byvia washingtonpost.com
On the first day of class at Georgetown University, the 63-year-old freshman left her dorm room in Copley Hall, carrying highlighters and a legal pad. Walking down the hallway, her gray-blond dreadlocks swinging, her heavy bracelets chiming, Mélisande Short-Colomb gave her schedule a quick look. Today she’d attend the “Problem of God,” a course on the existence and nature of God. And tomorrow would bring the class she’d been waiting for: African American Studies.
It was a subject with which Short-Colomb had recently become more acquainted. The history of her own family was the history of African Americans, and, she has learned, proof of how deeply the roots of slavery go in America’s most prominent institutions and universities. At a time when the nation is undergoing a tumultuous reckoning with the darkest chapter of its past, when protests have turned deadly in Charlottesville and college students across the country are demanding the renaming of buildings linked to slavery, Short-Colomb was quietly coming to terms with her own place in that sweep of history.
Her ancestors were among the 272 slaves Georgetown priests had sold in 1838 to help pay off the university’s debts during a financially turbulent time. Now it was nearly two centuries later, the truth of what happened was finally out in the open and here she was, a member of her family, again in Washington but under very different circumstances. The university has granted legacy status to the slaves’ descendants as part of an effort to atone for the sale of their ancestors. But only two have taken up the offer so far. One is 20 years old. The other is Mélisande Short-Colomb.
To read full article, go to: Her ancestors were Georgetown’s slaves. Now, at age 63, she’s enrolled there — as a college freshman – The Washington Post
Posts published in “Adults”
by Joey Guerra via chron.com
Beyoncé has pledged to do her part to help Hurricane Harvey victims. The Houston native released an exclusive statement Monday afternoon to the Houston Chronicle regarding the devastating effects still being felt throughout the city. “My heart goes out to my hometown, Houston, and I remain in constant prayer for those affected and for the rescuers who have been so brave and determined to do so much to help,” she said. “I am working closely with my team at BeyGOOD as well as my pastor (Rudy Rasmus at St. John’s in downtown Houston) to implement a plan to help as many as we can.”
BeyGOOD, launched in 2013 during the Mrs. Carter World Tour, is a philanthropic effort that partners with global charity organizations to get people employed and provide clothing, counseling, housing, food and medical assistance.
Beyoncé posted a black and white photo on Instagram of herself holding the Texas flag with the caption, “Texas you are in my prayers.” In less than a day it’s received more than 1 million likes.Drake, Chris Young and Lady Antebellum have also dedicated money and resources to Hurricane Harvey victims.
To read full article, go to: Beyoncé pledges to ‘help as many as we can’ with Hurricane Harvey relief efforts
A snippet and the link to this brave man’s work is below. Please read and follow this groundbreaking series via medium.com as well as Shaun King (Facebook, Twitter). He is doing so much what needs to be done to root out injustice not only in NYC, but all across the country:
What I’m about to tell you is the most painful, traumatic, outrageous, outlandish, over-the-top story of government sanctioned police brutality, wrongful imprisonment, wrongful convictions, forced testimony, widespread corruption, money, lots of money, and deep, deep, deep soul-snatching psychological abuse in modern American history. I would not have believed it had I not seen it all for myself. The rabbit hole I am about to take you down is deep and twisted. It should lead to the termination of a whole host of officials. Many should be arrested and a comprehensive independent investigation should begin immediately.
I receive hundreds of personal emails about injustice in America every single day. In mid-July, dozens of those emails were about a Bronx teenager named Pedro Hernandez. People all over the country had seen reports from Sarah Wallace of NBC New York or James Ford of Pix 11 on how Hernandez, who was jailed at Rikers Island, was running out of time to be released in time to start college. Hernandez had won awards at Rikers for his leadership and academic performance, and had also been granted a scholarship from the Posse Foundation to enter college this fall. Offered a plea deal from the Bronx DA’s Office to be released for time served, Hernandez did what few people in his position would do — he turned down the deal. Accused of shooting Shaun Nardoni, a neighborhood teenager, in the leg on September 1st, 2015, Hernandez was offered a ticket out of Rikers in exchange for admitting he shot Nardoni. The District Attorney even sweetened the pot and pledged to expunge his record in five years if he met all of the terms of his probation. Hernandez still refused to take the deal — continuing to pledge that he was completely innocent and would rather take his chances with a jury before admitting to something he didn’t do.
For nearly a week, people emailed me about Pedro’s case before I finally clicked on the link to see what it was all about. Tory Russell, an activist and organizer from St. Louis, who I’d come to know fr
om Ferguson, sent me a direct message on Twitter asking me if I could read the story and support Pedro somehow. I was on vacation with my family and it still took me another three days to finally read the story. I was hooked, but I had questions. As I Googled Pedro’s name and case, I saw several local reports that stated he had been wrongfully arrested and harassed by the NYPD for years. A guard at another facility was actually arrested and charged with criminal assault, endangering the welfare of a child, criminal obstruction of breathing and blood circulation, and harassment after being caught on film brutally beating and choking Pedro. Eight different eyewitnesses had all come forward to state that Pedro was not the shooter. Many even went so far as to identify the actual shooter. Why then, did Pedro remain behind bars? Why did it seem like the NYPD had it out for him? And how could the Bronx DA simultaneously believe that Pedro was safe enough to set free if he took the plea, but so dangerous, that if he didn’t, his bail would be set at an outrageous $250,000 with a stipulation that he not pay the typical 10%, but pay all $250,000 — effectively ensuring that he’d never get out on bail. That Pedro Hernandez, with the entire deck stacked against him, still refused to take a plea, hooked me.
As I reached out to Pedro’s family, I was immediately struck by something peculiar. I’ve written nearly 1,000 stories about police brutality and misconduct and have interviewed hundreds of families suffering through the consequences of those things. Almost every single one of those families, particularly when they are still in a stage of grief or conflict, without fail, want to speak exclusively about their very specific case. Pedro’s family was different. They immediately wanted me to know that Pedro was not alone, but that he was just one of hundreds of victims whose lives had been turned upside down by officers from the 42nd precinct in the Bronx who were working in close concert with the Bronx District Attorney’s Office. The accusations were so sweeping and broad that I wasn’t sure how to process them.
To read full article, go to: Soul Snatchers: How the NYPD’s 42nd Precinct, the Bronx DA’s Office, and the City of New York…
by Chris Villani via bostonherald.com
A Boston man who has maintained his innocence through nearly four decades behind bars was granted his freedom after Suffolk, MA prosecutors admitted his 1981 murder conviction was tainted by discredited witness identification and police tactics. “To quote Sam Cooke, ‘it’s been a long time coming,’ ” Frederick Clay said after walking out of the Suffolk Superior courtroom yesterday. “It’s been 38 years for something I didn’t do. I’m overwhelmed and sort of nervous.”
Clay, 53, emerged from the Boston courthouse with his arms raised and a wide smile on this face, having last experienced freedom when Jimmy Carter was in the White House and “Bad Girls” by Donna Summer was at the top of the charts. He was convicted of the 1979 execution-style murder of 28-year-old cab driver Jeffrey Boyajian, who was shot five times in the head at a Roslindale housing project.
“From day one, they told me I was facing natural life in prison,” Clay told reporters, “and that scared me. But I was not going to voluntarily put myself in prison for something I didn’t do.” Professing his innocence cost Clay at his first parole hearing in 2015, when the three board members who denied his release wrote that he had “yet to accept responsibility for his actions.”
One of the witnesses to the crime said he was sure about Clay’s guilt after being hypnotized by police, then a widely-accepted practice thought to enhance recollection. A second witness ID’d Clay after being promised he and his family could be relocated from their housing project if he helped investigators. Another man convicted in the slaying, James Watson, is still behind bars and prosecutors remain confident of his involvement.
Boyajian’s brother Jerry spoke in support of releasing Clay.“All my family has ever wanted was justice for my brother,” Boyajian said, recalling his older brother as a “jock” with a great sense of humor. “I really feel that justice failed Mr. Clay and, in that respect, it also failed my brother.”
To read full article, go to: Frederick Clay wins freedom, innocence back after nearly four decades in prison | Boston Herald
by David Begnaud via cbsnews.com
Alfred Angelo‘s slogan “your dream, your dress” became “your loss” when the bridal giant abruptly closed last month, declared bankruptcy and left brides-to-be lined up and stood up. “I thought we’re never gonna see ’em again. Let’s not even bother. They’re gone,” said Stephanie Huey. And they were gone. Both of Stephanie Huey’s bridesmaids dresses, as well as the dresses of the other heartbroken women who purchased at an Oklahoma City store.
Rozetia Ellis took them home. “Loaded in my car, front, trunk, back seat, side panel, on the floor board, until they stacked all the way up to the top,” Ellis said. She was a contracted seamstress of the store who had lost her job but rescued those dresses. “At that point we thought, ‘Oh my gosh, thank you.’ You know, we were so grateful,” Huey said.
But Rose, as she’s known, had one more surprise. At her home in Tulsa, she was working on a special wedding gift. Stitch by stitch, she is altering more than 80 dresses for free. “I was dumbfounded. Honestly dumbfounded,” Huey said. “My integrity says I have to, ok? So, you have standards for yourself then you live up to those standards,” Ellis said.
Once a week, Ellis fills her car with dresses and drives 110 miles to an Oklahoma City hotel to deliver them. Motivated to do something, Huey has raised at least $5,600 for Ellis through a Go Fund Me page. “It’s going down fast — I’ve been just a busy bee,” Ellis said. The Oklahoma grandmother says she will continue working 15-hour days and making those weekly drive to meet the brides, until the 20 or so gowns that are left fit just right.
To read full article and see video, go to: Former Alfred Angelo seamstress becomes hero for desperate brides-to-be – CBS News
by Rodney Carmichael via npr.org
Thirty years after becoming rap’s first sex symbol, LL Cool J will be the first hip-hop artist to receive Kennedy Center Honors in its 40-year history.
The rapper-turned-actor born James Todd Smith will be inducted with a prestigious 2017 class — including pop stars Lionel Richie, Gloria Estefan, television icon Norman Lear and choreographer Carmen de Lavallade – on Sunday, Dec. 3 at the Kennedy Center Opera House in Washington, D.C.
The honorees will be saluted by performers while seated alongside President Trump and First Lady Melania Trump. While Kennedy Center Honors acknowledge the lifetime achievements of contributors to American culture, the list has traditionally been limited in scope. But the inclusion of LL, born James Todd Smith, in this year’s honoree list further expands the center’s growing embrace of hip-hop culture.
Earlier this year the center appointed Simone Eccleston as its first director of Hip-Hop Culture after naming A Tribe Called Quest’s Q-Tip as artistic director of Hip-Hop Culture in 2016. Historic performances by Kendrick Lamar and Common have also underlined the center’s investment, and more programming for the 2017-18 season is expected to be announced in the coming months.
At 49, LL will be the Kennedy Center’s youngest honoree since Stevie Wonder. It’s a long way from home for the St. Albans, Queens native who made his first record, “I Need A Beat,” at 16, after his demo tape made it to the ears of producer and Def Jam founder Rick Rubin. As rap’s first bona fide solo star, LL was larger than life in the 1980s, the first to embody the street-corner swagger and sex appeal that would become a blueprint for future hip-hop icons ranging from Big Daddy Kane to Biggie.
Before an artist like Drake could legitimately mix hip-hop lyricism with R&B vulnerability, LL turned out the first hit rap ballad with 1987’s “I Need Love.” And the ladies loved him for it. Best known today for his starring roles in TV and film, he received his star on the Hollywood Walk of Fame last year. But after a career spanning 30-plus years and 13 albums, he’s yet to leave rap alone — he’s rumored to be in the studio recording with Dr. Dre.
To read full article, go to: LL Cool J To Become Kennedy Center’s First Hip-Hop Honoree : The Record : NPR
via thegrio.com
Joy-Ann Reid‘s talk show AM Joy on MSNBC keeps pulling in the numbers. For the fifth straight month, her show beat out CNN viewership in the same time slot, according to Shadow and Act. In July, her Saturday edition averaged 1.02 million viewers, versus CNN’s 778,000, and her Sunday edition averaged 880,000 viewers versus CNN’s 878,000.
What’s more, AM Joy has seen double-digit growth in the 25-54 demographic, with 45 percent growth on Saturday and 74 percent growth on Sunday. That same demographic, for comparison, has been down for both Fox and CNN in that same time period. Overall, AM Joy enjoyed 53 percent growth for the Saturday edition and 72 percent for total viewers for the Sunday edition.
To read more, go to: Joy-Ann Reid’s ‘AM Joy’ beats CNN in ratings for fifth straight month | theGrio
Serena Williams, Tracee Ellis Ross and other Celebrity Women Unite for ‘Black Women’s Equal Pay Day’
via thegrio.com
July 31st is Black Women’s Equal Pay Day.
This year, Equal Pay Day was on April 4 to mark the extra three months and a few days that women in general have to work in order to make as much as men do in a year, with the pay gap at around 80 cents to the dollar. But the gap is worse when you take race into account, with Black women only making 67 cents to every dollar.
Thus, Black women have to work 19 months to make what white men make in 12. To mark the day, celebrities and other notable women have all come together to stand for equal pay for all women, especially those who are disadvantages twice over.
While many celebrities, such as Tracee Ellis Ross, took to Twitter to explain the significance of the date, others used the platform to specifically call for change. “We need to do more to address the economic injustice that exists at the intersection of gender & race. #BlackWomensEqualPay,” wrote Senator Kamala Harris.
Others, like Remy Ma, expressed messages of consolidation and support: “Black women are the cornerstone of our communities, they are phenomenal & they deserve equal pay.”
Check out some of the best of #BlackWomensEqualPay from Twitter by going to: Celebrity women unite for ‘Black Women’s Equal Pay Day’ | theGrio
by Lilly Workneh via huffintonpost.com
A new video released Monday titled “The Talk” compellingly tackles the impact of racial bias through the lens of black parents in America. The video ― which was released by My Black Is Beautiful, a beauty brand owned by Procter & Gamble ― is a powerful two-minute clip that explores racial bias by depicting some of the burdens placed on parents of black children, who are challenged with having necessary but difficult discussions with their children about their survival and self-esteem.
The video follows several black parents who have talks with their children about the ways in which their skin color can affect how they are perceived and treated by others. In one scenario, a mom asks her son if he has his ID before heading to practice, in case he is stopped by police. In another, a mother instructs her daughter, who is a new driver, on what to do in case she is pulled over by a cop. In the opening scene, a young girl is seen telling her mom that she was told she was “pretty for a black girl,” to which her mother later responds sternly: “You’re not pretty for a black girl. You’re beautiful period.”
“Our goal with ‘The Talk’ is to help raise awareness about the impact of bias,” Damon Jones, director of global company communications at Procter & Gamble, told HuffPost. “We are also hopeful that we can make progress toward a less biased future by recognizing the power of people of all backgrounds and races showing up for one another.”
With recent studies reporting that black girls are seen as less innocent than white girls as young as the age of 5 and with black boys frequently seen as a threat in the eyes of law enforcement, parents of black children often live in worry and discomfort. Jones said he hopes videos like this help to raise social consciousness around the affect bias can have in all of our lives and remind people of the many ways bias can take form across genders, races, ages, weight, sexual orientations and more.
“It’s time for everyone to #TalkAboutBias,” reads one of the last messages in the video, encouraging people to continue the conversation online by using the hashtag. “Let’s all talk about the talk so we can end the need to have it.”
Source: Powerful New Video Tackles Racial Bias To Remind Kids Their ‘Black Is Beautiful’ | HuffPost
by Tre’vell Anderson via latimes.com
Making it in Hollywood is no easy feat, and doing so as a woman is even more difficult. If that woman is black — or Latina or Asian or otherwise nonwhite — the odds just aren’t in her favor. But with the release of “Girls Trip,” four black women — Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish — attempt a takeover of the buddy comedy, possibly the first time black women have led such a picture.
One reason as to why? The number of black women thought to be able to carry a studio-backed film is slim, and there hasn’t been a bona-fide black female comedic superstar since Whoopi Goldberg. We spoke to 18 funny black women about their industry experiences. Below are their thoughts:
Tracee Ellis Ross
“Girlfriends,” “black-ish”
While most probably know Tracee Ellis Ross as Rainbow on the hit “black-ish,” others see Joan Clayton of “Girlfriends,” the early 2000s show almost no one would argue about rebooting.
While most probably know Tracee Ellis Ross as Rainbow on the hit “Black-ish,” others see Joan Clayton of “Girlfriends” — the early 2000s show fans would love to see earn the revival or reunion treatment.
Regardless of her career experiences, Ross is just beginning to get her due recognition. In addition to nabbing a Golden Globe earlier this year, she’s earned her second consecutive Emmy nomination. Some might say she has all the makings of a comedic superstar.
But when she takes a moment to ponder other black women who fit the bill she’s forced to think hard.
“Regina Hall … Issa Rae … Jessica Williams,” she said after a moment, “but I shouldn’t have to search to come up with those names. The difficulty is, and I think what happens is, you might see somebody in a role and you’re like, ‘Holy …! She is so funny.’ Then she doesn’t get another opportunity, but she needs those roles because they help you build a career so everybody knows your name and knows what you’re capable of.
“And it’s not just black comedic women. There are, I’m sure, a lot of very funny Asian women and Latina women, and we know some of them, but it’s not because the talent doesn’t exist. The other thing is, the talent exists, but [performers] need the experience to keep getting better and have more depth.”
Ross is encouraged, however, by the likes of Rae.
“I think Issa is a beautiful example of ‘You’re not going to give me any real estate? Fine. I’m going to make it,’” she said. “There is revolution going on.”
How did you settle into comedic acting?
I loved making people laugh when I was younger. It was frowned upon during dinner time but I thought it was hilarious to make my sister laugh. It was often the thing that got me kicked out of class because I was always silly. It was one of the ways my shyness manifested and the way I protected myself and kept people at bay. And I’ve always been a very physical person so when I experience a feeling, I experience it in my entire body.
As I look back, it was a natural progression into the physical comedy and the ways I use my body. In terms of my career, I don’t know that it was a conscious choice that I moved into comedy, but it was an authentic choice. I don’t consider myself funny. I consider myself silly. I just tell the truth and my truth comes out in a way that makes people laugh. My goal isn’t to make people laugh, but I enjoy that exchange.
I think the difficulty for actors of any kind is when you get stuck with what other people assume is who you are. We’re actors and we can do anything.
— Tracee Ellis Ross
Who are some of your comedic inspirations?
I was a Carol Burnett, Lucy [Ball], Lily Tomlin type of girl. They were the three women that etched it in for me. I remember looking back and seeing Goldie Hawn in “Private Benjamin.” I was drawn to all of that growing up. Those were the women that defined freedom and courage [for me]. From there so many funny women like Julia Louis-Dreyfus — I don’t even understand [how she does it].
And then Whoopi Goldberg did the Moms Mabley documentary, and I was so grateful that she did that because it really showed me that Moms Mabley is specifically one of the reasons I can do what I do. She carved something out and did something so consciously that allows me to be a black woman in comedy.
Read more from Ross here: http://www.latimes.com/entertainment/la-ca-black-women-comedy-tracee-ellis-ross-20170720-htmlstory.html
Tiffany Haddish
“Girls Trip,” “Keanu,” “The Carmichael Show”