According to the Seattle Times, musical artist, counterculture figure and guitar legend Jimi Hendrix will have a post office renamed for him in his Washington state hometown.
In late December a bill was signed into law re-christening the Renton Highlands Post Office the James Marshall “Jimi” Hendrix Post Office. The bill, which was passed unanimously, was sponsored by Rep. Adam Smith, D-Bellevue, and supported by both of Washington’s U.S. senators, Patty Murray and Maria Cantwell.
“I am honored to join in paying tribute to rock and roll icon and Seattle native Jimi Hendrix with the renaming of the Renton Highlands Post Office as the James Marshall ‘Jimi’ Hendrix Post Office Building,” Congressperson Smith said in a statement. “This designation will further celebrate Hendrix’s deep connection to the Puget Sound region and help ensure that his creative legacy will be remembered by our community and inspire future generations.”
Hendrix grew up in Seattle, spending much of his formative years in the Central District. There are several other Hendrix tributes in Seattle – from a statue on Broadway Street to his namesake park adjacent to the Northwest African American Museum (NAAM) – undeniably putting “Seattle’s most recognizable son,” as the museum’s director LaNesha DeBardelaben described him, into the city’s history.
The Renton post office is less than a mile from the Jimi Hendrix Memorial in the Greenwood Memorial Park cemetery, where the guitar hero is buried.
Though he lived a short life, Hendrix’ impact on music and American culture is still felt today. Hendrix is best known for his hits and virtuoso guitar playing on “Hey Joe,” “Purple Haze,” and “The Wind Cries Mary,” along with “All Along the Watchtower,” “Foxy Lady,” and “Voodoo Child.”
He achieved widespread fame in the U.S. after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the U.S. The world’s highest-paid performer at the time, Hendrix headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970. Check out his still-mesmerizing, revolutionary version of “Star-Spangled Banner” from 50 years ago:
When the Metro’s new Crenshaw/LAX line opens in summer 2020, riders will travel through a 1.3-mile-long art project celebrating Los Angeles’ African-American achievement.
“Destination Crenshaw” is set to break ground in early 2019, and will flank the route along Crenshaw Boulevard. Renderings were released earlier this month.
“The hope,” Councilman Marqueece Harris-Dawson said, “is that [people] understand that L.A., among other things, is quintessentially a black city. In the same way that it’s a Latino city, in the same way it’s a Jewish city, in the same way that it’s a Japanese city. The stories of black people in this town are central to what this town is, and what it continues to develop into.”
Harris-Dawson called Destination Crenshaw an “open-air museum” that is set to feature monuments, art, park space, and other cultural experiences celebrating black Los Angeles. It’ll be one of the first stops for people taking the Metro from LAX, with clear views of the surrounding art.
The inspiration for the project was the Crenshaw Wall, Harris-Dawson said. That’s the massive graffiti project that already stands in Crenshaw, which Harris-Dawson wants to see restored and enhanced.
“But also many of our artists that are in this community have art that you have to travel outside South L.A. to see,” Harris-Dawson said. “We wanted to create a space for them to show their work in their own neighborhoods.”
An open call went out for artists earlier this year, but another is planned for 2019.
The space will have more than 125 spots for art, according to Harris-Dawson, including 3D art, street art, fine art, and more. The art will tell stories curated by the project’s historian.
Even the parks will be part of telling the story.
“There may be a [play structure] there that may spell out the words, ‘say it loud,'” Harris-Dawson said. “So that’s a way in which, as a park, it is a functional tool, but it tells a story about political protest, and community confrontation, and African-American music in a direct way.”
Harris-Dawson hopes Destination Crenshaw will help bring back creative businesses and boost the local economy. “African-American culture is consumed by the world, in every corner of the world, but African-American neighborhoods have not necessarily been able to take advantage of that,” Harris-Dawson said.
“Whether it’s streetware and street fashion that is largely generated by young people in the Crenshaw neighborhood — they make a sneaker popular, and then you have to go to Melrose to get the sneaker. And the same is true for all forms of art,” he said.
Destination Crenshaw is set to open in spring 2020. They also have a public kickoff event planned for Feb. 8, 2019, where they hope to reveal a couple of the key artists contributing to the project, according to Harris-Dawson.
Here’s a promotional video from earlier this year:
In this 100th year anniversary of its completion, the historic Villa Lewaro estate of the nation’s first self-made female millionaire and beauty pioneer, Madam C.J. Walker, has been purchased.
The New Voices Foundation, which helps women of color entrepreneurs achieve their vision through innovative leadership initiatives, will spearhead the stabilization of the structure and planning for future uses. The acquisition was facilitated by the Dennis Family, including entrepreneur, investor, and social impact innovator Richelieu Dennis, who once owned Shea Moisture and currently owns Essence Magazine.
The 28,000 square foot property is a historic residence that embodies the optimism and perseverance of the American entrepreneurial spirit.
“In the one hundred years since Madam Walker built her majestic home, Villa Lewaro, it has served as a landmark both to her own success and to her endeavor to create a space dedicated to the achievement and empowerment of African Americans,” said Brent Leggs, director of the National Trust for Historic Preservation’s African American Cultural Heritage Action Fund.
Designated a National Historic Landmark in 1976 for its architectural significance, Madam Walker’s Villa Lewaro estate, named after her daughter (A’LElia WAlker RObinson), was once a social and cultural gathering place for notable leaders of the Harlem Renaissance, such as James Weldon Johnson, Zora Neale Hurston, W. E. B. Du Bois, and Langston Hughes.
The home, which Madam Walker called her “dream of dreams,” was designed and completed 100-years ago by the first licensed Black architect in the state of New York and a founder of Alpha Phi Alpha fraternity, Vertner Tandy.
Walker was the first person of color to own property in Irvington, close to Lyndhurst, a National Trust Historic Site. During the time it was built, Villa Lewaro was located on what was referred to as Millionaire’s Row and in an area that was also home to Rockefellers and Astors. Purchased in 1993, for the last 25 years Villa Lewaro served as the family home of AmbassadorHarold E. Doley, Jr. and his wife Helena.
With a long admiration of Madam C.J. Walker, the Dennis family first reignited her cultural, entrepreneurial and hair care legacy through the acquisition of the Madam C.J. Walker brand in 2013 – when conversations to acquire Villa Lewaro also first began – and the brand’s subsequent relaunch on retail shelves in 2016 at Sephora.
“To be able to steward something so rich in our culture, history, legacy and achievement through the New Voices Foundation and guide it into its next phase of impact and inspiration is an incredible honor that my family and I welcome with tremendous responsibility and humility,” said Dennis. “When we relaunched the Madam C.J. Walker brand two and half years ago, our goal was to give the brand back to our community and elevate it in the iconic way deserving of such a phenomenal woman. Today, we have a similar focus with Villa Lewaro as its significance is much greater than just a house or property or historic landmark. It is a place where – against all odds – dreams were formed, visions were realized and entrepreneurs were born, and we look forward to returning its use to support that mission.”
Dennis continued, “Squarely aligned with the mission of the New Voices Foundation, we are excited to announce that the vision for future use of the property includes utilizing Villa Lewaro as both a physical and virtual destination where women of color entrepreneurs will come for curriculum-based learning and other resources aimed at helping them build, grow and expand their businesses. When people think of entrepreneurship services for women of color, we want them to think of the New Voices Foundation and Villa Lewaro.”
Madam Walker’s great-great-granddaughter and biographer, as well as brand historian, A’Lelia Bundles, added, “No one at the time believed that a Black woman could afford such a place. So, I can think of no better way to celebrate Villa Lewaro’s 100th anniversary than the vision of the New Voices Foundation and the Dennis family for this historic treasure as a place to inspire today’s entrepreneurs, tomorrow’s leaders and our entire community. Richelieu’s own success story – from a humble family recipe to an international enterprise with an economic empowerment mission – very much mirrors Madam Walker’s journey of empowering and uplifting women. Just as Madam Walker aided in the preservation of abolitionist Frederick Douglass’s Washington, DC home, the Dennis family continues this tradition of preserving historic sites that raise awareness about the contributions people of color have made to the American narrative.”
The National Trust holds a perpetual preservation easement on Villa Lewaro that ensures the property’s historic character will be preserved. This easement was jointly supported by the Dennis and the Doley families. The home was named a National Treasure by the National Trust in 2014 and is part of a growing portfolio of African American historic sites protected through the African American Cultural Heritage Action Fund, an initiative designed to raise the profile of African American sites of achievement, activism, architecture, and community.
HUNTSVILLE, AL (WAFF) – On Friday, the William Hooper Councill Alumni Association broke ground on a memorial park celebrating Huntsville’s first public school for African-Americans.
Councill High School opened in 1867 and closed in the era of desegregation in the 1960s. The school was named after Dr. William Hooper Councill, a former slave and founder and first president of what would become Alabama A&M University. Councill also became a lawyer, newspaper editor, legislator and Alabama Supreme Court justice.
Crews will start work on a memorial park in 2019, on the school’s old site.
Members of the alumni association spoke about what the school means to them.
“We found friendship in William Hooper Councill High School, and we found affection,” said Brenda Chunn, president of the William Hooper Councill Alumni Association.
“It’s important because African-American history sometimes gets lost, and this is a way of preserving the heritage of the African-Americans, particularly with the celebration of the bicentennial that is coming up,” said Laura Clift, an alumni of Councill High School.
The contributions of over 800 African American women who sorted mail in a segregated unit during WWII were recognized last month in Fort Leavenworth, Kansas, with a monument erected in their honor.
“No mail, no morale,” was the motto of the 6888th Central Postal Directory Battalion, the U.S. Army’s only all-African American and all-female unit during the Second World War.
Often referred to as the “Six-Triple-Eight,” the unit was made of up 824 enlisted and 31 officer women, who were originally from the Women’s Army Corps, Army Service Forces and Army Air Forces.
While many African American nurses served overseas in combat zones, WAC units remained separated and women of color were only allowed to serve overseas depending on the “needs of the Army.” The military faced pressure for African Americans WACs to serve in overseas components and eventually a request for 800 women to serve in the European Theatre was approved.
In 1945, warehouses and Red Cross workers in England became overwhelmed with a backlog of mail and packages addressed to U.S. service members. The hundreds of women who eventually made up the 6888th were selected to train for this exact mission.
Under the direction of Lt. Col Charity Edna Adams, the women traveled to Camp Shanks, New York after enduring boot camp, and eventually arriving in Birmingham, England, in 1945. Upon arrival to Europe, the women were welcome to a dimly lit and rat-infested warehouse with mail stacked to the ceilings.
Of the over 800 servicewomen, five were present at their monument dedication ceremony at Fort Leavenworth.
“Servicemen want their mail. That’s a morale booster,” Lena King told KCTV. Now 95-years-old, then Corporal King worked among other women in the warehouse identifying miswritten pieces of mail and ensuring the men fighting received letters from their loved ones.
By dividing their work in shifts that ran 365 days a week, the women processed an average of 65,000 pieces of mail per shift, clearing the previous six-month backlog of letters in just three months.
Designed by sculptor Eddie Dixon, the monument features all of the names of the women of the Six-Triple-Eight, a bust of Lt. Col Adams and iconic photos highlighting the unit’s mission.
The monument sits near a series of other historical tributes on Fort Leavenworth. From honoring the first African American West Point graduate to the first African American four-star general, this monument will be another addition highlighting the “firsts” of our nation’s history at war.
According to The Journal of Blacks in Higher Education, the Board of Trustees at Washington and Lee University in Lexington, VA, will make changes to two of its buildings, Robinson Hall and Lee Chapel, after a student and faculty committee issued a report on how the university’s history is represented on campus. The committee was created after White supremacists rallied at the University of Virginia in Charlottesville last year.
Robinson Hall was originally named for John Robinson, a founder of the university. When Robinson died he left his estate, farm, and 73 slaves to the college. In 1836, the college sold the slaves and used the money to build Robinson Hall.
The board decided to rename the building Chavis Hall, in honor of John Chavis, the first African-American to receive a college education in the United States. He graduated from the university’s predecessor – first Liberty Hall Academy, then Washington Academy – in 1799.
Additionally, the university will make changes to Lee Chapel. The university will replace the portraits of Robert E. Lee and George Washington in military uniforms with new portraits of the two men in civilian clothing.
Also, the doors to the statue chamber in Lee Chapel will be closed during university events. However, Lee Chapel will keep its name. Robert E. Lee is buried below the chapel.
St. Cloud State University in Minnesota recently dedicated one of the institution’s original academic buildings after the school’s first African American graduate, Ruby Cora Webster.
Webster graduated from the university in 1909 with a degree in elementary education. The daughter of former slaves, she was born in Ohio and moved with her family to St. Cloud, where she attended high school. After college, she became a teacher, married twice, and relocated to Missouri and later to Canada. Webster died in 1974.
The former Business Building, now known as Ruby Cora Webster Hall, houses the department of English, the Writing Center, the Intensive English Center, the department of political science, and the department of ethnic, gender, and women’s studies.
Last year, after the university implemented a non-donor related naming policy, Dr. Christopher Lehman, chair of the department of ethnic, gender, and women’s studies, spearheaded the proposal to rename the academic building after Webster. It received extremely positive feedback from the community, with 2,200 signatures collected to support the proposal.
“I commend and applaud Dr. Christopher Lehman for his initiative in researching and bringing to light the significance of Ruby Cora Webster to our school’s history and the importance of naming this building after her,” St. Cloud President Robbyn Wacker said. “Ruby is someone from our university’s early history that exemplified hope, courage and resilience and who believed in something greater than herself.”
Andrea Roberts, assistant professor of urban planning in the College of Architecture at Texas A&M University, has started a project to provide comprehensive documentation of the so-called “Freedom Colonies” in Texas. Freedom colonies were self-sufficient, all-Black settlements that former slaves established after they were freed at the end of the Civil War.
“Africans became hash marks on census reports when they reached America and were enslaved, leaving them, ultimately, without an understanding of their heritage or connection to their homeland,” Dr. Roberts said. “These self-sufficient freedom colonies were established under the most difficult of circumstances by industrious, intelligent and organized people acting much like current-day city planners — and some of their descendants are performing the work of preservationists today.”
Dr. Roberts has identified more than 550 freedom colonies established by the almost 200,000 newly freed African-Americans living in Texas just after the abolition of slavery. Today, some of these freedom colonies still exist as communities and host festivals and celebrations while maintaining connections with the past. However, little evidence remains that some of these colonies ever existed. The project, The Texas Freedom Colonies Project, aims to help African-American Texans reclaim their unrecognized and unrecorded heritage and empower city planners to plan and preserve communities.
“This [project] is about changing the dynamics so that we’re focusing on accountability, and helping people define and reclaim their communities,” Dr. Roberts said. “It’s also about realizing that African-Americans built their own communities, and they should see themselves as part of urban planning, an important field where they are more commonly considered the subject.”
City authorities in Ankara, the capital of Turkey, have officially renamed the street where the new U.S. Embassy is being built to Malcolm X Avenue after the famed Black Muslim civil rights leader, CNN reported this week.
According to state-run media agency Anadolu, Turkish leaders announced that the city assembly had accepted the name change unanimously.
The move comes at a time when relations between Turkey and the United States have been tense because of the Trump administration’s decision to supply Kurdish group that support the Syrian opposition with weapons.
This change coincides with other politically-charged name changes to streets in Ankara. The new signs are likely meant to be seen as an olive branch to American diplomats, but is both a symbolic and controversial move. Malcolm X is still seen as a polarizing figure in U.S. history; with many applauding the Black Muslim civil rights leader as an activist while others continue to regard him as divisive and responsible for inciting racial tension, violence and anti-American rhetoric.
“The street was given the name of U.S. Muslim politician and human rights defender Malcolm X, about whom President Recep Tayyip Erdogan said ‘we will make his name live on in Ankara,” Ankara’s municipality said in a statement published over the weekend.
Erdogan met Malcolm X’s daughters during a visit to New York last month and his spokesman Ibrahim Kalin shared the story about the name change on his Twitter account on Sunday.
The U.S. State Department reports that construction of the new American Embassy, which will sit three miles from the current embassy, is expected to be completed by June 2020.
PROVIDENCE, R.I. — In honor of two trailblazing black graduates, Brown University will rename one of the most heavily-trafficked buildings in the heart of its College Hill campus as Page-Robinson Hall.
The six-story academic and administrative facility currently known as the J. Walter Wilson building, will be renamed for Inman Edward Page — who, with a classmate, became one of the first two black graduates of Brown in 1877 — and Ethel Tremaine Robinson, who earned her degree in 1905 as the first black woman to graduate from the University.
“Inman Page was born into slavery, sought liberty and opportunity and found them at Brown — and he saw the power of education to cultivate the innate ‘genius’ in everyone,” Brown President Christina Paxson said. “Ethel Robinson broke a color barrier and a glass ceiling when she graduated from Brown in 1905. Together, these two pioneers embodied the faith in learning, knowledge and understanding that has animated Brown for generations.”
Given the historical and academic significance of this renaming, the University undertook a deliberate process in determining the right building to bear the new designation, Paxson said. “We wanted a building at the heart of campus that every student, faculty member and staff member uses on a regular basis,” she said. “And one that serves as a center of classroom activity, teaching and learning — the core of the Brown experience.”
The target date for formally implementing the Page-Robinson Hall name change throughout various campus maps and business systems will coincide with the start of the Spring 2019 semester at Brown.
Lives of distinction
Born in Virginia, Page graduated from Brown in 1877. He was elected class orator, giving a speech at Commencement that was noted in the Providence Journal for its intellectual power and eloquence. Robinson excelled in her studies, graduating with honors in 1905 with a bachelor’s degree in philosophy degree and winning the Class of 1873 Prize Essay competition.
After their respective graduations from Brown, both Page and Robinson proceeded into lives and careers as influential educators.
Page dedicated his life to promoting higher education opportunities for African Americans in the American South. He served as president of four historically black colleges and universities: the Agricultural and Normal University in Langston, Oklahoma; Western Baptist College in Macon, Missouri; Roger Williams University in Nashville, Tennessee; and the Lincoln Institute in Jefferson City, Missouri.
In 1918, then-Brown President William H.P. Faunce conferred upon Page an honorary master’s degree, citing him as a “teacher, organizer, college president, whose constructive work is… not forgotten by his Alma Mater.”
While in his 70s, Page served as principal of Oklahoma City’s Frederick Douglass High School, where he greatly influenced novelist Ralph Ellison, a student there at the time. According to Brown records, after Page’s death in in 1935 at age 82, one newspaper editorialist wrote: “Old Man Ike, as his pupils endearingly referred to him, was a terror to the disobedient and the mischievous. This was not because of any cruel penalties he visited upon them, but because his students abhorred the thought of their idol knowing of their delinquency. It was this peculiar hold that he had upon youth which wove out of the fabric of their lives virtue and strength of character.”
Though Robinson’s life is not as well documented as Page’s, she paved the way for many other black women at the University, including her younger sister Cora, who graduated in 1909. Returning to her hometown of Washington, D.C. after earning her Brown degree, Robinson taught English and literature at Howard University. In 1908, she mentored Howard student Ethel Hedgeman Lyle in her efforts to found the nation’s first black sorority, Alpha Kappa Alpha, which now has nearly 300,000 members.
After leaving Howard University, Robinson married Joaquin Pineiro, a member of the Cuban diplomatic mission to the United States, in 1914. The couple then moved to France, where Pineiro was appointed chancellor of the Cuban Consulate in Bordeaux, coming home to the United States in 1916 after the start of WW-I. Upon her husband’s death, Robinson returned to Providence, where her sister Cora’s descendants still live.