(Image: KYSU.edu) Raymond Burse is the epitome of a boss who has his employees best interest at heart.
As the interim president at Kentucky State University, Burse has agreed to give up more than $90,000 of his salary to help increase the pay of minimum wage workers at the university.
“My whole thing is I don’t need to work,” Burse tells Lexington Herald-Leader. “This is not a hobby, but in terms of the people who do the hard work and heavy lifting, they are at the lower pay scale.”
Burse’s annual salary had been set at $349,869, but after inquiring about the number of employees who earn below minimum wage salaries and discussing it with the KSU Board of Regents, he decided to decrease his pay to help increase the pay of other university workers. Burse’s new annual salary is now set at $259,745.
“This is not a publicity stunt,” he tells the newspaper. “You don’t give up $90,000 for publicity. I did this for the people. This is something I’ve been thinking about from the very beginning.”
Burse served as KSU’s president from 1982 to 1989, and later became an executive at General Electric Co. for 17 years. He replaces Mary Evans Sias, who served as university president for 10 years.
Burse is expected to hold the position for only 12 months until a replacement is found, but the rise in pay for employees is expected to remain in place even after his departure. article by Courtney Connley via blackenterprise.com
On the vacant lot next to Dan Davis’ house on Washburn in Detroit, there is a homemade movie screen, a bonfire pit, a swing set, a barbecue grill and weights for working out.
Across the street, Davis turned a stretch of lots into a go-kart track and athletic field ringed by a wall of tires.
It’s all part of his goal to transform his block on the city’s west side into a place where families can have safe fun close to home. He mows the grass up and down the street and makes sure there’s no trash on the ground.
“He’s like an icon around here. What he does for the neighborhood, people look up to him for it,” said one of his friends, Michael Knight, 51. Davis, 50, grew up in the area. As a child, he was always cleaning or fixing things. His mother made him clean up trash outside their house.
Inspired by an outdoor movie screen he saw at Campus Martius Park, Davis decided to build his own, using sheets of wood spray-painted white that he positioned on top of a metal stand. On warm nights, his neighbors gather around on lawn chairs as Davis uses a projector to play kid-friendly movies and music videos.
“Everybody comes out, about 10 to 15 people. … and then some people, they just sit on their porch and watch it, and it’s all good. It’s beautiful, lovely,” he said.
The same field holds a bench-press, dumbbells and a mirror. A few feet away sits a play set and swings. Basketballs and toys are scattered on the ground, and there is a sand pit for playing horseshoes.
David Adjaye photographed at his London office in Marylebone by Suki Dhanda for the Observer New Review.
I am looking at plans of the presidential palace in Libreville, Gabon, as existing and as proposed. The first shows gates, walls, guardhouses, accommodation for the president’s elite soldiers. The second shows public space, welcome zones, trees, landscaping, the elements of enlightened contemporary city planning. It is a diagram of liberalisation, of a new era assisted by design.
I am also looking at an image of a business school in Moscow, an unabashed work of oligarchic bling, that pre-empts its future rediscovery as a piece of ironic-lovable kitsch. There is a cool, white, slatted structure in an idyllic Mediterranean landscape, apartment blocks in Doha, and a composition of 10 inverted cones, to be arranged in a giant circle in Kampala. These are works of a realigned world, where the distribution of money and power ignores former distinctions of third and first worlds. They collectively offer the same reorientation as those world maps that dispense with the Eurocentric bias of Mercator’s projection. David Adjaye’s Buildings in Pictures
The location is a black-floored, black-walled office on the edge of Marylebone, London, with shelves of black files with small white lettering. Galvanised steel shelves denote work, but a black, oblong pool of water, bright green curtains, and an impressive bunch of lilies suggest more an exclusive club or hotel. Possibly the lair of a Bond villain, only more benign. Architectural models are displayed like artworks, although inopportune beige printers puncture the stylishness. The entrance to the office, as often in David Adjaye’s projects, is barely perceptible. David Adjaye with his wife, Ashley Shaw-Scott. Photograph: Alexander Tamargo/Getty Images for Design Miami
Adjaye is late, as he often is, but is then generous with his time, as he also often is. He says something nice about my personal life, as I make to sit down in the Eames chair by his desk. “Er, that’s mine,” he then says, directing me to a plywood seat opposite, which turns out to be a touch excruciating, in front of shelves bearing a discriminating selection of architectural books, and opposite a wall of inspirational images – great buildings, beautiful bodies, maps of Africa, the former model Ashley Shaw-Scott, whom he recently married. “Do you mind if I eat?” he asks, as he uncovers a late lunch from a local curry house, “I have to eat.” He is on the move, as usual. Where has he come from? “Just New York.” Diplomacy and charm are at work here and a tiny assertion of status, which have helped get him where is, but the warmth is also genuine. The Smithsonian National Museum of African American History and Culture
New York is where he has another office, a more informal, light-filled place above an old bank on Canal Street. He has a third in Accra. This tri-continental practice is not bad for an architect in his 40s who seven years ago, when the credit crunch hit, nearly went bust, but the nature of the commissions is more impressive. He has a knack for projects freighted with significance, the foremost of which is the Smithsonian National Museum of African American History and Culture on the highly charged turf of the National Mall in Washington DC, just across from the Washington Memorial. (To be more precise, Adjaye is one of a team of four architectural practices working on the museum, with his role described as “lead designer”.) It is due to open next year, a century after the idea of such a museum was first mooted by some black veterans of the civil war.
He also has a knack for associating with conspicuous and interesting people. In the early years of his practice these tended to be creative types – the artists Jake Chapman, Tom Noble and Sue Webster, Ewan McGregor, Alexander McQueen. Now it is more people like Kofi Annan, the former secretary-general of the United Nations, for whom Adjaye has designed a house in Ghana. Or the new mayor of New York, Bill de Blasio, who recently toured Adjaye’s housing development in Sugar Hill, Harlem, or Barack Obama.
He doesn’t want the latter connection to be exaggerated – “I am not on his speed dial” – and he scotches rumours that he is to design Obama’s presidential library: the choice of architect hasn’t been considered yet. But the Smithsonian museum will be the most significant architectural project of Obama’s presidency, and Adjaye has had more contact with the White House than most architects.
Adjaye’s friends praise the range of his influences and interests. “I was incredibly, incredibly inspired by the breadth of his vision,” says Thelma Golden, director of the Studio Museum in Harlem, of the time she first heard him speak. “There’s Bauhaus in it,” says the artist Lorna Simpson, for whom Adjaye designed a studio building in Brooklyn, “but also the places where he grew up as a child – ornament, pattern, the way light comes in, different things from different places.”
Adjaye was born in Tanzania to Ghanaian parents, his father a diplomat, so these formative places included parts of Africa, Saudi Arabia, and eventually London. It was in London that he studied architecture, launched his practice, and designed his first projects.
James Baldwin in Paris in 1986. (Credit: Peter Turnley/Corbis)
James Baldwin, a Harlem native who died in 1987, would have turned 90 on Saturday. Among the many tributes in a year in which his legacy as a major writer is being celebrated, a portion of East 128th Street, between Fifth Avenue and Madison Avenue, was renamed James Baldwin Way.
Baldwin, whose classic works include the novel “Go Tell It on the Mountain” and the essay collections “The Fire Next Time” and “Notes of a Native Son” attended Public School 24 (now the Harlem Renaissance School) on that block. Nearby, the marquee of the Apollo Theater, at 253 West 125th Street, read “Happy 90th Birthday James Baldwin.”
“We’re reclaiming him as a son of Harlem,” said Rich Blint, a Baldwin scholar and associate director in the Office of Community Outreach and Education at the Columbia University School of the Arts. The university, along with Harlem Stage and New York Live Arts, is participating in a citywide consideration of Baldwin.
In this year of all things Baldwin, some fans and scholars have expressed concern that his complex presence is fading in too many high schools. “We want to reintroduce his contemporary relevance,” said Trevor Baldwin, a nephew who attended the Saturday festivities.
The writer was known for fiery works about race and for frank portrayals of sexuality, in novels like “Giovanni’s Room” and “Another Country,” as well as for his work in the civil rights movement.
“I want people to be interested in the courage of his life choices,” Trevor Baldwin said.
The street renaming concluded with a musical procession to the National Black Theater at 2031 Fifth Avenue, between 125th and 126th Streets, with readings from “The Fire Next Time” and testimonials from those who knew Baldwin.
Russell Simmons; LL Cool J (Getty Images)
NEW YORK (AP) — A group of young people at a New York City jail complex got some words of encouragement on Thursday from hip-hop mogul Russell Simmons and actor/rapper LL Cool J.
The two visited Rikers Island to mark the launch of a national anti-violence program from Simmons’ RushCard, a prepaid debit card. RushCard’s Keep the Peace initiative is giving grants to neighborhood organizations. One of those is LIFE Camp, a Queens organization that works with young people, including those at Rikers, to reduce violence.
Cool J told the audience that his rough upbringing could have had him where they are if things had worked out differently, and he encouraged them to believe in themselves. “You can absolutely without a doubt do anything you put your mind to,” he said.
Simmons told them to focus on what’s inside them. “It’s your spirit you’ve got to work on,” he said.
Deputy Warden Clement Glenn said partnering with programs like LIFE Camp is among the ways the Department of Correction tries to get young people to change their behavior.
“We’re trying to encourage them not to come back into the system, hoping they will integrate into society and become contributing members of their community,” he said. article via thegrio.com
Jersey City Firefighter Tara Walker (Photo Credit: Reena Rose Sibayan) Tara Walker, 31, a high school girls basketball legend who scored 2,376 points in her Marist High School career, is now one of six women in the Jersey City Fire Department, and the first black female firefighter in the department’s 143-year history.
The diverse class includes two black men, four Hispanic men and an Asian man, city officials pointed out on Monday.
“Now today is really a great day because if you look at the 26 men and women sitting to my right, to your left, it really represents everything that is great about Jersey City,” Jersey City Mayor Steve Fulop said at the ceremony. “It is a diverse class, it is a young class, it is a motivated class, it is a class of people that have dedicated and lived their lives here in Jersey City.”
The new class brings the number of Jersey City firefighters to 557. City officials said that 47 members have been hired since Fulop took office. RELATED:Bronx Firefighter Danae Mines Becomes 1st Woman Featured In FDNY Calendar of Heroes
“Waited for it since I was a kid,” said Anthony Silleto, 26, after he was sworn in. “It’s great.”
Kevin Ramirez, 28, said he’s excited to become a part of the department and serve Jersey City.
“It’s a wonderful feeling, a great feeling,” he said. “We’ve lived our whole lives here. I’m happy, I’m excited to become a part of it and meet the rest of the family.”
The hiring of the firefighters was made possible by funds from a $6.9 million federal Staffing for Adequate Fire and Emergency Response (SAFER) grant. The grant is expected to fund up to 49 new firefighters in total.
The 26 firefighters trained for eight weeks at the Morris County Public Safety Training Academy. article via forharriet.com and nj.com
WASHINGTON (AP) — A program designed to foster a new generation of young African leaders will be renamed after former South African President Nelson Mandela.
President Barack Obama, who has said he was one of the untold millions of people around the world who were inspired by Mandela’s life, is set to announce the name change at a town hall-style event Monday in Washington with several hundred young leaders from across sub-Saharan Africa.
The youngsters are participating in the inaugural Washington Fellowship for Young African Leaders, part of the broader Young African Leaders Initiative that Obama launched in 2010 to support a new generation of leadership there. The fellowship is being renamed as a tribute to Mandela, who died last December at age 95.
Obama announced the fellowship during a stop in South Africa last summer. It connects young African leaders to leadership training opportunities at top U.S. universities.
In remarks at Monday’s event, Obama also was announcing new public-private partnerships to create more programs for young African leaders, including four regional leadership centers across Africa, online classes and other resources, the White House said.
Mandela spent 27 years in jail under apartheid, South Africa’s former system of white minority rule, before eventually leading his country through a difficult transition to democracy. In 1994, he became the first democratically elected leader of a post-apartheid South Africa.
This week’s events with the next generation of young African leaders are a lead-in to the inaugural U.S.-Africa Leaders Summit, being held Aug. 4-6 in Washington. About 50 African leaders are expected to attend what the White House says will be the largest gathering any U.S. president has held with African heads of state and government. article by Associated Press via newsone.com
Natalie Elisabeth Battles, 3, of Arkansas, with her Doc McStuffins toys. She sometimes wears a doctor’s coat to preschool. (Credit: Jacob Slaton for The New York Times)
Jade Goss, age 2, looks as if she just stepped out of the wildly popular “Doc McStuffins” cartoon. “She has the Doc McStuffins sheets. She has the Doc McStuffins doll. She has the Doc McStuffins purse. She has Doc McStuffins clothes,” said Jade’s mother, Melissa Woods, of Lynwood, Calif.
“I think what attracts her is, ‘Hey, I look like her, and she looks like me,’ ” Ms. Woods said of the character, an African-American child who acts as a doctor to her stuffed animals.
With about $500 million in sales last year, Doc McStuffins merchandise seems to be setting a record as the best-selling toy line based on an African-American character, industry experts say. Its blockbuster success reflects, in part, the country’s changing consumer demographics, experts say, with more children from minority backgrounds providing an expanding, less segregated marketplace for shoppers and toymakers.
But what also differentiates Doc — and Dora the Explorer, an exceptionally popular Latina character whose toy line has sold $12 billion worth of merchandise over the years, Nickelodeon executives say — is her crossover appeal. “The kids who are of color see her as an African-American girl, and that’s really big for them,” said Chris Nee, the creator of Doc McStuffins. “And I think a lot of other kids don’t see her color, and that’s wonderful as well.”
Nancy Kanter, general manager of Disney Junior Worldwide, which developed “Doc McStuffins” — and who suggested the character be African-American in the first place — said Doc’s wide-ranging fan base could be gleaned from a spreadsheet. “If you look at the numbers on the toy sales, it’s pretty obvious that this isn’t just African-American families buying these toys,” Ms. Kanter said. “It’s the broadest demographics possible.”
FUBU Founder and “Shark Tank” Investor Daymond John Daymond John helped revolutionize urban fashion in the 1990s as founder, president, and CEO of FUBU (“For Us, By Us”). He guided the iconic brand into a multimillion-dollar business, placing it at the same table with such designer sportswear labels as Donna Karan New York and Tommy Hilfiger.
These days, John is known for being a “shark” on the hit reality series “Shark Tank”. Every Friday night, some seven million viewers tune in to the ABC show that features a panel of investors, or “sharks,” that consider offers from aspiring entrepreneurs seeking capital. John, a member of the cast since the show’s premiere in 2009, along with four other prominent chief executives listens to business pitches (a contestant’s one-hour pitch is edited down to a 10-minute segment) from everyday people hoping to take their company or product to new heights. Using their own money, the sharks have invested more than $20 million, having completed more than 30 deals with an average valuation of $250,000. John is the show’s second leading investor.
Studies show that African American-owned firms are less likely to receive angel investment. In the first half of 2013, only 8.5% of startups pitching to angels were minority-owned; 16% were women-led, according to a report by the Center for Venture Research at the University of New Hampshire. Only 15% of those minority-owned businesses successfully got funded, while 24% of the female entrepreneurs received angel investments. Moreover, ethnic minorities account for less than 5% of the angel population.
GARY, Ind. (AP) — Plans are in the works to name a school after Michael Jackson in the late pop star’s Indiana hometown.
The Gary Community School Board approved Tuesday a memorandum of understanding with Jackson’s mother, Katherine Jackson. The agreement that Jackson signed last month says the district “seeks to honor Michael Jackson and to inspire children to excel in the arts and education.”
District superintendent Cheryl Pruitt said she’s working with the Jackson family on which school to rename.
“A close relationship with the Jackson family to improve the quality of programs for the Gary Community School Corp. can mean tremendous gains for the school district and the city as a whole,” she told the Post-Tribune (http://bit.ly/1luhGfp ).
Michael Jackson spent the first 11 years of his life in Gary. His family moved to California after the Jackson 5 struck it big in 1969 with the release of their first album. Jackson, who died in 2009, last returned to Gary in 2003 and received an honorary diploma from Roosevelt High School near his childhood home.
Pruitt said renaming the school came up in a conversation with Katherine Jackson, who donated $10,000 during the Gary Promise scholarship event hosted by former NBA star Magic Johnson in April.
“She’s always wanted something left here,” Pruitt said.
The district has long struggled with high poverty levels, and the school board voted in June to close six of its 17 schools because of a $27 million deficit blamed in part on declining enrollment and the state’s property tax caps. article via huffingtonpost.com
Davis, 50, grew up in the area. As a child, he was always cleaning or fixing things. His mother made him clean up trash outside their house.
But what also differentiates Doc — and Dora the Explorer, an exceptionally popular Latina character whose toy line has sold $12 billion worth of merchandise over the years, Nickelodeon executives say — is her crossover appeal. “The kids who are of color see her as an African-American girl, and that’s really big for them,” said Chris Nee, the creator of Doc McStuffins. “And I think a lot of other kids don’t see her color, and that’s wonderful as well.”
