the next obvious move was to take it on the road. The Art of Rap Tour is meant to be about the craft and the culture of hip-hop, so we go all the way from The Soulsonic Force to somebody like The Game. As you mentioned, this festival is about the craft and culture. Why is this such an important element for this event?
T: We want people to take pride in what they do. If you take pride in your music, you’re going to do good music. If you look at music as just a way to get paid, then you might throw up any ol’ shit, and you also ain’t gonna represent it right, [because] when you get interviewed you gonna say any ol’ s*** — and that bothers the artists. That’s like me coming into jazz and not knowing who Miles Davis was, and there’s going to be people who’s going to have feelings about that.
Moved by the unrest in Baltimore in the wake of Freddie Gray’s death at the hands of the police, Prince has recorded a song critical of the killing of young African-American men, a publicist for the artist said Thursday to CNN.
It is a tribute to the people of Baltimore and #BaltimoreUprising, but will also address political and social issues throughout the country. Prince has done so before, most notably with 1987’s top-three single“Sign O’ The Times.”
Prince’s Paisley Park Studios has not yet announced a release date.
Ben E King received an award from the Songwriters Hall of Fame in 2012 (Photo via bbc.com)
R&B and soul singer Ben E. King, best known for the classic song “Stand By Me,” has died at the age of 76. The singer died on Thursday, his publicist Phil Brown told BBC News.
King started his career in the late 1950s with The Drifters, singing hits including “There Goes My Baby” and “Save The Last Dance For Me.” After going solo, he hit the U.S. top five with “Stand By Me” in 1961. It returned to the charts in the 1980s, including a three-week spell at number one in the U.K. following its use in the film of the same name directed by Rob Reiner.
King’s other hits included “Spanish Harlem,” “Amor,” “Don’t Play That Song (You Lied)” and “Supernatural Thing – Part I.”
Fellow musician Gary U.S. Bonds wrote on Facebook that King was “one of the sweetest, gentlest and gifted souls that I have had the privilege of knowing and calling my friend for more than 50 years”.
He wrote: “I can tell you that Ben E. will be missed more than words can say. Our sincere condolences go out to Betty and the entire family.
“Thank you Ben E. for your friendship and the wonderful legacy you leave behind.”
Actor Jerry O’Connell, who played Vern in the film “Stand By Me” alongside River Phoenix and Corey Feldman, tweeted: “You know you are good when John Lennon covers your song. Ben E. King was a wonderful and immensely talented man.”
https://youtu.be/MX5sLLCrVdA
Born Benjamin Earl Nelson, he initially joined a doo-wop group called The Five Crowns, who became The Drifters after that group’s manager fired the band’s previous members. He co-wrote and sang on the band’s single “There Goes My Baby,” which reached number two in the U.S. in 1959.
But the group members were paid just $100 per week by their manager and, after a request for a pay rise was turned down, the singer decided to go it alone. In the process, he adopted the surname King.
His first solo hit was “Spanish Harlem” in 1961, which was followed by “Stand By Me.”
Netflix and RadicalMedia paired up to produce and release the documentary, “What Happened, Miss Simone?,” directed by Academy Award-nominated filmmaker Liz Garbus (“The Farm: Angola,” “USA” and “Bobby Fischer Against the World”), which will premiere exclusively in all territories where Netflix is available, on June 26.
Made in cooperation with the Estate of Nina Simone, and described as an “epic” documentary, director Liz Garbus’ film interweaves never-before-heard recordings and rare archival footage together, with Nina’’s most memorable songs, incorporating never-before-heard audio tapes, recorded over the course of 3 decades, of Nina, telling her life story to various interviewers and would-be biographers. Rare concert footage and archival interviews, along with diaries, letters, interviews with Nina’’s daughter, Lisa Simone Kelly, friends and collaborators, and other exclusive materials, make this the most authentic, personal, and unflinching telling of the extraordinary life of one of the 20th Century’s greatest recording artists.
Emmy–award nominated cinematographer Igor Martinovic (“House of Cards,” “Man on Wire”) shot the film, and Joshua L. Pearson (“Made in America,” “Under African Skies”) edited. Sidney Beaumont (“Paradise Lost 3: Purgatory”), Jon Kamen (“The Fog of War”), Lisa Nishimura (“The Square,” “Virunga”), Adam Del Deo (“The Square”) and Lisa Simone Kelly serve as executive producers on the film.
The documentary made its world premiere at the Sundance Film Festival earlier this year.
Netflix has released a first full trailer for the upcoming film, which is embedded below:
[youtube https://www.youtube.com/watch?v=moOQXZxriKY&w=560&h=315] article by Tambay A. Obenson viablogs.indiewire.com
