Well known for his penchant for delivering mainstream-friendly science teachings across platforms, Neil deGrasse Tyson is now set to bring his unique brand of popular science to a new late night TV show for National Geographic.
Tyson, who has been a frequent guest on both Comedy Central’s The Daily Show and the now-defunct Colbert Show, has been tapped as the host for the first-ever late night program for the NatGeo network and will begin filming shortly for a planned April premiere.
Based on Tyson’s popular podcast Star Talk, a small-budget side project he’s been producing since 2009, the new show will also be called Star Talk and feature the astrophysicist speaking with scientists, celebrities, and comedians about new developments in science and space specifically. The news comes just months after Tyson’s popular Cosmos reboot finished its run on both Fox and National Geographic.
“Cosmos allowed us to share the awesome power of the universe with a global audience in ways that we never thought possible,” Tyson said according to Variety. “To be able to continue to spread wonder and excitement through Star Talk, which is a true passion project for me, is beyond exciting.”
Nat Geo’s Channel CEO Courteney Monroe described the new project as an “edgy, late night alternative.”
“We continue to bolster our programming with series and event specials that are brand definitional, and Star Talk is the perfect opportunity to offer our audience an edgy, latenight alternative with the credibility and authenticity that are the hallmarks of our network,” she said.
article by Jay Balfour via theurbandaily.com
Posts published in January 2015
One of Hollywood’s most powerful black agents is making a new start. Charles King is leaving William Morris Endeavor to form MACRO, a startup that will focus on developing content for multicultural audiences.
With an unspecified “eight figures” in funding, Los Angeles-based MACRO initially will focus on developing and distributing feature films, TV series and digital content targeting African-American, Latino and multicultural markets.
King, 45, whose clients have included Tyler Perry and Oprah Winfrey, tells The Hollywood Reporter that MACRO’s goal is to focus on audiences that have long been underserved by the traditional entertainment industry. “I’ve been sitting in these rooms for the last 15 years. The studios aren’t focused on it; the packagers aren’t focused on it,” he says. “There’s a huge void and a huge opportunity.”
He points to the lack of capital available to minority-focused filmmakers and says he’s looking to change that with MACRO, which will leverage crowdfunding platforms and co-financing to target films that range from “artistically inclined independents” in the $1 million to $3 million budget range up to $20 million projects. He points to films such as Barbershop, The Butler and Ride Alongas examples of the types of projects he hopes to produce. “The one underlying theme is ‘premium,’ ” he says. “I’m looking for artistic integrity.”
King already has lined up projects from filmmakers Ryan Coogler (Fruitvale Station) and Craig Brewer (Hustle & Flow). Both were represented by King at WME and say they jumped at the opportunity to continue to work with him in a new capacity.
With an unspecified “eight figures” in funding, Los Angeles-based MACRO initially will focus on developing and distributing feature films, TV series and digital content targeting African-American, Latino and multicultural markets.
King, 45, whose clients have included Tyler Perry and Oprah Winfrey, tells The Hollywood Reporter that MACRO’s goal is to focus on audiences that have long been underserved by the traditional entertainment industry. “I’ve been sitting in these rooms for the last 15 years. The studios aren’t focused on it; the packagers aren’t focused on it,” he says. “There’s a huge void and a huge opportunity.”
He points to the lack of capital available to minority-focused filmmakers and says he’s looking to change that with MACRO, which will leverage crowdfunding platforms and co-financing to target films that range from “artistically inclined independents” in the $1 million to $3 million budget range up to $20 million projects. He points to films such as Barbershop, The Butler and Ride Alongas examples of the types of projects he hopes to produce. “The one underlying theme is ‘premium,’ ” he says. “I’m looking for artistic integrity.”
King already has lined up projects from filmmakers Ryan Coogler (Fruitvale Station) and Craig Brewer (Hustle & Flow). Both were represented by King at WME and say they jumped at the opportunity to continue to work with him in a new capacity.
Have you ever wondered why clothing brands only use smaller models to promote clothes? It’s no secret that the fashion industry favors a specific body type over all others, which is why it’s remarkably refreshing to see what Rum + Coke is doing. The fashion brand decided to only hire plus-size models to promote the clothes.
So why did designer Courtney Smith decide to use plus-size models in her photo shoots? She told Refinery 29 the following:
“I put women of color and ‘larger’ women in my photo shoots for many reasons. One, because I believe in the multiplicity of beauty, and two, there are so many women who seldom see women who look like them in advertisements.”
This is more than just a ploy to be different, however. Consider that, as Cosmo reports, most brands choose smaller models – even when advertising plus-size clothing! The pictures from Rum + Coke don’t just work because the clothes are beautiful (they are) or because the models are attractive (also true); it’s because the clothes are shown on the women who would actually wear them in real life.
Smith also told Refinery 29 that she wants women “to be their most beautiful selves.” She’s working to battle all the negative messages that women hear: “You’re not thin enough, you’re not young enough, you’re not light enough.”
Instead of peddling the belief that women “are inadequate unless they change something about themselves or purchase this or that,” Rum + Coke aspires to send a different type of message: “You, woman, are enough. [Women] are beautiful in whatever package they come in.”
Want more good news? The brand offers their clothing in sizes small through 3X. If you want to support Rum + Coke, you can shop the brand’s products here.
article by claire biggs via act.mtv.com
Shreveport, Louisiana made history over the weekend as the city swore in Ollie Tyler, their first-ever black female mayor. Tyler, 69, won with 65% of the city’s votes. “Your vote was your voice and you sent a message to the next generations that we are vested in our city and will use the challenges we face as opportunities to create unity around a vision that will move us to build a stronger, better Shreveport,” Tyler wrote in a letter to the citizens of Shreveport. “I will work with a sense of urgency to bring pride, excitement, and economic growth to our city.”
Ollie Tyler was elected the 48th Mayor of the City of Shreveport. Council members-elect are Willie Bradford, Jeff Everson, Oliver Jenkins, Michael Corbin, James Flurry, Stephanie Lynch and Jerry Bowman. Mayor Tyler was formerly an education administrator, according to USA Today, and this is her first time serving as an elected official. She revealed several of her aims at the Inauguration, which included enhancing police force in high-crime areas, calculating a budget to balance the city’s finances, improving sewers and streets, attracting Fortune 500 companies, and cleaning up Shreveport’s major gateways.
During Tyler’s political race, a piece of her past resurfaced and it was revealed that the now mayor fatally shot her abusive husband in 1968. USA Today reported that “Tyler said she was never indicted and said the killing was ruled an ‘accidental and justifiable homicide.’” After the incident, Tyler proved that you really can overcome anything by becoming a teacher, Parish of Caddo’s Director of Middle Schools, New Orleans city schools’ Deputy Superintendent, Superintendent of Caddo Parish Public Schools, Louisiana’s Deputy Superintendent of Education and Acting State Superintendent of Education. Her latest victory as Shreveport’s first black mayor involved her defeating a white woman lawyer who’s 15 years younger.
Mayor Tyler was born in Caddo Parish. She obtained her Bachelor of Science from Grambling State University, and a Master of Education from Louisiana State University-Baton Rouge.
article by Essence Gant via blackenterprise.com
Ollie Tyler was elected the 48th Mayor of the City of Shreveport. Council members-elect are Willie Bradford, Jeff Everson, Oliver Jenkins, Michael Corbin, James Flurry, Stephanie Lynch and Jerry Bowman. Mayor Tyler was formerly an education administrator, according to USA Today, and this is her first time serving as an elected official. She revealed several of her aims at the Inauguration, which included enhancing police force in high-crime areas, calculating a budget to balance the city’s finances, improving sewers and streets, attracting Fortune 500 companies, and cleaning up Shreveport’s major gateways.
During Tyler’s political race, a piece of her past resurfaced and it was revealed that the now mayor fatally shot her abusive husband in 1968. USA Today reported that “Tyler said she was never indicted and said the killing was ruled an ‘accidental and justifiable homicide.’” After the incident, Tyler proved that you really can overcome anything by becoming a teacher, Parish of Caddo’s Director of Middle Schools, New Orleans city schools’ Deputy Superintendent, Superintendent of Caddo Parish Public Schools, Louisiana’s Deputy Superintendent of Education and Acting State Superintendent of Education. Her latest victory as Shreveport’s first black mayor involved her defeating a white woman lawyer who’s 15 years younger.
Mayor Tyler was born in Caddo Parish. She obtained her Bachelor of Science from Grambling State University, and a Master of Education from Louisiana State University-Baton Rouge.
article by Essence Gant via blackenterprise.com
LOS ANGELES — “The Wizard of Watts,” a coming animated television musical, was conceived two years ago as a big, fat gob of raucous entertainment wrapped around a nugget of racial commentary.
Then, with the musical’s animation already far underway, Ferguson, Mo., became a flash point, starting a national debate about race, overzealous policing and the need for officers to wear body cameras. Then came the phrase “I Can’t Breathe” and the broader protest against police brutality.
Suddenly, “The Wizard of Watts,” with its devastated black neighborhoods and army of pigs, took on greater weight. How the musical will be received by viewers at a racially charged cultural moment is anyone’s guess. But when it arrives on Cartoon Network’s after-hours Adult Swim block on Saturday, “The Wizard of Watts” will at the very least become one of those eerie instances of art accidentally mirroring life.
The primary villain in the Magical Land of Oz-Watts, where the story takes place, is a vicious pig clad in riot gear. Water does not neutralize this Oz villain; instead this baddie gets melted with a camcorder. “Oh, no! Not an irrefutable visual record of my illegal actions!” the anthropomorphized pig wails as he turns to mush at the musical’s climax.
Even Carl Jones, the director of “The Wizard of Watts” and one of its writers, was surprised at hitting such a cultural bull’s-eye.
“I take pride in tackling things with my gloves off, but animation takes such a long time to produce that you usually don’t end up being all that current,” he said.
Mr. Jones had noticed on social media how African-Americans were increasingly using cellphone cameras as “protection from police, like as a weapon,” he said.
“Nobody was talking about it and so I decided we had to take it on,” he said.
In late September of this year, CBS Sports Network taped the inaugural episode of We Need To Talk, which marked the channel’s first-ever nationally televised all-female sports show.
Having already aired on December 27, 2014, the year-end special edition marked the broadcast debut of the show that features panelists Swin Cash, Laila Ali, Amy Trask, Tracy Wolfson and Dana Jacobson. The program, which bookended the network’s coverage of the Sun Bowl (Arizona State v. Duke), found New York Liberty’s Swin Cash going behind-the-scenes with the Golden State Warriors. She also interviewed the team’s new head coach, former Chicago Bulls shooting guard, Steve Kerr.
We Need To Talk made an impact when the program’s inaugural episode focused on the Ray Rice domestic violence scandal, and three of the show’s hosts shared similar war stories with their audience. From WNBA great Lisa Leslie’s brave admission that she’d been abused by a former fiance to Olympic swimmer Dara Torres shared her own painful story, We Need To Talk immediately became a relatable place for female sports fans of all ages.
“Because the big topic we were prepping for was domestic violence, and the statistic for women who are abused was proven on our first show,” says Allie LaForce, a CBS Sports sideline reporter and one of the contributors to CBS’s first all-sports show hosted completely by women. With these famous and notable women taking center stage, We Need To Talk tackles intriguing and diverse topics including domestic violence, concussions and advising awkward dudes on how to talk sports with the ladies.
In addition to Cash, Leslie, LaForce, Ali and the other aforementioned female hosts, Leslie Visser, Summer Sanders, Andrea Kremer and former Oakland Raider’s CEO Amy Trask will round out the group.
Behind the camera, We Need To Talk is led by Emmy Award-winning coordinating producers Emilie Deutsch and Suzanne Smith, the latter who is the only woman currently producing or directing NFL games. With the show wrapping its first season, there’s no doubt that audiences will be clamoring for a second helping of this diverse and influential sports show. It is expected to return to its CBS Sports cable home in the spring with brand new episodes.
article by Kevin L. Clark via blackenterprise.com
President Obama has signed a law that seeks to level the playing field for women-owned businesses seeking federal contracts.
The National Defense Authorization Act for fiscal year 2015, Section 825, authorizes federal agencies to award sole-source contracts to women-owned small businesses eligible for the Woman-Owned Small Business (WOSB) Federal Contract Program, giving women the same level of access to the federal contracting marketplace as other disadvantaged groups.
This is a critical move that will now allow women-owned small businesses to earn their fair share of the federal marketplace and gain economic opportunities, notes Administrator of the U.S. Small Business Administration, Maria Contreras-Sweet. “Women entrepreneurs are growing at an unprecedented rate. More than one in four U.S. companies is owned or led by a woman, and these firms employ more than 7.8 million Americans. Passage of the women’s small business provision in NDAA is a win for women entrepreneurs and a win for America. This will help women-owned small businesses gain equal access to federal contracting as they add jobs to the U.S. economy. A big thank you to the leaders of the Senate and House Small Business and Armed Services Committees for helping make this a reality,” said Contreras-Sweet in a statement.
In July, Administrator Contreras-Sweet testified before the U.S. Senate Committee on Small Business and Entrepreneurship that federal agencies needed this tool to level the playing field for women-owned businesses. Many of the committee members shared the sentiment, and the SBA worked with Congress and key small business stakeholders to include this provision.
Currently, women entrepreneurs are receiving less than five percent of federal contracts. While Congress established the WOSB Federal Contract program in legislation passed in 2000, it was not implemented. From President Obama’s first day in office, providing economic opportunity to women has been a top priority and the steps to enact the program were put in motion, which was implemented in April 2011.
This new provision will give the SBA a new tool to continue to open doors for more women entrepreneurs in the federal and commercial contract space. SBA’s efforts include aggressively promoting the Women-Owned Small Business Contract Program, which aims to expand federal contracting opportunities for women-owned small businesses.
article by Carolyn M. Brown via blackenterprise.com
In July, Administrator Contreras-Sweet testified before the U.S. Senate Committee on Small Business and Entrepreneurship that federal agencies needed this tool to level the playing field for women-owned businesses. Many of the committee members shared the sentiment, and the SBA worked with Congress and key small business stakeholders to include this provision.
Currently, women entrepreneurs are receiving less than five percent of federal contracts. While Congress established the WOSB Federal Contract program in legislation passed in 2000, it was not implemented. From President Obama’s first day in office, providing economic opportunity to women has been a top priority and the steps to enact the program were put in motion, which was implemented in April 2011.
This new provision will give the SBA a new tool to continue to open doors for more women entrepreneurs in the federal and commercial contract space. SBA’s efforts include aggressively promoting the Women-Owned Small Business Contract Program, which aims to expand federal contracting opportunities for women-owned small businesses.
article by Carolyn M. Brown via blackenterprise.com
Stuart Scott, one of ESPN’s best-known “SportsCenter” anchors, died Sunday at a hospital in the Hartford, Conn., area after a seven-year battle with cancer. He was 49. Scott, who joined the sports giant in 1993 for the launch of ESPN2, was diagnosed with cancer in November 2007 and dealt with recurring bouts of the disease.
In addition to hosting “SportsCenter,” Scott covered numerous events and specials over his 21-year career with ESPN and ABC Sports. His most famous catchphrases — “Booyah!” and “As cool as the other side of the pillow” — have become part of pop culture; Scott was even parodied on “Saturday Night Live.”
“ESPN and everyone in the sports world have lost a true friend and a uniquely inspirational figure in Stuart Scott,” ESPN president John Skipper said in a statement. “Who engages in mixed martial arts training in the midst of chemotherapy treatments? Who leaves a hospital procedure to return to the set? His energetic and unwavering devotion to his family and to his work while fighting the battle of his life left us in awe, and he leaves a void that can never be replaced.”
At this year’s ESPY Awards in July, Scott was presented with the Jimmy V Perseverance Award, named after college basketball coach and ESPN sportscaster Jim Valvano (who died of cancer in 1993). In Scott’s acceptance speech, he said about his two daughters: “Taelor and Sydni, I love you guys more than I will ever be able to express. You two are my heartbeat. I am standing on this stage here tonight because of you.”
During his ESPYs speech, Scott explained how he approached his fight against cancer. “I said, I’m not losing. I’m still here. I’m fighting. I’m not losing,” he said. “But I’ve got to amend that. When you die, that does not mean that you lose to cancer. You beat cancer by how you live, why you live, and the manner in which you live. So live. Live. Fight like hell.”
Edward William Brooke III, the first African American elected to the U.S. Senate by popular vote and the first Republican senator to call for the resignation of President Nixon over the Watergate scandal, died Saturday at his home in Coral Gables, Fla. He was 95.
He died from natural causes, said his former legislative aid, Ralph Neas.
In 1966, Brooke ran for the Senate from Massachusetts and became the first black elected to serve in the upper chamber by popular vote, and the first to be sworn in as a senator since Hiram Revels and Blanche Kelso Bruce were sent to Washington during the post Civil War Reconstruction-era by a “carpetbag” Mississippi Legislature.
Upon his arrival in Washington, Brooke automatically achieved a number of social firsts, according to his memoirs, integrating both the Senate swimming pool and the Senate barber shop.
In winning election, Brooke joined a small band of liberal Republicans in the Senate during an era of moderation, when centrist voices like Jacob Javits of New York, Charles Percy of Illinois and Mark Hatfield of Oregon influenced political debate. Brooke supported housing and other anti-poverty programs, advocated for a stronger Social Security system and for an increased minimum wage, and promoted commuter rail and mass transit systems.
He also bedeviled the Nixon White House – criticizing the administration for adopting a cynical “Southern strategy” of wooing Southern whites by not enforcing civil rights laws, sponsoring a resolution calling for an end to U.S. involvement in Vietnam and opposing three of the president’s conservative nominees to the Supreme Court.
article by Johanna Neuman via latimes.com
He died from natural causes, said his former legislative aid, Ralph Neas.
In 1966, Brooke ran for the Senate from Massachusetts and became the first black elected to serve in the upper chamber by popular vote, and the first to be sworn in as a senator since Hiram Revels and Blanche Kelso Bruce were sent to Washington during the post Civil War Reconstruction-era by a “carpetbag” Mississippi Legislature.
Upon his arrival in Washington, Brooke automatically achieved a number of social firsts, according to his memoirs, integrating both the Senate swimming pool and the Senate barber shop.
In winning election, Brooke joined a small band of liberal Republicans in the Senate during an era of moderation, when centrist voices like Jacob Javits of New York, Charles Percy of Illinois and Mark Hatfield of Oregon influenced political debate. Brooke supported housing and other anti-poverty programs, advocated for a stronger Social Security system and for an increased minimum wage, and promoted commuter rail and mass transit systems.
He also bedeviled the Nixon White House – criticizing the administration for adopting a cynical “Southern strategy” of wooing Southern whites by not enforcing civil rights laws, sponsoring a resolution calling for an end to U.S. involvement in Vietnam and opposing three of the president’s conservative nominees to the Supreme Court.
article by Johanna Neuman via latimes.com
WASHINGTON (AP) — For decades, comic books have been in color, but now they truly reflect all the hues of American society.
The new Captain America is black. A Superman who is suspiciously similar to President Barack Obama recently headlined a comic book. Thor is a woman, Spider-Man is part-Puerto Rican and Ms. Marvel is Muslim.
Mainstream comic book superheroes — America’s modern mythology — have been redrawn from the stereotypical brown-haired, blue-eyed white male into a world of multicolored, multireligious and multigendered crusaders to reflect a greater diversity in their audience.
Society has changed, so superheroes have to as well, said Axel Alonso, editor in chief at Marvel Comics, who in November debuted Captain America No. 1 with Samuel Wilson, the first African American superhero taking over Captain America’s red, white and blue uniform and shield.
“Roles in society aren’t what they used to be. There’s far more diversity,” said Alonso, who has also shepherded a gay wedding in the X-Men, a gender change from male to female in Thor and the first mainstream female Muslim hero in Ms. Marvel.
The change to a black Captain America is already having an impact outside of comics.