Great news for students! For Black History Month many companies — through their foundations — have announced scholarship programs. Dallas Weekly recently highlighted the top 10. Act fast–the deadlines are in February. Here are five of the newspaper’s choices for the college-goer in your life to consider:
1) The Frito-Lay “Create to Celebrate” Black History Month Art Contest: Do you have artistic talent? Show it off here by submitting an original piece of art. The piece, which can be in any medium (video, song, photo, sculpture, painting, etc), must celebrate African-American achievement.
2) The Coca-Cola Pay It Forward Scholarship Program: This program offers once-in-a-lifetime apprenticeship experiences to African-American youth.
3) The RBC Black History Month Student Essay Competition: This Royal Bank of Canada scholarship is strictly for Canadian students. Applicants must write a 750-words or less essay on how black Canadians have contributed toward the heritage of Canada.
4) The 100 Black Men of America Future Leader Scholarship Program: Based on academic achievement and community service, this scholarship is open to high school seniors along with college freshmen, sophomores, juniors and seniors.
5) The Jerry Bartow Scholarship Fund: The Black Executive Exchange Program awards three scholarships each year for HBCU undergraduate students majoring in business, engineering, technology, or education.
To find other 2014 scholarships, click here.
See more at: http://madamenoire.com/345755/apply-now-top-black-history-month-scholarships/#sthash.l9t3x37S.dpuf
Posts published in “Commemorations”
- Russell Wilson hoists the Lombardi Trophy in just his second season as an NFL quarterback. (ROBERT SABO/NEW YORK DAILY NEWS)
He didn’t dominate, and he didn’t dazzle. He just won. Again. And this time, Seattle Seahawks quarterback Russell Wilson did it on the biggest stage possible, in Super Bowl XLVIII at MetLife Stadium, leading his underdog Seattle Seahawks to a 43-8 demolition of Peyton Manning’s Denver Broncos on Sunday night.
In a game where he was supposed to be the “other” quarterback, the second-year pro did exactly what he had to do to win the Lombardi Trophy. Very quietly, he passed for 206 yards and two touchdowns, becoming the first African-American quarterback to win a Super Bowl since Doug Williams led the Washington Redskins to victory in Supe XXII.
“It’s something I think about, to be the second African-American to win the Super Bowl,” Wilson said. “That’s history right there, man. It’s something special and it’s real. There are so many guys before (me) who have tried to change the game and have done a great job of it.”
While Manning bumbled his way to two interceptions and meaningless Super Bowl passing records, Wilson never tried to do too much. He just calmly completed seven of his first 10 passes on the first two drives — including a 37-yarder to Doug Baldwin — to set up a pair of early field goals and set the tone in the runaway win. He was efficient the entire evening, completing 18 of 25 passes.
Not bad for a quarterback who said he routinely faced doubts because he stands just 5-11. “I think the biggest thing is playing great situational football,” Wilson said. “We want to be smart. I just try to do my part. When we need a big play, I always try to make it, and keep the guys going.”
“It’s something I think about, to be the second African-American to win the Super Bowl,” Wilson said. “That’s history right there, man. It’s something special and it’s real. There are so many guys before (me) who have tried to change the game and have done a great job of it.”
While Manning bumbled his way to two interceptions and meaningless Super Bowl passing records, Wilson never tried to do too much. He just calmly completed seven of his first 10 passes on the first two drives — including a 37-yarder to Doug Baldwin — to set up a pair of early field goals and set the tone in the runaway win. He was efficient the entire evening, completing 18 of 25 passes.
Not bad for a quarterback who said he routinely faced doubts because he stands just 5-11. “I think the biggest thing is playing great situational football,” Wilson said. “We want to be smart. I just try to do my part. When we need a big play, I always try to make it, and keep the guys going.”
LONDON — Steve McQueen’s 12 Years a Slave took top prize Sunday at the London Critics’ Circle Film Awards, which started with a tribute to Philip Seymour Hoffman, whose death was announced earlier in the day. 12 Years a Slave also won for Best Actor (Chiwetel Ejiofor) and Supporting Actress (Lupita Nyong’o). McQueen said that the critic who mattered the most to him was his mother, who had approved of the film. “There’s critics, there’s scholars, but then there’s your mum, so I’m very pleased about that,” he told the Daily Mail.
Alfonso Cuaron took the directing award for Gravity, which was also honored for its special effects, as Tim Webber received the technical achievement award. The Coen Brothers were named best scriptwriters for Inside Llewyn Davis. The actress prize went to Cate Blanchett for Blue Jasmine, and the supporting actor award was taken hostage by Barkhad Abdi for Captain Phillips.
LONDON CRITICS’ CIRCLE FILM AWARDS
Film – 12 Years a Slave
Foreign-language Film – Blue Is the Warmest Colour
Documentary – The Act of Killing
British Film – The Selfish Giant
Director – Alfonso Cuaron, Gravity
Screenwriter – Ethan Coen & Joel Coen, Inside Llewyn Davis
Actor – Chiwetel Ejiofor, 12 Years a Slave
Actress – Cate Blanchett, Blue Jasmine
Supporting Actor – Barkhad Abdi, Captain Phillips
Supporting Actress – Lupita Nyong’o, 12 Years a Slave
British Actor – James McAvoy, Filth/Trance/Welcome to the Punch
British Actress – Judi Dench, Philomena
Young British Performer – Conner Chapman, The Selfish Giant
Breakthrough British Filmmaker – Jon S. Baird, Filth
Technical Achievement Award – Tim Webber, Gravity special effects
Dilys Powell Award for Excellence in Film – Gary Oldman
article by Leo Barraclough via Variety.com
Alfonso Cuaron took the directing award for Gravity, which was also honored for its special effects, as Tim Webber received the technical achievement award. The Coen Brothers were named best scriptwriters for Inside Llewyn Davis. The actress prize went to Cate Blanchett for Blue Jasmine, and the supporting actor award was taken hostage by Barkhad Abdi for Captain Phillips.
LONDON CRITICS’ CIRCLE FILM AWARDS
Film – 12 Years a Slave
Foreign-language Film – Blue Is the Warmest Colour
Documentary – The Act of Killing
British Film – The Selfish Giant
Director – Alfonso Cuaron, Gravity
Screenwriter – Ethan Coen & Joel Coen, Inside Llewyn Davis
Actor – Chiwetel Ejiofor, 12 Years a Slave
Actress – Cate Blanchett, Blue Jasmine
Supporting Actor – Barkhad Abdi, Captain Phillips
Supporting Actress – Lupita Nyong’o, 12 Years a Slave
British Actor – James McAvoy, Filth/Trance/Welcome to the Punch
British Actress – Judi Dench, Philomena
Young British Performer – Conner Chapman, The Selfish Giant
Breakthrough British Filmmaker – Jon S. Baird, Filth
Technical Achievement Award – Tim Webber, Gravity special effects
Dilys Powell Award for Excellence in Film – Gary Oldman
article by Leo Barraclough via Variety.com
Although he easily could have been remembered solely for his avant garde Vivienne Westwood hat this Grammy year, Pharrell Williams‘ musical forays trumped his sartorial whims last night, garnering him Producer of the Year, Record of the Year and Best Pop Duo/Group Performance honors. Williams also has partial claim to the Album of the Year award, which electronic duo Daft Punk won for Random Access Memories (featuring two Pharrell collaborations.) Other notable winners were Mackelmore & Ryan Lewis, (Best New Artist, Best Rap Performance, Best Rap Song, Best Rap Album), Alicia Keys (Best R&B Album), Bruno Mars (Best Pop Vocal Album), Ziggy Marley (Best Reggae Album) and Jay Z and Justin Timberlake, who won Best Rap/Sung Collaboration for “Holy Grail.”
Beyoncé and Jay Z opened the show with the steamy, risqué “Drunk in Love,” kicking off a night filled with larger-than-life performances including Pink‘s literal and vocal acrobatics on “Try” and “Just Give Me A Reason,” Katy Perry‘s witchy snap vibe on “Dark Horse” with Juicy J , Kendrick Lamar and Imagine Dragons‘ brilliant, burning mash up of “m.A.A.d City” and “Radioactive,” and Pharrell, Nile Rodgers and Daft Punk with Stevie Wonder on a version of “Get Lucky” that flawlessly blended in Chic’s “Le Freak” and Wonder’s “Another Star.”
One of the biggest, funnest surprises of the evening came late in the show when Queen Latifah introduced Mackelmore & Ryan Lewis, Mary Lambert and Trombone Shorty‘s performance of “Same Love.” Midway through the song, Latifah re-appeared to officiate a wedding ceremony for thirty-three couples – heterosexual and homosexual – in the aisles of the Los Angeles Staples Center. As they said their “I dos”, Madonna strolled out in a white suit, hat and cane, melding the chorus of “Open Your Heart” into “Same Love.”
A full list of the Grammy winners follows below:
Album of the Year: “Random Access Memories,” Daft Punk
Record of the Year: “Get Lucky,” Daft Punk feat. Pharrell Williams
Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde)
Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves
Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars
Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake
Best Pop Solo Performance: Lorde
Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear
Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk
Best New Artist: Macklemore & Ryan Lewis
Song of the Year: “Royals,” Joel Little, Ella Yelich O’Connor (Lorde)
Best Country Album: “Same Trailer, Different Park,” Kacey Musgraves
Best Pop Vocal Album: “Unorthodox Jukebox,” Bruno Mars
Best Rap/Sung Collaboration: “Holy Grail,” Jay Z and Justin Timberlake
Best Pop Solo Performance: Lorde
Best Rock Song: “Cut Me Some Slack,” Dave Grohl, Paul McCartney, Krist Novoselic, Pat Smear
Best Pop Duo/Group Performance: “Get Lucky,” Daft Punk
Best New Artist: Macklemore & Ryan Lewis
Elizabeth “Bessie” Coleman was an American civil aviator. She was the first female pilot of African American descent and the first person of African-American descent to hold an international pilot license. Coleman was born in Atlanta,Texas, the tenth of thirteen children to sharecroppers George, who was part Cherokee, and Susan Coleman.
In 1915, at the age of 23, she moved to Chicago, Illinois, where she lived with her brothers and she worked at the White Sox Barber Shop as a manicurist, where she heard stories from pilots returning home from World War I about flying during the war. She could not gain admission to American flight schools because she was black and a woman. No black U.S. aviator would train her either. Robert S. Abbott, founder and publisher of the Chicago Defender, encouraged her to study abroad.
[youtube http://www.youtube.com/watch?v=wckEiKzCBqc&w=560&h=315]
Coleman raised money, studied French, and then traveled to Paris on November 20, 1920. She learned to fly in a Nieuport Type 82 biplane, with “a steering system that consisted of a vertical stick the thickness of a baseball bat in front of the pilot and a rudder bar under the pilot’s feet.” On June 15, 1921, Coleman became not only the first African-American woman to earn an international aviation license from the Fédération Aéronautique Internationale, and the first American of any gender or ethnicity to do so, but the first African-American woman to earn an aviation pilot’s license. Determined to polish her skills, Coleman spent the next two months taking lessons from a French ace pilot near Paris, and in September 1921 sailed for New York. She became a media sensation when she returned to the United States.
To learn more about Coleman’s life and career, click here or watch the Smithsonian Channel video above.
article via wikipedia.com
WASHINGTON — Max Roach, the great drummer and bandleader and paradigm-shifter of jazz, though he disliked that word, never finished an autobiography. That’s a shame. He died in 2007 at 83, and his career spans the beginning of bebop, the intersection of jazz with the civil rights movement, free improvisation, and jazz’s current state of cross-disciplinary experiments and multimedia performances. Inasmuch as jazz is about change and resistance, he embodied those qualities: He fought anything that would contain or reduce him as an artist and a human being. He would have been well served by his own narrative, set in one voice.
But Roach was archivally minded, and, when he died, he left 400 linear feet of his life and actions to be read: scores and lead sheets, photographs, contracts, itineraries, correspondence, reel tapes and cassettes and drafts of an unfinished autobiography, written with the help of Amiri Baraka. On Monday, the Library of Congress will announce that it has acquired the archive from Mr. Roach’s family and that it will be made available to researchers.
“What I think he would hope people would see,” said the violist Maxine Roach, his daughter from his first marriage, “is that there was a lot about his life that was difficult, you know? The struggles. A lot about economics, and jazz as a word that we didn’t define ourselves.” (Roach felt that it was a pejorative term; he preferred to call it African-American music.) “But aside from all of that,” she continued, “I hope that people see his excellence and his mastery of his skill, which helped him rise in this country that’s been so hard on black men especially, and how he went through it and what price he paid.”
All 20 NBA teams playing today will wear special shooting shirts in honor of Martin Luther King Jr. The NBA announced their “Dream Big” campaign earlier this month to celebrate MLK Day and Black History Month.
A video featuring Chris Bosh aired during four nationally televised games today, as well as during games aired on NBA TV. Original content and interviews will run on air and digitally on NBA.com until the end of February.
The shooting shirt for MLK Day features the “Dream Big” logo on the front. The shooting shirt for Black History Month was created in collaboration with Miami Heat guard Ray Allen. The shirt will feature four prominent African-Americans, Dr. King, Frederick Douglas, Harriet Tubman and Bill Russell, in the NBA logo on the front and the “Dream Big” logo on the back.
The NBA’s “Dream Big” campaign is also designed to reach children and educate them on the history of African-Americans. The league is teaming up with EverFi, an educational technology company, launch digital curriculum in 30 schools across the country during February. The curriculum is focused on the extensive contributions by blacks.
“The ‘Dream Big’ campaign honors African-Americans for their countless contributions that have opened doors for people around the world,” said Saskia Sorrosa, NBA Vice President of Multicultural/Targeted Marketing in a press release. “With the the NBA’s young and diverse fanbase, we felt it was important to creat a program that would engage kids by educating them about black history to positively impact the future.”
Keep an eye out for the new shooting shirts today and throughout the month of February.
article by Carrie Healey via thegrio.com
On March 22, 1956, the 27-year-old Dr. Martin Luther King, Jr. was having a horrible day. He’d just been convicted for his role in the Montgomery Bus Boycott and sentenced to pay $1,000 or spend 386 days in jail. After the ruling and motion to appeal, he walked out of the courthouse a temporarily free man, but his spirit was shaken.
All of a sudden, his wife Coretta rushed at him, threw her arms around him, and kissed him in front of about 300 people who’d gathered outside. The biggest smile ever captured on King swept across his face, and his eyes lifted to the heavens with the giddiness of a young man in love.
In the photo that caught this moment, we see a side of him that sometimes gets lost in our remembrances. For all the important things that Dr. King would go on to do in his life, that day he was just a regular young man whose rough day was made better by a little sugar from the one he loved.
Remembering King as a man, not just a legend
Today, the nation pauses for a moment to pay homage to the legacy of Dr. King. During his less than fifteen years in the national spotlight, he became the voice and embodiment of the Civil Rights Movement in America. Our perception of him is deeply influenced by the iconic pictures and films of King delivering powerful speeches, leading marches in the Deep South, and with his hand outstretched towards the sea of people at the 1963 March on Washington.
These many images and the society-shifting changes that his efforts helped bring about have elevated him to a heroic status with a larger-than-life character. This deification pushed him into a place in our memories that sometimes feels beyond our reach of comprehension as fellow mortals.
First Lady Michelle Obama spent Friday, January 17th – her actual birthday – out of sight, with no public appearances, except the tweet of a photo of herself holding up her AARP card. She tweeted, quote, “Excited to join Barack” in the 50-plus club today . “check out my @AARP card!”
But last night, January 18th, Beyoncé and Stevie Wonder rocked the White House at a star-studded, late-night dance party celebrating Obama’s 50th, two guests told the Chicago Tribune today. President Barack Obama and daughters Malia and Sasha joined family friends, elected officials, entertainers, athletes, business executives and big donors at the gala, which kicked off Saturday and lasted until the wee hours Sunday morning, the sources said.
The event was closed to the press, and the White House did not release a guest list or any other details. But two guests spoke to the Tribune on condition of anonymity, describing a bash at which a deejay kept people on the dance floor in the East Room until after 3 a.m. Washington time. VIP guests, according to sources, included political luminaries Bill and Hillary Clinton, Vice President Joe Biden, House Minority Leader Nancy Pelosi, White House senior adviser Valerie Jarrett, national security adviser Susan Rice, U.S. Attorney General Eric Holder, Health and Human Services Secretary Kathleen Sebelius, Commerce Secretary Penny Pritzker and Democratic National Committee official Donna Brazile.
Other high-profile guests included Sir Paul McCartney, Magic Johnson, Chicago-born actress/singer Jennifer Hudson, singer Janelle Monae, actor Kal Penn, TV personality Al Roker, actress Ashley Judd, tennis great Billie Jean King, retired Olympic figure-skater Michelle Kwan and Facebook Chief Operating Officer Sheryl Sandberg, the sources said.
At the University of Texas, football is religion. At Penn State University, they need football for redemption. So when these storied programs hired black head coaches within days of each other to return them to past glory, it was a major moment for a sport that has been among the slowest to promote African-American leaders at the highest level.
There have been other black head coaches at top football schools — Notre Dame, Stanford, Miami, UCLA. But the recent hiring of Charlie Strong at Texas and James Franklin at Penn State sent a powerful message, because of the combined prestige, mystique and influence of those teams. “It’s a historical moment,” said Doug Williams, the first black quarterback to win a Super Bowl and a former head coach at Grambling. “We’ve come a long way in a couple weeks,” Williams said. “Even though we don’t have as many as you would like, but when you get a Penn State and a Texas, them schools together almost make up for about 10 schools.”
There are 125 colleges playing in the top-level Football Bowl Subdivision. In 2013, 13 of them had black coaches. That was down from 15 in 2012 and an all-time high of 17 in 2011. Strong and Franklin have not been replaced by African-Americans, so the overall numbers remain low. For Franklin, the numbers are less important than the opportunities. “I don’t underestimate the significance of this moment. I take a lot of pride in that,” he said in an interview. “But the most important thing is we’re getting to a point where universities and organizations and corporations are hiring people based on merit and the most qualified guy.