It looks like Uzo Aduba and Amber Riley are going to be playing sisters on NBC’s The Wiz Live!
Aduba will be playing Glinda the Good Witch, and Riley will be playing Addaperle, the Good Witch of the North and Glinda’s sister.
“We are so happy to welcome two actors we’ve admired and wanted so much to work with,” said executive producers Craig Zadan and Neil Meron in a statement. “We look forward to showcasing the amazing musical talents of Amber and we are eager to introduce Uzo’s remarkable singing voice for those who know her solely as an extraordinary dramatic actress.”
These two stars join the already glamorous cast, which includes Queen Latifah, Mary J. Blige, David Alan Grier and rising star Shanice Williams.
The Wiz Live! airs on Thursday, December 3 on NBC.
article via thegrio.com
Posts published in “Theater”
When it was first announced that NBC would remake the 1978 cult classic The Wiz, folks were admittedly nervous. After all, the network’s other production, the Sound of Music, was roundly criticized by fans. But after NBC scored Stephanie Mills–who starred in the original Broadway production–to play Auntie Em, people began to relax. Now, the latest casting news about The Wiz has given fans even more hope.
Tuesday, NBC announced Queen Latifah and Mary J. Blige have signed on to the Wiz. Blige will play Evillene, the Wicked Witch of the West, and Latifah will assume the role of the Wiz.
While it still remains to be seen who will play Dorothy, the addition of Latifah and Blige will no-doubt get viewers to tune in when the Wiz premieres December 3.
article via clutchmagonline.com
Cicely Tyson, Rita Moreno, George Lucas, singer-songwriter Carole King, conductor Seiji Ozawa and the Eagles have been selected to receive this year’s Kennedy Center Honors, the center said Wednesday.
The artists will be celebrated Dec. 6 at a gala to be broadcast Dec. 29 on CBS. President Barack Obama and first lady Michelle Obama are expected to attend along with other notables from the worlds of showbiz, politics and business.
The Honors gala, now in its 38th year, will again cap a weekend of celebrations to include a private dinner at the U.S. State Department the preceding evening hosted by Secretary of State John Kerry. Honorees receive their colorful medallions at that event. In addition, the Obamas will host honorees and others at the White House prior to the gala performance.
Kennedy Center Chairman David M. Rubenstein saluted this year’s selections, which were chosen based on the recommendation of the Center’s Special Honors Advisory Committee. Other input is offered by the center’s board of trustees, its artists committee and the public.
Rubenstein praised Tyson for her range of strong female roles on stage and screen that “have broken boundaries for women of color,” and said Moreno’s “iconic spitfire roles” are embedded in the heart of American culture, while Ozawa’s artistic leadership as a conductor has “set a new standard for orchestras around the world.” He
Rubenstein said the music of the Eagles “has endured as the quintessential American rock and roll sound for generations.” The core band members to be feted are Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh.
King, another pop hitmaker, has a canon of “heartfelt lyrics and tunes (that) are woven throughout the tapestry of American music.” Films from Lucas have “enriched our world with stories of epic adventure,” said the KenCen chieftain.
Kennedy Center president Deborah Rutter said the latest slate of honorees shares a powerful common theme — artists as history-makers and artists who defy both convention and category. “Each honoree and their career-spanning achievements exemplify a rare quality of artistic bravery,” she said. “They have pushed the limits of their gifts as musicians, actors, and storytellers to inspire generations of Americans and those around the world.”
article by Paul Harris via Variety.com
The artists will be celebrated Dec. 6 at a gala to be broadcast Dec. 29 on CBS. President Barack Obama and first lady Michelle Obama are expected to attend along with other notables from the worlds of showbiz, politics and business.
The Honors gala, now in its 38th year, will again cap a weekend of celebrations to include a private dinner at the U.S. State Department the preceding evening hosted by Secretary of State John Kerry. Honorees receive their colorful medallions at that event. In addition, the Obamas will host honorees and others at the White House prior to the gala performance.
Kennedy Center Chairman David M. Rubenstein saluted this year’s selections, which were chosen based on the recommendation of the Center’s Special Honors Advisory Committee. Other input is offered by the center’s board of trustees, its artists committee and the public.
Rubenstein praised Tyson for her range of strong female roles on stage and screen that “have broken boundaries for women of color,” and said Moreno’s “iconic spitfire roles” are embedded in the heart of American culture, while Ozawa’s artistic leadership as a conductor has “set a new standard for orchestras around the world.” He
Rubenstein said the music of the Eagles “has endured as the quintessential American rock and roll sound for generations.” The core band members to be feted are Glenn Frey, Don Henley, Timothy B. Schmit and Joe Walsh.
King, another pop hitmaker, has a canon of “heartfelt lyrics and tunes (that) are woven throughout the tapestry of American music.” Films from Lucas have “enriched our world with stories of epic adventure,” said the KenCen chieftain.
Kennedy Center president Deborah Rutter said the latest slate of honorees shares a powerful common theme — artists as history-makers and artists who defy both convention and category. “Each honoree and their career-spanning achievements exemplify a rare quality of artistic bravery,” she said. “They have pushed the limits of their gifts as musicians, actors, and storytellers to inspire generations of Americans and those around the world.”
article by Paul Harris via Variety.com
‘The Great White Way’ is seeing a serious dose of color these days.
In 2014, Black actors broke ground on Broadway when Norm Lewis became the first Black male to play the Phantom in Phantom of the Opera, and Keke Palmer played Rodger and Hammerstein’s first Black Cinderella on the stage. This year, Brandy scored another career milestone as the third notable Black actress to play femme fatale Roxie Hart in Chicago. And just last week, photos of Taye Diggs as Hedwig & The Angry Inch’s first Black male superstar hit the web to tons of excitement.
These inspiring moves are not only monumental for the actors, but also for the world of Broadway. While television and film are often called out for their extreme lack of diversity, Broadway has a long history of incorporating actors of color, as well as from the LGBT and disabled communities. And yet, despite impressive attempts at inclusivity, most people remain unaware of the strides made in the theater world.
To put it mildly, Hollywood could learn a lot from the Great White Way’s moves to culturally harmonize the stage.
Black actors first began standing under those bright white lights in 1920 when Charles Giplin became the first Black actor on Broadway to play the lead role in The Emperor Jones. Seven years later, Ethel Waters became the first Black actress in a lead role in Africana. Meanwhile, Show Boat was the first production to feature an integrated cast and even an interracial marriage.
The Roaring Twenties gave us our “Black firsts” on Broadway, but racism and segregation marred an otherwise elegant art scene, due much in part to the terrible effects of minstrelsty. Minstrels shows may not have been “Broadway” productions, but the racist shows garnered popularity nonetheless. Sometimes performed through the vaudeville platform (think baby Broadway), the productions continued through the 1960s, when fight for civil rights decreased their popularity.
Still, amid all of the setbacks, Black actors persevered by singing, dancing and acting their way into our hearts. More importantly, they did so not for the amusement of the White man, but out of their talent and genuine passion for the field.
In 1950, Juanita Hill was the first Black woman to win a Tony Award for a Supporting Role as Bloody Mary in South Pacific. Another Rodgers and Hammerstein production, the story was far from the famed duo’s most famous shows, but was notable for its tackling of the harmful affects of racism head-on.
The next 30 years would see a number of other noteworthy moments, including Diahann Carroll’s Tony Award for Best Actress in a Musical for No Strings. Vinnette Justine Carroll‘s achievement as the first Black female director of Don’t Bother Me, I Can’t Cope, the production of Ntozake Shange’s emotional For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, powerhouse actress Audra McDonald winning and of course Jennifer Holliday’s portrayal of Effie White in Dreamgirls:
But the last two years have been extremely notable for their high-profile and consistent opportunities for Black stage actors. Not only did Broadway darling Audra McDonald make history by winning her sixth Tony in 2014 (also becoming the only actress to win in all four acting categories), but Phyllicia Rashad won a Tony for the revival of A Raisin In The Sun and Denzel Washington shone in his much-praised role in August Wilson’s Pulitzer Prize-winning play Fences.
Keke Palmer has landed a role in Grease: Live, Fox’s upcoming live production of the popular musical, set to air on January 31, 2016. She’ll play Pink Lady “Marty Maraschino”, alongside Julianne Hough and Vanessa Hudgens. Broadway writers Robert Cary (Anything but Love, Ira & Abby) and Jonathan Tolins (Buyer & Cellar, The Last Sunday In June) will pen the adaptation.
Palmer will next be seen in Fox’s comedy horror series Scream Queens, set to debut this fall. Her breakout role came in feature Akeelah And The Bee. She went on to star as the title character in the hit cable series True Jackson, VP, and most recently made Broadway history as the first African-American and youngest actress to star in Rodgers and Hammerstein’s 1957 musical, Cinderella. Other film credits include Ice Age: Continental Drift, Joyful Noise, Brotherly Love and Imperial Dreams. Her TV work includes A Trip to Bountiful, cable miniseries Full Circle, CrazySexyCool: The TLC Story, and a six-episode arc on the second season of Masters Of Sex.
Marc Platt will executive-produce Grease: Live. Thomas Kail is the director overseeing the stage direction and Alex Rudzinski will serve as the live television director. It is a Paramount Television production.
article by Denise Petski via deadline.com
The Houghton Library at Harvard University has acquired a typed script of an unfinished James Baldwin play “The Welcome Table.” The manuscript is the 3,000 item acquired by the library archives since 1874.
One of the main characters in the Baldwin play, Peter Davis, is based on Henry Louis Gates Jr., the Alphonse Fletcher University Professor and the director of the Hutchins Center for African and African American Research at Harvard. Another character is based on Josephine Baker. In 1973, Professor Gates, who was working as a London-based journalist at the time, drove Josephine Baker to Baldwin’s villa in France, where the three dined together.
There are four known versions of the script that were written over the years. In one version, Professor Gates is a young man but in a later version he is a middle-aged man. Gates owns one of the other copies of the unfinished play. Another is held at the Schomburg Center for Research in Black Culture of the New York Public Library. The fourth is owned by a private collector.
article via jbhe.com
According to Variety.com, NBC has announced it will make its next live musical television event a remake of the 1975 Tony Award-winner “The Wiz.” The remake will air on December 3.
Opening in 1975, “The Wiz” ran for four years on Broadway and won seven Tonys, including best musical. It retells the classic story of “The Wizard of Oz” in an African-American context.
In 1978, the musical was adapted into a movie produced by Motown and starring Diana Ross, Michael Jackson, Nipsey Russell and original Broadway cast member Ted Ross. NBC’s announcement of the holiday television event comes at a time when broadcast networks are setting more diversified roles and casting more and more actors of color on TV, following the success of Fox’s “Empire” and ABC’s “How to Get Away With Murder,” among other series.
“The Wiz” marks NBC’s third such production, following the success of “The Sound of Music Live!,” starring Carrie Underwood, and “Peter Pan Live!,” starring Allison Williams as the title character.
“The Wiz” will be co-produced by Cirque du Soleil’s new stage theatrical division. After the television event, the musical will make its Broadway revival for the 2016-17 season, also presented by Cirque du Soleil.
Casting for both projects has yet to be announced.
“Exodus,” a new work by the hip-hop choreographer Rennie Harris, will be given its world premiere in June during Alvin Ailey American Dance Theater’s two-week season at Lincoln Center, the company’s artistic director, Robert Battle, announced on Tuesday.
The season, which will run from June 10 through June 21 at the David H. Koch Theater, will also feature the Ailey company premiere of “No Longer Silent,” which Mr. Battle created in 2007 for the Juilliard School. The company will also present new productions of “Toccata” by Talley Beatty and Judith Jamison’s “A Case of You” duet. Recent works, including “Odetta,” and company classics, including “Revelations,” will be performed as well.
Then the Ailey company plans to hit the road to appear at Théâtre du Châtelet in Paris from July 7 through Aug. 1 as part of Les Étés de la Danse, an international dance festival, and then, in September, it is scheduled to return to South Africa, where it had a memorable tour in 1997.
article by Michael Cooper via nytimes.com
Russell Simmons is developing a hip-hop musical that will draw songs from hip-hop’s “golden age” from between the mid-1980s and the mid-1990s, in the same way that “Rock of Ages” pulled tunes from the hard-rock classics of the ’80s.
Simmons has teamed with “Rock of Ages” producer Big Block/Scott Prisand for the show, which aims to conjure the same fun, concert-like vibe that helped sustain the nearly six-year run of “Rock of Ages” on Broadway. The original story of “The Scenario” will be written by Dan Charnas, who wrote the book “The Big Payback: The History of the Business of Hip-Hop.”
The attachment of Simmons, who’ll produce through Def Pictures, lends “The Scenario” some notable cred. As the founder of Def Jam Recordings in 1984, he’s credited with playing a major role in hip-hop’s rise to the mainstream. He also founded the Def Comedy franchise in 1989, and he produced and conceived 2002 Broadway outing “Russell Simmons Def Poetry Jam.”
Simmons and Big Block hope to get “The Scenario” into New York in late 2016, although they aren’t necessarily targeting Broadway. “Rock of Ages,” for instance, played an Off Broadway run before it shifted to Broadway; the producers could also consider putting the production in a nontraditional space outside the typical Broadway box.
“The Scenario” is being developed by a team of producers that includes Simmons, Def Pictures/Jake Stein, Big Block/Prisand, Scott Benson, Tom Pellegrini and Jamie Bendell, Brian Sher and Stella Bulichnikov.
article by Gordon Cox via Variety.com
Simmons has teamed with “Rock of Ages” producer Big Block/Scott Prisand for the show, which aims to conjure the same fun, concert-like vibe that helped sustain the nearly six-year run of “Rock of Ages” on Broadway. The original story of “The Scenario” will be written by Dan Charnas, who wrote the book “The Big Payback: The History of the Business of Hip-Hop.”
The attachment of Simmons, who’ll produce through Def Pictures, lends “The Scenario” some notable cred. As the founder of Def Jam Recordings in 1984, he’s credited with playing a major role in hip-hop’s rise to the mainstream. He also founded the Def Comedy franchise in 1989, and he produced and conceived 2002 Broadway outing “Russell Simmons Def Poetry Jam.”
Simmons and Big Block hope to get “The Scenario” into New York in late 2016, although they aren’t necessarily targeting Broadway. “Rock of Ages,” for instance, played an Off Broadway run before it shifted to Broadway; the producers could also consider putting the production in a nontraditional space outside the typical Broadway box.
“The Scenario” is being developed by a team of producers that includes Simmons, Def Pictures/Jake Stein, Big Block/Prisand, Scott Benson, Tom Pellegrini and Jamie Bendell, Brian Sher and Stella Bulichnikov.
article by Gordon Cox via Variety.com
Six-time Tony Award winner Audra McDonald will return to Broadway in spring 2016 in a new collaboration with Tony-winning director George C. Wolfe and Tony-winning choreographer Savion Glover. The collaboration is called Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That Follows. The production begins previews March 14, 2016, at the Music Box Theatre, with opening night set for April 21.
McDonald will play Lottie Gee, the 1920s performer who appeared in the cast of Shuffle Along. This 1921 musical by Flournoy Miller, Aubrey Lyles, Eubie Blake, and Noble Sissle altered the face of Broadway in giving several black performers their first Broadway credits. The show helped launch the careers of Josephine Baker, Florence Mills, and Paul Robeson, among many others.
Ninety-five years later, this backstage musical will explore the creation of this now-forgotten show. Wolfe directs and pens the book, while Glover choreographs. It marks their first collaboration since their 1996 hit Bring in ‘Da Noise, Bring in ‘Da Funk. The production will have music supervision, arrangements, and orchestrations by Daryl Waters, scenic design by Santo Loquasto, costume design by Ann Roth, and lighting design by Jules Fisher and Peggy Eisenhauer. Scott Rudin serves as producer.
Additional information about the production will be revealed in the coming months.
article by David Gordon via theatermania.com