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Posts published in “Documentary”

Michelle Obama Supports CNN Film "We Will Rise" on Global Education for Girls, Which Premieres Today

First Lady Michelle Obama "We Will Rise" (photo via education.microsoft.com)
First Lady Michelle Obama “We Will Rise” (photo via education.microsoft.com)

article by Michelle Obama via cnn.com

For me, education has never been simply a policy issue — it’s personal.

Neither of my parents and hardly anyone in the neighborhood where I grew up went to college. But thanks to a lot of hard work and plenty of financial aid, I had the opportunity to attend some of the finest universities in this country. That education opened so many doors and gave me the confidence to pursue my ambitions and have a voice in the world.

For me, education was power.

And a few years ago, when I had the honor of meeting Malala Yousafzai, who was shot in the head just for trying to go to school, this issue got really personal for me. I saw that the terrorists who nearly killed her were trying to silence her voice, snuff out her ambitions, and take away her power.

That’s why I decided to work on global girls’ education as first lady: because right now, there are tens of millions of girls like Malala in every corner of the globe who are not in school — girls who are so bright, hardworking and hungry to learn. And that’s really the mission of the Let Girls Learn initiative we launched last year: It’s a global effort to give these girls the education they need to fulfill their potential and lift up their families, communities and countries.

Now, as first lady, I have no budget of my own for programs, and I have no authority to make or pass laws. That’s why, when we first launched Let Girls Learn, many folks doubted that we could make a real impact on this global issue.  But over the past year and a half, we’ve established partnerships with some of the world’s largest companies and organizations that are committing money, resources and expertise. We’re collaborating with countries like Canada, Mexico and the Nordic countries on girls’ education efforts. Countries like Japan, South Korea, and the United Kingdom have collectively pledged nearly $600 million.

The United States is investing over a billion dollars through new and ongoing efforts and running Let Girls Learn programs in more than 50 countries. The World Bank Group will be investing $2.5 billion over the next five years. And through social media campaigns, Let Girls Learn has rallied people across America and across the globe to step up and be champions for girls worldwide.

All this is happening because time and again, whether it’s a head of state, a corporate CEO, or a 15-year-old girl here in the United States, when people hear the stories of girls who aren’t in school, they want to help.   That’s why CNN’s new film on global girls’ education, “We Will Rise,” airing for the first time this week, is so critically important — because it tells these girls’ stories.

This powerful film chronicles the lives of some of the girls I visited this past summer in Liberia and Morocco, two countries in Africa where many girls struggle to get an education. I was joined in my travels by the actors and activists Meryl Streep and Freida Pinto, who are also passionate about girls’ education, as well as CNN anchor Isha Sesay.

Together, we sat down with girls in both countries to discuss the barriers they face and the dreams they hold for their futures. Like so many girls around the world, many of these girls come from families struggling with poverty. Some endure dangerous commutes to and from school each day. Others face cultural pressures to drop out, marry young and start having children of their own.

But these girls have big plans for their lives. They want to attend college and become doctors, teachers, engineers, entrepreneurs; and day after day, they do whatever it takes to get the education they need to fulfill their dreams. They get up before dawn, and spend hours harvesting crops, cooking for their families and tending to their younger siblings before heading to class. After school, they work as maids and in factories, and they study for hours late into the night.

I hope you will be as moved by their stories as I was — and I hope you’ll visit LetGirlsLearn.gov to learn more about how you can take action to help girls like them worldwide go to school.  Unlike so many girls around the world, we have a voice. That’s why, particularly on this year’s International Day of the Girl, I ask that you use yours to help these girls get the education they deserve. They’re counting on us, and I have no intention of letting them down. I plan to keep working on their behalf, not just for the rest of my time as first lady, but for the rest of my life. I hope you will join me.

Nat Turner's Alleged Skull Returned to Great-Great-Great-Great Granddaughters After 185 Years

Shanna Batton Aguirre, a fourth generation descendant of Nat Turner, holds a box containing what some believe is Turner’s skull. (PHOTOGRAPH BY JED WINER, NATIONAL GEOGRAPHIC)

article by Justin Fornal via news.nationalgeographic.com
PUBLISHED OCTOBER 7, 2016: A small group gathered today in a hotel suite on the outskirts of Gary, Indiana. The nine formally-dressed guests joined hands while standing around a table containing only a white box. Reverend John Jackson of Trinity United Church of Christ started the prayer.  “Eternal God, we are gathered here today to honor you, and to honor the legendary liberator, emancipator of the enslaved, and revolutionary of righteous, the Reverend Nathaniel Turner.”
The gathering’s 83-year-old host, Richard Gordon Hatcher, who served as Gary’s mayor from 1968 to 1987, planned the event at which a skull alleged to be Turner’s was turned over to his descendants.   The guests of honor, Shannon Batton Aguirre and Shelly Lucas Wood, both great-great-great-great granddaughters of Turner, flew in from Washington D.C. to accept the remains.
In 1831, after receiving what he believed to be prophecies from God, Nat Turner led the bloodiest slave revolt in American history. Accompanied by a small army of his brethren, the group fought their way through the countryside of Southampton County, Virginia, with hopes of ending the scourge of slavery. When the bloodletting ended, more than 55 whites lay dead.
The local militia quelled the uprising within 48 hours, but Turner managed to elude his pursuers. After two months he was captured, tried, and on November 11th, he was hanged from a tree in the town of Jerusalem, now Courtland, Virginia. It is here that the facts surrounding Turner end and speculation and lore begin. (Read about Turner’s complex legacy.)

Many stories have circulated about the fate of Turner’s remains after his hanging. Several versions claim that he was flayed, quartered, and decapitated before his torso was finally buried in the local pauper’s cemetery. His skull and brain were then sent away for study.
During the recent filming of the National Geographic Studios documentary Rise Up: The Legacy of Nat Turnerthere were frequent discussions with descendants and historians about the fate of Turner’s remains. Several had heard reports or read newspaper articles stating that the skull had been donated to former mayor Hatcher at a 2002 charity gala for the Civil Rights Hall of Fame, a museum project Hatcher has long championed.

To read full article, go to: After 185 Years, Nat Turner’s Alleged Skull Returned to Family

Ava DuVernay's Mass Incarceration Documentary "13th" Opens to Standing Ovation at New York Film Festival

New York Film Festival 2016 opening
Filmmaker Ava DuVernay (GREGORY PACE/REX/SHUTTERSTOCK)

article by Gordon Cox via Variety.com

Ava DuVernay’s “13th” opened the 54th New York Film Festival with a jolt of topical urgency, shaking up tradition as the first documentary to kick off the festival and addressing head-on the issue of mass incarceration and its historical roots. The crowd at the premiere screening rose to its feet when the credits rolled — and then did it a couple more times after that: once when the lights came up on the filmmakers, activists and academics involved in the film, and again when DuVernay appeared for a brief talkback after the movie.

Heightened security measures, a reaction to the Sept. 17 bombing in Chelsea, made the opening the first in recent memory to involve bomb-sniffing dogs and security wands. Famous faces including Oprah WinfreyCommon and Don Lemon turned out for the film, which confronts issues at the forefront of the current political conversation: race, inequality, the fallout of slavery, police brutality and Black Lives Matter.
“This moment, this Black Lives Matter moment, it’s not a moment. It’s a movement,” said DuVernay on the red carpet before the film’s world premiere (in words she would later echo when she addressed the crowd in the theater). “People thought, ‘Oh, will it last?’ Well, it has lasted. It’s changed things. It’s forced candidates to talk about things that they did not talk about in previous elections. It’s opened people’s minds. It’s changed art-making. It’s changed music. People are seeing things through a different filter now.”
To read full article, go to: http://variety.com/2016/film/news/new-york-film-festival-2016-opening-13th-ava-duvernay-1201875308/

Marvin Gaye Documentary "Marvin, What’s Going On?" Set to Film This Year

Marvin Gaye Documentary Movie ‘Marvin, What’s
COURTESY OF JIM BRITT/THE MICHAEL ORE COLLECTION/GETTY IMAGES

article by Lori Lakin Hutcherson (follow @lakinhutcherson)
According to Variety.com, the life and art of legendary musician Marvin Gaye is being developed int a feature documentary by Noah Media Group and Greenlight called, “Marvin, What’s Going On?” The film will center on Gaye’s creation of his seminal 1971 album “What’s Going On” and marks the first time that his children — Nona Gaye, Marvin Gaye III and Frankie Gaye — along with his former wife, Janis Gaye, have supported and contributed to such a project.
The documentary is slated to go into production this year and is intended to be “the defining portrait of this visionary artist and his impeccable album,” according to a statement from the film’s producers.
The album, which was recorded at the zenith of Detroit’s Motown era, was heavily influenced by the troubling Vietnam War and the assassination of Martin Luther King, Jr. Gaye produced an album that “challenged America and the world to self-reflect, going on to inspire a generation of artists and music lovers,” the producers said. “The relevance of [his] masterpiece…is as strong as ever.”
The project will be filmed in Detroit, Los Angeles and Washington, and will feature exclusive interviews with several top Motown artists and never-before-seen archive footage unearthed by Gaye’s children and former wife. The film is set to be released in 2017.
In a joint statement, Gaye’s children commented: “We would like to express our excitement about the upcoming documentary feature film about our father and the creation of his amazing ‘What’s Going On’ album. We are proud that his relevance remains intact, and we look forward to being a part of this cinematic journey.
“Our father was complex, but we are confident that with Noah Media Group’s attention to detail and their dedication to the truth, the positive, inspirational and aspirational aspects of his life will be handled and shared with the world in a way never seen before.
“We look forward to participating and sharing what we can through friends, family, photos, footage and priceless stories that only those who knew our father up close and personal would know, as well as his contemporaries, purists and fans who have studied him and his art over decades.
“’What’s Going On?’…something many of us find ourselves asking today, 45 years later. Peace.”

EDITORIAL: Disadvantaged Fathers Should Be Supported, Not Stigmatized

DDG Still.jpg
by Omar Epps, Malik Yoba and Emily Abt

The image of the “deadbeat dad” has been and remains pervasive but there are millions of men in America who live in defiance of this stereotype. Our film Daddy Don’t Go” was born from these parallel and enduring realities: that one in three American children is fatherless but there are also countless fathers fighting to be active in their children’s lives who deserve to be seen.

In an effort to better understand the obstacles these men face, we followed four disadvantaged dads –Roy, Nelson, Omar and Alex – over the course of two years as they struggled to be present fathers. The issues in the film are close to our hearts. Omar is the product of a fatherless household but now a proud father of three.  Malik credits his own father with being the inspiration for his perseverance during a tough custody battle. Emily’s grandfather was excluded from her father’s life for his inability to pay child support.  So we were all deeply committed to exploring the issue of fatherlessness when we began making the film three years ago, what did we learn along the way?
Persistent unemployment is a major problem for disadvantaged fathers.  All four of the fathers in “Daddy Don’t Go” very much wanted to work but struggled to get and keep steady jobs.  They are certainly not alone in this struggle.  Working, in America, is in decline. The number of men ages 25 to 54 who are not working has more than tripled since the late 1960s.
Making this film had us yearning for the work programs of the New Deal era when millions of men were given the opportunity to work and provide financial security for their families. Our current government has made great efforts to enforce child support payments but where are the large-scale job programs for disadvantaged men that could really make a difference?
Our second big take-away from making “Daddy Don’t Go” is that while there have been vast improvements; our family court system still treats men like second-class parents.  Child support payments are mostly shouldered by men but only 18% of fathers have custody of their children.  This means that a man’s financial role in his child’s life continues to be prioritized above his emotional one.

Metal Trio Unlocking the Truth Unveil Emotional Trailer from Documentary "Breaking A Monster" (VIDEO)

Metal band Unlocking the Truth (photo via sxsw.com)
Metal band Unlocking the Truth (photo via sxsw.com)

article by Sarah Grant via rollingstone.com
Unlocking the Truth, a metal band composed of three African-American seventh graders, is the subject of the acclaimed documentary Breaking a Monster. The music doc follows the unlikely trio – Alec Atkins, Malcolm Brickhouse and Jarad Dawkins – that scored a $1.8 million record deal with Sony Music Entertainment.
Breaking a Monster was directed by Luke Meyer, who follows the middle school metalheads around from the moment their first video went viral on YouTube. But like many young performers who stumble upon sudden success, the road to fame is fraught with uneasy demands, stress from parents and friends and tough life decisions.
“Originally I was asked to make a short film about the band when they were still gaining traction as street performers,” Meyer told film website IndieWire. “The short focused on what it’s like to be young and have unrestricted dreams about who you want to be in the world. In the case of Unlocking the Truth, because they’re so talented, those dreams didn’t feel as far-reaching as they might for some other kids.”
Breaking a Monster will be released this summer nationwide starting with a June 24 release in New York City and a July 1 release in Los Angeles.
[youtube https://www.youtube.com/watch?v=ICnJdMApbdE&w=560&h=315]
Read more: http://www.rollingstone.com/music/news/metal-trio-unlocking-the-truth-unveil-emotional-doc-trailer-20160603#ixzz4AkGcNfG5 

Film Documentary about Whitney Houston to be Directed by Academy Award Winner Kevin MacDonald

Kevin Macdonald to Direct Documentary Film
Whitney Houston (COURTESY OF RICHARD YOUNG/REX/SHUTTERSTOCK)

article by Leo Barraclough via Variety.com
Kevin Macdonald, who won an Oscar for “One Day in September,” is to direct a theatrical feature documentary about the life of Whitney Houston. It is the first documentary to be officially authorized by her estate.
The film will be produced by Simon Chinn, who won Oscars for “Man on Wire” and “Searching for Sugar Man,” his Lightbox Media partner Jonathan Chinn (“Fantastic Lies,” “American High”) and Lisa Erspamer (“Running From Crazy”). Altitude Film Sales is introducing the project to buyers at the Cannes Film Festival, with U.K. rights acquired by Altitude Film Distribution. Will Clarke, Andy Mayson and Mike Runagall will executive produce.
The film will include an interview with Clive Davis, founder and president of Arista Records, currently chief creative officer of Sony Music Entertainment, who is acknowledged for bringing Houston to prominence.
Houston broke more records than any other female singer in the history of popular music, with over 200 million album sales worldwide, and inspired a generation of singers from Mariah Carey and Lady Gaga to Beyoncé.

"Black Women in Medicine" Documentary to Screen at Yale on Tuesday 4/26

Black Women in Medicine (photo via changingthefaceofmedicine.org)
Black Women in Medicine (photo via changingthefaceofmedicine.org)

article by Lori Lakin Hutcherson (@lakinhutcherson)

New Haven, Conn.—A screening of the documentary film “Black Women in Medicine” by producer/director Crystal Emery will take place on Tuesday, April 26 at 4 p.m. at the Yale School of Medicine’s Anlyan Center (TAC), Rm. N107, 300 Cedar St.

“Black Women in Medicine” chronicles the unsung journeys of black women doctors who have risen above inequality to excellence while becoming leaders in their fields.

The event will feature a reception and book signing for “Against all Odds: Celebrating Black Women in Medicine.” Yale School of Medicine Dean Robert Alpern, New Haven Mayor Toni Harp, and Yale School of Medicine Professor and Interim Chair of Internal Medicine Gary Desir, will deliver opening remarks. Registration is encouraged.

Click through below to see the trailer on Vimeo:

https://vimeo.com/153400553
The event is an initiative of URU The Right to Be Inc., in collaboration with The Minority Organization for Retention & Expansion (MORE), the Committee on the Status of Women in Medicine (SWIM), the Office of Women in Medicine, and the Office of Multicultural Affairs.
Guests can attend one of two breakout workshops, titled “Changing the Face of Medicine: From Conversation to Action” and “Retention and Recruitment.”

Mavis Staples Tells Her Own Story in HBO Documentary "Mavis!"

512130648-singer-film-subject-mavis-staples-attends-the-ny
Mavis Staples attends the NY Premiere of HBO’s documentary film ‘MAVIS!’ at Florence Gould Hall on February 24, 2016 in New York City.  (MICHAEL LOCCISANO/GETTY IMAGES FOR HBO)

article by Nsenga K. Burton, Ph. D. via theroot.com
Legendary singer and civil rights activist Mavis Staples has been in the business of making music and changing lives for over 60 years. The Chicago-born singer with the signature raspy voice launched her career in 1950 as part of the family gospel group The Staple Singers, comprised of her father (Pops) and three older sisters (Cleotha, Pervis and Yvonne). The “skinny 15-year-old girl with the big voice” was often mistaken for a man or a big woman, surprising fans with her childlike appearance despite her full-bodied voice.
Like many family acts, the Staples honed their craft in the church before taking their show on the road. Having recorded a couple of singles, the Staples Singers hit their stride with the 1957 release of “Uncloudy Day,” on the renowned Vee-Jay Records, which became a mainstream hit. The rest as they say is music history. Staples’ life and times as a singer and activist are chronicled in the HBO documentary Mavis!, directed by Jessica Edwards, who made it her goal to capture the life of a living legend in her words on her terms, having realized that “No one had done the story of her.”
Mavis! chronicles the rise of the Staples Singers and their evolution from gospel to freedom songs to soul music. Staples leads viewers down memory lane recalling the group’s work with Dr. Martin Luther King, Jr. and the civil rights movement, her romance with the love of her life (musical giant Bob Dylan) and Staples desire to remain humble despite her staying power and overcoming the precariousness of the music business.
The 76-year-old, who still lives in Chicago, is still touring and picking up awards, having recently won a 2016 Grammy for Best Roots Performance for the song, “See That My Grave is Kept Clean.”  Staples is proud of her win. “It’s a wonderful feeling for an artist of my generation to be honored and recognized,” says Staples. “It’s very inspiring and it makes me feel like my decision not to retire and to keep making new music was the right one,” she adds.
To read more, go to: http://www.theroot.com/articles/culture/2016/03/mavis_staples_tells_her_own_story_in_mavis.html
Mavis! is currently airing on HBO. Check local listings

Urban Movie Channel Announces 6 New Streaming Premieres in Honor of Black History Month

The North Star
The North Star (image via Shadow And Act)

article by Tambay A. Obenson via Shadow and Act
RLJ Entertainment’s Urban Movie Channel (UMC) kicked off Black History Month with the premiere of the Underground Railroad drama, “The North Star,” on February 5, 2016. Based on true events, the film chronicles the perilous journey of two slaves, Benjamin “Big Ben” Jones (played by former Philadelphia Eagles’ Jeremiah Trotter) and Moses Hopkins (Thomas C. Bartley, Jr.), who escaped from a Virginia plantation and made their way to freedom in Buckingham, Pennsylvania in 1849.
A directorial debut by Thomas K. Philips, the feature film also stars Lynn Whitfield, Clifton Powell, and Keith David.
On February 19, UMC will premiere “Becoming Barack: Evolution of a Leader,” a revealing portrait of President Barack Obama‘s formative years in Chicago, and “Bound: Africans VS. African Americans,” a hard hitting documentary that addresses the little known tension between Africans and African Americans, produced by Isaiah Washington and directed by filmmaker Peres Owino.
Later in the month on February 26, UMC will feature untold stories of history with the premieres of “An American Ascent,” a documentary about the first black mountaineer group to climb Denali, the highest peak in North America, and the first two installments from producer/director Tim Reid‘s Legacy Documentary Series, “Legacy of Blacks in Auto Racing” and “Builders of the Alaska Highway.”
Available at urbanmoviechannel.com, UMC is the first urban-focused streaming service in North America showcasing quality and exclusive urban content designed for African American and urban audiences.
To read more, go to: http://blogs.indiewire.com/shadowandact/urban-movie-channel-announces-6-new-streaming-premieres-in-honor-of-black-history-month-20160205