(Hollywood, CA) – The Black Hollywood Education and Resource Center (BHERC) hosts its 21st Annual African American Film Marketplace and S.E. Manly Short Film Showcase January 16-18, 2015 at Raleigh Studios, 5300 Melrose Avenue, Hollywood, California 90038.
Presenting 52 short films, youth films, documentaries and animated shorts, featuring over 45 Filmmakers from all over the country, Q&A after selected blocks of films, and an evening with famed director Michael Schultz and special surprise guest filmmakers.
On Friday, January 16, 2015 at 7:30 p.m. at the Opening Night Reception, BHERC will host a conversation with Schultz as it presents the best BHERC independent short filmmakers of 2014.
Schultz, an alumni of Princeton University, the Negro Ensemble Company, and an inductee into the Black Filmmakers Hall of Fame, is best known for his direction of “Cooley High,” “Car Wash” and “Which Way Is Up?”, and most recently “Woman Thou Art Loosed.” Some of his episodic television direction includes “Arrow,” “Single Ladies” and “Black-ish” to name a few.
Gina Prince-Bythewood (Writer/Producer/Director) wrote and directed the widely-acclaimed feature film “Love & Basketball,” which premiered at the 2000 Sundance Film Festival. Prince-Bythewood won an Independent Spirit Award for Best First Screenplay and a Humanitas Prize for her work on the film.
She followed that success with the HBO film “Disappearing Acts.” In 2008, she wrote and directed the celebrated adaptation of the best-selling novel, “The Secret Life of Bees.” The all-star cast included Dakota Fanning, Queen Latifah, Paul Bettany, Jennifer Hudson, Sophie Okonedo and Alicia Keys. The film won two People’s Choice Awards and two NAACP Image Awards.
Her third feature, “Beyond the Lights,” was released on Nov. 14, 2014. The love story set in the music world, stars Gugu Mbatha-Raw, Nate Parker, Minnie Driver and Danny Glover. It received rave reviews and landed on a number of top critics Best of 2014 lists.
Prince-Bythewood studied at UCLA Film School, where she received the Gene Reynolds Scholarship for Directing and the Ray Stark Memorial Scholarship for Outstanding Undergraduate. Upon her graduation, she was hired as a writer on the television series “A Different World.” She continued to write and produce for network television on series such as “Felicity,” “South Central,” and “Sweet Justice” before making the transition to directing.
Posts published in “Movies”
One of Hollywood’s most powerful black agents is making a new start. Charles King is leaving William Morris Endeavor to form MACRO, a startup that will focus on developing content for multicultural audiences.
With an unspecified “eight figures” in funding, Los Angeles-based MACRO initially will focus on developing and distributing feature films, TV series and digital content targeting African-American, Latino and multicultural markets.
King, 45, whose clients have included Tyler Perry and Oprah Winfrey, tells The Hollywood Reporter that MACRO’s goal is to focus on audiences that have long been underserved by the traditional entertainment industry. “I’ve been sitting in these rooms for the last 15 years. The studios aren’t focused on it; the packagers aren’t focused on it,” he says. “There’s a huge void and a huge opportunity.”
He points to the lack of capital available to minority-focused filmmakers and says he’s looking to change that with MACRO, which will leverage crowdfunding platforms and co-financing to target films that range from “artistically inclined independents” in the $1 million to $3 million budget range up to $20 million projects. He points to films such as Barbershop, The Butler and Ride Alongas examples of the types of projects he hopes to produce. “The one underlying theme is ‘premium,’ ” he says. “I’m looking for artistic integrity.”
King already has lined up projects from filmmakers Ryan Coogler (Fruitvale Station) and Craig Brewer (Hustle & Flow). Both were represented by King at WME and say they jumped at the opportunity to continue to work with him in a new capacity.
With an unspecified “eight figures” in funding, Los Angeles-based MACRO initially will focus on developing and distributing feature films, TV series and digital content targeting African-American, Latino and multicultural markets.
King, 45, whose clients have included Tyler Perry and Oprah Winfrey, tells The Hollywood Reporter that MACRO’s goal is to focus on audiences that have long been underserved by the traditional entertainment industry. “I’ve been sitting in these rooms for the last 15 years. The studios aren’t focused on it; the packagers aren’t focused on it,” he says. “There’s a huge void and a huge opportunity.”
He points to the lack of capital available to minority-focused filmmakers and says he’s looking to change that with MACRO, which will leverage crowdfunding platforms and co-financing to target films that range from “artistically inclined independents” in the $1 million to $3 million budget range up to $20 million projects. He points to films such as Barbershop, The Butler and Ride Alongas examples of the types of projects he hopes to produce. “The one underlying theme is ‘premium,’ ” he says. “I’m looking for artistic integrity.”
King already has lined up projects from filmmakers Ryan Coogler (Fruitvale Station) and Craig Brewer (Hustle & Flow). Both were represented by King at WME and say they jumped at the opportunity to continue to work with him in a new capacity.
Having already secured a Golden Globe nomination for his work in “Selma,” David Oyelowo is looking to set up his future slate.
According to Variety.com, Oyelowo is set to co-star with Lupita Nyong’o in the indie drama “Americanah.” Based on the Chimamanda Ngozi Adichie novel, the story follows a pair of young Nigerian immigrants who face a lifetime of struggle while their relationship endures. The film is now looking to attach a writer and director, with no production start date set yet.
Brad Pitt is producing through his Plan B production banner along with Nyong’o and Andrea Calderwood. Plan B also produced “Selma,” and after having such a good experience working with them, Oyelowo jumped at the opportunity to board another project they were producing.
Oyelowo has a busy end of the year, with “Interstellar,” “Selma” and “A Most Violent Year” all bowing in the last month. He is expected to be in the Oscars conversation for his performance in “Selma,” and he can be seen next in the indie “Captive” opposite Kate Mara. Nyong’o is slated to appear in the new version of “Star Wars” helmed by J.J. Abrams in 2015.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
According to Variety.com, Oyelowo is set to co-star with Lupita Nyong’o in the indie drama “Americanah.” Based on the Chimamanda Ngozi Adichie novel, the story follows a pair of young Nigerian immigrants who face a lifetime of struggle while their relationship endures. The film is now looking to attach a writer and director, with no production start date set yet.
Brad Pitt is producing through his Plan B production banner along with Nyong’o and Andrea Calderwood. Plan B also produced “Selma,” and after having such a good experience working with them, Oyelowo jumped at the opportunity to board another project they were producing.
Oyelowo has a busy end of the year, with “Interstellar,” “Selma” and “A Most Violent Year” all bowing in the last month. He is expected to be in the Oscars conversation for his performance in “Selma,” and he can be seen next in the indie “Captive” opposite Kate Mara. Nyong’o is slated to appear in the new version of “Star Wars” helmed by J.J. Abrams in 2015.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Parties and protests don’t typically overlap, but the “Selma” cast made an exception and a statement on Sunday night following the film’s Manhattan premiere. At one point during the otherwise splashy festivities, director Ava DuVernay took to the steps of the New York Public Library with actors David Oyelowo, E. Roger Mitchell, Wendell Pierce, Omar Dorsey, John Lavelle, Stephan James, Kent Faulcon, Lorraine Toussaint, Andre Holland, Tessa Thompson and Colman Domingo, donning “I Can’t Breathe” T-shirts over their partywear and raising their arms in the “don’t shoot” pose.
It was not just an unusually sobering photo op, but also a direct acknowledgment of the eerie timing of Paramount’s civil rights drama, with its scenes of organized protest and its urgent plea for justice and reform. The premiere was held the same weekend that more than 25,000 men and women marched through Manhattan, in the largest protest the city has seen since a grand jury decided not to indict a police officer in the death of Eric Garner.
The picture’s timeliness is undeniable, said Toussaint, who plays the civil rights activist Amelia Boynton. “There are no accidents,” she said. “I’m so proud to be a part of this film, and I’m so proud of Ava’s accomplishment. To bear witness to the fact that this voice is being heard at this moment … it speaks to the times and the needs of this time, too.”
Introducing the screening, along with Oyelowo and producers Oprah Winfrey, Dede Gardner and Jeremy Kleiner, DuVernay noted that the last time she had set foot in the historic Ziegfeld Theater, it was in her capacity as a publicist. That was back in 2006, at the New York premiere of “Dreamgirls.”
“I was on that film for a year,” DuVernay recalled at the afterparty. “I remember what Jennifer Hudson wore. I remember what Beyoncé wore. It was a madhouse of A-list celebrities, and I walked that same carpet.” Is it better walking it as a filmmaker rather than a flack? “A little better, a little better. I’ve got better gear on than that black suit.”
Fortunately for actor Alessandro Nivola, the premiere was held on his one night off from “The Elephant Man,” the Broadway play in which he’s currently starring alongside Bradley Cooper. Nivola had to dash over to the Ziegfeld from the matinee, just in time for the film’s 6 p.m. screening.
“I would’ve walked offstage a little early to get to the red carpet if it had meant that I was going to miss it (otherwise),” Nivola said.
He noted that it was a treat to work again with Oyelowo, with whom he also appeared in “Who Do You Love” and the upcoming “A Most Violent Year.” “He was particularly inspired in this particular role by his faith. Whether or not you believe in God, when you see somebody who feels that drive in him in a performance, it’s a pretty powerful thing.”
Also in attendance were Paramount chairman-CEO Brad Grey, Viacom president-CEO Philippe Dauman, James Schamus and Harvey Weinstein, as well as “Selma” actors Carmen Ejogo, Common, Tim Roth and Tom Wilkinson. Paramount will roll the film out on Christmas Day in New York, Los Angeles, Atlanta and Washington, D.C., followed by a wide release on Jan. 9.
article by Justin Chang via Variety.com
It was not just an unusually sobering photo op, but also a direct acknowledgment of the eerie timing of Paramount’s civil rights drama, with its scenes of organized protest and its urgent plea for justice and reform. The premiere was held the same weekend that more than 25,000 men and women marched through Manhattan, in the largest protest the city has seen since a grand jury decided not to indict a police officer in the death of Eric Garner.
The picture’s timeliness is undeniable, said Toussaint, who plays the civil rights activist Amelia Boynton. “There are no accidents,” she said. “I’m so proud to be a part of this film, and I’m so proud of Ava’s accomplishment. To bear witness to the fact that this voice is being heard at this moment … it speaks to the times and the needs of this time, too.”
Introducing the screening, along with Oyelowo and producers Oprah Winfrey, Dede Gardner and Jeremy Kleiner, DuVernay noted that the last time she had set foot in the historic Ziegfeld Theater, it was in her capacity as a publicist. That was back in 2006, at the New York premiere of “Dreamgirls.”
“I was on that film for a year,” DuVernay recalled at the afterparty. “I remember what Jennifer Hudson wore. I remember what Beyoncé wore. It was a madhouse of A-list celebrities, and I walked that same carpet.” Is it better walking it as a filmmaker rather than a flack? “A little better, a little better. I’ve got better gear on than that black suit.”
Fortunately for actor Alessandro Nivola, the premiere was held on his one night off from “The Elephant Man,” the Broadway play in which he’s currently starring alongside Bradley Cooper. Nivola had to dash over to the Ziegfeld from the matinee, just in time for the film’s 6 p.m. screening.
“I would’ve walked offstage a little early to get to the red carpet if it had meant that I was going to miss it (otherwise),” Nivola said.
He noted that it was a treat to work again with Oyelowo, with whom he also appeared in “Who Do You Love” and the upcoming “A Most Violent Year.” “He was particularly inspired in this particular role by his faith. Whether or not you believe in God, when you see somebody who feels that drive in him in a performance, it’s a pretty powerful thing.”
Also in attendance were Paramount chairman-CEO Brad Grey, Viacom president-CEO Philippe Dauman, James Schamus and Harvey Weinstein, as well as “Selma” actors Carmen Ejogo, Common, Tim Roth and Tom Wilkinson. Paramount will roll the film out on Christmas Day in New York, Los Angeles, Atlanta and Washington, D.C., followed by a wide release on Jan. 9.
article by Justin Chang via Variety.com
In the latest fallout from the Sony hack, “Scandal” and “Grey’s Anatomy” Creator/Producer Shonda Rhimes has responded bluntly to a leaked email exchange between Sony Pictures Entertainment chief Amy Pascal and producer Scott Rudin.
“Calling Sony comments”racially insensitive remarks” instead of “racist”? U can put a cherry on a pile of sh*t but it don’t make it a sundae,” the Scandal showrunner wrote on her Twitter account on Thursday afternoon.
On Wednesday evening, BuzzFeed posted excerpts of leaked emails between Rudin and Pascal in which they corresponded about a Jeffrey Katzenberg democratic fundraiser and made mention of Kevin Hart, Quentin Tarantino‘s Django Unchained and Steve McQueen‘s 12 Years a Slave.
Read more Chris Rock Pens Blistering Essay on Hollywood’s Race Problem: “It’s a White Industry”
Earlier in the day, Hart responded with a statement of his own, saying that is “able to brush ignorance off of my shoulder and continue to move forward.”
Pascal and Rudin have both issued apologies for the email exchange.
Rhimes, who was honored at The Hollywood Reporter‘s Women in Entertainment event on Wednesday, spoke about race and gender in the industry during the breakfast.
“The view from here — way up here where the glass ceiling is broken — would be incredible. Right? So how come I don’t remember the moment? When me with my woman-ness and my brown skin went running full speed, gravity be damned, into that thick layer of glass and smashed right through it? How come I don’t remember that happening? Here’s why: It’s 2014,” she stated. Read her entire speech here.
article via hollywoodreporter.com
“Calling Sony comments”racially insensitive remarks” instead of “racist”? U can put a cherry on a pile of sh*t but it don’t make it a sundae,” the Scandal showrunner wrote on her Twitter account on Thursday afternoon.
On Wednesday evening, BuzzFeed posted excerpts of leaked emails between Rudin and Pascal in which they corresponded about a Jeffrey Katzenberg democratic fundraiser and made mention of Kevin Hart, Quentin Tarantino‘s Django Unchained and Steve McQueen‘s 12 Years a Slave.
Read more Chris Rock Pens Blistering Essay on Hollywood’s Race Problem: “It’s a White Industry”
Earlier in the day, Hart responded with a statement of his own, saying that is “able to brush ignorance off of my shoulder and continue to move forward.”
Pascal and Rudin have both issued apologies for the email exchange.
Rhimes, who was honored at The Hollywood Reporter‘s Women in Entertainment event on Wednesday, spoke about race and gender in the industry during the breakfast.
“The view from here — way up here where the glass ceiling is broken — would be incredible. Right? So how come I don’t remember the moment? When me with my woman-ness and my brown skin went running full speed, gravity be damned, into that thick layer of glass and smashed right through it? How come I don’t remember that happening? Here’s why: It’s 2014,” she stated. Read her entire speech here.
article via hollywoodreporter.com
Film and television awards season continued ramping up as the nominations for the 72nd Annual Golden Globe Awards were announced this morning.
Martin Luther King Jr. biopic “Selma” scored big with nominations not only for Best Motion Picture – Drama, Best Original Song (“Glory” by John Legend and Common) and Best Actor (David Oyelowo), but also with the first Golden Globe nomination for an African American female director, Ava DuVernay.
“Annie” star Quvenzanhé Wallis earned a nod in the Best Actress – Comedy or Musical category and in television, Viola Davis was honored with a nom in the Best Actress in a Television Series – Drama for her starring role in “How To Get Away With Murder.” Don Cheadle was recognized in the Best Actor in a Television Series – Comedy or Musical for his work in “House of Lies” and Uzo Aduba received a nod for her supporting work in “Orange is the New Black.”
The Golden Globes, hosted for the second year by Tina Fey and Amy Poehler, will take place Jan. 11 at the Beverly Hilton Hotel and air live on NBC at 8pm EST.
Below is the full list of nominations:
BEST MOTION PICTURE – DRAMA
BOYHOOD
IFC Productions and Detour Filmproduction; IFC Films
FOXCATCHER
Annapurna Pictures; Sony Pictures Classics
THE IMITATION GAME
Black Bear Pictures; The Weinstein Company
SELMA
Paramount Pictures and Pathé; Paramount Pictures
THE THEORY OF EVERYTHING
Working Title Films; Focus Features
Netflix is dipping its toe into original programming again with a timely documentary on provocative musical genius and social activist Nina Simone, aka the “High Priestess of Soul.” What Happened, Miss Simone? will tell the singer’s story in her own voice using over a hundred hours of previously unheard interviews. Produced in cooperation with Simone’s estate, it will also feature rare concert videos, diaries, letters and other private materials. It was directed by Oscar-nominated director Liz Garbus and will debut next year — possibly around the same time as an unauthorized Simone biopic starring Guardians of the Galaxy‘s Zoe Saldana.
Simone was a classically-trained musician who switched to soul, jazz and blues after being denied a prestigious scholarship, reportedly because she was black. During the 1960s, her music and lyrics became infused with a strong civil rights message and she spoke at demonstrations like the “Selma to Montgomery” marches, which eventually led to the 1965 Voting Rights Act. Describing her musical career, Garbus said that “for each of her millions of fans, Nina feels like a treasured secret.” Simone was also a controversial figure who advocated for violent revolution on behalf of African Americans, and Netflix said the film would take an “unflinching” look at her life.
The upcoming biopic joins other well-received titles from Netflix like the 3D-printing documentary Print the Legend and Academy Award-nominated The Square. What Happened, Miss Simone will arrive in all Netflix countries sometime next year.
Check out video of arguably her most famous protest song, “Mississippi Goddamn” below:
[youtube https://www.youtube.com/watch?v=LJ25-U3jNWM&w=420&h=315]
article by Steve Dent via engadget.com
The Screen Actors Guild (SAG) announced the nominees for the 21st Annual SAG Awards today. Among those honored were industry veteran Cicely Tyson, who earned a nod in the “Best Female Actor in a Television movie or Miniseries” category for her work in “A Trip to Bountiful.” (In 2013, the same role on Broadway earned Tyson a Tony Award for Best Actress.)
Viola Davis was recognized with a nomination in the Female Actor in a Drama Series category for ABC’s “How To Get Away With Murder” and “Orange Is The New Black”‘s Uzo Abuda garnered a nod for Female Actor in a Comedy Series.
The SAG Awards will air live Jan. 25 at 5 p.m. PST on TBS and TNT from the Shrine Exposition Hall in Los Angeles. The full list of nominees follows below:
“Belle,” “Beyond the Lights,” “Dear White People,” “Get On Up” and “Selma” have grabbed top film nominations for the 46th annual NAACP Image Awards.
The Image Awards will be handed out Feb. 6 in a ceremony telecast live by TV One.
“Get On Up” star Chadwick Boseman, “Selma’s” David Oyelowo, Nate Parker of “Beyond the Lights,” Gugu Mbatha-Raw of “Belle” and Tessa Thompson of “Dear White People” are among the actors who were cited.
Boseman, Oyelowo and Mbatha-Raw are all portraying real-life people.
In the TV heat, ABC freshman “Black-ish” and “How to Get Away with Murder,” Netflix’s “Orange Is the New Black,” BET’s “The Game” and “Being Mary Jane” were among the top nominees. ABC did well, earning three of the five drama-series nominations. Also notable was Lifetime’s scoring seven of the 10 nominations in the two lead acting categories for telefilm/miniseries/dramatic special.
Here is a full list of Image Award nominees:
MOTION PICTURE
“Get On Up” star Chadwick Boseman, “Selma’s” David Oyelowo, Nate Parker of “Beyond the Lights,” Gugu Mbatha-Raw of “Belle” and Tessa Thompson of “Dear White People” are among the actors who were cited.
Boseman, Oyelowo and Mbatha-Raw are all portraying real-life people.
In the TV heat, ABC freshman “Black-ish” and “How to Get Away with Murder,” Netflix’s “Orange Is the New Black,” BET’s “The Game” and “Being Mary Jane” were among the top nominees. ABC did well, earning three of the five drama-series nominations. Also notable was Lifetime’s scoring seven of the 10 nominations in the two lead acting categories for telefilm/miniseries/dramatic special.
Here is a full list of Image Award nominees:
MOTION PICTURE
Motion Picture
- “Belle” (Fox Searchlight Pictures/ DJ Films)
- “Beyond The Lights” (Relativity Media)
- “Dear White People” (Lionsgate and Roadside Attractions)
- “Get On Up” (Universal Pictures)
- “Selma” (Paramount Pictures)
Actor in a Motion Picture
- Chadwick Boseman – “Get On Up” (Universal Pictures)
- David Oyelowo – “Selma” (Paramount Pictures)
- Denzel Washington – “The Equalizer” (Columbia Pictures)
- Idris Elba – “No Good Deed” (Screen Gems)
- Nate Parker – “Beyond The Lights” (Relativity Media)
Actress in a Motion Picture
- Gugu Mbatha-Raw – “Belle” (Fox Searchlight Pictures/ DJ Films)
- Quvenzhané Wallis – “Annie” (Columbia Pictures)
- Taraji P. Henson – “No Good Deed” (Screen Gems)
- Tessa Thompson – “Dear White People” (Lionsgate and Roadside Attractions)
- Viola Davis – “The Disappearance of Eleanor Rigby” (The Weinstein Company)
“Scandal” actress Kerry Washington is in talks to star in the Warner Bros. thriller “Unforgettable,” sources confirm. The deal is still in the early stages but sources say both sides are determined to get a deal worked out.
“Belle” director Amma Asante is set to direct the film, which centers on a man whose new wife is menaced by his ex-wife. Warner Bros.-based Denise DiNovi is producing with partner Alison Greenspan. Christina Hodson is writing the script for “Unforgettable.”
article by Justin Kroll via Variety.com