Alicia Keys, Kendrick Lamar, and Pharrell Williams are combining their musical superpowers. The all-star trio has collaborated on a song for The Amazing Spider-Man 2. Produced by Pharrell, the Keys-led “It’s On Again” features Kendrick and will appear on the film’s soundtrack.
“I’m very excited to be a part of such a powerful collaboration with Kendrick Lamar, Pharrell Williams, and Hans Zimmer,” said Keys (via Billboard). “This is the next chapter in the Spider-Man legacy and we really feel ‘It’s On Again’ captures the experience, the story—and most importantly—the meaning behind the film, which is that we all have the potential to be extraordinary. There’s a little bit of a super hero in all of us.”
Pharrell added, “Hans has created an iconic score theme and it was exciting to collaborate with him again on this song. When I was making the song, I knew Alicia and Kendrick had to be on it. They take the song to a whole new level.”
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Jamie Foxx and Kevin Hart are in talks to star in Screen Gems’ Black Phantom, with Ride Along helmer Tim Story in discussions to direct. If a deal makes, the film would re-team Hart and Story with their Ride Along producer Will Packer, who is producing the pic along with Will Gluck. Packer has long wanted to do the film and, after the success of Ride Along and Foxx’s interest to work with Hart, the project seemed like the perfect match for all four men.
Story follows a double-crossed mob hitman who enlists the help of the Black Phantom, the same African-American hitman who had been sent to kill him. Dave Lease and Megan Hinds wrote the original screenplay. Screen Gems president Clint Culpepper will oversee the project for the studio.
Foxx has been a favorite of Sony’s for some time, with The Amazing Spider-Man 2 and the Annie reboot bowing this year. Given Hart’s recent box office winning streak, the pairing could be a huge win for Screen Gems. Hart currently can be seen in Screen Gems’ About Last Night.
article by Justin Kroll via Deadline.com
Story follows a double-crossed mob hitman who enlists the help of the Black Phantom, the same African-American hitman who had been sent to kill him. Dave Lease and Megan Hinds wrote the original screenplay. Screen Gems president Clint Culpepper will oversee the project for the studio.
Foxx has been a favorite of Sony’s for some time, with The Amazing Spider-Man 2 and the Annie reboot bowing this year. Given Hart’s recent box office winning streak, the pairing could be a huge win for Screen Gems. Hart currently can be seen in Screen Gems’ About Last Night.
article by Justin Kroll via Deadline.com
Sony has picked up rights to The Harlem Hellfighters, Max Brooks‘ upcoming graphic novel based on the true story of an African American WWI Army infantry unit. Caleeb Pinkett and James Lassiter will produce for Overbrook Entertainment. Hitting stores on April 1st via Broadway Books, The Harlem Hellfighters is based on the Army’s 369th infantry division, an African-American unit fighting in Europe during World War I. Breaking down racial barriers, the unit spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and went on to win countless decorations.
Though they returned to the U.S. as heroes, the unit faced tremendous discrimination, even from their own government. The story chronicles their journey from the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France. The graphic novel was illustrated by Caanan White. Brooks will also adapt the script.
Brooks, the son of Mel Brooks and Anne Bancroft, wrote the book World War Z: An Oral History of the Zombie War, which was adapted for Paramount’s Brad Pitt-starring film that grossed $202 million domestically and $540 million worldwide. A sequel is currently in development.
article by Rebecca Ford and Borys Kit via hollywoodreporter.com
Based on the novel by Shay Youngblood, Black Girl in Paris is written and directed by Kiandra Parks and stars Tracey Heggins (Medicine for Melancholy) as a down-on-her-luck writer who experiences personal and sexual awakening thanks to a savvy prostitute, played by Zaraah Abrahams (who is also in Spike Lee‘s upcoming Da Sweet Blood of Jesus).
After filming in 2012 and touring the festival circuit in 2013, winning the American Black Film Festival’s Short Film Award, the twenty-minute movie is now available to view on HBOGo through March 31st.
article by Jai Tigget via ShadowAndAct.com
12 Years A Slave topped off its amazing awards-season run by earning the Best Picture Oscar tonight at the 86th Academy Awards. 12 Years director/producer Steve McQueen and producer Brad Pitt accepted the award at the end of a night that also saw writer John Ridley win for Best Adapted Screenplay, and rising star Lupita Nyong’o triumph in the Best Supporting Actress category. According to Variety.com, McQueen made history by becoming the first black producer to ever win an Academy Award for Best Picture.
The star-studded night also saw an energizing performance of “Happy” by Original Song nominee Pharrell Williams (who danced with Nyong’o, Meryl Streep and Amy Adams in the aisles), a brief a cappella version of “Eye on the Sparrow” from Darlene Love during the Best Feature Documentary acceptance speech for 20 Feet From Stardom and Oscar presentations from Will Smith, Whoopi Goldberg, Jamie Foxx, Michael B. Jordan, Tyler Perry, Gabourey Sidibe, Academy President Cheryl Boone Isaacs, and the first black man to ever win a Leading Actor Oscar, Sidney Poitier.
One of the biggest highlights of the evening was Nyong’o’s acceptance speech, where she honored those who suffered so she could shine:
Thank you to the Academy for this incredible recognition. It doesn’t escape me for one moment that so much joy in my life is thanks to so much pain in someone else’s. And so I want to salute the spirit of Patsey for her guidance. And for Solomon, thank you for telling her story and your own.
Nyong’o then went on to thank McQueen, co-star and Best Actor nominee Chiwetel Ejiofor, her family and her chosen family, before closing with encouragement to children everywhere:
When I look down at this golden statue, may it remind me and every little child that no matter where you’re from, your dreams are valid. Thank you.
According to Variety.com, 12 Years a Slave dominated the Independent Spirit Awards today, winning Best Feature, Best Director for Steve McQueen, Best Supporting Actress for Lupita Nyong’o and Best Adapted Screenplay for John Ridley. 12 Years also took the cinematography award for Sean Bobbitt. McQueen dedicated his Best Director award to Solomon Northup, whose life and book was the basis for the searing historical drama, and also gave thanks to Chiwetel Ejiofor — the “soul” of the film.
In her acceptance speech, a composed Nyong’o said breathlessly that she had not been aware initially of the distinction of independent films, but said she then realized, “Independent film is where stuff actually happens.” Nyong’o noted that it was her birthday and concluded her speech by thanking her mother for supporting her choice to become an actress.
Fruitvale Station finally gained some much-deserved recognition this awards season, winning Best First Feature for writer/director Ryan Coogler and its cast. Coogler gave a moving acceptance speech honoring Oscar Grant that received a standing ovation.
Matthew McConaughey won the best actor trophy as an activist for Dallas Buyers Club and Cate Blanchett took the best actress award for her portrayal of the neurotic title character in Woody Allen’s Blue Jasmine. A full list of winners appears below.
In order to be nominated, each film has to have less than a $20 million production budget. To vote, one need only buy a $95 per year membership in Film Independent, the nonprofit arts organization that also produces the Los Angeles Film Festival.
Lupita Nyong’o was awarded Best Breakthrough Performance for her work in 12 Years a Slave at yesterday’s ESSENCE Black Women in Hollywood Luncheon. Just like at the Critics Choice Awards, her acceptance speech was sad and inspiring and beautiful — all at the same time. Here it is, in full:
I wrote down this speech that I had no time to practice so this will be the practicing session. Thank you Alfre, for such an amazing, amazing introduction and celebration of my work. And thank you very much for inviting me to be a part of such an extraordinary community. I am surrounded by people who have inspired me, women in particular whose presence on screen made me feel a little more seen and heard and understood. That it is ESSENCE that holds this event celebrating our professional gains of the year is significant, a beauty magazine that recognizes the beauty that we not just possess but also produce.
I want to take this opportunity to talk about beauty, black beauty, dark beauty. I received a letter from a girl and I’d like to share just a small part of it with you: “Dear Lupita,” it reads, “I think you’re really lucky to be this black but yet this successful in Hollywood overnight. I was just about to buy Dencia’s Whitenicious cream to lighten my skin when you appeared on the world map and saved me.”
My heart bled a little when I read those words, I could never have guessed that my first job out of school would be so powerful in and of itself and that it would propel me to be such an image of hope in the same way that the women of The Color Purple were to me.
I remember a time when I too felt unbeautiful. I put on the TV and only saw pale skin, I got teased and taunted about my night-shaded skin. And my one prayer to God, the miracle worker, was that I would wake up lighter-skinned. The morning would come and I would be so excited about seeing my new skin that I would refuse to look down at myself until I was in front of a mirror because I wanted to see my fair face first. And every day I experienced the same disappointment of being just as dark as I was the day before. I tried to negotiate with God, I told him I would stop stealing sugar cubes at night if he gave me what I wanted, I would listen to my mother’s every word and never lose my school sweater again if he just made me a little lighter. But I guess God was unimpressed with my bargaining chips because He never listened.
And when I was a teenager my self-hate grew worse, as you can imagine happens with adolescence. My mother reminded me often that she thought that I was beautiful but that was no conservation, she’s my mother, of course she’s supposed to think I am beautiful. And then … Alek Wek. A celebrated model, she was dark as night, she was on all of the runways and in every magazine and everyone was talking about how beautiful she was. Even Oprah called her beautiful and that made it a fact. I couldn’t believe that people were embracing a woman who looked so much like me, as beautiful. My complexion had always been an obstacle to overcome and all of a sudden Oprah was telling me it wasn’t. It was perplexing and I wanted to reject it because I had begun to enjoy the seduction of inadequacy. But a flower couldn’t help but bloom inside of me, when I saw Alek I inadvertently saw a reflection of myself that I could not deny. Now, I had a spring in my step because I felt more seen, more appreciated by the far away gatekeepers of beauty. But around me, the preference for my skin prevailed, to the courters that I thought mattered I was still unbeautiful. And my mother again would say to me you can’t eat beauty, it doesn’t feed you and these words plagued and bothered me; I didn’t really understand them until finally I realized that beauty was not a thing that I could acquire or consume, it was something that I just had to be.
And what my mother meant when she said you can’t eat beauty was that you can’t rely on how you look to sustain you. What is fundamentally beautiful is compassion for yourself and for those around you. That kind of beauty enflames the heart and enchants the soul. It is what got Patsey in so much trouble with her master, but it is also what has kept her story alive to this day. We remember the beauty of her spirit even after the beauty of her body has faded away.
And so I hope that my presence on your screens and in the magazines may lead you, young girl, on a similar journey. That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside.
There is no shade to that beauty.
To see video of this speech, click here.
article by Lindsey Weber via vulture.com
Kevin Hart was named Entertainer of the Year while 12 Years a Slave racked up another four awards including for Outstanding Motion Picture at the NAACP Image Awards, which were held Saturday at the Pasadena Civic Auditorium. Hart said he was a “real mama’s boy” and dedicated his prize to his mother, who recently passed away.
Director Steve McQueen and writer John Ridley won kudos for “12 Years” during a non-televised portion of the show Friday, while Supporting Actress Lupita Nyong’o said she was honored to win for a film ”that has inspired discourse long overdue.”
Forest Whitaker and David Oyelowo were honored for their roles in Lee Daniels’ The Butler and Angela Bassett won the Lead Actress prize for Black Nativity. Whitaker was also honored with the NAACP Chairman’s Award. “I’m one of those with a funny accent and an African name,” Oyelowo referencing emcee Anthony Anderson’s earlier jokes about Brit actors with their accents and African names in his speech who cross the Pond to grab roles in Hollywood. Meanwhile, Whitaker quoted a song from Nat King Cole, “The greatest thing you’ll ever learn is to love and be loved.”
On the television side, Hart and his BET show Real Husbands of Hollywood were honored for comedy, while Kerry Washington, Joe Morton and ABC’s Scandal picked up three awards for drama. Since showrunner Shonda Rhimes was unable to attend, Washington accepted the Scandal award. In her own acceptance speech, Washington said, “The historic nature of this role is due not to lack of talent, but lack of opportunity.”
The NAACP Image Awards were broadcast live on TV One and hosted by Anthony Anderson. Academy of Motion Pictures Arts and Sciences (AMPAS) President Cheryl Boone Isaacs and Director’s Guild (DGA) president Paris Barclay were inducted into the Image Awards Hall of Fame. Both are the first African-American presidents of their respective organizations. Barclay referenced his upbringing saying, “I’m the first in a long line of factory workers.” Boone Isaacs said AMPAS invited more women and minority this year than it ever has. “We still have a lot of work to do. I look forward to it,” she said to applause.
Forest Whitaker and David Oyelowo were honored for their roles in Lee Daniels’ The Butler and Angela Bassett won the Lead Actress prize for Black Nativity. Whitaker was also honored with the NAACP Chairman’s Award. “I’m one of those with a funny accent and an African name,” Oyelowo referencing emcee Anthony Anderson’s earlier jokes about Brit actors with their accents and African names in his speech who cross the Pond to grab roles in Hollywood. Meanwhile, Whitaker quoted a song from Nat King Cole, “The greatest thing you’ll ever learn is to love and be loved.”
On the television side, Hart and his BET show Real Husbands of Hollywood were honored for comedy, while Kerry Washington, Joe Morton and ABC’s Scandal picked up three awards for drama. Since showrunner Shonda Rhimes was unable to attend, Washington accepted the Scandal award. In her own acceptance speech, Washington said, “The historic nature of this role is due not to lack of talent, but lack of opportunity.”
The NAACP Image Awards were broadcast live on TV One and hosted by Anthony Anderson. Academy of Motion Pictures Arts and Sciences (AMPAS) President Cheryl Boone Isaacs and Director’s Guild (DGA) president Paris Barclay were inducted into the Image Awards Hall of Fame. Both are the first African-American presidents of their respective organizations. Barclay referenced his upbringing saying, “I’m the first in a long line of factory workers.” Boone Isaacs said AMPAS invited more women and minority this year than it ever has. “We still have a lot of work to do. I look forward to it,” she said to applause.
According to Variety.com, Universal Studios has started pre-production on a sequel to its hit buddy comedy Ride Along, with Ice Cube and Kevin Hart on board to reprise their starring roles. Ride Along has topped $117 million in U.S. box office after five weekends, starting its run with three consecutive first-place finishes. The film was budgeted at a cost-effective $25 million.
Will Packer, Ice Cube, Matt Alvarez and Larry Brezner will again produce. Tim Story is attached to direct again from a script by Phil Hay and Matt Manfredi. Universal signed the writers to script the sequel last year. The decision to greenlight Ride Along 2 comes on the heels of the healthy opening of another Hart comedy, Sony’s About Last Night, which took in $27.8 million over the four-day weekend.
article by Lori Lakin Hutcherson
Will Packer, Ice Cube, Matt Alvarez and Larry Brezner will again produce. Tim Story is attached to direct again from a script by Phil Hay and Matt Manfredi. Universal signed the writers to script the sequel last year. The decision to greenlight Ride Along 2 comes on the heels of the healthy opening of another Hart comedy, Sony’s About Last Night, which took in $27.8 million over the four-day weekend.
article by Lori Lakin Hutcherson
Yaya Alafia arrived on TV screens more than a decade ago as Yaya DaCosta, the young model proud of her African and Latina roots in Season 3 of America’s Next Top Model. But, as she tells NPR’s Michel Martin, she has come a long way since competing on the series. “I have practiced such deliberate amnesia when it came to that show,” she admits. “Just hearing my voice at such a young, vulnerable age, forced into this other world that I wasn’t prepared for.”
But that experience did prepare her for a successful film career. In 2013, she starred in three films: Mother of George, Big Words and The Butler, in which she played a Black Panther.
“[My father] was an organizer in the Student Nonviolent Coordinating Committee. My mother did a little bit of work with the Black Panthers,” she says. “It felt kind of natural for me going on that audition.”
A graduate in Africana studies and international relations from Brown University, Alafia celebrates the fact that she is “one of those Africans in America that’s kind of a mutt, for lack of a better word.” And although her roots stretch from Nigeria to Brazil, she believes that “when people start to get a little too specific, it serves as a divisive tactic.”
Originally from Harlem, she spent a trimester of high school abroad in the Dominican Republic. She says her experience there made her aware of complicated issues involving racial identity. “I didn’t realize how deep-rooted the brainwashing went and how much self-hate there was. … My host mother would yell at me, saying … ‘You’re going to burn out there, don’t get too dark, you could be so pretty.’ And that really had an effect on me.”