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Posts published by “goodblacknews”

Black-Owned Food Trucks Give New Meaning to Meals on Wheels

By goodblacknews on November 21, 2014
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Nnamdi J. Nwaneri and Na’Im Moses (ADEDAYO KOSOKO OF QUEENS CHAPEL CREATIVE AGENCY)
Once a month from April through October, in a vacant Washington D.C., lot near the famed Nationals Park, about 20 food trucks convene for an evening of music, food and dancing. Hundreds of D.C. locals have the opportunity to purchase everything from lobster rolls to Korean tacos, from homemade ice cream to gourmet hot dogs.
One thing you quickly notice while trying to figure out which 20-minute line to endure for your next culinary experience is the demographics of the food-truck owners. Food trucks have become a big business—some may even refer to them as the next big thing in culinary fads—but if you’re attempting to find food trucks owned by black people, it’s similar to seeking the figurative needle in a haystack.
But not impossible.
Nnamdi J. Nwaneri is one of the owners of NeatMeatDC, and his food truck is one of the few black-owned trucks in the D.C. area. NeatMeatDC started in 2007, when Nwarneri teamed up with his Howard University law school classmate Na’Im Moses. The two men realized they had similar goals outside the law profession.
You’d be mistaken if you thought NeatMeatDC served your average sloppy joe sandwich. With a menu that includes such masterpieces as a pulled spiced pork joe in a cerveza chipotle sauce, it’ll make you think twice about pulling a Manwich can from your local grocery store’s shelf.
When asked why he wanted to start a food truck, Nwaneri waxed poetic about his intentions. “‘A lawyer’s either a social engineer or he’s a parasite on society’ is a quote from Charles Hamilton Houston. We reference this quote many times, as it is interconnected to our legal education as well as our life’s mission. We believe that creating a viable business allows us to become social engineers to benefit ourselves, our friends and families, and, most importantly, our society,” Nwaneri says.
It’s this enterprising spirit that has motivated other black food-truck owners, too. But starting out in the food-truck business isn’t something that can be done overnight. The NeatMeatDC team took 18 months from conception to launch, and it’s still a growing endeavor.

Tree Planted at the U.S. Capitol in Memory of Emmett Till

By goodblacknews on November 20, 2014

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The Capitol building sits on a 59-acre park that includes hundreds of trees.  The newest, a sycamore, was planted Monday, in memory of a black teenager who, nearly 60 years ago, was murdered for whistling at a white woman, helped spark the civil rights movement.
imagesHis name was Emmett Till.
On August 28th, 1955, the Chicago teen was taken by a group of white men from his great-uncle’s home while visiting Money, Miss. His shot and battered body was found three days later in a nearby river. Two white men were acquitted. At Till’s funeral, his mother Mamie proclaimed: Let the world see what they did to my boy.
Fifty thousand people filed by his open casket.

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A plaque is seen at the base of a tree planted in honor of Emmett Till on the grounds of the U.S. Capitol in Washington, DC, 11/17114. (SAUL LOEB/AFP/GETTY IMAGES)

Documentary filmmaker Stanley Nelson says Till’s murder served as a catalyst for supporters of civil rights.
“All those people who are about his age, you are about 14 in 1955, then became the front ranks of the civil rights movement,” said Nelson.
Perhaps this young American Sycamore Tree will help keep Till’s memory alive.
article by Elaine Quijano via cbsnews.com

Idris Elba to Make "Luther" Return in 2015

By goodblacknews on November 20, 2014
“Luther” (BBC America) Emmys Writing and
The same week Fox touted the development of a U.S. adaptation of British crime series “Luther,” BBC America has announced that the original iteration of the drama will return for a two-part miniseries in 2015.
Starring Idris Elba as DCI John Luther, the murder detective whose brilliant mind can’t always save him from the dangerous violence of his passions, the new series is written by creator Neil Cross. “Luther” hails from BBC Drama Production and the new series will be co-produced with BBC America. Elizabeth Kilgarriff will oversee for BBC Drama.
In a statement on the BBC revival, Cross said, “Ever since we said goodbye to John Luther on Southwark Bridge, there’s hardly been a minute when I didn’t wonder what happened next. So I decided to find out. We’re putting the band back together; Luther is coming back where he belongs. Back to the BBC. Back to London. And back to work.”
The two hourlong episodes will film in and around London in March, and the show is slated for a late 2015 premiere.
The U.S. adaptation has received a put pilot commitment from Fox. Elba is attached to executive produce alongside Cross but is not currently expected to star.
article by Laura Prudom via Variety.com

Lisa Price, Angela Yee, MC Lyte and More Honored at WEEN Awards

By goodblacknews on November 20, 2014

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The 4th annual Women in Entertainment Empowerment Network Awards were held yesterday at New York’s Helen Mills Theater, bringing together a who’s who of powerful women in entertainment to celebrate one another. Honorees included Carol’s Daughter founder Lisa Price, radio personality Angela Yee, hip-hop veteran MC Lyte, financial literacy expert Lynn Richardson, fitness motivator Jeanette Jenkins, and singer Sevyn Streeter.

With past honorees like actresses Vivica A. Fox and Nia Long, radio personality Angie Martinez, and broadcaster Soledad O’Brien, the goal of WEEN is to lift up women who aspire to work in the entertainment business, while awarding those who have made great strides. WEEN’s co-founder and chair, Valeisha Butterfield-Jones, remembers the first moment when she felt she simply had no choice but to empower women.
“Russell Simmons, Common, Dr. Ben Chavis, and Kevin Liles were guests on Oprah in 2006. There was an audience of women and from satellite they brought in women from Spelman talking about the misogyny in the entertainment biz and the Nelly “Tip Drill” video,” she says. “I felt like I had this huge responsibility to do something. I didn’t know what ‘do something’ meant. But I knew I was too close and too involved to be silent.”
Butterfield-Jones set out to make a difference. Inviting 40 women of power to a rooftop in New York to discuss issues pertaining to women in the business, the turnout more than doubled expectations: 121 women showed up to support, collaborate, and speak up. The success continued. “At the first major WEEN event at the Hammerstein Ballroom, I was super nervous. And when I arrived I saw a line of girls, thousands down 34th Street. And it was another aha moment,” says Butterfield, who served in the Obama administration from 2009 to 2011 as deputy director of public affairs for International Trade. “Cause this wasn’t just something we thought could work and thought was needed. The evidence was here. Young women were crying for support and mentorship.”

A New Image of Black Fatherhood [PHOTOS]

By goodblacknews on November 20, 2014
Giovanni and 9-month-old Ethan chill on their Bedford-Stuyvesant, Brooklyn stoop.  (Photo by Marcus Franklin) 
By Marcus Franklin
This photo essay is part of Life Cycles of Inequity: A Colorlines Series on Black Men. In this installment, we explore and challenge the notion that black families face a crisis of fatherhood. The installment includes a dispatch from Baltimore, in which four dads challenge the easy assumption that all children of unwed mothers have absent fathers. 
In June of 2013 I started photographing black men and their children and created The Fatherhood Project, the online home for photos that capture them in ordinary moments. A single dad helping his daughter with math homework during a break at work. A dad teaching his daughter how to walk as they wait to see a doctor. A father and son chilling on a stoop.
Why photograph black men and their children? What’s extraordinary about these subjects?
For starters, black men taking care of our children is, on some level, revolutionary—and a form of resistance to the legacies of laws and other tools used to hinder our ability to parent. During the trans-Atlantic slave trade, for example, fathers were routinely separated from their children as family members were sold. And currently, disproportionately and consistently high incarceration and unemployment rates for black men have made it difficult, if not impossible for many to parent. There’s also the disproportionately high rate of homicide among black men, whether by people in their own communities or at the hands of the state. My own father was murdered by a cop a couple of weeks before my 15th birthday.
As New York Times writer Brent Staples asked in a tweet this past Fathers’ Day: “Imagine yourself jailed on a low-level Rockefeller-era drug charge. Now a felon: denied a job, housing and the vote. How would you ‘Father’”?

Morris Chestnut Signs Three-Picture Deal with Screen Gems

By goodblacknews on November 19, 2014
Morris Chestnut

Morris Chestnut has inked a 3-picture deal with Sony’s Screen Gems, that will see him act in, as well as produce projects for the studio.
He’s already booked for the upcoming thriller “The Perfect Guy,” which he co-stars in with Sanaa Lathan and Michael Ealy, and he’s now also landed a starring role in the psychological thriller “When the Bough Breaks,” joining Regina Hall.
To be directed by Jon Cassar, “When the Bough Breaks” (previously titled “The Surrogate”), tells the story of a couple who hire a surrogate to have their baby, but, as you might expect, things don’t go entirely as expected.
Director Cassar’s resume includes helming episodes of hit TV series like “24,” “Daybreak” (which starred Taye Diggs), “La Femme Nikita,” the most recently-broadcast “24: Live Another Day,” and more. He’s also currently finishing a western titled “Forsaken,” starring Kiefer Sutherland, Donald Sutherland, and Demi Moore.
Production on “The Surrogate” is set for early winter, with Unique Features’ Bob Shaye and Michael Lynne, producing.
Meanwhile, Chestnut’s 3rd project under his 3-picture deal with Screen Gems, will be  called “The Syndicate,” from writer Cliff Dorfman (“Entourage”), which Chestnut is producing.
article by Tambay A. Obenson via blogs.indiewire.com

Director Steve McQueen and Harry Belafonte Join Forces for Paul Robeson Film

By goodblacknews on November 19, 2014
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Director Steve McQueen backstage at the Tracy Reese fashion show during the Mercedes-Benz Fashion Week Spring 2015 at Art Beam on Sept. 7, 2014, in New York City. (VIVIEN KILLILEA/GETTY IMAGES)

Earlier this year, Steve McQueen earned three Oscars for his film 12 Years a Slave, which told the story of Solomon Northup and his fight for freedom after being captured and forced into slavery. McQueen’s telling of Northup’s story not only opened up a bit of history many people never knew about but also gave insight into what McQueen’s thought process is when it comes to making a film. And his next film isn’t any different.
Speaking at the Hidden Heroes Awards in New York City on Monday, McQueen revealed to the attendees that his next movie will be about Paul Robeson. Robeson was the quintessential Renaissance man, from his early start as a scholar and athlete at Rutgers University to singing his well-known song “Ol’ Man River.” Outside of the arts, Robeson was also a powerful voice during the civil rights movement. But some of his political views weren’t always welcome. During the McCarthy era, Robeson was labeled a communist and blacklisted, but that didn’t stop him from expressing his opinion.
“His life and legacy was the film I wanted to make the second after Hunger. But I didn’t have the power, I didn’t have the juice,” McQueen said, according to The Guardian. McQueen also credits a neighbor for piquing his interest about Robeson when he passed an article to him.
“It was about this black guy who was in Wales and was singing with these miners,” McQueen recalled. “I was about 14 years old, and not knowing who Paul Robeson was, this black American in Wales, it seemed strange. So then, of course, I just found out that this man was an incredible human being.”
Not only will McQueen’s movie look into various aspects of Robeson’s life, but he’ll also have the help of Robeson’s friend, the iconic Harry Belafonte. Although Belafonte’s role in the film has yet to be discussed, the award-winning actor said only good things about McQueen.
“We get on like a house on fire,” McQueen told The Guardian. “I never thought I’d make a new friend, and a man who is 87 years old, but I’m very happy. He’s a beautiful man.”
McQueen hasn’t revealed who he has in mind to play Robeson, but he’s definitely eager to start working with Belafonte. “Miracles do happen. With Paul Robeson and Harry Belafonte, things have come full circle, “McQueen stated.
article by Yesha Callahan via theroot.com

R.I.P. "What Becomes of the Brokenhearted" Singer and Motown Veteran Jimmy Ruffin

By goodblacknews on November 19, 2014

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NEW YORK — Jimmy Ruffin, the Motown singer whose hits include What Becomes of the Brokenhearted and Hold on to My Love, died Monday in a Las Vegas hospital. He was 78.
Philicia Ruffin and Jimmy Lee Ruffin Jr., the late singer’s children, confirmed Wednesday that Ruffin had died. There were no details about the cause of death.
Ruffin was the older brother of Temptations lead singer David Ruffin, who died in 1991 at age 50.
Jimmy Lee Ruffin was born on May 7, 1936, in Collinsville, Miss. He was signed to Berry Gordy‘s Motown Records and had a string of hits in the 1960s, including What Becomes of the Brokenhearted, which was a Top 10 pop hit. He had his second Top 10 hit, Hold on to My Love, in 1980.

Copyright 2014 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

Ballerina Misty Copeland Lands Reality Series at Oxygen

By goodblacknews on November 18, 2014

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Cable channel Oxygen has put into development a docuseries following renowned ballerina Misty Copeland.
The show, tentatively titled “The Misty Copeland Project,” follows talented hopefuls from diverse backgrounds as they descend upon New York to take on the next major step in their ballet careers. Who better to train and mentor them than Copeland — the celebrated ballerina who herself has defied all odds and shattered boundaries by overcoming the cultural pressures of professional ballet.
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Copeland, who began taking ballet lessons on the basketball court of a Boys & Girls Club at age 13 and was considered a prodigy, made history by becoming the second African-American female soloist in the prestigious American Ballet Theatre. With the opportunity of a lifetime and chance to catapult to the top of the ballet world, these aspiring dancers’ passion, commitment and hard work will be center stage in Misty’s Master Class.
The show is one of four new reality programs added at the NBCUniversal-owned network as part of its rebranded push for young, multicultural women ages 18-34, The Hollywood Reporter has learned. Other new shows follow young Americans teaching English abroad, aspiring celebrity vloggers and groups of friends dishing about current events during cocktail hour.
“From the unbelievably inspirational and talented Misty Copeland, to the bold young women experiencing life abroad, the new development slate appeals to a multitude of female viewers,” said Cori Abraham, senior vp development and international at Oxygen Media. “These projects embrace the new Oxygen programming filter, which focuses on real characters who are on a journey to seek out new experiences and follow their true passions in life.”
article via eurweb.com

THEATER: Actor John Douglas Thompson Triumphs in Marlowe's "Tamburlaine" at Polonsky Shakespeare Center in Brooklyn

By goodblacknews on November 18, 2014
John Douglas Thompson in “Tamburlaine, Parts I and II.” CreditSara Krulwich/The New York Times 

The mass-murdering title character of Christopher Marlowe’s “Tamburlaine,” a man proud to call himself “the scourge of God,” has never been big on apologies. Not for him the regretful introspection of short-tempered Shakespearean tyrants like Macbeth, Lear or even nasty old Richard III.

Self-knowledge, who needs it? Being a world conqueror means never having to say you’re sorry.

It feels only fitting that Michael Boyd’s improbably enjoyable “Tamburlaine, Parts I and II,” which opened on Sunday night at the Polonsky Shakespeare Center in Brooklyn, should make no excuses for its redemption-proof hero or for the long and bloody plays over which he rules.

Embodied by a truly titanic John Douglas Thompson in this Theater for a New Audience production, Tamburlaine is a force of nature in the sense that typhoons, tidal waves and earthquakes are. Would you ever try to explain why such phenomena behave as they do? All you can do is sit back open-mouthed, observing the carnage and ducking the flying body parts.

A whip-cracking John Douglas Thompson in “Tamburlaine, Parts I and II,” forcing former world leaders to pull his chariot. (Credit: Sara Krulwich/The New York Times)

Now who, you might ask, could possibly be entertained by such a sorry, gory epic of unrelenting destruction, in which power-crazed narcissists scramble for supremacy? Well, you might want to check the recent most-watched television and movie lists, or talk to the legions who binge on “Game of Thrones.”