Misty Copeland attends the American Ballet 75th Anniversary Fall Gala on October 21, 2015 in New York City. (photo via cnn.com) article by Lisa Respers France via cnn.com
Misty Copeland is making the leap — or maybe a grand jeté — to the big screen. The prima ballerina has nabbed a role in Disney‘s forthcoming “The Nutcracker and the Four Realms” movie. Copeland posted a picture of the script on her Instagram account with the caption: “I’m thrilled to be a part of this amazing project with Disney and the wonderful Lasse Hallstrom. #TheNutcracker #MoreToCome.”
The studio announced the live-action film back in March and Hallstrom is set to direct.
Copeland has been lauded for breaking down barriers as an African-American dancer and is the subject of Nelson George‘s 2015 documentary “A Ballerina’s Tale.” For the upcoming film, she reportedly will appear as the lead ballerina in the “Nutcracker’s” only dance scene.
Yesterday I was tagged in a post by an old high school friend, asking me and a few others a very public, direct question about white privilege and racism. I feel compelled not only to publish his query but also my response to it, as it may be a helpful discourse for more than just a handful of folks on Facebook. Here’s his post:
“To all of my Black or mixed race FB friends, I must profess a blissful ignorance of this “White Privilege” of which I’m apparently guilty of possessing. By not being able to fully put myself in the shoes of someone from a background/race/religion/gender/nationality/body type that differs from my own makes me part of the problem, according to what I’m now hearing. Despite my treating everyone with respect and humor my entire life (as far as I know), I’m somehow complicit in the misfortune of others. I’m not saying I’m colorblind, but whatever racism/sexism/other-ism my life experience has instilled in me stays within me, and is not manifested in the way I treat others (which is not the case with far too many, I know).
So that I may be enlightened, can you please share with me some examples of institutional racism that have made an indelible mark upon you? If I am to understand this, I need people I know personally to show me how I’m missing what’s going on. Personal examples only. I’m not trying to be insensitive, I only want to understand (but not from the media). I apologize if this comes off as crass or offends anyone.”
Here’s my response:
Hi, Jason. First off, I hope you don’t mind that I’ve quoted your post and made it part of mine. I think the heart of what you’ve asked of your friends of color is extremely important and I think my response needs much more space than as a reply on your feed. I truly thank you for wanting to understand what you are having a hard time understanding.
Coincidentally, over the last few days I have been thinking about sharing some of the incidents of prejudice/racism I’ve experienced in my lifetime – in fact I just spoke with my sister Lesa about how to best do this yesterday – because I realized many of my friends – especially the white ones – have no idea what I’ve experienced/dealt with unless they were present (and aware) when it happened. There are two reasons for this : 1) because not only as a human being do I suppress the painful and uncomfortable in an effort to make it go away, I was also taught within my community (I was raised in the ‘70s & ‘80s – it’s shifted somewhat now) and by society at large NOT to make a fuss, speak out, or rock the boat. To just “deal with it,” lest more trouble follow (which sadly, it often does). 2) Fear of being questioned or dismissed with “Are you sure that’s what you heard?” or “Are you sure that’s what they meant?” and being angered and upset all over again by well-meaning-but-hurtful and essentially unsupportive responses.
So, again, I’m glad you asked, because I really want to answer. But as I do, please know a few things first: 1) This is not even close to the whole list. I’m cherrypicking because none of us have all day. 2) I’ve been really lucky. Most of what I share below is mild compared to what others in my family and community have endured. 3) I’m going to go in chronological order so you might begin to glimpse the tonnage and why what many white folks might feel is a “Where did all of this come from?” moment in society has been festering individually and collectively for the LIFETIME of pretty much every black or brown person living in America today regardless of wealth or opportunity. 4)Some of what I share covers sexism, too – intersectionality is another term I’m sure you’ve heard and want to put quotes around, but it’s a real thing, too, just like white privilege. But you’ve requested a focus on personal experiences with racism, so here it goes:
1. When I was 3, my family moved into an upper-middle class, all-white neighborhood. We had a big backyard, so my parents built a pool. Not the only pool on the block, but the only one neighborhood boys started throwing rocks into. White boys. One day my mom ID’d one as the boy from across the street, went to his house, told his mother and fortunately, his mother believed mine. My mom not only got an apology, but also had that boy jump in our pool and retrieve every single rock. No more rocks after that. Then Mom even invited him to come over to swim sometime if he asked permission. Everyone became friends. This one has a happy ending because my mom was and is badass about matters like these, but I hope you can see that the white privilege in this situation isbeing able to move into a “nice” neighborhood and be accepted not harassed, made to feel unwelcome, or prone to acts of vandalism and hostility.
2. When my older sister was 5, a white boy named Mark called her a “nigger” after she beat him in a race at school. She didn’t know what it meant but in her gut, she knew it was bad. This was the first time I’d seen my father the kind of angry that has nowhere to go. I somehow understood it was because not only had some boy verbally assaulted his daughter and had gotten away with it, it had way too early introduced her (and me) to that term and the reality of what it meant – that some white people would be cruel and careless with black people’s feelings just because of our skin color. Or our achievement. If it’s unclear in any way, the point here is if you’ve NEVER had a defining moment in your childhood or your life, where you realize your skin color alone makes other people hate you, you have white privilege.
3. Sophomore year of high school. I had Mr. Melrose for Algebra 2. Some time within the first few weeks of class, he points out that I’m “the only spook” in the class. This was meant to be funny. It wasn’t. So, I doubt it will surprise you I was relieved when he took medical leave after suffering a heart attack and was replaced by a sub for the rest of the semester. The point here is if you’ve never been ‘the only one’ of your race in a class, at a party, on a job, etc. and/or it’s been pointed out in a “playful” fashion by the authority figure in said situation – you have white privilege.
4. When we started getting our college acceptances senior year, I remember some white male classmates pissed that another black classmate had gotten into UCLA while they didn’t. They said that affirmative action had given him “their spot” and it wasn’t fair. An actual friend of theirs. Who’d worked his ass off. The point here is if you’ve never been on the receiving end of the assumption that when you’veachieved something it’s only because it was taken away from a white person who “deserved it” – that is white privilege.
5. When I got accepted to Harvard (as a fellow AP student you were witness to what an academic beast I was in high school, yes?), three separate times I encountered white strangers as I prepped for my maiden trip to Cambridge that rankle to this day. The first was the white doctor giving me a physical at Kaiser: Me: “I need to send an immunization report to my college so I can matriculate.” Doctor: “Where are you going?” Me: “Harvard.” Doctor: “You mean the one in Massachusetts?” The second was in a store, looking for supplies I needed from Harvard’s suggested “what to bring with you” list. Store employee: “Where are you going?” Me: “Harvard.” Store employee: “You mean the one in Massachusetts?” The third was at UPS, shipping off boxes of said “what to bring” to Harvard. I was in line behind a white boy mailing boxes to Princeton, and in front of a white woman sending her child’s boxes to wherever. Woman, to the boy: “What college are you going to?” Boy: “Princeton.” Woman: “Congratulations!” Woman, to me: “Where are you sending your boxes?” Me: “Harvard.” Woman: “You mean the one in Massachusetts?” I think: “No bitch, the one downtown next to the liquor store.” But I say, gesturing to my LABELED boxes: “Yes, the one in Massachusetts.” Then she says congratulations but it’s too fucking late. The point here is if no one has ever questioned your intellectual capabilities or attendance at an elite institution based solely on your skin color, that is white privilege.
NBA basketball players Carmelo Anthony, from left, Chris Paul, Dwyane Wade and LeBron James speak on stage at the ESPY Awards at the Microsoft Theater on Wednesday, July 13, 2016, in Los Angeles. (CHRIS PIZZELLO/INVISION/AP) article by Evan Grossman via nydailynews.com
No highlight, championship or individual accomplishment showcased during the 2016 ESPY Awards Wednesday night was more powerful than the show’s cold opening.
Carmelo Anthony, Chris Paul, Dwyane Wade and LeBron James teamed up for a moving call to action for other athletes to use their celebrity, influence and resources to make a difference in a divided America plagued by gun violence, injustice and racism.
Anthony turned to Instagram last week as the nation was torn by the police shootings of Alton Sterling and Philando Castile and the retaliatory attack that led to the deaths of five Dallas police officers to urge others to inspire change. This week, he said he plans to use the Summer Olympics as another platform to spread his message, indicating he is not taking this lightly.
Reminiscent of Muhammad Ali’s black athlete summit from the summer of 1967, Melo started the show on a moving note when he was joined by fellow NBA stars Paul, Wade and James in a three-and-a-half-minute speech that, because of its social significance, timeliness and let’s face it, the need right now for more thoughtful and serious social leadership, may have eclipsed the legendary Jimmy V speech as ESPN’s finest moment. Carmelo Anthony right to use Olympics as a platform for protest
Below is the transcript of their speech. Carmelo Anthony:
NBA basketball players LeBron James, from left, Carmelo Anthony, Chris Paul, and Dwyane Wade on stage at the ESPY Awards at the Microsoft Theater on Wednesday, July 13, 2016, in Los Angeles. (CHRIS PIZZELLO/INVISION/AP)
Good evening. Tonight is a celebration of sports, celebrating our accomplishments and our victories. But, in this moment of celebration, we asked to start the show tonight this way, the four of us talking to our fellow athletes, with the country watching.
Because we cannot ignore the reality of the current state of America. The events of the past week have put a spotlight on the injustice, distrust and anger that plague so many of us. Adam Silver praises Carmelo Anthony for ‘speaking from the heart’
The system is broken. The problems are not new. The violence is not new. And the racial divide definitely is not new.
But the urgency to create change is at an all-time high.
Corey Menafee, right, who broke a window depicting slaves at Yale’s Calhoun College, with his lawyer Patricia Kane, second from left. (Credit: Peter Hvizdak/New Haven Register, via Associated Press)
As Yale University continues to debate the legacy of John C. Calhoun, an alumnus and leading 19th–century politician and slaveholder for whom one of its residential colleges is named, the university said on Tuesday that it would not press charges in the case of a black dining hall worker who smashed a stained-glass panel depicting slaves carrying cotton.
The Yale police initially arrested the worker, Corey Menafee, 38, after he climbed on top of a table in the Calhoun College dining hall and smashed the window, one of several related to Calhoun and to slavery, with a broom handle.
My fellow GBN Editor Lesa Lakin just e-mailed me this mash-up of Janet Jackson‘s “Can’t Be Stopped” with #BlackLivesMatter footage and Jesse Williams‘ now-classic speech from the 2016 BET Awards . Not sure who made it and posted it on Vimeo five days ago, but thank you – great message and inspiration! Keep protesting, speaking out, being creative and rising up! –Lori Lakin Hutcherson, GBN Editor-in-Chief
Simone Biles and Gabby Douglas celebrate after the All-Around Final on day seven of the 2015 World Artistic Gymnastics Championships at The SSE Hydro in Glasgow, Scotland. (PHOTO CREDIT: ALEX LIVESEY/GETTY IMAGES) article by Sydney Scott via essence.com Simone Biles and Gabby Douglas will be booking tickets to Rio now that the two have been named to the U.S. Olympic gymnastics team.
The ladies fought hard for their spot on the team and have definitely earned it. Biles is a four-time national champ, reigning three-time world all-around champion, and is regularly referred to as the Michael Jordan of gymnastics.
Gabrielle Douglas & Simone Biles Bring Their Black Girl Magic To The Cover Of ‘Teen Vogue’Douglas made history by becoming the first African-American to become the individual all-around champion at the 2012 Olympics, and she’s the first all-around to make a second Olympic team since 1980.
Still, the ladies aren’t resting. Biles told ESPN, “I think we can all get better. I know I can get better. I’m saving it for Rio.”Congrats on your amazing achievement, Simone and Gabby! Source: Simone Biles and Gabby Douglas are Headed to Rio | Essence.com
Sandra ‘Pepa’ Denton, DJ Spinderella and Cheryl ‘Salt’ James of Salt-N-Pepa attend the 2016 MTV Movie Awards at Warner Bros. Studios on April 9, 2016 in Burbank, Calif. (CHRISTOPHER POLK/GETTY IMAGES FOR MTV)
article by Adelle Platon via billboard.com VH1 is pushing out another stellar tribute for Salt-N-Pepa at this year’s Hip Hop Honors. The network announced on Friday (July 8) that Ashanti, Amber Rose, Keke Palmer and Dreezy will be paying homage to the first all-female rap crew, comprised of Cheryl “Salt” James, Sandy “Pepa” Denton and DJ Spinderella.
The ladies will be shaking their thang (SNP pun intended) alongside other surprise guests for the evening’s tributes to fellow honorees Missy Elliott, Queen Latifah and Lil’ Kim. As previously announced, Pharrell, Timbaland and Nelly Furtado among others will salute Elliot while Common, Da Brat, Naughty By Nature and more will be on-hand to hail Queen Latifah. Pharrell, Timbaland, Nelly Furtado & More to Honor Missy Elliott at VH1 Hip Hop Honors VH1 Hip Hop Honors will land at New York’s David Geffen Hall at Lincoln Center tonight, July 11, making its comeback after six years.
Cast of “Hamilton: An American Musical” performing “My Shot” (photo via nytimes.com) by Julie Bibb Davis The first song I heard from the Hamilton soundtrack was “My Shot.” This song, the third one in the first act, serves the important role of introducing the ten-dollar-founding-father-without-a-father Alexander Hamilton: his burning ambition, his sophisticated oratory, his commitment to revolution. But the verse that hit me the hardest, that immediately told me that something exceptional was going on with this show, was this one, sung by young abolitionist John Laurens (played by Anthony Ramos):
Rise Up!
When you’re living on your knees, you rise up
Tell your brother that he’s gotta rise up
Tell your sister that she’s gotta rise up
This verse — in the show an exhortation to the 18th century colonists to revolt against the British government — is universal and timely enough to be a rallying cry for any recent social justice movement. As soon as I heard it, I knew Hamilton was trying to do something special. Without being didactic or preachy, Hamilton was telling people to stand up for their rights, take a seat at the table, and participate in America.
Much ink has been spilled about Hamilton: about its innovative hip-hop structure, its diverse cast, its best-selling cast album (including time at No.1 on the Billboard Rap charts), its unprecedented popularity on Broadway, its brilliant and social media-savvy creator Lin-Manuel Miranda, its eleven Tony awards. But despite its runaway popular success, and its seemingly universal appeal, Hamilton feels to me — and I suspect to many fans — deeply personal. As a mixed-race person, a lawyer who attended the same college as Hamilton, a federal government employee, and a life-long musical theatre nerd, the combination of the music, the lyrics, and the cast feels urgent and relevant. Jessica Davis (l), “Hamilton” cast member Anthony Ramos (c) and Julie Bibb Davis (r) [photo courtesy Julie Bibb Davis]For my teenage children, who follow the charismatic and thoughtful cast on Instagram and Snapchat, it has made American history feel applicable to their daily lives in a way their school classes never have. And when we were fortunate enough to see the show on Broadway, watching the diverse cast play the (white) American founders, and seeing how Miranda has also worked to make what has usually been understood as being primarily a story of men include the contributions of women, had an impact that cannot be overstated. Hamilton shows the influence of American musical theatre traditions that range from Rodgers & Hammerstein to Sondheim to Disney. The show is most solidly rooted, however, in black musical traditions. Hamilton’s hip-hop and rap songs have garnered the most attention, but that only scratches the surface. “What’d I Miss” is a wonderful homage to Cab Calloway, with elements of ragtime and even funk. “The Schuyler Sisters” echoes groups like Destiny’s Child, “Wait for It” starts with a dancehall reggae beat, and “Say No To This” is an R&B slow jam straight out of the 90s. In addition, most of the original main case is black, including Okieriete Onadowan (Mulligan/Madison), Tony nominee Chris Jackson (Washington), and Tony winners Leslie Odom, Jr. (Burr), Renee-Elise Goldsberry (Anjelica), and Daveed Diggs (Lafayette/Jefferson).
Issa Rae (photo via Facebook.com) article by Lori Lakin Hutcherson (@lakinhutcherson)
According to theurbandaily.com, Issa Rae, star and creator of The Misadventures of Awkward Black Girl and the upcoming HBO series Insecure, in an effort to take positive action after the police shooting of Alton Sterling in Baton Rouge, Louisiana earlier this week, started a scholarship fund for his children. t not only exceeded its $200,000 goal within hours, it is currently at over three times that amount, at $664,986. “Can we get a scholarship fund going 4 #AltonSterling’s son/kids?” she tweeted Wednesday (July 6). “Some of us feel helpless when these things happen, but that’s a small step.”
Sterling, a 37-year-old father of five, was fatally shot by police outside of a Louisiana convenience store on Tuesday. A graphic video of the altercation shows Sterling being held on the ground before being shot multiple times in the chest and back. The incident has sparked national protest, and a civil rights investigation has been opened by the Justice Department, the New York Times reports.
If you would still like to donate, go to: https://www.gofundme.com/2d3eze7g
Serena Williams ended her yearlong pursuit of Steffi Graf’s mark for Open-era Grand Slam wins by defeating Angelique Kerber in straight sets in the Wimbledon final Saturday. (Credit: Andy Rain/Agence France-Presse — Getty Images)
by Lori Lakin Hutcherson, GBN Editor-in-Chief (@lakinhutcherson)
I don’t know about anyone else, but I really needed this today. I specifically set my alarm this morning to wake me at 6AM (PST) to watch Serena Williams compete for her seventh – yes, take that in – seventh Wimbledon title, and to tie Steffi Graf for the most Grand Slams won in the Open Era.
I’ll admit, regardless of the week of continued brutality and violence by police against black citizens and the gut-wrenching retaliation in Dallas because of such violence, as a lifelong fan, I most likely would have been up and watching Serena anyway. But because of its timing, this victory – this continued rising, this perseverance – was that much more coveted, and that much sweeter.
Although Williams did not mention or comment on what’s been happening in America as she accepted her trophy, don’t think she’s remained silent in the media about it. On her Twitter (which we here at GBN happily follow), she spoke directly to the recent atrocities and let us know they were on her mind days before this most crucial, career-defining match:
In London I have to wake up to this. He was black. Shot 4 times? When will something be done- no REALLY be done?!?! pic.twitter.com/OaLn60G6nm
This tweet leads me to speculate that Serena was that much more focused, that much more centered and that much more desirous of the outcome that occurred – because she knew in her heart she wasn’t just winning her 22nd Grand Slam and making history for herself, but for all of us.
So thank you, Serena – for playing your best tennis today and being so damned undeniable. You have been and are a shining light and the G.O.A.T. and a champion for the ages. You are loved and supported in all of your endeavors. You are #blackexcellence. (And P.S. having Beyoncé and Jay Z in your box was on point, too! #Freedom #Formation)
Now, to the tennis facts, courtesy of Naila-Jean Meyers via theNew York Times: