
article via thegrio.com
Will Smith and Jada Pinkett Smith are serious about seeing women succeed in Hollywood. The couple just donated $30,000 to New York University’s film school as part of a foundation project designed to help female filmmakers and to finance student television projects.
“Will and Jada Smith have a strong desire and commitment to the education of tomorrow’s storytellers, and we’re thrilled that they have decided to support some of out standout students and programs,” said Joe Pichirallo, chair of Tisch’s undergraduate film and TV department.
The money will go to finance two student-created television pilots and will also go toward the Fusion Film Festival, which supports up to five female filmmakers whose work is submitted to the festival.
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article via thegrio.com
Since the OWN cable network debuted in 2011, its popularity has skyrocketed among African-American women, particularly in the last two years.
At a time when many cable networks have been experiencing declines in their viewership, OWN’s average prime-time viewership has grown roughly 30%, climbing to 537,000 in the past two years, as many network have suffered significant declines. According to The Wall Street Journal, the network’s new lineup has resonated strongly with women and black audiences.

Since signing on writer-producer Tyler Perry in 2012, who has four shows on the network now, and adding recent shows like Ava DuVernay’s “Queen Sugar” and the megachurch drama “Greenleaf,” OWN has been able to grow its viewership and visibility.
OWN is now the highest-rated cable network among African-American women, and it is also in the top 20 for all women, according to Discovery.
It remains to be seen whether or not OWN can keep up its momentum while at the same time battling the problems of recent economic pressures as well as the rise of Internet-based television.
Read more: http://thegrio.com/2016/03/23/oprah-winfrey-network-african-american-women/
article via jbhe.com
The Fund II Foundation of Austin, Texas, has the stated mission “to preserve the African-American experience; safeguard human rights; provide music education; preserve the environment while promoting the benefits of the outdoors; and sustain critical American values such as entrepreneurialism.”
To fulfill its first stated mission the philanthropic organization vows “to share the diverse and stirring stories of people of African descent, we support organizations that illuminate the richness of Black history and culture.”
Now the Fund II Foundation has teamed up with the United Negro College Fund to establish a new scholarship program to help African American students seeking careers in STEM fields. Over the next five years, The Fund II Foundation UNCF STEM Scholars Program will identify 500 African American high school students who are determined to pursue careers in STEM fields. These students will receive scholarships, internships, mentoring, and other tools to help them reach their goals. The Fund II Foundation is contributing $48 million for the STEM Scholars Program.
“In grades seven to 12, 40 percent of our African-American students, male students in general, and 31 percent of our Hispanic males have been suspended, compared to 23 percent of their white male counterparts,”Baltimore County Public Schools Superintendent Dallas Dance highlighted at a luncheon with community stakeholders and educators, WBAL-TV reports.
The news station said some educators at the event expressed support:
“He talked about the mentoring program that we all know is so needed. I’m excited to see where that’s going to go and how we help these kids,” stated teacher Rachel Pfister.
The superintendent underscored that the program requires public and private funding to get off the ground. WBAL-TV reported that local taxpayers are contributing almost $500 million.
Baltimore County’s business community supported student programs in the past, and Dance hopes they continue to pitch in. Commenting after the announcement, businessman Leon Hobson gave a thumbs-up to the mentoring program and told WBAL-TV:
“That’s a major thing, that’s very important, absolutely, because we need to have a little bit more of that, so I was very excited to see that happen.”
Dance also announced a plan to assist the influx of English-learner students–about 5,000 of them since 2006. The school district is considering plans to establish a high school for them that focuses on college and career preparation.
SOURCE: WBAL-TV | PHOTO CREDIT: Getty | VIDEO SOURCE: Inform

article by Breanna Edwards via theroot.com

article by Joshua Barone via nytimes.com
Camille A. Brown, the socially conscious dancer and choreographer, is this year’s winner of the Jacob’s Pillow Dance Award, an honor that comes with a $25,000 cash prize and an engagement at the summer festival.
She was chosen by the incoming Jacob’s Pillow Director Pamela Tatge, who takes over on April 18. In an interview, she called Ms. Brown “hugely important,” and lauded her offstage work advocating for black female artists. “Someone who generates dialogue in communities is the kind of artist that really excites me,” Ms. Tatge said. She added that Ms. Brown is a “deep researcher” who tackles social issues through “extremely present, theatrical” choreography.

As part of the award, Ms. Brown will have a creative development residency at Jacob’s Pillow, where she will spend one or two weeks shaping her new work, “ink.” In addition, her dance “Black Girl: Linguistic Play,” which received favorable reviews when it appeared at the Joyce Theater in September, will be staged at Jacob’s Pillow in 2017. “When I started creating this work, I wanted there to be a duality, a culturally specific work with universal themes,” Ms. Brown said in a statement, referring to “Black Girl.” “This work speaks to the human condition, and because of that, I hope people are able to see themselves in the work, regardless of race or gender.”
Ms. Brown, who won a Bessie award for her 2014 work “Mr. TOL E. RAncE,” began dancing with Ronald K. Brown’s company in 2001. She also appeared with other troupes before founding Camille A. Brown & Dancers several years ago.
To read more, go to: http://www.nytimes.com/2016/03/23/arts/dance/jacobs-pillow-dance-to-honor-camille-a-brown.html?partner=rss&emc=rss&_r=0

article by Da’ryl Victoria via thesource.com
When we think of women in NASCAR we often think of internationally celebrated Danica Patrick, however there’s one woman in particular we should be paying more attention to. Meet Tia Norfleet, the first African-American female NASCAR driver and daughter of legendary NASCAR driver Bobby Norfleet.
The adrenaline and skill of driving at high speeds resides in the bloodline of the Norfleet family, and the love and passion for the sport has been held by Tia since age seven. Having a Hot Wheels Barbie car was a top priority for millions of young girls in the early 90s, but Norfleet’s car would trump others when Mr. Norfleet doubled the battery power of her Barbie Corvette.
Barely a teen, and roughly 10 years removed from the legal age to drive, Bobby Norfleet handed his pre-teen daughter the keys to their family mini-van, knowing she could handle the road alone. At nine years old Tia, now a semi-pro behind the wheel, embarked on daily trips to karate practice, convenient stores, and traveling around her neighborhood in preparation of becoming one out of a handful of women in a high speed and dangerous male dominated sport.
At age 14, Norfleet began competing on a local and regional level in kart racing, leading into a successful drag racing career resulting in top rank stats: winning 37 out of 52 events. In 2000, she switched her focus, setting her sights on dominating the track in entry level spec racing, competing in Bandolero cars. Eventually in 2004, Norfleet would move on to late model stock car racing on short tracks, later becoming the first African-American to obtain a NASCAR late model series racing license.

article by Michael Cavna via washingtonpost.com
JUST LAST month, Akilah Johnson was “surprised and overwhelmed” when she learned that she was a national finalist in the “Doodle 4 Google” contest for grade-schoolers.
Akilah, a sophomore at Eastern Senior High School in Northeast Washington, has just been named Google’s big winner in the national contest, topping the 53 state and territory champions, whose work had been culled from about 100,000 student entries.
“It is really overwhelming,” Akilah tells The Post’s Comic Riffs, minutes after receiving the news Monday during a ceremony at Google headquarters in Mountain View, Calif. “I was so excited, I started crying,” Akilah says. “I didn’t even look at anybody — I was just looking at the framed copy [of the Doodle] they gave me.”
Akilah is the contest’s first winner from Washington, as D.C. was not eligible to enter the states-only competition in past years. (The Post’s Comic Riffs had joined the chorus of voices urging that the District be included.)
This year’s contest theme was: “What makes me…me.” Akilah drew a box-braided Doodle titled “My Afrocentric Life,” using color pencils, black crayons and Sharpie markers. The Doodle includes symbols of black heritage and signs representing the Black Lives Matter movement. “Although it felt like forever making this picture, it only took me about two weeks,” Akilah told Comic Riffs last month.

Beyoncé has launched her new “Formation” line, and model Jillian Mercado, who has muscular dystrophy, has been announced as the face of the new line.
Source: Beyoncé enlists model with muscular dystrophy as face of new line | theGrio


