[Photo: GBN Contributor Joyce Lakin (l) and GBN Editor-in-Chief Lori Lakin Hutcherson (r) in Maui, 2005]
Good Black News wants to take a moment on this day to honor and remember the women who gave us life, who nurtured and raised us, and also offered us solace, counsel, wisdom, humility and humor.
To all the mothers out there – be they Aunties, Grandmothers, Cousins or Friends – thank you for all you do!
And to one mom out there in particular — Joyce Lakin — we want to thank you for all of the above and also for agreeing to put together a playlist of some of your all-time favorite songs to share with all the other moms and children out there who grew up on their mom’s music!
On this list there’s clearly songs you grew up on (Johnny Mathis, Etta James, Sammy Davis, Jr.), songs that were your jams that became our jams (Teddy Pendergrass, Marvin Gaye, Prince) and songs that are refreshing surprises — Jay Z and J. Lo — who knew?!
If anyone out there is still lucky enough to have their mom, we encourage you to ask them for their playlist — and you’ll learn more about your mom and yourself than you’d imagine!
A few days ago, Karine Jean-Pierre made history when she was announced as the next White House Press Secretary, taking over from current Press Secretary Jen Psaki on May 13. Jean-Pierre will be the first Black woman and openly LGBTQ+ person to hold the high-profile position.
To read about her, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Karine Jean-Pierre (photo via Twitter)
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Saturday, May 7th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Earlier this week, Karine Jean-Pierre was named the new White House Press Secretary after serving as the Principal Deputy Press Secretary for the Biden Administration. Jean-Pierre will be the first Black woman and openly LGBTQ-plus person to serve in this position.
Jean-Pierre, the daughter of Haitian parents, grew up in New York City from the age of five and attended the New York Institute of Technology before earning her Masters in Public Administration at Columbia University.
After working in a few different political positions and then the Barack Obama Presidential Campaign and in Obama’s administration, Jean-Pierre joined the faculty at her alma mater Columbia, where she was a lecturer in international and public affairs.
In 2016, Jean-Pierre became MoveOn.org’s national spokesperson and on June 1, 2019, Jean-Pierre famously intervened during a MoveOn Forum where then-presidential candidate Kamala Harris was rushed by an audience member who grabbed her microphone.
Jean-Pierre put herself between the man and Harris until security and Harris’ husband Doug Emhoff removed the man from the stage.
Jean-Pierre then worked as a senior advisor on the Joe Biden presidential campaign, and after the election, was appointed to serve as Principal Deputy Press Secretary. On May 13, 2022, Jean-Pierre will take over from Jen Psaki and officially begin her new duties.
Here’s a clip from Jean-Pierre speaking about her new appointment and its importance overall:
“Wow, I am still processing it. Because as Jen said, at the top, this is a historic moment, and it’s not lost on me.
I understand how important it is for so many people out there. So many different communities that I stand on their shoulders, and I have been throughout my career. And so, it is an honor and a privilege to be behind this podium in about a week or so when Jen is ready.
And that, that is something that I will honor and, and do my best to represent this President and the First Lady the best that I can, but also the American people. And so it is, you know, it’s a very emotional day.
That’s probably the best way that I can explain it a very emotional day. And I just appreciate this time in this moment, and I hope that I make people proud.”
This has been a bonus daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Today, on National Nurses Day, GBN highlights Dr. Ernest Green, the first male and current president of the American Nurses Association.
To read about him, read on. To hear about him, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, May 6th, 2022, also known as National Nurses Day, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Happy Nurses’ Day! It’s kind of ironic that Ernest Grant, the first male president of the American Nurses Association, is also a doctor… of nursing!
An internationally recognized burn care and safety expert, Dr. Grant holds a Ph.D. in nursing from the University of North Carolina at Greensboro.
The doctor took office in January 2019 after being elected to represent the four million nurses in the ANA, about 90 percent of whom are women.
To learn more about Ernest Grant, history of nursing as well as African American nurses, check out the links provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Karine Jean-Pierre was appointed by President Joe Biden today as the new White House press secretary, succeeding Jen Psaki, according to nbcnews.com. Jean-Pierre will be the first black woman and the first openly gay person to hold the position.
Jean-Pierre currently serves as the White House’s principal deputy press secretary.
“Karine not only brings the experience, talent and integrity needed for this difficult job, but she will continue to lead the way in communicating about the work of the Biden-Harris Administration on behalf of the American people,” the president said in a statement. “Jill and I have known and respected Karine a long time and she will be a strong voice speaking for me and this Administration.”
Jean-Pierre was born in Haiti and immigrated to the U.S. as a child, growing up in Queens, New York. She has served as deputy press secretary since the start of the administration and has filled in for Psaki behind the White House podium and briefed reporters traveling with the president.
Prior to joining the White House, Jean-Pierre served as chief of staff for vice presidential nominee Kamala Harris during the 2020 campaign and was the national spokeswoman for MoveOn.org during the 2016 election. She previously worked on both of Barack Obama‘s presidential campaigns.
Jean-Pierre will formally take over as Press Secretary following Psaki’s last day, which will be May 13.
[Image: Composite portrait of Bridget “Biddy” Mason and the First African Methodist Episcopalian Church at the intersection of 8th and Towne in Los Angeles, California, circa 1940. Photos courtesy of Los Angeles Public Library and California State University Dominguez Hills.]
Today, GBN highlights and celebrates 19th century entrepreneur and community builder Bridget “Biddy” Mason, who won her freedom in court and in her time became the wealthiest Black woman in Los Angeles.
To read about her, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, May 5th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Ever hear the one about the enslaved mother of three who sued for her freedom, won… and became the richest Black woman in Los Angeles? It’s no joke.
Bridget “Biddy” Mason was born into slavery in 1818 in Mississippi and is reported to have been taken from her mother as a young child. She learned about herbs and midwifery from older enslaved women and when her owner Robert Smith converted to Mormonism, he decided to move to Utah and join the community there.
Mason and her three children were part of that trek – literally – she had to walk the 2,000 miles behind the wagon caravan, tending to the livestock, her owners and her children along the way. After a few years in Utah, Smith relocated to a Mormon enclave in San Bernadino, California.
History was made 42 years ago in May 1980 when the burgeoning Star Wars franchise added the character of Lando Calrissian to its universe played by 1970s heartthrob Billy Dee Williams.
To read about it and see links to sources, read on. To hear about it, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, May 4th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
[Excerpt from “Star Wars Main Theme”]
The Force was in full effect in May 1980 when Star Wars sequel The Empire Strikes Backintroduced intergalactic charmer and scoundrel Lando Calrissian to the franchise.
Played by 1970s heartthrob Billy Dee Williams, Lando was the second Black character to have a significant and recurring role in popular science fiction television or film. (Nichelle Nichols’ Lieutenant Uhura on the original Star Trek TV show was the first.)
The Star Wars universe later added the featured characters of Jedi Master Mace Windu played by Samuel L. Jackson in its prequel trilogy, John Boyega as Finn in The Force Awakens and Forest Whitaker as Saw Gerrera in Rogue One.
And from the beginning, present in voice if not body, has been James Earl Jones as Darth Vader.
To learn about even more Black representation in Star Wars, check out the links to sources provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
Excerpts from the Star Wars theme by John Williams included under Fair Use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
In today’s Daily Drop, we explore the term “Afrofuturism” and its origin. To read about it and see links to sources, read on. To hear about it, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, May 3rd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
It’s in the category we call “Lemme Break It Down,” where we explore the origins and meanings of words and phrases rooted in the Black Lexicon and Black culture. Today’s word? “Afrofuturism.”
[Excerpt from “Space Is The Place” by Sun Ra]
“Afrofuturism” is a term that was coined in the 1994 essay “Black to the Future” by Mark Dery that describes a movement within Black culture from the 1950s to the present that employs science fiction and fantasy as frameworks to reimagine the African diaspora in music, art, literature, film, and fashion.
Musicians such as Sun Ra, who you are hearing right now, George Clinton, Janelle Monae, Erykah Badu; visual artists such as David Alabo, Ellen Gallagher, Kerry James Marshall, Kaylan F. Michael; and authors such as Octavia E. Butler, Samuel R. Delany, Tananarive Due and N.K. Jemisin all explore Afrofuturism in their work.
You can also watch the short PBS documentary called Afrofuturism 101 at pbs.org, download the This American Life “We Are The Future” podcast episode on Afrofuturism by Neil Drumming, check out the list of other Afrofuturism-themed podcasts on player.fm, and listen to the awesome “Space is The Place” Afrofuturism playlist curated by Good Black News contributor Marlon West.
Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
Excerpts from Sun Ra’s “Space is the Place” are included under Fair Use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
We end our celebration of #JazzAppreciationMonth today with a short tribute to a seminal architect of the sound, the legendary New Orleans son, Louis Armstrong.
To read about Armstrong, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Saturday, April 30th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Today, we’d like to close out #JazzAppreciationMonth, with a short tribute to a primary architect of the sound, the legendary New Orleans son, Louis Armstrong:
[“St. Louis Blues” by Louis Armstrong]
“No him, no me,” is how jazz innovator Dizzy Gillespie described the impact of musician Louis Armstrong.
Widely believed to be the first great jazz soloist, Armstrong’s improvisations on the cornet and trumpet influenced every jazz musician after him and elevated the musical style to a new, exciting standard.
Born in August of 1901, during one of the more challenging times of his childhood, Armstrong was sent to a home for boys in 1912 after firing his stepfather’s gun in the air during a New Year’s Eve celebration.
While at the “Colored Waifs Home for Boys” as it was called, Armstrong learned how to play the cornet. When Armstrong was released, as he worked odd jobs he was mentored on his horn by one of the best players in town — Joe “King” Oliver – and eventually replaced Oliver on cornet in Kid Ory’s band.
Armstrong soon reunited with Oliver when Oliver formed his own band in Chicago, which lead to Armstrong’s first recorded solo on record, 1923’s “Chimes Blues.”
[Excerpt of “Chimes Blues”]
Armstrong soon left his mentor to join Fletcher Henderson’s Orchestra, the top Black big band in New York. But the big city lifestyle and creative restraints Armstrong encountered lead him back to New Orleans to play with his wife Lil Armstrong’s band at the Dreamland Café.
Armstrong also began recording with his studio band – first the Hot Five and then Hot Sevens – even though they weren’t who he played with for live performances.
These recordings with smaller groups of musicians were an early influence on what would that become the norm after the swing band/orchestra’s hey day in the 1930s that ushered in the bebop era in the 1940s.
Armstrong’s stop-time solos on numbers like “Cornet Chop Suey” and “Potato Head Blues” changed jazz history, featuring daring rhythmic choices, swinging phrasing and incredible high notes.
[Excerpt “Potato Head Blues”]
Armstrong also innovated with his vocals, and his riff-style “scat” singing was emulated by popular singers like Ella Fitzgerald and Billie Holiday.
[Excerpt of “Heebie Jeebies”]
Armstrong’s influence on other musicians was impactful and immediate. A young pianist from Pittsburgh, Earl Hines, assimilated Armstrong’s ideas into his piano playing, and together, they made some of the greatest recordings in jazz history in 1928, including their duet on “West End Blues”:
[Excerpt of “West End Blues”]
“West End Blues” proved without a doubt that popular dance music like jazz music was also capable of producing high art.
As Armstrong’s reputation grew, he toured in Europe, began recording hit songs of the day and appeared in Hollywood movies such asPennies From Heaven and High Societywith Bing Crosby, The Glenn Miller Story with Jimmy Stewart and New Orleans with Billie Holiday. Armstrong also recorded with a smaller six-piece combo, the All Stars.
The personnel of this combo would frequently change, but Armstrong would perform live with his All Stars until the end of his career. Members, at one time or another, included Jack Teagarden, Earl Hines, Sid Catlett, Barney Bigard, Trummy Young, Edmond Hall, Billy Kyle and Tyree Glenn, among other jazz legends.
During this time in the 1940s and 1950s, Armstrong had hits with his versions of songs such as “That Lucky Old Sun,” “A Kiss to Build a Dream On,” “Blueberry Hill” “La Vie En Rose” and one of the biggest hits of his career, his version of “Mack The Knife”:
[Excerpt from “Mack The Knife”]
As times advanced and changed, Armstrong’s style was seen as outmoded and outdated. He received criticism for remaining silent on politics and not lending his voice to the fight against racism and for civil rights.
Even when Armstrong did speak up, as in 1957 when he called out President Eisenhower for allowing Governor Orval Faubus to use the National Guard to prevent the Little Rock Nine from integrating Little Rock Central High School, he was met with criticism from whites and Blacks alike – the former for saying anything and the latter for seeming to speak out too late.
Yet and still, Armstrong kept on with doing what he wanted to do musically and defying all odds and at the height of the British invasion of the rock and roll era, he scored a #1 Billboard pop hit in 1964 at the age of 63 with his version of “Hello, Dolly”:
[Excerpt of “Hello, Dolly”]
In 1965, Armstrong started performing the Fats Waller tune “Black and Blue” live again a decade after removing it from his repertoire. He changed a lyric from being “I’m white inside” to “I’m right inside” and turned it into a protest that he would continue to play for the rest of his life:
[1965 version of “Black and Blue” from East Germany]
Three years later however, Armstrong’s version of “What A Wonderful World” did not get the same reception in the United States. But it was a number one hit overseas in England and South Africa in 1967, and after its appearance almost two decades later in the 1986 movie Good Morning, Vietnam, “What a Wonderful World” became a signature tune and perennial favorite of Armstrong’s, known the world over to this day.
[Excerpt of “What a Wonderful World”]
Armstrong’s home in Corona, Queens, which he shared with his fourth wife Lillian from 1943 until his passing in 1971, was declared a National Historic Landmark in in 1977. Today, the house is home to the Louis Armstrong House Museum, which annually receives thousands of visitors from all over the world.
Even though his most famous nickname was “Satchmo” for his “satchel mouth,” New Orleans native Armstrong was more lovingly known among musicians as “Pops,” as he was the father of it all.
You can also watch the 1957 documentary Satchmo the Great which is currently posted on YouTube, Ken Burn’s Jazz miniseries on PBS, and be on the lookout for what Apple Original Films announced last year would be the definitive Louis Armstrong documentary produced by Imagine Entertainment where the story will be told entirely through Armstrong’s own words titled Black & Blues: The Colorful Ballad of Louis Armstrong.
And speaking of Louis Armstrong’s words, let’s hear a bit of him speaking about love and life from an audio clip posted on louisarmstronghouse.org:
[Clip of Louis Armstrong speaking]
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
Excerpts from Louis Armstrong’s music are included under fair use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Although we dropped in on Duke Ellington earlier this month on April 6th when we shared a quote from him and a snapshot of his career and contributions, today, on his birthday, this prolific composer and musician gets a much-deserved second look, because one thing we didn’t share last time about the Black, Brown and Beige maestro?
He had synesthesia, the neurological condition where sounds and colors blend.
To read about Ellington, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 29th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Although we dropped in on Duke Ellington earlier this month on April 6th when we shared a quote from him and a snapshot of his career and contributions, today this prolific composer and musician gets a much-deserved second look:
Born on this day in 1899, Edward Kennedy “Duke” Ellington made an indelible mark on American music for more than six decades. A pianist, composer and bandleader, Ellington created such now-classic standards as “Prelude to a Kiss,” “Mood Indigo,” and “It Don’t Mean a Thing if it Ain’t Got That Swing”– as well as full-length compositions such as Black, Brown and Beige and Jump For Joy and film scores for Anatomy of a Murder andParis Blues.
Perhaps there were so many hues to Duke’s music because he had synesthesia, the neurological condition where sounds and colors blend. Other noted musicians who are also reported to be synesthetes are Pharrell Williams, Mary J. Blige, Frank Ocean and Kanye West.
To learn more about Ellington, check out our April 6th daily drop and its resources, and if you want to learn more about synesthesia, check out the links provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Intro and outro beats provided by freebeats.io and produced by White Hot.
Excerpts from Black, Brown & Beige, Part 1 composed by Duke Ellington are included under fair use.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon,Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
Today, GBN celebrates Brad Lomax, the Black Panther Party member and disability activist who helped lead the “504 Sit In” to demand the federal government provide accessibility in a federal buildings and institutions.
To read about Lomax, read on. To hear about him, press PLAY:
[You can subscribe to the Good Black News Daily Drop Podcast via Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or listen every day here on the main page. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 28th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
As a young adult, Black Panther Party member Brad Lomax was diagnosed with multiple sclerosis. When he started using a wheelchair every day, Lomax began to notice an often unseen “ism” — ableism.
Public buildings and transit without ramps. Inaccessible schools, housing, and workplaces. Lomax joined the Center for Independent Living, the Bay Area group which successfully lobbied for curb cuts on street corners.
In 1977, Lomax helped lead a protest that became known as the “504 Sit-In” in the San Francisco Federal Building, where disabled activists took the federal government to task for not implementing Section 504 of the Rehabilitation Act of 1973, which required accessibility in all federal programs and institutions.
The protest lasted longer than any other sit in in United States history. The protestors were assisted by Lomax’s fellow Black Panthers, who delivered provisions to the activists daily.
After a month, the government finally began to implement Section 504 in all federal programs and institutions and this action helped pave the way for the 1990 Americans with Disabilities Act.
Links to these sources and more are provided in today’s show notes and in the episodes full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, written, produced and hosted by me, Lori Lakin Hutcherson.
Beats provided by freebeats.io and produced by White Hot.
If you like these Daily Drops, follow us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.
For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.
To learn more about Karine Jean-Pierre, check out her 2019 book 
You can also watch the short PBS documentary called Afrofuturism 101 at 
Armstrong also began recording with his studio band – first the Hot Five and then Hot Sevens – even though they weren’t who he played with for live performances.
As Armstrong’s reputation grew, he toured in Europe, began recording hit songs of the day and appeared in Hollywood movies such as Pennies From Heaven and High Society with Bing Crosby, The Glenn Miller Story with Jimmy Stewart and New Orleans with Billie Holiday. Armstrong also recorded with a smaller six-piece combo, the All Stars.
