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National Museum of Women in the Arts in D.C. to Host "Magnetic Fields" Exhibition on October 13; 1st in U.S. of Abstract Art by Intergenerational Black Women Artists

Mildred Thompson, Magnetic Fields, 1991; Oil on canvas, triptych, 70 1/2 x 150 in.; Courtesy of the Mildred Thompson Estate, Atlanta, Georgia

by Lori Lakin Hutcherson (@lakinhutcherson)

A landmark exhibition of abstract paintings, sculptures and works on paper by 21 black women artists will be on view at the National Museum of Women in the Arts (NMWA) from Oct. 13, 2017–Jan. 21, 2018. Magnetic Fields: Expanding American Abstraction, 1960s to Today places the visual vocabularies of these artists in context with one another and within the larger history of abstraction. This exhibition celebrates those under-recognized artists who have been marginalized, and argues for their continuing contribution to the history and iconography of abstraction in the United States. Magnetic Fields is the first exhibition dedicated exclusively to the formal and historical dialogue of abstraction by black women artists.

Chakaia Booker, El Gato, 2001; Rubber tire and wood, 48 x 42 x 42 in.; Collection of the Kemper Museum of Contemporary Art, Bebe and Crosby Kemper Collection,; (Photo by E. G. Schempf)

From the brilliant colors and energetic brushwork of Alma Woodsey Thomas’s paintings to shredded tire sculptures by Chakaia Booker, works featured in this exhibition testify to the enduring ability of abstraction to convey both personal iconography and universal themes. The exhibition underscores the diversity of abstract art, which lies in its material construction and conceptual underpinnings, as well as in its practitioners.
Magnetic Fields features a range of works, including early and later career examples, several exhibited for the first time, and the long-awaited reappearance of iconic works such as Mavis Pusey’s large-scale painting Dejyqea (1970), featured in the Whitney Museum of American Art’s landmark 1971 exhibition Contemporary Black Artists in America.
“By highlighting each artist’s individual approach to materials, composition, color and content, Magnetic Fields creates a context for a lively and visual conversation among these artists,” said NMWA Director Susan Fisher Sterling. “The project also vigorously expands the art-historical narrative on post-war American abstract art. This exhibition shifts our attention to key practitioners who have not received their due, fostering a deeper appreciation of their accomplishments and asserting a new parity of value for their work.”
Magnetic Fields also pays tribute to the lived experience of each of the featured artists who have come individually to pursue abstraction, disrupting the presumption that only figurative works can convey personal experience. Collectively, work by the select group of prolific creators, born between 1891 and 1981, represents a range of approaches rooted in Abstract Expressionism, Color Field painting and Minimalism, with emphasis on process, materiality, innovation and experimentation. The artists in the exhibition are:

  • Alma Woodsey Thomas, Orion, 1973; Acrylic on canvas, 59 3/4 x 54 in.; Courtesy of the National Museum of Women in the Arts, Gift of Wallace and Wilhelmina Holladay (Photo by Lee Stalsworth)

    Candida Alvarez (b. 1955)
  • Chakaia Booker (b. 1953)
  • Betty Blayton (b. 1937, d. 2016)
  • Lilian Thomas Burwell (b. 1927)
  • Nanette Carter (b. 1954)
  • Barbara Chase-Riboud (b. 1939)
  • Deborah Dancy (b. 1949)
  • Abigail DeVille (b. 1981)
  • Maren Hassinger (b. 1947)
  • Jennie C. Jones (b. 1968)
  • Evangeline “EJ” Montgomery (b. 1930)
  • Mary Lovelace O’Neal (b. 1942)
  • Howardena Pindell (b. 1943)
  • Mavis Pusey (b. 1928)
  • Shinique Smith (b. 1971)
  • Gilda Snowden (b. 1954, d. 2014)
  • Sylvia Snowden (b. 1942)
  • Kianja Strobert (b. 1980)
  • Alma Woodsey Thomas (b. 1891, d. 1978)
  • Mildred Thompson (b. 1936, d. 2003)
  • Brenna Youngblood (b. 1979)

“As curators, we are honored to present this incredible, intergenerational group of artists,” stated co-curators Erin Dziedzic and Melissa Messina. “This exhibition is intended to be a platform to further their visibility, as well as to generate more inclusive conversations about the history of American abstraction that consider the accomplishments and contributions of women artists of color going forward.”

Civil Rights Activist Autherine Lucy Foster Honored with Historical Marker at University of Alabama

Autherine Lucy Foster (photo via universityofalabama.tumblr.com)

via jbhe.com
On June 11, 1963, Vivian Malone and James Hood, under the protection of federal marshals and the federalized Alabama National Guard, broke the racial barrier and enrolled as undergraduate students at the University of Alabama. That day, Alabama Governor George Wallace made a ceremonial stand in the schoolhouse door protesting the federal court order that called for the admittance of the Black students. But Malone and Hood were not the first Black students at the university.
Autherine Lucy Foster Historical Marker

In 1952, after graduating with an English degree from Miles College, Autherine Lucy Foster applied to the graduate program in education at the University of Alabama but was rejected because of her race. After a three-year legal battle, she was admitted to the university by court order. In 1956 Foster enrolled in a graduate program in education at the university. Angry protests by White students ensued. Foster was suspended three days later “for her own safety” and she was later expelled.
In 1988, the University officially annulled her expulsion. The next year she re-enrolled at the University of Alabama with her daughter, Grazia. Foster earned a master’s degree in elementary education in 1991 and participated in the graduation ceremony in May 1992 with her daughter, a corporate finance major. In 1998, the University of Alabama named an endowed fellowship in Foster’s honor and unveiled a portrait of her in the Student Union Building. She was recognized again in 2010 when the university dedicated the Autherine Lucy Clock Tower.
Recently, the Autherine Lucy Foster Historical Marker was unveiled on the Tuscaloosa campus near where the mob gathered to protest her presence at the university. A video of the dedication ceremony for the historical marker can be seen below.

Source: A Historical Marker at the University of Alabama Honors Autherine Lucy Foster : The Journal of Blacks in Higher Education

Katherine G. Johnson Computational Facility Opens at NASA Langley Research Center

NASA Legend Katherine Johnson with Dr. Yvonne Cagle (photo by Megan Shinn via 11alive.com)

via 11alive.com
HAMPTON, Va. (WVEC) — An American treasure is being honored in Hampton. A new facility at the NASA Langley Research Center is named after Katherine Johnson. She’s the woman featured in the movie “Hidden Figures” for her inspiring work at NASA Langley. People knew the mathematician as a “human computer” who calculated America’s first space flights in the 1960s. “I liked what I was doing, I liked work,” said Katherine.
The 99-year-old worked for NASA at a time when it was extremely difficult for African-Americans — especially women — to get jobs in the science field. “My problem was to answer questions, and I did that to the best of my ability at all time,” said Katherine. She was awarded the Presidential Medal of Freedom in 2015. She said, “I was excited for something new. Always liked something new.” U.S. Sen. Mark Warner, Virginia Governor Terry McAuliffe, Hampton Mayor Donnie Tuck, and “Hidden Figures” author Margot Lee Shetterly were among the dignitaries who were on hand to honor Johnson.
https://twitter.com/MeganShinn/status/911290544395079681
Governor McAuliffe said, “Thank goodness for the movie and the book that actually came out and people got to understand what this woman meant to our county. I mean she really broke down the barriers.” The Katherine G. Johnson Computational Research Facility (CRF) is a $23 million, 37,000-square-foot energy efficient structure that consolidates five Langley data centers and more than 30 server rooms. One NASA astronaut, Doctor Yvonne Cagle, said Katherine is the reason she is an astronaut today. “This is remarkable, I mean it really shows that when you make substantive contributions like this, that resonate both on and off the planet. There’s no time like the present.” Doctor Cagle said she’s excited the new building is named after Katherine. “Thank you all, thank everyone for recognizing and bringing to light this beautiful hidden figure,” said Cagle.
The facility will enhance NASA’s efforts in modeling and simulation, big data, and analysis. Much of the work now done by wind tunnels eventually will be performed by computers like those at the CRF. NASA Deputy Director of Center Operations, Erik Weiser said, this new facility will help them with their anticipated Mars landing in 2020.
Source: NASA legend Katherine Johnson honored in Hampton | 11alive.com

Donald Glover, Lena Waithe and Sterling K. Brown Make Emmy Awards History

Emmy Winners Donald Glover, Sterling K. Brown and Lena Waithe (photos via vibe.com)

by Camille Augustin via vibe.com
At the 69th edition of the Emmy Awards, there was more diversity among nominees, and therefore winners, than there has been in previous years. Compelling actor Sterling K. Brown took home the hardware for Outstanding Lead Actor in a Drama Series for his role in NBC’s This Is Us. According to Entertainment Weekly, Brown is the first black actor to win the prize since Andre Braugher in 1998 for his role in Homicide: Life on the Street. During his backstage speech, Sterling reflectively acknowledged this achievement. “When I first got to [NYU] there was a poster of Gideon’s Crossing above the Public Theater, so I would see [Braugher’s] face all the time when I left my apartment to go to school,” he said, per The Ringer. “So, I’m bugging out. I never thought that this was a possibility, and to be standing here 19 years after him! I wanna represent.”
Another epic win went to Donald Glover, who became the first black director to garner the Emmy for Outstanding Directing for a Comedy Series. For his brilliant acting in Atlanta, the “Redbone” artist (as Childish Gambino) became the first black performer to join the legion of comedic outstanding lead actors. The achievements kept pouring in as actress/screenwriter Lena Waithe went down in history as the first black woman to win Outstanding Writing for a Comedy Series for Master of None. She also won the hearts of the audience and viewers with her motivating acceptance speech to the LGBTQIA community.
To read more, go to: Sterling K. Brown, Lena Waithe, Donald Glover Make Emmys History

Abolitionist Sojourner Truth and Rutgers' 1st Black Graduate James Carr Have Buildings Named After Them on Campus


via jbhe.com

Sojourner Truth

Rutgers University in New Brunswick, New Jersey has renamed its College Avenue Apartments to honor Sojourner Truth. Born into slavery, Sojourner Truth became a leading abolitionist and advocate for women’s rights.
While a slave, Sojourner Truth and her parents were owned by relatives of the first president of Rutgers University. The Sojourner Truth Apartments house 440 upper-class students.
Azra Dees, a sophomore in the School of Arts and Sciences at Rutgers, stated that “it shows a dedication to the history that we have and moving forward. And I’ll always know that I have a meaning behind the building that I’m living in, rather than just being a beautiful new building.”
James Dickson Carr (photo via libraries.rutgers.edu)

In addition, the former Kilmer Library on Rutgers-New Brunswick’s Livingston Campus in Piscataway has been renamed the James Dickson Carr Library after Rutgers’ first African-American graduate. James Dickson Carr completed his degree in 1892 and went on to attend Columbia Law School.
To read more, go to: Rutgers University Honors African Americans Who Are Part of Its History : The Journal of Blacks in Higher Education

North Carolina Has 6 Black Female Police Chiefs for the 1st Time in State's History

(photo via thegrio.com)

via thegrio.com
North Carolina currently has six Black female police chiefs, the first time this has ever happened in state history, according to WRAL. Raleigh’s Cassandra Deck-Brown, Durham’s C.J. Davis, Morrisville’s Patrice Andrews and Fayetteville’s Gina Hawkins, three of the six chiefs, spoke to the station about their unique positions.
“We’ve broken a glass ceiling,” Deck-Brown told WRAL’s Lena Tillett. “So, becoming chief, the honor is knowing that somebody else has that opportunity to get there.” All three said that they felt that they had to work much harder than their white male counterparts, and they all were sure to acknowledge the increasing enmity between police and communities of color, an enmity that they are trying to help soothe.
They said that they are working to introduce more empathy and compassion to policing in an attempt to help change the way that police are perceived by their communities, especially in areas that have a history of specifically targeting people of color.“This is a paradigm shift in policing,” Deck-Brown said. “This is what 21st century [policing] looks like. All we need is the opportunity. Some do it better than others, but we need the opportunity.”
Hawkins, the mother of black children, also admitted that it was sometimes hard to reconcile her life and the fact that police often are the perpetrators of racism. “We’ve always been of color,” Hawkins said. “We’ve always had those family members, and that conversation that we have with our family members and our friends doesn’t change because we happen to have our uniform on.”
Source: North Carolina has 6 Black female police chiefs for the first time in history | theGrio

Venus Williams, Sloan Stevens and Madison Keys All Advance to U.S. Open Quarterfinals

Venus Williams; Sloane Stephens; Madison Keys (@rantoddj via Twitter screenshot)

by Angela Helm via thegrapevine.theroot.com
For the first time in U.S. Open history, three black women have advanced to the quarterfinal round; and, in this case, they all happen to be American. As of Monday, Venus Williams, 37, Sloane Stephens, 24, and Madison Keys, 22, are all vying for the Tiffany-engraved trophy. Oh, and it’s all going down at a stadium named for African-American tennis legend, Arthur Ashe.
Williams and Stephens earned quarterfinal spots Sunday night, by defeating Carla Suarez Navarro of Spain and Julia Gorges of Germany respectively, while Keys snagged her place by defeating Elina Svitolina from the Ukraine Monday night. Keys, ranked No. 15 in the world, is the youngest of the bunch, and was visibly excited after her win, and spoke about the prospect of the Americans squaring off against one another.
“It’s just really exciting. I’m really happy that none of us are playing each other in the quarterfinals,” Keys said, according to the Los Angeles Times. “If there’s some all-American matchups in the rest of the tournament, I think that says really good things about women’s tennis.”
To read more, go to: https://thegrapevine.theroot.com/three-black-women-advance-to-u-s-open-semifinals-1799943507

1st Black Men to Integrate U.S. Marines Honored 75 Years Later

John Thompson, Cleo Florence, Robert Thomas and Mack Haynes were honored on Saturday for their service as Marines. (WFMY)

by Taryn Finlay via huffingtonpost.com
The first African Americans to ever serve in the United States Marine Corps were honored on Saturday during a special ceremony at Joe C. Davidson Park in Burlington, North Carolina. For the 75th anniversary of Montford Point Marine Day ― which marks the day President Franklin D. Roosevelt issued an executive order to intregrate the Marines ― the Corps honored the black men who were trained at Camp Lejeune in Jacksonville, North Carolina to become Marines in the 1940s.
Between 1942 and 1949, more than 20,000 servicemen received their basic training at Montford Point, according to the Camp Lejeune Globe. About 300 of them are still alive. Four of those men ― John Thompson, Cleo Florence, Robert Thomas and Mack Haynes ― were in attendance for Saturday’s ceremony, the Burlington Times News reports. “When I went in in 1947, how things was then and how things have progressed and how they are today… there’s been a great change, but there still be more change and we may be able to have one nation under God and one people.”
To read full article and to see video, go to: First Black Men To Enlist As Marines Honored 75 Years Later | HuffPost

Civil Rights and War Hero Octavius Catto to Become Philadelphia's 1st African American Honored With a Public Statue

This model of the Octavius V. Catto Memorial shows the statue, pillars and ballot box elements that will make up the $1.75 million project. (photo via phillyvoice.com)

by Lori Lakin Hutcherson (@lakinhutcherson)
According to blavity.comOctavius Valentine Catto will be honored with a statue outside of Philadelphia’s city hall this September. Catto’s statue will be the first monument built to honor an African American erected on public land in the City of Brotherly Love. Although Catto’s memorial has been in the works for years, in the wake of the push to take so many Confederate statues down across the nation, the timing for this statue’s unveiling could not be better.
In Charleston, South Carolina on February 22, 1839, Catto was born a free black man. Catto excelled at his studies, attending a school for black children in Philadelphia, the Institute for Colored Youth, an institution he later led.
According to phillyvoice.com, in his early 20s, Catto was already an active leader in the African American community. He was a member of the 4th Ward Black Political Club, the Union League Association, the Library Company and the Franklin Institute. He demanded that African Americans fight in the Civil War and helped get their regiments inducted into the war. In 1863, at the height of the Civil War, he joined the army and enlisted as a volunteer in defense of the state of Pennsylvania.
Octavius Catto (photo via phillyvoice.com)

Catto was also a major in the Pennsylvania National Guard and played baseball as captain and second baseman for the Pythians, an African American baseball team. He was inducted into the Negro League Baseball Museum’s Hall of Fame.
Beyond being an educator, ball player and a war hero, Philadelphia is celebrating Catto for his local civil rights activism, which went into full gear after he was kicked off of a segregated horse-drawn trolley. He staged a sit-in on the streetcars, refusing to move off of the car. The driver drove the car off of its track and unhitched its horses, unsure how else to get rid of Catto. Catto remained aboard; the other passengers and the driver left him there. Catto also defended several black women who were forcibly ejected from the city’s streetcars, and used a fine levied against his fiancée to drum up publicity for his cause. Finally, in 1867, due in large part to Catto’s pressure, the city desegregated its streetcars.
“In Philadelphia, at that time, you could be wearing a Civil War uniform and not have been able to get on that trolley car,” said Philadelphia Mayor Jim Kenney, who has been hoping to bring a statue of Catto to the city since at least 2003, after he learned the story of Catto’s life. “[Knowing this] you realize, this struggle isn’t just a 1960s struggle. It’s a struggle from the beginning of the country.”

Briana Scurry Becomes 1st African-American Woman Elected to National Soccer Hall of Fame

World Cup and Olympic Gold medalist goalie Brianna Curry (photo via theundefeated.com)

by Rihannon Walker via theundefeated.com
Briana Scurry’s soccer career began in Dayton, Minnesota. The 12-year-old was the only African-American and only girl on the team. Thirty-two years later, Scurry became the only African-American woman in the National Soccer Hall of Fame after she was elected recently in her fourth year of eligibility. The starting goaltender for the U.S. women’s national team that won the 1999 Women’s World Cup also was the first female goalie chosen for the hall, according to The Washington Post’s Steven Goff.
Scurry, who has been eligible since 2014, was the lone player elected among 33 nominees announced in May. Dr. Joe Machnik, a former player, coach, referee and commissioner, joined Scurry in the 2017 class. U.S. Soccer said details about the induction ceremony will be unveiled later.
A 14-year soccer veteran, Scurry retired from the Washington Freedom of the Women’s Professional Soccer League seven years ago. She suffered a career-ending concussion after taking a knee to the temple at full speed from a Philadelphia Independence forward. A gold medalist with the U.S. team at the 1996 and 2004 Summer Olympics, Scurry is remembered for her cross-net deflection of China’s Liu Ying’s spot kick that set up Brandi Chastain’s game-winning penalty-kick-to-shirtless-slide succession in the 1999 Women’s World Cup.
“It’s a fantastic honor to be inducted to the Hall of Fame. I remember watching the Olympics on the couch with my parents at 8 years old, dreaming of becoming an Olympian myself. It was with their help – and that of my coaches, teammates and countless others – that I was blessed to not only become an Olympian, but an Olympic and World Cup champion,” Scurry told U.S. Soccer. “Soccer had already given me so much more than I could possibly give back. Now, to be inducted alongside the likes of Michelle Akers, Mia Hamm and Kristine Lilly – I am truly humbled. And though my mother and father have passed, I can feel their pride swell. Thank you for letting me play for you, and thank you all for this incredible honor.”
To read full article, go to: Briana Scurry is the first African-American woman elected to the National Soccer Hall of Fame