According to via jbhe.com, the state of Maryland approved a new scholarship program in memory of slain Bowie State University student, 2nd Lt. Richard Collins III. In May 2017, Collins was fatally stabbed on the University of Maryland, College Park campus just days before he was scheduled to graduate from Bowie State. Police classified the murder as a hate crime because the attacker was a White man who allegedly went after Collins because he was African American.
In an effort to honor Collins legacy, Maryland Governor Larry Hogan approved legislation to establish the 2nd Lt. Richard W. Collins III Leadership with Honor Scholarship, which will be funded by the state with $1 million annually. Recipients must be eligible for in-state tuition, a member of a Reserve Officer Training Corps, part of an underrepresented group in the ROTC, and must attend a historically black college or university.
The scholarship will be split between Bowie State and Maryland’s three other historically Black universities: Morgan State University, Coppin State University, and the University of Maryland Eastern Shore.
Recently, the Rhodes Trust announced the 32 American winners of Rhodes Scholarships for graduate study at Oxford University in England. Being named a Rhodes Scholar is considered among the highest honors that can be won by a U.S. college student.
The scholarships were created in 1902 by the will of Cecil Rhodes, an industrialist who made a vast fortune in colonial Africa. According to the will of Rhodes, applicants must have “high academic achievement, integrity of character, a spirit of unselfishness, respect for others, potential for leadership, and physical vigor.”
This year, more than 2,500 students applied to be Rhodes Scholars. A total of 880 college students were endorsed by 281 colleges or universities for consideration for a Rhodes Scholarship. Some 221 applicants from 82 colleges and universities were named finalists. Then, two Rhodes Scholars were selected from each of 16 districts across the United States. Students may apply from either the district where they reside or the district where they attend college. The 32 American Rhodes Scholars will join students from 23 other jurisdictions around the world as Rhodes Scholars. The Rhodes Trust pays all tuition and fees for scholarship winners to study at Oxford. A stipend for living and travel expenses is also provided.
In 1907 Alain LeRoy Locke, later a major philosopher and literary figure of the Harlem Renaissance, was selected as a Rhodes Scholar to study at Oxford University. It is generally believed that at the time of the award the Rhodes committee did not know that Locke was Black until after he had been chosen. It would be more than 50 years later, in 1962, until another African American would be named a Rhodes Scholar.
Other African Americans who have won Rhodes Scholarships include Randall Kennedy of Harvard Law School, Kurt Schmoke, former mayor of Baltimore, and Franklin D. Raines, former director of the Office of Management and Budget and former CEO of Fannie Mae. In 1978 Karen Stevenson of the University of North Carolina at Chapel Hill was the first African-American woman selected as a Rhodes Scholar.
Here are brief biographies of the three new African American Rhodes Scholars:
Austin T. Hughes from San Antonio, Texas, is a senior at the University of Iowa. He is triple majoring in creative writing, theatre arts, and Japanese language and literature. He is a cellist and a cross-country runner at the university. Hughes served as co-president of The English Society at the University of Iowa. In that role, he showcased student literature to the campus community and beyond. He has won numerous awards for his poetry and creative writing. At Oxford, Hughes will pursue a master’s degree in Japanese studies. Continue reading “Three African American Students, Lia Petrose, Anea B. Moore and Austin T. Hughes, Named 2019 Rhodes Scholars”→
St. Cloud State University in Minnesota recently dedicated one of the institution’s original academic buildings after the school’s first African American graduate, Ruby Cora Webster.
Webster graduated from the university in 1909 with a degree in elementary education. The daughter of former slaves, she was born in Ohio and moved with her family to St. Cloud, where she attended high school. After college, she became a teacher, married twice, and relocated to Missouri and later to Canada. Webster died in 1974.
The former Business Building, now known as Ruby Cora Webster Hall, houses the department of English, the Writing Center, the Intensive English Center, the department of political science, and the department of ethnic, gender, and women’s studies.
Last year, after the university implemented a non-donor related naming policy, Dr. Christopher Lehman, chair of the department of ethnic, gender, and women’s studies, spearheaded the proposal to rename the academic building after Webster. It received extremely positive feedback from the community, with 2,200 signatures collected to support the proposal.
“I commend and applaud Dr. Christopher Lehman for his initiative in researching and bringing to light the significance of Ruby Cora Webster to our school’s history and the importance of naming this building after her,” St. Cloud President Robbyn Wacker said. “Ruby is someone from our university’s early history that exemplified hope, courage and resilience and who believed in something greater than herself.”
The United States Postal Serviceannounced yesterday commemorative stamps honoring singing and dancing legends Marvin Gaye and Gregory Hines will be issued in 2019.
Though the specific release dates have yet to be revealed, Gaye’s stamp will be part of the Postal Service’s Music Icons series, which in the past has featured Ray Charles, Jimi Hendrix and Sarah Vaughan, and many other superlative talents.
Gaye, best known for early Motown hits with Tami Terrell such as “How Sweet It Is” and “Ain’t No Mountain High Enough” as well has his groundbreaking What’s Going On album has a stamp design features a portrait inspired by historic photographs. The stamp pane is designed to resemble a vintage 45 rpm record sleeve. (A pane is the unit into which a full press sheet is divided before sale at post offices.) One side of the pane includes the stamps, brief text about Gaye’s legacy, and the image of a sliver of a record seeming to peek out the top of the sleeve.
Another portrait of Gaye, also inspired by historic photographs, appears on the reverse along with the Music Icons series logo. Art director Derry Noyes designed the stamp pane with original art by Kadir Nelson.
Hines’ stamp will be the 42nd stamp in the Black Heritage series, which in the past has honored historian Carter G. Woodson, civil rights activist Dorothy Height, and tennis champion Althea Gibson, among others. Noyes designed this stamp as well, which features a 1988 photograph of Hines by Jack Mitchell.
Hines is best known for his unique style of tap dancing injected new artistry and excitement into tap dancing with his unique style. A versatile performer who danced, acted and sang on Broadway, on television and in movies such as “Tap,”“White Knights,” and “Waiting To Exhale,” Hines developed the entertainment traditions of tap into an art form for a younger generation and is credited with renewing interest in tap during the 1990s.
In related postal news, a bill naming the post office at 3585 S. Vermont Ave. in South Los Angeles, CA the Marvin Gaye Post Office was signed into law this July.
According to jbhe.com, Dr. Tera W. Hunter, the Edwards Professor of History and professor of African American studies at Princeton University, has earned the Joan Kelly Memorial Prize in women’s history and/or feminist theory as well as the Littleton-Griswold Prize in U.S. law and society from the American Historical Association. She will receive her honors at the association’s annual meeting in Chicago this coming January.
Professor Hunter’s book Bound in Wedlock: Slave and Free Black Marriage in the Nineteenth Century (Harvard University Press, 2017) is what garnered her the above awards. Hunter’s great-great grandparents were enslaved, freed, and married during the Reconstruction era in the U.S. In the book,Hunter used her research of court records, legal documents, and personal diaries to examine the constraints the system of slavery placed on intimate relationships.
Earlier in 2018, Hunter also garnered the Mary Nickliss Prize in U.S. Women’s and/or Gender History from the Organization of American Historians for Bound in Wedlock.
Professor Hunter joined the faculty at Princeton in 2007 after teaching previously at the University of North Carolina at Chapel Hill and Carnegie Mellon University in Pittsburgh. Dr. Hunter is a graduate of Duke University, where she majored in history, and holds a master’s degree and a Ph.D. in history from Yale University.
The National Book Foundation announced Thursday that five literary works by writers of color earned all of its 2018 National Book Awards. Here are the winning novels and collections, as noted on the foundation’s website:
Fiction: “The Friend,” by Sigrid Nunez. The novel explores a woman’s grief after her best friend and mentor dies and leaves her his Great Dane.
Nonfiction: “The New Negro: The Life of Alain Locke,”by Jeffrey C. Stewart. The Black studies scholar chronicles the life and relationships of the first African-American Rhodes Scholar and Harlem Renaissance leader.
Poetry: “Indecency,” by Justin Phillip Reed. This collection features several poems of varying forms that explore incarceration, White supremacy, masculinity and other social and racial justice issues.
Translated Literature: “The Emissary,” by Yoko Tawada and translated from original Japanese by Margaret Mitsutani. This novel takes place in Japan, after a major disaster prompts the country to isolate itself from the world. In this society, children like Mumei are born frail, while elderly people like his great-grandfather Yoshiro have the energy to care for the youth. “The Emissary” follows the pair’s day-to-day activities and fun in the face of dystopia.
Young People’s Literature: “The Poet X,” by Elizabeth Acevedo. A Dominican-American teenage girl navigates adolescence, crushes, harassment and her Harlem community while finding her voice through slam poetry.
Aaron N. Oforlea, an associate professor in the English department at Washington State University, has won the Creative Scholarship Award from the College Language Association for his debut book, James Baldwin, Toni Morrison and the Rhetorics of Black Male Subjectivity(Ohio State University Press, 2017). The international honor recognizes excellence in literary criticism.
According to Dr. Oforlea, he got inspiration for his book came from his interest in “how African American men achieve their dreams and goals despite racism.” His work examines two of his favorite authors and analyzes their respective African American characters and how they navigated their challenges. Upon receiving the award, he stated, “To win the award, I think for me it’s validation that I’m on the right track, that my work is making an impact in the field.”
Professor Oforlea is the only African American in his department and the only African American literature scholar at Washington State University. He has taught at the university since 2007 and was promoted to associate professor in 2013. Prior to coming to Washington State, he was a postdoctoral fellow in the department of English at Santa Clara University in California.
Dr. Oforlea holds a bachelor’s degree in English language and literature/letters from California State University, Chico and a Ph.D. in English language and literature/letters from Ohio State University.
BIRMINGHAM, Ala. — It’s just before 2 p.m., the end of a workday that began at 5:30 a.m. for Dolester Miles, a self-taught pastry chef who, in May, was named the best in the nation by the James Beard Foundation. Wearing a spotless white bib apron over an equally spotless chef coat, with sleeves neatly rolled above her elbows, she stands in the compact kitchen of Bottegarestaurant, deftly smoothing a thin layer of whipped cream frosting on a towering, three-layer coconut pecan cake.
She flicks her offset spatula all the way around where the top and sides meet, employing rote precision born of three decades of experience to create a crisp, perfect edge. After she coats the cake with toasted coconut, it’s ready to be picked up by a patron waiting to pay $80 for it, plus tax. Anyone who has eaten that cake, which yields 14 slices, knows two things: that it’s worth every penny, and that the last crumb of it will be snatched up and savored like the last word of a great novel.
Miles, who goes by Dol, oversees a staff of four and the baking production of the four restaurants owned by chef Frank Stitt and his wife, Pardis, including their fine-dining flagship, Highlands Bar & Grill.
In addition to the coconut pecan cake, Miles’s fruit cobblers with flaky biscuit tops, her lemon tarts with swirls of caramelized meringue and her silken panna cottas are legendary in Birmingham. She handles with alacrity the array of Southern, Italian and French favorites found on the menus of the Stitts’ restaurants. A prep list 44 items long on the Thursday before Labor Day revealed the breadth of her work. Production included: chocolate pots de crème; citrus shortbreads; hamburger buns; pizza dough; buttermilk tarts; batches of ice creams, sauces, fig jam and frangipane (an almond-based tart filling); polenta cakes; and crème caramels.
Miles was one of 20 semifinalists in the Beard Foundation’s Outstanding Pastry Chef category for five years running, and among its five finalists for the past three years. The awards gala at Chicago’s Lyric Opera House was a celebratory one for the Stitts, too. After being nominated for 10 consecutive years as the nation’s Outstanding Restaurant, Highlands won. The first time Miles was a finalist, she couldn’t believe it.
“I never really understood how the Beard thing goes, how you get nominated and all of that and, you know, from being down South, from Alabama! Most of them be from New York, California, Chicago — all those big places,” she said. “But to be nominated from all the way down here? That was amazing.” (Miles’s fellow 2018 finalists were from New Orleans, Minneapolis, Chicago and Los Angeles.)
With powerful, poignant speeches from presenters and honorees alike, this year’s W.E.B. Du Bois Medal awards felt more like a gospel church service-cum-rock concert than an academic award ceremony.
Athlete and social activist Colin Kaepernick set the tone before an exhilarated crowd that included some 150 local high school students, declaring that people in positions of privilege and power have a “responsibility” to speak up for the powerless.
“People live with this every single day and we expect them to thrive in situations where they’re just trying to survive,” said the NFL free agent who famously took a knee during pregame national anthems to protest racial injustice in America. “If we don’t, we become complicit. It is our duty to fight for them.”
Kaepernick was one of the eight laureates who received medals at Sanders Theatre on Thursday night. Others were comedian Dave Chappelle; writer and social critic Florence C. Ladd; Rensselaer Polytechnic Institute President Shirley Ann Jackson; renowned artist Kehinde Wiley; General Catalyst chairman and CEO Kenneth I. Chenault; philanthropist and Avid Partners founder Pamela J. Joyner; and human rights lawyer Bryan Stevenson.
The awards are bestowed by the Hutchins Center for African and African American Research for contributions to African and African-American history and culture. Ladd, the former director of the Bunting Institute at Radcliffe, donned her medal, then pumped her fist in the air and told the cheering crowd: “A takeaway must be protest, protest, protest.”
Stevenson, M.P.P. ’85, J.D. ’85, L.L.D. ’15, who founded the Equal Justice Initiative, dedicated his award to “people who did so much more with so much less” and asked the audience to think of hope as “your superpower.” To the students, he made a more pointed request: “You’ve got to be willing to do uncomfortable things. You’ve got to be willing to do inconvenient things. Don’t ever think that your grades are a measure of your capacity.” Stevenson himself won a historic Supreme Court ruling that declared that mandatory sentences of life without parole for children 17 or younger are unconstitutional.
Moments of humor punctuated the call to resistance, particularly when presenter and incoming Dean of Social Science Lawrence D. Bobo recited parts of Chappelle’s famous skit “The Racial Draft.“ He called the comedian a “teller of uncomfortable truths.”
Chappelle, for his part, praised his parents, especially his mother, a professor of African-American studies. “She raised me well. I am not an uninformed person,” he said.
Chappelle said he was humbled to be on stage with his fellow honorees: “You all make me want to be better,” he said. He promised another comedy special and ended his speech with a quote from favorite writer James Baldwin’s book “The Fire Next Time.”
“God gave Noah the rainbow sign. No more water. The fire next time.”
Hutchins Center director Henry Louis Gates Jr., the Alphonse Fletcher Jr. University Professor, reflected on the critical nature of the honorees’ work in the fight for racial and social justice.
“When we recall the dramatic progress we’ve made in this country’s struggle for civil rights, it’s tempting to remember only our long arc of progress. But we find ourselves in a new nadir in our country’s race relations,” he said, quoting Du Bois, the first African-American to earn a Ph.D. at Harvard.
“Agitation is a necessary evil to tell of the ills of the suffering. Without it, many a nation has been lulled to false security and preened itself with virtues it did not possess.”
“If you (poked) him, you would probably hear a sound of music. He was music, kind of like how God is love,” Nelson offered.
Although Prince died two years ago in April, the university decided to continue a process that had begun in 2015 and honor him with the posthumous degree. Awarding someone who isn’t alive is rare, the school said.
The university said the degree is in recognition of the singer’s “remarkable talent, enduring influence in music, and his role in shaping the city of Minneapolis.”
Kim said the university’s honor to Prince also serves as an important lesson and reminder. “Society pressures young people to conform to certain standards, and Prince was anything but standardized,” he said. “Be yourself, know who you are and good things are going to happen.”