Richard Natale via variety.com
Emmy Award-winning actor Robert Guillaume, best known as the title character in the TV sitcom “Benson,” died Tuesday. He was 89.
His wife Donna Brown Guillaume told the Associated Press he died at their Los Angeles home of complications of prostate cancer. Guillaume often played acerbic, dry-witted, but ultimately lovable characters like the butler Benson Du Bois, which he created on the 1977 series “Soap,” before his character was spun off in 1979. Guillaume won Emmys both for “Soap” (as supporting actor) and “Benson” (as lead actor).
He was also known as the the voice of Rafiki in “The Lion King,” for which he also won a Grammy for a spoken word recording. “Benson” ran on ABC for seven years until 1986. The show brought Guillaume an Emmy in 1985 for lead actor in a comedy. In the late ’90s he took on the role of Isaac Jaffe, executive producer of a cable sports show on the ABC sitcom “Sports Night,” and continued to perform even after being felled by a stroke.
Guillaume also possessed a powerful, mellifluous voice, which he used most notably to play the title role in Andrew Lloyd Webber’s “Phantom of the Opera” onstage. After suffering through a period of unemployment during the ’70s, he was cast in an all-black revival of “Guys and Dolls” as Nathan Detroit, which debuted on Broadway in 1977 and secured him a Tony nomination. He also guested during this period on sitcoms such as “All in the Family,” “Good Times,” “Sanford and Son” and “The Jeffersons,” which led to the supporting role of Benson in “Soap.”
He tried another sitcom in 1989, “The Robert Guillaume Show,” playing a marriage counselor. The series lasted four months before ABC pulled the plug. He returned to singing in 1990 in the Los Angeles production of “Phantom of the Opera” and on Broadway in the lead role of “Cyrano — The Musical” for four months beginning in November 1993. He also performed regularly in concert.
Guillaume was featured in films such as “Meteor Man,” “First Kid” and “Spy Hard.” On television he appeared in the HBO family series “Happily Ever After” and TV movies and miniseries including “Children of the Dust,” “Run for the Dream” and “Pandora’s Clock.” He appeared in Tim Burton’s “Big Fish” in 2003, and then made more frequent bigscreen appearances later in the decade, appearing in the Christian film “The Secrets of Jonathan Sperry” in 2008; in the thriller “Columbus Circle,” starring Selma Blair, in 2010; and in the small musical dramedy “Satin” in 2011.
Robert Peter Williams was born in St. Louis, Mo., changing his name only after he decided on a career in acting. After completing his schooling he joined the Army in 1945 and was discharged 15 months later. He took on a number of menial jobs while studying nights at St. Louis U. He originally intended to study business but became interested in singing and transferred to Washington U. to study voice and theater. His performance at the 1957 Aspen Music Festival led to an apprenticeship at the Karamu Performing Arts Theater in Cleveland, where he appeared in operas and musical comedies.
After moving to New York, he made his Broadway debut in a 1960 revival of “Finian’s Rainbow” and found regular employment in the chorus of shows like “Fly, Blackbird,” “Golden Boy” and “Porgy and Bess.” In 1972 he took on the title role in the musical “Purlie” and also appeared in the revue “Jacques Brel Is Alive and Well and Living in Paris.”He is survived by his second wife, TV producer Donna Brown Guillaume; one son (another died in 1990); and three daughters.
Source: Robert Guillaume, Star of ‘Benson,’ Dies at 89 – Variety
Posts published in “Movies”
The African American Film Critics Association (AAFCA) has named Get Out writer-director Jordan Peele and ABC Entertainment President Channing Dungey among the recipients of its special achievement honors.
Alcon Entertainment’s co-CEOs Broderick Johnson and Andrew Kosove and Los Angeles Film Festival president Claudia Puig will also be recognized at AAFCA’s special achievement luncheon in 2018, which along with its annual awards ceremony will be a “Celebration of Women in Cinema.” The success of female-helmed films this year, from big-budget features including Patty Jenkins‘ Wonder Woman to Dee Rees‘ anticipated Mudbound (which recently screened at New York Film Festival), has inspired AAFCA — the largest group of black film critics — to proclaim 2017 the “Year of the Woman in Cinema.”
The organization stated that with films including The Zookeeper’s Wife, A United Kingdom, Detroit and The Beguiled, “women are rightfully being recognized for their long overdue equity in potential for quality, successful filmmaking.” “There is no argument that women have made a bold step forward this year in Hollywood,” says AAFCA president Gil Robertson, who co-founded the organization in 2003 with Shawn Edwards. “The evidence demonstrated during the past year speaks for itself both in terms of box office and critical recognition by women, and we predict that there will be continued momentum going forward. We are also pleased that African American women are a part of this progress and are taking advantage of increased opportunities to make their cinematic imprint.”
The organization also said that future projects, including Ava DuVernay‘s A Wrinkle in Time in March 2018, show that women and African American directors are heading toward a normalcy in getting more big-screen opportunities. “Women wrote, produced and directed some of the year’s most compelling, provocative and culturally relevant movies,” adds Edwards. “However, there is still a lot of work to be done to ensure that women have a permanent place at the table with equal representation.”
In addition to the AAFCA special achievement luncheon on Feb. 3 in Marina del Rey, Calif., the organization’s annual awards program will take place on Feb. 7 at the Taglyan Complex in Hollywood.
Source: Jordan Peele, ABC’s Channing Dungey to Be Feted by AAFCA | Hollywood Reporter
by Michael P. Jeffries via theatlantic.com
When comedian Tiffany Haddish was 9, her stepfather tampered with the brakes on her mother’s car, hoping to kill his partner and her four children. Rather than going out with her mom that day, Haddish asked to stay home and look after her younger siblings—sparing her from the horrific accident that left her mother mentally impaired. As the oldest child, Haddish did what she could to help for three years, from tying her mother’s shoes to paying bills, but eventually Haddish and her siblings were placed in foster care.
Haddish used the trauma and tragedy of her upbringing to ignite what is now a blazing comedy career. As a child, the Girls Trip star was teased for being a foster kid, but Haddish has also talked about maintaining a strong sense of self worth in her recent Showtime standup special, She Ready!: From the Hood to Hollywood. “The state of California paid so much money to make sure I don’t die ‘cause they knew I was gonna be special,” Haddish tells her audience. “They knew it. They was like, ‘This one right here, she gonna be a unicorn.’ And they was right. I’m the last black unicorn, bitch!”
Haddish’s ascent in recent years—debuting on NBC’s The Carmichael Show in 2015 and appearing in the 2016 action comedy Keanu and the summer hit Girls Trip—is a testament to her talent and resilience. But her story also offers insight into what it takes for a black woman in comedy to become successful today. Haddish’s rise points to where systemic roadblocks still lie for performers of color, particularly women, when they first enter the business—and how some barriers to entry may be falling as comedy enters a new golden age, with fewer gatekeepers and more platforms for artists to reach their fans.
Even though Girls Trip has a black director and writers, Haddish faced questions about her low profile. Her agent initially told her that studio executives were looking for someone with a bigger name to play her character, Dina. Haddish told her agent to tell them, “I’ve had a name since 1979. Okay? I was born with a name.” In the end, her rare comedic gifts won out, and reviews of Girls Trip regularly singled Haddish out for praise.
via blackamericaweb.com
The HBCU Power Awards has announced that actress, singer-songwriter, director, and philanthropist Jada Pinkett Smith will receive the “Icon Award” on the evening of excellence on Friday, October 20, 7PM at Morehouse College in Atlanta.
Smith began her acting career as the feisty “Lena” from the 80s sitcom “A Different World,” a show that brought HBCU life to tv screens across the country 30 years ago. Since then, Smith has curated a successful career in film and music while giving back to the community through the Will and Jada Smith Family Foundation.
Actor/choreographer Derek “Fonzworth Bentley” Watkins (Morehouse c/o ’96) supermodel Jessica White and actor/comedian Deon Cole will co-host the show. Co-founded by Watkins along with event producer Jash’d Kambui Belcher (Morehouse c/o ’99) and Wall Street executive Roderick Hardamon (Morehouse c/o ’98), the HBCU Power Awards honors the achievements and accomplishments of HBCU alumni and supporters who are making innovative and leading-edge achievements in business, sports, philanthropy, media, music, technology, TV, film, politics, civil service and fashion.
“We created the HBCU Power Awards to serve as a platform to celebrate black excellence and to highlight the importance of HBCUs in our communities,” says Belcher. “Our honorees embody the spirit of success and commitment to community that HBCUs have instilled in students for decades.”Adds Watkins: “In a time when the existence of our HBCUs is being threatened, the Power Awards is a shining reminder of the genius and innovation that black colleges generate every year.”
Sponsors of the 2017 HBCU Power Awards include Morehouse College, the Atlanta Hawks, Radio One, Wells Fargo, Morgan Stanley, Experience Grands Rapids and the Lowman Group/ dba the Athletes Foot.
Ticket prices start at $20 and are available at HBCUPowerAwards.com.
To read more, go to: Jada Pinkett Smith To Be Honored At HBCU Power Awards | Black America Web
by Latifah Muhammad via vibe.com
John Legend and Jesse Williams are working on a documentary that will look at the 1968 Black Power salute seen around the world. More than four decades before Colin Kaepernick took a knee in silent protest of police brutality and racial injustice, Olympians Tommie Smith and John Carlos made a statement with raised fists during the Summer Olympic games in Mexico City.
The documentary, With Drawn Arms, is executive produced by Williams and Legend, along with the Grammy and Oscar winning singer’s partners from his Get Lifted Film Co., Deadline reports. Smith is the focus of the documentary. The former sprinter and NFL wide received took home the gold medal at the 1968 games after completing the 200-meter dash, while Carlos earned the bronze medal. Both men were suspended for raising their fists during the medal ceremony, stripped of their credentials, and given 48 hours to leave Olympic Village.
With Drawn Arms is currently in production in Los Angeles and is co-directed by Glenn Kaino and Afshin Shahidi, who is the father of Black-ish actress Yara Shahidi, and worked as one of Prince’s personal photographers. “Tommie Smith is more than an iconic poster or risky act of defiance that inspires people the world over,” Williams said in a statement noting that Smith is a “living man, whose incredible journey is worthy of examination.” He added, “I couldn’t be more excited to join forces with this team of filmmakers, to share his reality and challenge our notions of heroism in the process.”
To read more, go to: John Legend, Jesse Williams Team For Film On Olympic Protest
by Tami August via elev8.hellobeautiful.com
This fall, award-winning science fiction writer and UCLA professor Tananarive Due will teach a “Get Out”–inspired course called “Sunken Place: Racism, Survival, and Black Horror Aesthetic,” i09 reports. Jordan Peele‘s directorial debut, which couches America’s history of racist scientific experimentation in a romantic horror plot, continues to make waves months after it became a blockbuster hit. “Get Out” inspired Due to consider the history of Black horror in fiction and film.
In an interview with i09’s Evan Narcisse, Due calls herself a “horror head” who considers horror a subgenre of speculative fiction, where she reigns supreme. Winner of The American Book Award, the NAACP Image Award for Outstanding Literature, and the Carl Brandon Kindred Award, Due has published over ten novels since 1995. She told i09 that “Get Out” has given film executives a way to understand her own horror adaptations for the screen.
Prior to “Get Out,” Due noted, the most popular contemporary Black horror film was “Beloved,” the movie adaptation of Toni Morrison‘s novel that didn’t perform as well in the box office as it did in the bookstore. “Get Out” may have helped Due move forward in her screenwriting projects, but it also prompted her to look back at the genre’s Black history. Due said that for African Americans, the horror genre is “a great way to address this awful, festering wound in the American psyche, the slavery and genocide that was present during our nation’s birth.”
The professor mentioned film examples such as “Blacula,” “Def by Temptation,” and “Tales From the Hood.” She also plans to teach the short fiction of W.E.B. DuBois, whose story “The Comet” imagines a Black man and White woman as the sole survivors of apocalypse in the “era of lynching.” Due said, “These are two very different artists in two very different times, but DuBois’ story is a great companion, in a way, to what Jordan Peele was doing with the Black man and White woman in his movie.”
Source: ‘Get Out’ Inspires New College Course | Elev8
by Dave McNary via Variety.com
Morgan Freeman has been named the 54th recipient of the SAG Life Achievement Award for career achievement and humanitarian accomplishment. Freeman will be presented the accolade at the 24th Annual Screen Actors Guild Awards on Jan. 21 at the Shrine Auditorium in Los Angeles. The award is given annually to an actor who fosters the “finest ideals of the acting profession.”
Freeman has won a Screen Actors Guild Award, an Academy Award, HFPA’s Cecil B. DeMille Award, an AFI Lifetime Achievement Award, seven Image Awards, a Silver Berlin Bear and a Kennedy Center Honor. SAG-AFTRA made the announcement Tuesday. “I am thrilled to announce Morgan Freeman as this year’s recipient of the SAG Life Achievement Award,” said SAG-AFTRA President Gabrielle Carteris. “Some actors spend their entire careers waiting for the perfect role. Morgan showed us that true perfection is what a performer brings to the part. He is innovative, fearless and completely unbound by expectations… It has been a privilege to see his genius at work.”
Freeman won an Academy Award in 2005 for Best Supporting Actor for “Million Dollar Baby.” He was nominated for Oscars for “Street Smart” (1987), “Driving Miss Daisy” (1989), “The Shawshank Redemption” (1994) and “Invictus” (2009). He also won a SAG Award for “Million Dollar Baby.”
He has nearly 100 feature film credits including “The Dark Knight,” “The Bucket List,” “Glory,” “Lean on Me,” “Se7en,” “Amistad,” “Bruce Almighty,” and “Along Came a Spider.” Recent credits include “Going In Style,” “Ben-Hur,” “Now You See Me 2” and “London Has Fallen.” Freeman’s upcoming films include “Villa Capri” and Disney’s “The Nutcracker and the Four Realms.”
To read full article, go to: Morgan Freeman Wins SAG Life Achievement Award | Variety
by Hazel Cills via jezebel.com
After Fox 2000‘s space race drama “Hidden Figures” was released last year, an unprecedented amount of United States embassies were reportedly calling the State Department requesting the film. Eventually the movie was screened to nearly 80 locations overseas and because of all those screenings, a new, publicly funded exchange program will bring women from around the world working in science, technology, engineering, and math (STEM) to the United States.
The program, called #HiddenNoMore, will bring 50 women from 50 different countries who are working in STEM fields to the United States. The chosen participants will travel to Washington in October before traveling across the country for three weeks meeting with universities, Girl Scouts, and other organizations.
Then they’ll all come together in Los Angeles for a two-day event on the 21st Century Fox lot. Across STEM industries, women, particularly women of color, are vastly underrepresented. “Hidden Figures” already shed light on the important history of black women in mathematics, but with programs like #HiddenNoMore it’s cool that the movie can now help create its future.
To read full article, go to: Hidden Figures Has Inspired a State Department Education Exchange Program
by Paula Rogo via essence.com
The year is not yet done and Jordan Peele’s horror masterpiece “Get Out” has already been declared the most profitable movie of the year. The movie, which is the highest-grossing original screenplay ever, had a 630 percent return on investment, according to TheWrap.
Peele was given a $4.5 million budget by Blumhouse Productions to work with on “Get Out,” grossing $252 million worldwide. M. Night Shyamalan‘s “Split,” also produced by Blumhouse, had a 610 percent return on investments on a global haul of $277 million. It is the second-highest most profitable film of the year.
To read more, go to: Jordan Peele’s ‘Get Out’ Is Most Profitable Film of 2017 | Essence.com
by Lori Lakin Hutcherson (@lakinhutcherson)
According to Deadline.com, Universal’s Girls Trip has earned director Malcolm D. Lee not only his second A+ CinemaScore following 2013’s The Best Man Holiday, but also the best opening of his career at the domestic B.O. with $30.4M, beating Holiday‘s $30.1M. This is an incredible start for a movie that cost under $20M, is getting across-the-board positive reviews (plus, Tiffany Haddish‘s viral Will-and-Jada swamp story on “Jimmy Kimmel” exists because of this movie, so even more reason to give it up to “Girls Trip”) and it’s great for comedies in a marketplace. On Friday, the film made $11.7M and eased 5% on Saturday for $11.1M.
RelishMix sees Girls Trip‘s momentum fueled by its cast’s passion to promote on social media. “It’s encouraging to see an entire cast get behind a film — every cast member is social and activated, which is a true rarity. So, many of the YouTube views are surely driven by the super-social cast, led by Queen Latifah’s 18M followers,” reported the social media firm. Jada Pinkett Smith counts 8.9M followers across Facebook and Twitter.
“Girls Trip is a break-through comedy that is providing audiences with big entertainment, big laughs,” said Universal domestic distribution chief Nick Carpou, “Malcolm D. Lee is a master at creating characters and telling stories that resonate, and in conjunction with producers Will Packer and James Lopez, has brought us a fresh, raunchy, empowering comedy.”
In other box office news, World War II drama “Dunkirk” came in at number one this weekend, earning $50.5 million, but sci-fi spectacle “Valerian” crashed hard, collecting only $17M in its fifth-place debut. The top 5 were rounded out by holdovers “Spider-Man: Homecoming,” which earned $22M in its third week, and “War for the Planet of the Apes,” scoring $20.4M in its second.