MOUNT VERNON, Va. — The costumed characters at George Washington’s gracious estate here are used to handling all manner of awkward queries, whether about 18th-century privies or the first president’s teeth. So when a visitor recently asked an African-American re-enactor in a full skirt and head scarf if she knew Ona Judge, the woman didn’t miss a beat.
Judge’s escape from the presidential residence in Philadelphia in 1796 had been “a great embarrassment to General and Lady Washington,” the woman said, before offering her own view of the matter.“Ona was born free, like everybody,” she said. “It was this world that made her a slave.”
It’s always 1799 at Mount Vernon, where more than a million visitors annually see the property as it was just before Washington’s death, when his will famously freed all 123 of his slaves. That liberation did not apply to Ona Judge, one of 153 slaves held by Martha Washington.
But Judge, it turned out, evaded the Washingtons’ dogged (and sometimes illegal) efforts to recapture her, and would live quietly in New Hampshire for another 50 years. Now her story — and the challenge it offers to the notion that Washington somehow transcended the seamy reality of slaveholding — is having its fullest airing yet. Judge is among the 19 enslaved people highlighted in “Lives Bound Together: Slavery at George Washington’s Mount Vernon,” the first major exhibition at Mount Vernon dedicated to the topic (it runs through 2018, check link above for details).
She is also the subject of a book, “Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge,” by Erica Armstrong Dunbar.
Most scholars who have written about Judge’s escape have used it as a lens onto Washington’s evolving ideas about slavery. But “Never Caught,” published this Tuesday by 37 Ink, flips the perspective, focusing on what freedom meant to the people he kept in bondage. “We have the famous fugitives, like Harriet Tubman and Frederick Douglass,” Ms. Dunbar, a professor of black studies and history at the University of Delaware, said in an interview in Mount Vernon’s 18th-century-style food court. “But decades before them, Ona Judge did this. I want people to know her story.”
Research on slavery has exploded in the two decades since Mount Vernon, Monticello and other founder home sites introduced slavery-themed tours and other prominent acknowledgments of the enslaved. “Lives Bound Together” was originally going to fill one 1,100-square-foot room in the museum here, but soon expanded to include six other galleries normally dedicated to the decorative and fine arts, books and manuscripts.
The exhibition makes it clear just who poured from the elegant teapots and did the backbreaking work on the 8,000-acre estate. But integrating the harsh reality of slavery into the heroic story of Washington — “a leader of character,” as the title of the permanent exhibition across from the slavery show calls him — remains unfinished work, some scholars say.
“He’s a much more mythic figure than Jefferson,” said Annette Gordon-Reed, the author of “The Hemingses of Monticello” and a Harvard professor. “Many people want to see him as perfect in some way.”
But his determined pursuit of Judge, she said, as much as his will freeing his slaves, reflects the basic mind-set of slave owners. “It’s saying, ‘Whatever I might think about slavery in the abstract, I should be able to do what I want with my property,’” she said.
Ms. Dunbar, the author of “Never Caught,” first came across Ona Judge in the late 1990s, when she was a graduate student at Columbia researching free black women in Philadelphia.One day in the archives, she noticed a 1796 newspaper ad offering $10 for the return of “a light Mulatto girl, much freckled, with very black eyes and bushy hair” who had “absconded” from the president’s house. “I said to myself: ‘Here I am, a scholar in this field. Why don’t I know about her?’” Ms. Dunbar recalled.
Since then, Judge’s story has inspired several children’s books, and even an episode of “Drunk History.” But “Never Caught” is the first full-length nonfiction account, drawing on some newly unearthed sources to track her from Mount Vernon to New York City, Philadelphia and then New Hampshire, at a time when gradual abolition left the line between slavery and freedom ambiguous. “There’s a myth of the North as free, but her story shows how complicated that was,” Ms. Dunbar said.
To read full article, go to: https://www.nytimes.com/2017/02/06/arts/george-washington-mount-vernon-slavery.html?_r=0