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Russell Simmons Assembles Stars to ask Obama to Change Drug, Jail Policy

By goodblacknews on April 10, 2013

russell-simmons-16x9LOS ANGELES (AP) — Lil Wayne, Ron Howard, Scarlett Johansson and Kim Kardashian are all on the same page when it comes to criminal justice reform.
They’re among more than 100 entertainers calling on President Barack Obama to focus on changing drug laws. Rap mogul Russell Simmons helped assemble the coalition of celebrities and civil rights leaders that presented a letter to the president on Tuesday.
The group praises the president’s efforts toward drug incarceration reform but insists “the time is right” to move toward replacing jail sentences with intervention and rehabilitation for non-violent offenders. The starry group, which also includes Jennifer Hudson, Nicki Minaj, Susan Sarandon and Will Smith, also asks Obama to form a panel to handle clemency requests and to support a measure that allows judges to waive mandatory minimum sentences.
“It is critical that we change both the way we think about drug laws in this country and how we generate positive solutions that leave a lasting impact on rebuilding our communities,” Simmons said, citing Department of Justice data that shows that the United States jails more of its citizens than any other country in the world.
Drug offenders comprise nearly half the federal prison population in the U.S.

Copyright 2013 The Associated Press via thegrio.com

American Humane Association Names Dr. Kwane Stewart Its 1st Chief Veterinary Officer

By goodblacknews on April 8, 2013

Dr. Kwane Stewart is the American Humane Assn.'s new chief veterinary officer. (American Humane Assn. )
Dr. Kwane Stewart is the American Humane Assn.’s new chief veterinary officer. (American Humane Assn. )

The American Humane Association, which oversees the treatment of animals on television and movie sets, has named its first chief veterinary officer and also added a veterinarian to its board of directors.  The moves come in the wake of increased concern from animal rights activists about whether the AHA is being aggressive enough in policing how animals are used in entertainment.

Tapped as chief veterinary officer is Dr. Kwane Stewart, who will also act as the National Director of the association’s Humane Hollywood division and its “No Animals Were Harmed” program. Stewart was most recently the county veterinarian for Stanislaus County in Modesto. Before that he spent five years at Vetco Hospital Inc. He will be based in Studio City.

Harlem Mom Calls On Toymaker to Create Black Barbie Party Supplies

By goodblacknews on April 8, 2013

karen braithwaiteWhen Karen Braithwaite (pictured) could not find party supplies for her daughter’s fifth birthday gathering with images of Black Barbies, she took her gripe to Change.org and YouTube in order to twist the corporate arm of the famed doll’s manufacturer, reports CBS New York.
The Harlem-based, 40-year-old human resources manager could not fathom why the toy company makes Black Barbie dolls but failed to create a culturally diverse line of party goods that would follow suit. She refused to purchase supplies with images of blond-haired, blue-eyed Barbies for her daughter, Georgia (pictured), despite the child’s insistence.
Braithwaite is at the helm of the group of 14 Harlem moms who have taken up their concerns with Mattel. The Change.org online petition that Braithwaite started last month has thus far garnered nearly 5,000 signatures. The request has reportedly not fallen on deaf ears and the toy maker, which manufactured its first African-American doll, Christie, in 1968, is reportedly considering the move to create the cultural party supplies.
[youtube http://www.youtube.com/watch?v=eCJXk9uAeOI&w=420&h=315]
article via newsone.com
On Mattel’s social media page, the company tweeted two replies to people who brought the issue to their attention: “We work closely with our partners to develop and distribute Barbie products such as party supplies,” and “We will be sharing your valuable feedback with them to start conversations and evaluate the business.”

Dance Theater of Harlem Reopens after Nine Years

By goodblacknews on April 7, 2013
Virginia Johnson, the artistic director of Dance Theater of Harlem, with her dancers, at an open rehearsal. (Andrea Mohin/The New York Times)

In the early days of Dance Theater of Harlem its members, charged with proving to the world that black dancers could master ballet, needed a certain pluck. “It was a group of young dancers that went out and carried their own lights and did lecture-demonstrations and started performing,” said Laveen Naidu, 45, the organization’s executive director.

Dance Theater of Harlem performers rehearsing Robert Garland’s new “Gloria.”

That scrappy image has served Virginia Johnson well. The elegant artistic director of Dance Theater of Harlem — and its star ballerina for 28 years — Ms. Johnson, 63, was reminded of such humble beginnings last spring, when she held auditions for the rebirth of the company. (It had been forced to go on hiatus in 2004 when it announced its $2.3 million debt.) As Ms. Johnson put it, she had stars in her eyes. But she was in for a surprise.

“I was really shocked at how few African-Americans auditioned,” she said. “And that was the moment when we were looking in this room, and it was like, ‘No, but where are the black people?’ ”

She laughed, as she often does when describing a seemingly hopeless situation. “I thought about Arthur Mitchell with all the hodgepodge of dancers that came to him back in 1969 that he had to make into a company. I said, ‘O.K., it’s the same thing again, and this is great.’ It was actually more exciting than taking top-level dancers and making them into a company. It meant that we had to have that inner-grit thing going again.”

Dance Theater, formed by Mr. Mitchell and Karel Shook, took on the barrier-breaking mission of training and presenting black classical ballet dancers to the world. For years the company was more than a thriving, internationally touring troupe. It showed that ballet was no longer just a white domain. But then the company disappeared, leaving a gaping hole.  One year off turned into nine; disillusionment set in. Now Dance Theater is making a comeback. Beginning Wednesday the company, lean at just 18 members from 44 in 2004, will perform at the Rose Theater at Jazz at Lincoln Center.

Wendell Pierce Creates Supermarket Chain to Help New Orleans Residents

By goodblacknews on April 7, 2013

Wendell Pierce welcomes the first customers inside his 25,000 square-foot store.
Wendell Pierce, best known for his roles on “The Wire” and “Treme” is now launching a chain of grocery and convenience stores in places where fresh food can be hard to find.   As a boy, Pierce dreamed of leaving his hometown one day for the world stage. Today, the veteran actor with global credits has returned on a mission: rebuilding neighborhoods, brick by brick, aisle after aisle.
After Hurricane Katrina devastated this city in 2005, Pierce seized an opportunity to help his childhood neighborhood — Pontchartrain Park, an historic enclave for middle-class blacks — get back on its feet. He started the nonprofit Pontchartrain Park Community Development Corp. with a goal of replacing hundreds of flood-ravaged, 1950s-era houses with new homes.  Now, the next item in his recovery recipe is a long-missing ingredient.
Pierce, 50, and his partners are investing big in something seemingly so small: convenient access to a grocery store. They have launched a chain of convenience stores, Sterling Express, and a full-service grocery store, called Sterling Farms, the latter just unveiled in what is often described as a “food desert,” a neighborhood where residents must travel more than a mile to a store selling fresh food. According to 2011 data, 19 percent of all Orleans Parish households have no access to a vehicle.

Motown’s Unsung Female Trio, The Andantes, Finally Gets Acclaim

By goodblacknews on April 7, 2013
The Andantes, from left, Jackie Hicks, Marlene Barrow-Tate and Louvain Demps posing during a visit to Motown Historical Museum in Detroit. In their 70s, the unsung backing group who sang on thousands of Motown songs is finally getting acclaim for its contributions to the ground-breaking, chart-topping music made in Detroit in the 1960s and early '70s before the label moved to Los Angeles. The trio gathered recently to see the exhibit, “Motown Girl Groups: The Grit, the Glamour, the Glory.” The Andantes are featured, with equal billing, alongside the Supremes, Vandellas, Marvelettes and Velvelettes. (AP Photo/Paul Sancya)

The Andantes, from left, Jackie Hicks, Marlene Barrow-Tate and Louvain Demps posing during a visit to Motown Historical Museum in Detroit. In their 70s, the unsung backing group who sang on thousands of Motown songs is finally getting acclaim for its contributions to the ground-breaking, chart-topping music made in Detroit in the 1960s and early ’70s before the label moved to Los Angeles. The trio gathered recently to see the exhibit, “Motown Girl Groups: The Grit, the Glamour, the Glory.” The Andantes are featured, with equal billing, alongside the Supremes, Vandellas, Marvelettes and Velvelettes. (AP Photo/Paul Sancya)
Demps was no mere fan visiting what’s now the Motown Historical Museum. She was one of the women singing the angelic, high harmonies on the recording — and hearing it in Hitsville USA’s Studio A was too much.  “It’s my heart, it’s my heart,” she said.  For Demps and her fellow Andantes, Jackie Hicks and Marlene Barrow-Tate, moments like these have been private, since the wider world knew only their voices, not their faces. But now in their 70s, the unsung backing group who sang on thousands of Motown songs is finally getting acclaim for its contributions to the groundbreaking, chart-topping music made in Detroit in the 1960s and early ’70s before the label moved to Los Angeles.
The trio gathered recently to see the exhibit, “Motown Girl Groups: The Grit, the Glamour, the Glory,” which will run through the summer. The Andantes are featured — with equal billing — alongside the Supremes, Vandellas, Marvelettes and Velvelettes.  The joyous but rare reunion was made possible by a sad event the day before: the funeral of former Miracles member Bobby Rogers. For the Andantes, it made their meeting more poignant.
“It is unfortunate that so many are gone and thank God that we are still here — all of us — to be able to see this and see our dream come true,” said Barrow-Tate, who still lives in Detroit, as does Hicks. The two are retired, but Demps, who lives near Atlanta, still sings solo or with others.
The Andantes were the go-to backup singers for most Motown artists, including Gaye, Stevie Wonder, The Four Tops and the girl groups themselves. “Save the Children” came from Gaye’s “What’s Going On,” one of Motown’s greatest — and last — albums recorded in Detroit. The Andantes sang backup on many of the record’s cuts — including the title track — and even traveled with Gaye to his hometown of Washington, D.C., in 1972 to perform the disc in its entirety at the Kennedy Center.  Motown Museum officials say the trio, almost always anonymously, sang on more songs than any other group at Motown. They were the female and vocal equivalent to the Funk Brothers, the label’s house band that itself was largely anonymous in its time but gained acclaim through the 2002 documentary film, “Standing in the Shadows of Motown.”

Black Is Beautiful: Why Black Dolls Matter

By goodblacknews on April 3, 2013

Collectors Weekly Show & Tell poster stepback_antiques has this topsy-turvy doll from the 1870s in his collection.

Topsy-Turvy Doll from the 1870s.

In February 21st’s issue of Collector’s Weekly,  Associate Editor Lisa Hix wrote a thoughtful, in-depth article entitled “Black Is Beautiful: Why Black Dolls Matter.”  Hix’ piece covers the comprehensive history of black dolls, from early 19th century Topsy Turvy dolls (pictured above) to Limited Edition Black Barbies (pictured below).  GBN encourages you to click here to check it out.

This Barbie Collector edition doll, called "In the Limelight" the first featuring clothing by black designer Byron Lars, got Debra Britt's sister Kareema Thomas out of her hospital bed to hunt for dolls in 1997.

Barbie Collector edition doll, called “In the Limelight” was the first featuring clothing by black designer Byron Lars.

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article by Lori Lakin Hutcherson

Artist Kehinde Wiley Gains Attention for Exhibit at Phoenix Art Museum

By goodblacknews on April 3, 2013
New York-based painter Kehinde Wiley‘s current exhibit Kehinde Wiley: Memling at the Phoenix Art Museum is attracting national attention, most recently via a mention in Time Magazine’s ‘Pop Chart’ in the March 18 issue. Wiley’s eight portraits take their poses and contexts from the works by the legendary 15th century Flemish master Hans Memling but Wiley has substituted contemporary sitters for the historical figures. 

100 Percent of Urban Prep Academy Seniors College Bound for 4th Year in a Row

By goodblacknews on April 2, 2013
Urban Prep SeniorsUrban Prep Academy is continuing its record of success.  For the last three years, all graduating seniors from the charter school’s Englewood campus have been college bound. This year, the inaugural graduating class of the West Campus has  accomplished the same goal.  In all, 167 seniors, all African-American males, have been accepted to a four-year college or university.

“What this 100 percent proves beyond a doubt is that it need not be the exception but it should be the expectation for every child in the city of Chicago,” Mayor Rahm Emanuel said at a ceremony where the final students exchanged their red uniform neckties with the red-and-gold striped ones that signify their college-bound status.

Urban Prep founder Tim King said he was exceedingly proud of the young men.  “It’s really heartwarming. It’s really an inspiration,” said Tim King. “These guys are an inspiration to all of us because they show you what can happen when you really work hard and do the right thing. I feel great. There are no words to describe how powerful and wonderful it is to be a part of Urban Prep.”

African-American Named New Highest-Ranking Uniformed Officer at NYPD

By goodblacknews on April 1, 2013

NYPD Chief: Community, Police Must Work Together

NYPD Chief Phillip Banks III

The new highest-ranking uniformed officer at the New York Police Department said Friday the community must work together with police to keep the city safe.  Philip Banks III was named chief of department lastvweek, replacing Joseph Esposito, who retired after more than a decade in the post. Banks was previously in charge of community affairs, and said his years there have helped him understand the city and its needs.

“We have to keep this city safe. And when I say we, I don’t mean just the New York City police department. It’s not just an ‘us’ job. It’s everybody in New York City,” he said.  Banks, 50, whose father was also a police officer, joined the nation’s largest police department in July 1986 in Brooklyn and worked his way up the ranks. He takes over as third in command behind Police Commissioner Raymond Kelly and First Deputy Commissioner Rafael Pineiro during a challenging time for the NYPD.