According to huffingtonpost.com, Grammy-nominated rapper Craig Mack, who performed the 1994 hit “Flava in Ya Ear” for Sean “Diddy” Combs’ Bad Boy label, has died at age 46. The New York Daily News confirmed his death with Alvin Toney, the producer of Mack’s breakout album, “Project: Funk Da World.”
Mack succumbed Monday to heart failure at a hospital near his home in Walterboro, South Carolina, the producer said. He had been ill for some time. “It was a pleasure to know you & rock with you,” tweeted LL Cool J, who performed on Mack’s remix for “Flava in Ya Ear” with Notorious B.I.G., Busta Rhymes and Rampage.
The New York City-born rapper hit it big in his debut album for Bad Boy, “Project: Funk Da World,” which also generated a second single, “Get Down,” Billboard noted.
To read more about Craig Mack’s life and music, click here.
His niece Cherylann O’Garro, who announced the death, said his family did not yet know the cause.
In more than four decades at The Times, Mr. Charles photographed a wide range of subjects, from local hangouts to celebrities to fashion to the United Nations. But he may be best remembered for the work that earned him early acclaim: his photographs of key moments and figures of the civil rights era.
In 1964, he took a now-famous photograph, for Ebony magazine, of Malcolm X holding a rifle as he peered out of the window of his Queens home. In 1968, for The Times, he photographed Coretta Scott King, her gaze fixed in the distance, at the funeral of her husband, the Rev. Dr. Martin Luther King Jr.
Mr. Charles resisted being racially pigeonholed but also considered it a duty to cover the movement, said Chester Higgins, who joined The Times in 1975 as one of its few other black photographers.
“He felt that his responsibility was to get the story right, that the white reporters and white photographers were very limited,” Mr. Higgins, who retired in 2015, said in a telephone interview.
Even in New York, historically black neighborhoods like Harlem, where Mr. Charles lived, were often covered with little nuance, said James Estrin, a longtime staff photographer for The Times and an editor of the photojournalism blog Lens. But Mr. Charles, through his photography, provided readers a fuller portrait of life throughout those parts of the city, Mr. Estrin said.
“Few people on staff had the slightest idea what a large amount of New York was like,” he added. “He brought this reservoir of knowledge and experience of New York City.”
Exacting and deeply private, Mr. Charles came off as standoffish to some. But to others, especially many women, he was a supportive mentor.
“He’s going to give you the bear attitude, but if you look past that he was something else,” said Michelle Agins, who met Mr. Charles while she was a freelance photographer in Chicago and he was working in The Times’s bureau there.
The two reconnected when she joined The Times as a staff photographer in 1989.
“When you’re a new kid at The New York Times and you needed a big brother, he was all of that,” she said. “He was definitely the guy to have on your team. He wouldn’t let other people bully you.”
Mr. Charles took Ms. Agins under his wing, and she was not alone. “I’ve had many women photographers tell me that he stood up for them,” Mr. Estrin said.
That may be because Mr. Charles knew the hardships that came with belonging to a group that was underrepresented in the workplace.
At one Thanksgiving dinner decades ago, Ms. O’Garro said, he tearfully described the pain he felt on arriving at a New York City store for an assignment, only to be asked to come in through a back entrance. She added that while covering the civil rights movement in the South, he would often check the tailpipe of his vehicle for explosives.
Despite those obstacles, Mr. Charles went on to have a long career at The Times, covering subjects including celebrities like John Lennon and Muhammad Ali and New York institutions like the United Nations. In 1996, four of his photographs were included in an exhibition at the Museum of Modern Art on a century of photography from The Times.
Daniel James Charles (he later went by Donald or Don) was born in New York City on Sept. 9, 1938. His parents, James Charles and the former Elizabeth Ann Hogan, were immigrants from the Caribbean, Ms. O’Garro said.
After graduating from George Washington High School in Manhattan, he enrolled at the City College of New York as an engineering student before dropping out to pursue photography, although at the time it was just a hobby. He worked as a freelance photographer before joining The Times in 1964. He retired in 2007.
Mr. Charles never married and had no children. No immediate family members survive, though he was close with his three nieces and one nephew.
Della Reese, the husky-voiced singer and actress who spent almost a decade playing a down-to-earth heavenly messenger on the CBS series “Touched by an Angel” and became an ordained minister in real life, died on Sunday night at her home in Encino, Calif. She was 86.
Her death was confirmed by her manager, Lynda Bensky. She did not specify the cause but said that Ms. Reese had diabetes.
Ms. Reese had been under contract to Jubilee Records for three years when, in 1957, she had her first big hit record, the romantic ballad “And That Reminds Me.”
Named the year’s most promising “girl singer” by Billboard, Variety and Cash Box, she was soon making regular appearances on the leading television variety shows of the day. Her biggest hit was “Don’t You Know” — adapted from “Musetta’s Waltz,” an aria from “La Bohème” — which reached No. 2 on the Billboard singles chart in 1959.
But she became best known as an actress, particularly in the sentimental drama series “Touched by an Angel,” which had its premiere in 1994 and evolved into one of prime time’s top-rated shows. It placed in the Nielsen Top 10 from 1996 to 2000, with an average of more than 20 million weekly viewers at one point.
In the show, Ms. Reese, by then in her 60s, was cast as Tess, a stern but loving supervisor of angels who guided a softhearted and less experienced angel, Monica (Roma Downey), in helping humans at crossroads in their lives. The series told reassuring stories of forgiveness and second chances with mild irreverence. (“You get your little angel butt back to the city,” Tess told Monica in one episode.)
Ms. Reese’s religious faith was a major influence in her career. In 1996 she told The Chicago Tribune that she had consulted with God about whether to sign on for “Angel.” “As clearly as I hear you,” she said, “I heard him say: ‘You can do this. I want you to do this, and you can retire in 10 years.’ ”
The series lasted nine years, and she continued to act for another decade after that.
Keith Wilder, the lead singer of Heatwave, died in his sleep on Sunday at the age of 65. Billy Jones, Wilder’s cousin and band mate, confirmed the news. Wilder had been struggling with health problems lately before passing away this weekend, and he will be sorely missed. The funk bank Heatwave was known for such 70’s hits as “Always and Forever,” “Boogie Nights” and “The Groove Line.”
They were nominated for two Grammys, though they never won, and “Always and Forever” went platinum. “Boogie Nights” also broke the Top Ten for the group.
Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, has died in Louisiana. He was 89.
His death was confirmed by his brother-in-law and former road manager Reggie Hall, who said he had no other details. Mr. Domino lived in Harvey, La., across the Mississippi River from New Orleans. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,”“Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue Monday” and “Walkin’ to New Orleans.”
Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide.He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can. I know that.”
Rotund and standing 5 feet 5 inches — he would joke that he was as wide as he was tall — Mr. Domino had a big, infectious grin, a fondness for ornate, jewel-encrusted rings and an easygoing manner in performance; even in plaintive songs his voice had a smile in it. And he was a master of the wordless vocal, making hits out of songs full of “woo-woos” and “la-las.”Working with the songwriter, producer and arranger David Bartholomew, Mr. Domino and his band carried New Orleans parade rhythms into rock ’n’ roll and put a local stamp on nearly everything they touched, even country tunes like “Jambalaya” or big-band songs like “My Blue Heaven” and “When My Dreamboat Comes Home.”
Antoine Dominique Domino Jr. was born on Feb. 26, 1928, the youngest of eight children in a family with Creole roots. He grew up in the Ninth Ward of New Orleans, where he spent most of his life.Music filled his life from the age of 10, when his family inherited an old piano. After his brother-in-law Harrison Verrett, a traditional-jazz musician, wrote down the notes on the keys and taught him a few chords, Antoine threw himself at the instrument — so enthusiastically that his parents moved it to the garage.
He was almost entirely self-taught, picking up ideas from boogie-woogie masters like Meade Lux Lewis, Pinetop Smith and Amos Milburn. “Back then I used to play everybody’s records; everybody’s records who made records,” he told the New Orleans music magazine Offbeat in 2004. “I used to hear ’em, listen at ’em five, six, seven, eight times and I could play it just like the record because I had a good ear for catchin’ notes and different things.” He attended the Louis B. Macarty School but dropped out in the fourth grade to work as an iceman’s helper. “In the houses where people had a piano in their rooms, I’d stop and play,” he told USA Today in 2007. “That’s how I practiced.”
In his teens, he started working at a club called the Hideaway with a band led by the bassist Billy Diamond, who nicknamed him Fats. Mr. Domino soon became the band’s frontman and a local draw.“Fats was breaking up the place, man,” Mr. Bartholomew told The Cleveland Plain Dealer in 2010. “He was singing and playing the piano and carrying on. Everyone was having a good time. When you saw Fats Domino, it was ‘Let’s have a party!’ ”He added: “My first impression was a lasting impression. He was a great singer. He was a great artist. And whatever he was doing, nobody could beat him.”
In 1947 Mr. Domino married Rosemary Hall, and they had eight children, Antoine III, Anatole, Andre, Anonio, Antoinette, Andrea, Anola and Adonica. His wife died in 2008. A complete list of survivors was not immediately available.
Emmy Award-winning actor Robert Guillaume, best known as the title character in the TV sitcom “Benson,” died Tuesday. He was 89.
His wife Donna Brown Guillaume told the Associated Press he died at their Los Angeles home of complications of prostate cancer. Guillaume often played acerbic, dry-witted, but ultimately lovable characters like the butler Benson Du Bois, which he created on the 1977 series “Soap,” before his character was spun off in 1979. Guillaume won Emmys both for “Soap” (as supporting actor) and “Benson” (as lead actor).
He was also known as the the voice of Rafiki in “The Lion King,” for which he also won a Grammy for a spoken word recording. “Benson” ran on ABC for seven years until 1986. The show brought Guillaume an Emmy in 1985 for lead actor in a comedy. In the late ’90s he took on the role of Isaac Jaffe, executive producer of a cable sports show on the ABC sitcom “Sports Night,” and continued to perform even after being felled by a stroke.
Guillaume also possessed a powerful, mellifluous voice, which he used most notably to play the title role in Andrew Lloyd Webber’s “Phantom of the Opera” onstage. After suffering through a period of unemployment during the ’70s, he was cast in an all-black revival of “Guys and Dolls” as Nathan Detroit, which debuted on Broadway in 1977 and secured him a Tony nomination. He also guested during this period on sitcoms such as “All in the Family,” “Good Times,” “Sanford and Son” and “The Jeffersons,” which led to the supporting role of Benson in “Soap.”
He tried another sitcom in 1989, “The Robert Guillaume Show,” playing a marriage counselor. The series lasted four months before ABC pulled the plug. He returned to singing in 1990 in the Los Angeles production of “Phantom of the Opera” and on Broadway in the lead role of “Cyrano — The Musical” for four months beginning in November 1993. He also performed regularly in concert.
Guillaume was featured in films such as “Meteor Man,” “First Kid” and “Spy Hard.” On television he appeared in the HBO family series “Happily Ever After” and TV movies and miniseries including “Children of the Dust,” “Run for the Dream” and “Pandora’s Clock.” He appeared in Tim Burton’s “Big Fish” in 2003, and then made more frequent bigscreen appearances later in the decade, appearing in the Christian film “The Secrets of Jonathan Sperry” in 2008; in the thriller “Columbus Circle,” starring Selma Blair, in 2010; and in the small musical dramedy “Satin” in 2011.
Robert Peter Williams was born in St. Louis, Mo., changing his name only after he decided on a career in acting. After completing his schooling he joined the Army in 1945 and was discharged 15 months later. He took on a number of menial jobs while studying nights at St. Louis U. He originally intended to study business but became interested in singing and transferred to Washington U. to study voice and theater. His performance at the 1957 Aspen Music Festival led to an apprenticeship at the Karamu Performing Arts Theater in Cleveland, where he appeared in operas and musical comedies.
After moving to New York, he made his Broadway debut in a 1960 revival of “Finian’s Rainbow” and found regular employment in the chorus of shows like “Fly, Blackbird,” “Golden Boy” and “Porgy and Bess.” In 1972 he took on the title role in the musical “Purlie” and also appeared in the revue “Jacques Brel Is Alive and Well and Living in Paris.”He is survived by his second wife, TV producer Donna Brown Guillaume; one son (another died in 1990); and three daughters.
Dick Gregory, who became the first black stand-up comic to break the color barrier in major nightclubs in the early 1960s, a decade in which he satirized segregation and race relations in his act and launched his lifetime commitment to civil rights and other social justice issues, died Saturday. He was 84.
His death was confirmed on his official social media accounts by his family. “It is with enormous sadness that the Gregory family confirms that their father, comedic legend and civil rights activist Mr. Dick Gregory departed this earth tonight in Washington, DC.,” his son Christian Gregory wrote. Even before the confirmation from the family, Rev. Jesse Jackson, a longtime friend of Gregory’s, had memorialized him in a tweet: “He taught us how to laugh. He taught us how to fight. He taught us how to live. Dick Gregory was committed to justice. I miss him already.”
In a life that began in poverty in St. Louis during the Depression, the former Southern Illinois University track star became known as an author, lecturer, nutrition guru and self-described agitator who marched, ran and fasted to call attention to issues ranging from police brutality to world famine. An invitation from civil rights leader Medgar Evers to speak at voter registration rallies in Jackson, Miss., in 1962 launched Gregory into what he called “the civil rights fight.” He was frequently arrested for his activities in the ’60s, and once spent five days in jail in Birmingham, Ala. after joining demonstrators in 1963 at the request of the Rev. Martin Luther King Jr.
Gregory, who was shot in the leg while trying to help defuse the Watts riots in 1965, made a failed run for mayor of Chicago as a write-in candidate in 1967. A year later, he ran for president as a write-in candidate for the Freedom and Peace Party, a splinter group of the Peace and Freedom Party. Hunter S. Thompson was one of his most vocal supporters.
In the late ’60s, Gregory began going on 40-day fasts to protest the Vietnam War. In 1980, impatient with President Carter’s handling of the Iranian hostage crisis, he flew to Iran and began a fast, had a “ceremonial visit” with revolutionary leader Ayatollah Ruhollah Khomeini and met with the revolutionary students inside the embassy. After four and a half months in Iran, his weight down to 106 pounds, he returned home.
But before Dick Gregory the activist, there was Dick Gregory the groundbreaking comedian. He was a struggling 28-year-old stand-up comic in Chicago who had launched his career in small black clubs when he received a life-changing, last-minute phone call from his agent in January 1961: The prestigious Playboy Club in Chicago needed someone to fill in for comedian Irwin Corey on Sunday night. Gregory was so broke he had to borrow a quarter from his landlord for bus fare downtown. Never mind that his audience turned out to be a convention of white frozen-food-industry executives from the South.
“Good evening, ladies and gentlemen,” Gregory said, coolly eyeing the audience. “I understand there are a good many Southerners in the room tonight. I know the South very well. I spent 20 years there one night. …“Last time I was down South, I walked into this restaurant, and this white waitress came up to me and said: ‘We don’t serve colored people here.’ I said: ‘That’s all right, I don’t eat colored people. Bring me a whole fried chicken.’ ”Despite having to deal with what he later described as “dirty, little, insulting statements” from some members of the audience, the heckling soon stopped as Gregory won them over with his provocatively funny but nonbelligerent satirical humor.
“Segregation is not all bad,” he said on stage. “Have you ever heard of a wreck where the people on the back of the bus got hurt?” What was supposed to be a 55-minute show, Gregory later recalled, went on for about an hour and 40 minutes. And by the time he walked off stage, the audience gave him a thundering ovation. He did so well, he was booked at the club for two weeks and then held over for several more.
In a city of news junkies and scores of high-profile figures in politics and the media, the most-watched journalist in Washington may well have been Jim Vance. With 45 years as the face of WRC-TV (Channel 4), he was the region’s longest-serving television news anchor. He presided over the area’s top-rated newscasts and became a public figure in his own right. He gained broad sympathy for his openness about his struggles with drugs and depression.
Mr. Vance, who was 75, died July 22. The death was announced by WRC-TV, where he had worked since 1969, but no further details were provided. He announced his diagnosis of cancer earlier this year.After three years as a reporter for Channel 4, Mr. Vance ascended to the anchor’s chair in 1972, putting him in the first wave of black news anchors in major news markets.
In addition to reading the news, he also delivered pointed commentaries, often on sensitive racial topics. Mr. Vance sat alongside a revolving cast of co-anchors and was often second or third in the local ratings until he teamed with Doreen Gentzler in 1989. Together, with sportscaster George Michael and meteorologist Bob Ryan, they vaulted Channel 4 to the top of the local ratings and stayed there for more than 25 years.
In the nation’s capital, Mr. Vance’s 11 p.m. newscasts with Gentzler regularly drew more viewers than the prime-time shows of the three major cable networks — CNN, Fox and MSNBC — combined.
S. Allen Counter, the founding director of the Harvard Foundation for Intercultural and Race Relations and a noted neurophysiologist, educator, and ethnographer, died on July 12. According to wikipedia.com, Counter was also known for his achievements as an explorer. In 1971, he located a group of people living in the rain forest in northern Brazil, Surinam and French Guiana; the group was descended from African slaves who had escaped from slave ships. In 1986, Counter located descendants of earlier U.S. explorers of the arctic, Matthew A. Henson and Robert E. Peary.Counter was elected to The Explorers Club in 1989. Counter also designed Arthur Ashe‘s memorial at Woodland Cemetery in Richmond, Virginia, dedicated on what would have been Ashe’s 50th birthday on July 10, 1993.
“Harvard has lost a great champion of inclusion and belonging in Dr. Allen Counter,” said President Drew Faust. “Through his leadership of the Harvard Foundation, he advanced understanding among members of our community and challenged all of us to imagine and strive for a more welcoming University and a more peaceful world. We remember today a campus citizen whose deep love of Harvard, and especially our undergraduates, leaves a lasting legacy.”
“During my years as president of Harvard, no one did more than Allen to make minority students feel welcome and at home at Harvard, to promote fruitful interaction among all races, and to serve as understanding adults to whom many undergraduates could turn in order to register their concerns, answer their questions, and have their legitimate problems communicated to the Harvard administration so that they could be understood and acted upon in appropriate ways,” recalled Derek Bok, who led the University from 1971–91 and from 2006–07. “Much of what he accomplished was unrecognized, but his contributions were invaluable, and I will always feel a great debt of gratitude for his service to the University.”
Counter did his undergraduate work in biology and sensory physiology at Tennessee State University and his graduate studies in electrophysiology at Case Western Reserve University, where he earned his Ph.D. He earned his M.D. at the Karolinska Institute in Sweden. He came to Harvard in 1970 as a postdoctoral fellow and assistant neurophysiologist at Harvard Medical School and Massachusetts General Hospital. Early in his University career, Counter lived in a student residence hall as dormitory director, resident tutor, and biological sciences tutor.
In the early 1970s, the U.S. Secretary of Health, Education, and Welfare (now the Department of Health and Human Services) named him to the National Advisory Mental Health Council of the National Institute of Mental Health. In 1975, several proposals came before the council requesting funding for projects involving psychosurgery and electrode implants in human brains. At that time, the government’s rules protecting human subjects were still evolving, and Counter believed the projects were inherently racist. He insisted the council not approve them, and they were not acted upon.
In the same decade, Counter taught inmates at MCI Concord with the Massachusetts Correctional Concord Achievement Rehabilitation Volunteer Experience, where he said he gave inmates the same advice his grandmother had given him: “Read a book. Develop your mind.” A later study showed that participants in the program had a lower recidivism rate than prisoners who did not take part. After a sabbatical fellowship at UCLA with neuroscientist Alan D. Grinnell in the late 1970s, Counter returned to Cambridge, where his research at Harvard Medical School focused on clinical and basic studies on nerve and muscle physiology, auditory physiology, and neurophysiological diagnosis of brain-injured children and adults. Continue reading “R.I.P. Dr. S. Allen Counter, 63, Noted Neurophysiologist, Ethnographer and Founding Director of Harvard Foundation of Intercultural and Race Relations “→
Cuba Gooding, Sr., the lead singer for soul group the Main Ingredient and father of actor Cuba Gooding, Jr., has died, Billboard reports. He was 72.
Gooding was found dead in his car on Thursday in Woodland Hills, CA, according to TMZ. Gooding Sr. had served as a backing singer on some recordings for the Main Ingredient before stepping into the lead role in 1971, following the death of former lead singer Donald McPherson. The group garnered several gold singles, including their highest-charting hit, 1972’s “Everybody Plays the Fool,” “Just Don’t Want to Be Lonely,” “Happiness is Just Around the Bend” and “Rolling Down a Mountainside.”
Gooding signed with Motown Records in 1977 as a solo artist, where he released two albums. His debut, The 1st Album, housed his charting single “Mind Pleaser.” In 1979, he re-teamed with the Main Ingredient and worked with them through the Eighties. In 1983 Gooding recorded a remake of “Happiness is Just Around the Bend,” which became a dance hit.
Gooding also scored a hit in 2012 with “This Christmas.” He had four children with his wife Shirley Gooding: actors Cuba Gooding, Jr., Omar Gooding and April Gooding, and musician Tommy Gooding.