
article by Taryn Finlay via huffingtonpost.com
Jay Z is tackling race in the Trump era. The rap mogul is currently working on his third docuseries, “Race With Jay Z,” with National Geographic. The project, produced by Hov and The Weinstein Company, will explore systematic injustices such as incarceration and the wealth gap, social media, activism and family, Variety reported. It will look at how race became “the most pressing issue in the nation” following the election.
The six-part docuseries, hosted by Jay Z, will include documentary, animation and archival footage. It will also feature diverse voices from immigrants, first-generation Americans and others.“National Geographic and Jay Z are the world’s foremost storytellers in their own right, and we’re thrilled to be working with them on such an evocative and meaningful project,” Harvey Weinstein, co-chairman of The Weinstein Company, told Variety.
“By using highly cinematic storytelling techniques along with Jay Z’s singular point of view, the series will tell a dramatic, thought-provoking story on race in America.” “Race With Jay Z” is the artist’s latest reported docuseries. His first effort following the story of a teen unjustly incarcerated at Rikers Island, “Time: The Kalief Browder Story,” premiered in March. It was also recently announced that Jay Z is working on a project about the 2012 shooting and killing of 17-year-old Trayvon Martin.
Source: Jay Z Is Working On A New Docuseries On Race In Trump’s America | The Huffington Post
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article via blavity.com
While most teens are consumed with navigating puberty, Ifetayo Ali-Landing is busy being a cello master. A student at the Hyde Park Suzuki Institute in Chicago, IL, Ali-Landing recently took home the coveted 1st place prize in the 2017 Annual Sphinx Competition.
Along with a $10,000 cash prize, the young prodigy will also have an opportunity to feature as a soloist with major orchestras and perform with the all black and Latino Sphinx Symphony Orchestra. This, along with a nationally-broadcast radio appearance on the prestigious NPR and PBS broadcasted talent showcase From the Top, the 14-year-old competitive musician is making her mark as a premier cellist.
Ali-Landing began playing the violin as a toddler before deciding to switch to cello at the age of 3. Since then, she has received numerous awards and performed in several showcases including the 2013 Friends of the IPO (Illinois Philharmonic Orchestra) Rising Stars Showcase where, at age 10, she recorded the 1st movement of the Saint-Saëns Cello Concerto No.1 in A minor.
The performance of which went viral with over 53,000 YouTube views and 8 million Facebook views.
Source: This 14-Year-Old Prodigy Cellist Won A Coveted National Music Competition | BLAVITY
article by Kate Mather via latimes.com
The Los Angeles Police Commission voted Tuesday to require officers to try, whenever possible, to defuse tense encounters before firing their guns — a policy shift that marks a significant milestone in the board’s attempts to curb shootings by police.
The new rules formally incorporate a decades-old concept called “de-escalation” into the Los Angeles Police Department’s policy outlining how and when officers can use deadly force. As a result, officers can now be judged specifically on whether they did all they could to reduce tensions before resorting to their firearms.
Tuesday’s unanimous vote caps a 13-month effort by the Police Commission to revise the policy. Two sentences will be added to the department’s manual, the first of which tells officers they must try to de-escalate a situation — “whenever it is safe and reasonable to do so” — by taking more time to let it unfold, moving away from the person and trying to talk to him or her, and calling in other resources.Not everyone supported the new policy, however.
The American Civil Liberties Union sent the commission a letter before Tuesday’s meeting expressing concern the revisions did not go far enough to explicitly state that de-escalation would be considered when determining whether an officer’s use of force was reasonable. Without such language, the letter said, the ACLU urged commissioners to “refuse to accept the proposed revisions as complete.”
At Tuesday’s meeting, the commission’s inspector general said because commissioners can consider whether an officer’s actions before a shooting contributed to that shooting, the revisions do allow the panel to consider an officer’s de-escalation efforts — or lack of them — when deciding if a shooting was justified or not.
New training and directives from the LAPD reinforce the importance of de-escalation and the policy change, the inspector general, Alex Bustamante, added. LAPD officers expected to face more scrutiny over shootings with new rulesThe revamped policy is the latest in a series of changes the five-person Police Commission has made in hopes of reducing shootings by officers. For almost two years, the civilian panel has pushed LAPD brass for more training and to provide officers with less-lethal devices, as well as a stronger emphasis on avoiding deadly force whenever possible.
To read full article, go to: Fewer shootings by police — that’s the goal of new rules adopted by the L.A. Police Commission – LA Times

article via thegrio.com
The Schomburg Center for Research in Black Culture at The New York Public Library recently acquired James Baldwin’s personal archive. The archive includes 30 linear feet of letters and manuscripts, as well as drafts of essays, novels, and other works. It also includes galleys and screenplays with notes handwritten on them as well as photographs and other media forms documenting Baldwin’s life and creative output.
“We are more than excited to have James Baldwin return home to Harlem,” said Kevin Young, Director of the Schomburg Center of the new acquisition. “Baldwin’s amazing collection adds to our ever-growing holdings of writers, political figures, artists, and cultural icons across the African diaspora. With the current resurgence of interest in Baldwin’s works and words, and renovation of our own spaces from the main gallery to the Schomburg Shop, the timing couldn’t be better for Baldwin to join us at the Schomburg Center. As a writer myself, I am eager for students, scholars and other writers—I count myself among all three—to have the opportunity to see his profound writing process up close.”
“Malcolm X, Lorraine Hansberry, and Maya Angelou all have collections at the Schomburg Center and Baldwin was their colleague. His papers not only complement theirs, but offer researchers a fascinating look at the Civil Rights and the Black Power movements, through the works of these seminal figures,” said Steven G. Fullwood, Associate Curator of the Manuscripts, Archives and Rare Books Division.
Source: Schomburg Center for Research in Black Culture acquires James Baldwin papers | theGrio

article by Christina Pazzanese via news.harvard.edu
When Dana McKinney was a girl, her family drove every week from their small town in Fairfield County, Conn., to Sunday dinner at her grandmother’s home in Newark, N.J. To a child who loved dance and art, the changing scenery on those trips revealed stark contrasts that stung of economic inequality.
“I was going back and forth between a very comfortable lifestyle in Connecticut to a very depressed environment in Newark and became really inspired to look at how people can affect the built environment,” McKinney said. “I want to be able to fix this! — That was my immediate reaction — I’ll be an architect!”
After studying architecture at Princeton University, McKinney went to Harvard Graduate School of Design (GSD) to earn master’s degrees in architecture and urban planning. It’s an unusual and demanding course of study, but one McKinney felt would merge her design work with her interest in social change, social justice, and the power of architecture to transform people’s lives.
“I want to make beautiful spaces and buildings, but I don’t want … the pitfall of only working with elite clients, and I think a lot of times architects end up serving a very high-income population. A majority of housing is done by developers in the U.S., [so] good architecture barely reaches outside a certain economic class,” McKinney said.
Much of her academic work has focused on institutional change: improving elderly housing and studying the effects from the abrupt closure in 2014 of a large homeless facility in Boston. But with one in four Newark residents likely to spend some time in prison, McKinney’s thesis focused on “sensible and sensitive” design alternatives to prison that would help break the cycle of incarceration and poverty.
It was an unconventional choice. When she put her idea before her faculty advisers, “I could hear the crickets in the room,” she said. But “by the end of it, they were all about it.” While McKinney doesn’t believe architecture alone can end homelessness or poverty or incarceration, she does believe the field has something important to offer.
“Everyone has a role in social development and in making sure that our society is a reflection of what we want it to be.”Indeed, though “spatial justice” is often thought of as an enterprise in the public realm, like the construction of parks and community centers, it’s not as frequently addressed in the private realm. Because housing is essential to well-being, McKinney hopes to eventually create spaces that promote not just equality, but equity. “Your self-worth and what you need to do well as a person starts with the safety and comfort you feel in your own home,” she explained.
Outside the classroom, McKinney has been active in bringing together African-American students at GSD and shining a spotlight on black women and men in a field where only 1 percent of architects are African-American. Having sometimes found herself one of only two black students in a class of 80, McKinney was among the earliest members of the African-American Student Union five years ago, serving last year as its president.

article by Danielle Kwateng-Clark via essence.com
Hampton University is welcoming a living legend for their 147th Commencement this May. The historically Black university announced that Katherine G. Johnson, the physicist and mathematician who worked for NASA and was an inspiration behind “Hidden Figures,” would join them as their commencement speaker this year.
As an African-American woman, job options were limited —but she was eventually hired as one of several female mathematicians for the agency that would become NASA,” President Barack Obama said during her Presidential Medal of Freedom honor.
To read more, go to: Katherine Johnson Will Deliver Hampton University Commencement Address| Essence.com

article by Sarah A. Harvard via mic.com
The Pulitzer Prize committee announced its 2017 winners at its 101st annual ceremony on Monday. Among the 21 winners of the prestigious literary award, four black writers were commended for their work. BuzzFeed News’ executive editor Saeed Jones tweeted that Tyehimba Jess, Hilton Als, Lynn Nottage and Colson Whitehead were among the new class of winners.
Jess won the Pulitzer Prize in poetry for Olio, a collection of his sonnets, songs and narratives that highlight the lives of “unrecorded African-American performers” before the Civil War up to World War I.
Nottage won the Pulitzer Prize in drama for her Broadway show Sweat. The play, a political drama, centers on a group of friends who spent most of their lives working with each other in a factory and follows their friendship’s tumultuous friendship as rumors of layoffs begin to stir. According to Playbill, Nottage is the first female playwright to win the Pulitzer Prize twice. Nottage tweeted out thank yous for her award.
Whitehead won the Pulitzer Prize in fiction for his 2016 novel The Underground Railroad. The novel tells the story of a teenage heroine, Cora, in 1850s Georgia who tries to escape a cotton plantation and start her journey toward freedom.
Als, a theater critic for the New Yorker, won a Pulitzer Prize in criticism.
Source: 2017 Pulitzer Prize Winners: 4 black writers take home the coveted award

article by Christopher Brennan via nydailynews.com
The 15-year-old winner of an essay contest about white privilege says older residents of the well-to-do Connecticut town who caused a national debate about the competition could learn a thing or two from the youth.
Chet Ellis, a sophomore at Staples High School, won the competition’s $1,000 first prize for writing about the “unavoidable” racial incidents growing up in Westport, which is 93% white. “I can come at the issue from a young black teen perspective rather than all the old white men of Westport,” he told the Daily News Tuesday, a day after receiving his award.
Read Ellis’ essay here.
The contest put on by the town’s diversity council TEAM Westport gained widespread attention after some residents reacted strongly against it, saying it was an indictment of an affluent community that considers itself welcoming.“There are no barricades here. Nobody says if you’re black or whatever, you can’t move here,” Bari Reiner, 72, said in January.
Other parents said the board overstepped its bounds by bringing up white privilege, the unseen advantages given automatically to white people in a society where positions of power are dominated by people who look like them.
Chet, who moved to Westport from Morningside Heights, Manhattan, six years ago, said in his essay that he had not thought about white privilege until he moved to the wealthy suburb.
He recounted incidents where a white student said the N-word when talking about diversity in an almost all-white classroom, and another classmate saying he would have an easier time getting into college because he is black.
“I was stunned,” Chet wrote, “and mumbled something instead of firing back, ‘Your parents are third-generation Princeton and your father runs a hedge fund and yet you think my ride is free?”’
The teen, who wants to go into law or social work to help others, told the News that the episodes in his essay were just two examples of all the racially tinged interactions he has had in Westport, such as when a middle school teacher called him Jamal despite no student at the school having that name.
He urged more inclusive discussions and sensitivity about privilege, words echoed by his mother Amanda Freeman, a white college sociology professor at University of Hartford.
To read more, click here: Black 15-year-old wins contest on white privilege in Conn. town – NY Daily News

