article via jbhe.com
Natalie Graham, assistant professor of African American studies at California State University, Fullerton, has been selected as the winner of the 2016 Cave Canem Poetry Prize from the Brooklyn, New York-based Cave Canem Foundation. The nonprofit organization was founded by Toi Derricotte and Cornelius Eady in 1996 to remedy the underrepresentation and isolation of African American poets in the literary landscape.
Dr. Graham will receive a cash prize and have her manuscript – Begin With a Failed Body – published by the University of Georgia Press in the fall of 2017. She joined the faculty at California State University, Fullerton in 2013.
In describing her award-winning poetry collection, Dr. Graham said “the collection contains poems that are often dark — reimagining iconic religious, literary, and historical figures. They imagine a haunted Southern landscape where history is inescapable. When they speak of nation, religion or family, they often ruminate on the individual body’s frailty in the face of these larger, sturdier structures.”
Dr. Graham holds a Master of Fine Arts degree in creative writing from the University of Florida and a Ph.D. in American studies from Michigan State University.
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article by Kellee Terrell via blackamericaweb.com
Legendary actress Cicely Tyson is adding more awards to her repertoire.
The Congressional Black Caucus Foundation, Incorporated (CBCF) recently announced that the 91-year-old actress will be a recipient of a lifetime achievement award in the arts. Tyson will also be joined by “Being Mary Jane” actor Richard Roundtree and music icon Dionne Warwick during the foundation’s 20th Annual Celebration of Leadership in the Fine Arts.
“With a lifetime of entertaining and educating us, this year’s honorees have also distinguished themselves as remarkable leaders and passionate advocates for the arts and arts education,” said CBCF president and CEO A. Shuanise Washington in a press release.
“Their outstanding contributions and continuing commitment to the arts make them ideal to help elevate the visibility of the CBC Spouses Visual and Performance Arts Scholarship Program. The awards are conferred on artists whose legacy includes not only extraordinary works but a commitment to cultivating future generations of artists.”
The awards ceremony, which will take place Sept. 14 in Washington, D.C., is organized in cooperation with the Congressional Black Caucus (CBC) Spouses Visual and Performance Arts Scholarship program, Shadow and Act noted.
The House of Cards and How To Get Away With Murder guest star is no stranger to recognition.
During Tyson’s illustrious 65-year career, she has won an Emmy, a Tony, a SAG and a Drama Desk Award for her work in television, film and on and Off-Broadway. She has also been nominated for a Golden Globe, Academy Award and BAFTA to name a few. And just recently, it was announced that the American Theatre Wing will honor Tyson at its annual Gala September 26 at The Plaza Hotel.
To read more, go to: http://blackamericaweb.com/2016/08/30/congressional-black-caucus-to-honor-cicely-tyson/
“Recovering from setbacks, losses and injury, rising from obscurity and destroying obstacles to claim victory, they command the spotlight and inspire Nike to innovate to match their strength and their dreams,” Nike says of the women it highlights in the video. Women like Gabby Douglas, Serena Williams, Scout Bassett, Elena Delle Donne, Allyson Felix, and, of course, Simone Biles, who closes out the video with the kind of stupendous gymnastics move we’ve gotten used to seeing after witnessing her earn five Olympic medals in Rio.
Check it out below:
https://youtu.be/SmLpiHDuLSE
article by Lori Lakin Hutcherson (@lakinhutcherson)
Cedars-Sinai Medical Center resident neurosurgeon Lindsey Ross, MD, a member of Cedars’ Neurological Surgery Residency Program, has won a coveted position as a 2016-2017 White House Fellow.
Ross will spend the next year in Washington DC working in the U.S. Department of Health and Human Services, and participating in roundtable discussions with top government leaders, including President Barack Obama and Vice President Joe Biden.
“I feel so grateful for this opportunity. I know I will learn a great deal about healthcare, leadership and policymaking next year, which I hope to bring back to Cedars-Sinai and the greater Los Angeles community that we serve,” Ross said.
The White House Fellows Program was founded in 1964 by President Lyndon B. Johnson to offer extraordinary leaders firsthand experience working at the highest levels of the federal government. Graduates include former Secretary of State Colin Powell, historian Doris Kearns Goodwin and CNN medical correspondent and neurosurgeon Sanjay Gupta.
article by Hira Humayan, Amanda Sealy, CNN and Phoebe Parke, for CNN via cnn.com
Asnath Mahapa was fascinated by planes as a teenager, little did she know she would break boundaries with them by becoming South Africa’s first African female pilot.
“It just dawned on me that those big things that we see in the skies, someone is actually in charge of them,” she told CNN. “I thought if someone can fly this thing, that means I can also do it.”
Mahapa, whose father didn’t want her to become a pilot, overcame a number of obstacles before she took to the skies. “When I told my father I wanted to become a pilot, he never even entertained the idea, ” she explained.
Challenging route to success
She enrolled in a course in electrical engineering at the University of Cape Town in line with her father’s wishes, only to drop out a year later. She later started flight school, which came with it’s own set of challenges.
“I was the only woman in my class the whole time,” she said. “I had to work very hard. I had to probably work ten times harder than the men that I was with in the classroom.”
Mahapa also felt sick the first few times she took to the skies. But that didn’t stop her. “My first time, I felt sick,” she said. “I was persistent, I went back again, I went back until I stopped feeling sick.”
Her hard work and determination paid off and in 1998 she broke barriers by taking to the skies as the first female African pilot in South Africa.
“I didn’t know I was the first black woman until 2003, until about four years later. And I was still the only one at the time and I did not know,” she said. “Before I knew it I was on TV, front page of newspapers, and that came as a shock because I was still young, I was 22 at the time, I was very young.”
Charting a new course
Mahapa was not content with just breaking barriers, she wanted to train and inspire a new generation of pilots, so in 2012 she opened the African College of Aviation.
“For me, it’s about trying to help women who aspire to become pilots,” she said. “I still see a lot of black women going through the same things that I went through at that time. They still struggle to get jobs after they qualify.
“Most of them they struggle with finances because it’s a very expensive industry.” In addition to cost, according to Mahapa the field is still very male dominated, something she is committed to change.
To read full article and see video, go to: South Africa’s first black female pilot inspiring girls to aim high – CNN.com
article by Samara Lynn via blackenterprise.com
An Amazon engineer hailing from Detroit has a novel idea for that city’s unused school buses: turn them into mobile tech labs.
Thomas Phillips presented his idea at last month’s Hack the Central District Cultural Innovation Conference (Hack the CD) in Seattle, according to The Detroit Metro Times. The Aspire Tech Bus would be a school bus modified into a mobile tech lab. In this lab, students will work on coding projects as an actual software development team.
The students will learn basic and advanced topics in full stack Web development: HTML, CSS, and JavaScript for front-end development, and NodeJS and ExpressJS for back-end development. Students will also be taught to build a website and a server from scratch. Furthermore, Phillips’ vision extends to teaching career skills as well, such as project management skills, how to create LinkedIn profiles, and how to establish professional email addresses.
The planned curriculum includes two 16-week courses, in total. The mobile lab students will receive a Raspberry Pi computer. By the end of the program, they will have a portfolio of coding projects to present to potential employers.
“I envision this project as a ‘high-tech, voc-tech,’” he says, as giving students high-tech skills before college will better position them for success. “Some of them will choose to pursue their education further at the college/ university level, others will venture into the entrepreneurial sector. Both of these have far reaching implications that reverberate across the world,” said Phillips at the event.
Phillips’s project has already attracted attention, and he will soon launch a Kickstarter campaign for more support. “I want to drive around to different locations in the city and teach web development or other advanced STEM programming concepts to kids in Detroit,” he said in an interview. His goal is to eventually roll out his program to other underserved communities and school districts.
Source: http://www.blackenterprise.com/technology/detroit-engineer-turn-buses-rolling-tech-teaching-labs/
article via jbhe.com
Tim Seibles, professor of English at Old Dominion University in Norfolk, Virginia, was named poet laureate of the Commonwealth of Virginia by Governor Terry McAuliffe. Professor Seibles teaches in the master of fine arts in creative writing program at Old Dominion.
Professor Seibles joined the faculty at Old Dominion University in 1995. He was a finalist for the National Book Award in 2012 for his collection Fast Animal (Etruscan Press, 2012).
Professor Seibles is a graduate of Southern Methodist University in Dallas. He taught for 10 years in the Dallas public school system before earning a master of fine arts degree in creative writing at the Vermont College of Fine Arts in Montpelier.
article via jbhe.com
The University of California, Berkeley has announced that it will build a new African American Center on campus. The center will be named after Fannie Lou Hamer, the Mississippi-born voting and civil rights activist.
The agreement to establish the center comes after a year of talks among the administration, the Black Student Union and other campus African American groups.
The university has allocated more than $80,000 to refurbish the space for the new center in the Hearst Field Annex.
Na’ilah Nasir, vice chancellor for equity and inclusion at the University of California, Berkeley, stated that “it’s a big deal for our students to know that our administration understands their needs and supports them. It’s a financially constrained time, but it’s also a time when the administration is thinking about its priorities and values. I think the students should be encouraged that the center is something the campus will really support.”
article by Charles Bolden via vanityfair.com
When I was growing up, in segregated South Carolina, African-American role models in national life were few and far between. Later, when my fellow flight students and I, in training at the Naval Air Station in Meridian, Mississippi, clustered around a small television watching the Apollo 11 moon landing, little did I know that one of the key figures responsible for its success was an unassuming black woman from West Virginia: Katherine Johnson.
Hidden Figures is both an upcoming book and an upcoming movie about her incredible life, and, as the title suggests, Katherine worked behind the scenes but with incredible impact. When Katherine began at NASA, she and her cohorts were known as “human computers,” and if you talk to her or read quotes from throughout her long career, you can see that precision, that humming mind, constantly at work. She is a human computer, indeed, but one with a quick wit, a quiet ambition, and a confidence in her talents that rose above her era and her surroundings.
“In math, you’re either right or you’re wrong,” she said. Her succinct words belie a deep curiosity about the world and dedication to her discipline, despite the prejudices of her time against both women and African-Americans. It was her duty to calculate orbital trajectories and flight times relative to the position of the moon—you know, simple things. In this day and age, when we increasingly rely on technology, it’s hard to believe that John Glenn himself tasked Katherine to double-check the results of the computer calculations before his historic orbital flight, the first by an American. The numbers of the human computer and the machine matched.
To read full article, go to: Katherine Johnson, the NASA Mathematician Who Advanced Human Rights with a Slide Rule and Pencil | Vanity Fair
article by Yohana Desta via vanityfair.com
In 1991, Julie Dash’s sumptuous film “Daughters of the Dust” broke ground as the first movie directed by a black woman to get a wide theatrical release. Since then, the gorgeous tone poem about a Gullah family in 1902 has continued to gather accolades. It was added to the National Film Registry by the Library of Congress in 2004, and recently served as a heavy inspiration for Beyoncé’s visual album Lemonade.
Now, the film is being re-introduced to the mainstream in a splashy new way—the Cohen Media Group has created a rich 2K restoration that will be screened at the Toronto International Film Festival, then released in theaters again this November. (Watch the exclusive new trailer above to see the film restored in all its fresh, new glory, and scroll down to see the glossy new poster.)
Dash calls the new release “exciting.”“I never imagined it would be released again,” she says. For the record, Dash is also a huge fan of Lemonade—and says that the visual album actually helped Daughters on the road to restoration. Read on to see her thoughts about Beyoncé, Hollywood, and whether she’d ever make a sequel to her classic film.
Vanity Fair: Were you paying attention at all to Lemonade, to the Beyoncé film?
Julie Dash: Yes. My phone blew up the night Lemonade came on and my Web site shut down . . . someone called me and said Daughters of the Dust is trending on Twitter. And I said, “No, it must be something else,” and they said, “No, it’s trending!” And I looked and it was, and it was so funny. It just tickled me to death. So I finally got a chance to see Lemonade and I was just very pleased. Lemonade is just—it breaks new ground. It’s a masterpiece.It’s a tone poem, a visual tone poem with various stories going on—vignettes. It’s just all visual, and it’s like yes.
To read full interview and see the “Daughters of the Dust” trailer, go to: How Beyoncé’s Lemonade Helped Bring a Groundbreaking Film Back to Thea | Vanity Fair