“Raised By Krump” Documentary by Director Maceo Scott Makes Worldwide Debut on Vimeo (VIDEO)

(courtesy vimeo.com)

by Lori Lakin Hutcherson (@lakinhutcherson)

Raised By Krumpa 22-minute documentary film that explores the Compton/South Central, Los Angeles-born dance movement “Krumping,” and the lives of some of the area’s most influential and prolific dancers, is making its exclusive, worldwide debut as a #staffpickpremiere on Vimeo today, May 24th.

Raised by Krump blends the art of movement, music, and personal interviews together to tell the story of finding solace within an underground movement and the community that it creates. The film, directed by award winning filmmaker Maceo Frost, focuses on how Krumping has helped young people deal with the emotional issues that come with growing up in one of L.A.’s toughest neighborhoods — a place where showing emotion is often considered a sign of weakness.

Perhaps most notably depicted in David LaChappelle’s documentary Rize, Krumping came to be via Tommy the Clown, who invented the dance movement “Clowning” in response to the happy façade he depicted when performing as a clown at childrens’ parties. Clowning, and eventually Krumping, allowed the dancers to express the everyday struggles of living in their neighborhoods.

Raised by Krump shows the next evolution after Rize. In the film, the dancers explain that they are who they are today because of the dance movement. Instead of joining a gang or turning to violence, they turned to movement, dance, and self-expression, and passed this ability on to their children and others’ children, creating a more creatively-stimulated younger generation. Krumping founders Tight-Eyez and Marquisa “Miss Prissy” Gardner – who were also featured in Rize – are in this film as well. They are older, wiser, and have experienced the full impact that Krumping has had on their lives.

As Miss Prissy says in the documentary, “I think Krump symbolizes every piece of what we went through growing up in our neighborhoods, from being chased by gangbangers to being harassed by the police for just being who we are and what we are. It was about us going through the shit that we just couldn’t control anymore, and I feel that’s what birthed Krump.”

Or as Tight Eyez plainly puts it, “We make the ugly part of our lives beautiful. We make it good.”

Frost’s film is also visually arresting, featuring a mesmerizing ebb and flow of movement, almost forming a visual poem about Krumping.

Go to Vimeo.com/staffpicks picks to watch the film, or watch above.

DANCE: Choreographer Dave Scott Tackles Reimagining Andrew Lloyd Webber Classic “Joseph and the Amazing Technicolor Dreamcoat”

Dave Scott (photo credit: Lee Perry); “Joseph” image: Mustang Marketing

article by Kristyn Burtt via dancenetwork.tv

Choreographer Dave Scott is well known for his work on So You Think You Can Dance and in films like High Strung, Step Up 2: The Streets, Stomp The Yard and You Got Served. He’s now tackling a new venture that is sure to bring a fresh spin on a musical theatre classic. Under the direction of Will North, Scott will be reimagining the choreography from Andrew Lloyd Webber’s Joseph and the Amazing Technicolor Dreamcoat.

The family-friendly show will run Oct. 13-22, 2017 at the Cabrillo Music Theatre in Thousand Oaks, California, and focuses on the trials and triumphs of Joseph, Israel’s favorite son and his “coat of many colors” from the Bible’s Book of Genesis. Although Joseph and the Amazing Technicolor Dreamcoat was first performed in 1968, it didn’t have its Broadway debut until January 1982.

North explained to Dance Network about his initial idea to collaborate with the hip-hop choreographer.

“I wanted to do a contemporary version of the show while bringing in different genres of hip-hop — including krumping. Dave is the perfect person to execute that vision,” he explains.

For Scott, taking on the project was a natural fit as he looks to diversify beyond his work in TV and film. The idea of live theatre not only adds an unexpected element, it’s giving him a new way to communicate through his artistry.

“I’ve always approached television and film with the mentality of the stage. To achieve the ‘wows’ and ‘splendor’ with no edits or cuts,” Scott shares. “I personally and creatively imagine my work in cartoon, like a superhero. I always aspire to go beyond the non-boundaries of dance, and this is a perfect platform.”

In addition to the upcoming production, Scott will also be back this summer choreographing on Season 14 of SYTYCD and he recently completed the film, Manifest Destiny Down: Spacetime, which will be out in 2018 with Broadway star Alexandra Winter.

Source: Exclusive: Why ’SYTYCD’ Choreographer Dave Scott Is Tackling A Reimagined Andrew Lloyd Webber Classic | Dance Network

Under Armour Star Endorsers Dwayne Johnson, Misty Copeland and Stephen Curry Speak Out Against CEO’s Pro-Trump Statements

Under Armour spokespeople The Rock, Misty Copeland, Stephen Curry (photo via abcnews.com)

Under Armour star endorsers Dwayne Johnson, Misty Copeland and Stephen Curry (photo via abcnews.com)

article by Katie Richards via adweek.com

Some of Under Armour’s biggest celebrity endorsers – ballet dancer Misty Copeland, NBA star Stephen Curry and Hollywood icon Dwayne “The Rock” Johnson—are speaking out against the apparel brand’s CEO for referring to Donald Trump as “a real asset” to American businesses.

In an interview earlier this week with CNBC, Under Armour CEO Kevin Plank shared several positive thoughts about Trump as a leader and supporter of corporations: “He’s highly passionate. To have such a pro-business president is something that’s a real asset to this country,” Plank said on Halftime Report. “I think people should really grab that opportunity. … He wants to build things. He wants to make bold decisions, and he wants to be decisive. I’m a big fan of people who operate in the world of ‘publish and iterate’ versus ‘think, think, think, think.’ so there’s a lot that I respect there.”

His comments led to a flurry of criticisms on Twitter and have now percolated to some of the brand’s top star athletes and performers.  Copeland, star of the brand’s iconic “I Will What I Want” ad, uploaded a lengthy post to Instagram today. While she praises the brand for supporting her over the years, Copeland did not mince words about Trump. “I strongly disagree with Kevin Plank’s recent comments in support of Trump as recently reported,” she wrote in the Instagram post. “Those of you who have supported and followed my career know that the one topic I’ve never backed away from speaking openly about is the importance of diversity and inclusion. It is imperative to me that my partners and sponsors share this belief.”

She said she has spoken with Plank privately about his opinions in great detail but that, “as someone who takes my responsibility as a role model very seriously, it is important to me that he, and UA, take public action to clearly communicate and reflect our common values in order for us to effectively continue to work towards our shared goal of trying to motivate ALL people to be their best selves.”

With more than 10 million views, Copeland’s Under Armour ad from 2014 was a huge hit for the brand and resonated across the industry as an example of how marketing could celebrate strong women. Since the ad debuted, Copeland developed her own Under Armour clothing line, appeared on the cover of Time magazine and was named by the American Ballet Theater as its first African-American principal dancer. She hasn’t been alone in criticizing the brand’s founder and top executive.

Another major endorser for the brand, Golden State Warriors point guard Curry, also spoke out against Plank, although less directly than Copeland. When asked by The Mercury News about Plank’s description of Trump as “a real asset,” Curry responded by saying, “I agree with that description, if you remove the ‘et’ from asset.”

Dwayne “The Rock” Johnson also posted his response to Plank on Instagram. “These are neither my words, nor my beliefs,” Johnson writes. “His words were divisive and lacking in perspective. Inadvertently creating a situation where the personal political opinions of UA’s partners and its employees were overshadowed by the comments of its CEO.”

To read more, go to: Under Armour’s Star Endorsers Are Coming Out Against the CEO’s Pro-Trump Statements – Adweek

Misty Copeland Leaps into Role in Disney’s “Nutcracker” Movie

Misty Copeland attends the American Ballet 75th Anniversary Fall Gala on October 21, 2015 in New York City.

Misty Copeland attends the American Ballet 75th Anniversary Fall Gala on October 21, 2015 in New York City. (photo via cnn.com)

article by Lisa Respers France via cnn.com

Misty Copeland is making the leap — or maybe a grand jeté — to the big screen.  The prima ballerina has nabbed a role in Disney‘s forthcoming “The Nutcracker and the Four Realms” movie.  Copeland posted a picture of the script on her Instagram account with the caption: “I’m thrilled to be a part of this amazing project with Disney and the wonderful Lasse Hallstrom. #TheNutcracker #MoreToCome.”

The studio announced the live-action film back in March and Hallstrom is set to direct.

Copeland has been lauded for breaking down barriers as an African-American dancer and is the subject of Nelson George‘s 2015 documentary “A Ballerina’s Tale.”  For the upcoming film, she reportedly will appear as the lead ballerina in the “Nutcracker’s” only dance scene.

Prima Ballerina Misty Copeland Gets Her Own Barbie Doll

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Misty Copeland and her doll (photo courtesy MATTEL INC.)

article by Yesha Callahan via theroot.com

Misty Copeland has been immortalized by Mattel. The Barbie creator debuted its Misty Copeland doll today and, like Ava DuVernay’s doll, it’ll likely fly off the shelves.

The doll that honors Copeland, who made history when she became the first African-American woman to be named principal dancer at the world-renowned American Ballet Theatre, is just another step in Mattel’s commitment to diversity and inclusion and part of its Sheroes Collection.

“I always dreamed of becoming an ABT ballerina, and through Barbie, I was able to play out those dreams early on,” Copeland said in a press release. “It’s an honor to be able to inspire the next generation of kids with my very own Barbie doll.”

The Misty Copeland doll will is available for preorder on Amazon.com and Mattel’s site.

Black Girls Do Ballet to Publish “The Ballerina’s Little Black Book” on June 6

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article via clutchmagonline.com

In 2013, TaKiyah Wallace started Brown Girls Do Ballet as a photography project aimed at highlighting women of color in the dance world. As a mom of a tiny dancer and a fan of the art form herself, Wallace was aware of the lack of coverage dancers of color received.

Three years later Wallace runs a popular Instagram account with more than 80,000 followers that features brown ballerinas, and her organization supports young dancers by not only giving them a platform to shine, but also providing scholarships to help young girls continue their studies. Now, Brown Girls Do Ballet is releasing a book.

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Titled The Ballerina’s Little Black Book, the new project by former dancer and Brown Girls Do Ballet co-founder Brittani Marie features interviews with dancers like Misty Copeland, Aesha Ash, and Alicia Graf Mack as well as gorgeous pictures of dancers of color. Continue reading

Choreographer Camille A. Brown Wins Prestigious $25,000 Jacob’s Pillow Dance Award

Fana Fraser, left, and Beatrice Capote in “Black Girl: Linguistic Play,” at the Joyce Theater. (Credit: Christopher Duggan)

article by Joshua Barone via nytimes.com

Camille A. Brown, the socially conscious dancer and choreographer, is this year’s winner of the Jacob’s Pillow Dance Award, an honor that comes with a $25,000 cash prize and an engagement at the summer festival.

She was chosen by the incoming Jacob’s Pillow Director Pamela Tatge, who takes over on April 18. In an interview, she called Ms. Brown “hugely important,” and lauded her offstage work advocating for black female artists.  “Someone who generates dialogue in communities is the kind of artist that really excites me,” Ms. Tatge said. She added that Ms. Brown is a “deep researcher” who tackles social issues through “extremely present, theatrical” choreography.

Choreographer/dancer Camille A. Brown (photo via berkshireonstage.com)

Choreographer/dancer Camille A. Brown (photo via berkshireonstage.com)

As part of the award, Ms. Brown will have a creative development residency at Jacob’s Pillow, where she will spend one or two weeks shaping her new work, “ink.” In addition, her dance Black Girl: Linguistic Play,” which received favorable reviews when it appeared at the Joyce Theater in September, will be staged at Jacob’s Pillow in 2017. “When I started creating this work, I wanted there to be a duality, a culturally specific work with universal themes,” Ms. Brown said in a statement, referring to “Black Girl.” “This work speaks to the human condition, and because of that, I hope people are able to see themselves in the work, regardless of race or gender.”

Ms. Brown, who won a Bessie award for her 2014 work “Mr. TOL E. RAncE,” began dancing with Ronald K. Brown’s company in 2001. She also appeared with other troupes before founding Camille A. Brown & Dancers several years ago.

To read more, go to: http://www.nytimes.com/2016/03/23/arts/dance/jacobs-pillow-dance-to-honor-camille-a-brown.html?partner=rss&emc=rss&_r=0